愛卡夫式恐怖係指透過展示人嘅微不足道令讀者覺得驚嘅恐怖故仔,例子有美國作家 H. P. 愛卡夫嘅作品。喺呢啲故仔入面,威脅主角生存嘅力量係一啲規模極宏大嘅事物,例如係一個外形極古怪、身體好似星球咁大、力量無邊、而且當人類係玩具噉玩嘅神,呢個神用各種方法玩弄主角,將啲恐怖靈異生物逐一派去殺主角,而喺主角辛苦一輪逃離啲生物嘅追殺之後,個神淨係笑咗笑,再不費吹灰之力一吓殺死主角-令讀者感覺到人係幾咁微細同無力[55]。
Toolan, M. (2001). Narrative: A Critical Linguistic Introduction. Interface. London: Routledge. p. 2,我引咗嗰段文嘅英文原文:"Narrative is a perceived sequence of non-randomly connected events, typically involving, as the experiencing agonist, humans or quasi-humans, or other sentient beings, from whose experience we human can learn."
Karimi, Edith (2016). Mimetische Bildung durch Märchen: Phantasie, Narration, Moral [Mimetic education through Märchen: phantasy, narration, morality]. European Studies in Education (in German). 34. Münster: Waxmann Verlag. p. 110. ISBN 9783830984726. Retrieved 2018-10-25. Manche Märchen ordnet [August] Nitschke den Jägern und Hirten der letzten Eiszeit zu, andere den Bauern und Fischern im Mesolithikum, wieder andere den Seefahrern der Meglithgesellschaft oder den Helden der Indogermanen. [August Nitschke assigns many fairy-tales to the hunters and herders of the last Ice Age, other ones to the farmers and fisherfolk of the Mesolithic, and still other ones to the seafarers of the megalith cultures or to the heroes of the Indo-European peoples.]
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Ansen Dibell, Ph.D. (1999-07-15). Plot. Elements of Fiction Writing. Writer's Digest Books. pp. 5 f. ISBN 978-0-89879-946-0. Plot is built of significant events in a given story – significant because they have important consequences. Taking a shower isn't necessarily plot... Let's call them incidents ... Plot is the things characters do, feel, think or say, that make a difference to what comes afterward.
Hühn, Peter; Sommer, Roy (2012). "Narration in Poetry and Drama". The Living Handbook of Narratology. Interdisciplinary Center for Narratology, University of Hamburg.
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James L. Resseguie, "Point of View," in How John Works: Storytelling in the Fourth Gospel, ed. Douglas Estes and Ruth Sheridan (Atlanta: SBL Press, 2016), 83-5.
Asimov, "How Easy to See the Future!", Natural History, 1975,原文:"Science fiction can be defined as that branch of literature which deals with the reaction of human beings to changes in science and technology."
Heinlein, Robert A.; Cyril Kornbluth; Alfred Bester; Robert Bloch (1959). The Science Fiction Novel: Imagination and Social Criticism. University of Chicago: Advent Publishers,原文:"A handy short definition of almost all science fiction might read: realistic speculation about possible future events, based solidly on adequate knowledge of the real world, past and present, and on a thorough understanding of the nature and significance of the scientific method."
Nguyen, Trung (20 December 2016). History of Humans. Is There a God?. 3. EnCognitive. ASIN B01MS00MUT. Cosmicism [is] [t]he literary philosophy…stating that there is no recognizable divine presence, such as God, in the universe, and that humans are particularly insignificant in the larger scheme of intergalactic existence.
Poulin, R. (2012). Graphic design and architecture, a 20th century history: a guide to type, image, symbol, and visual storytelling in the modern world. Rockport Pub.
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Hodge, F., Pasqua, A., Marquez, C., & Geishirt-Cantrell, B. (2002). Utilizing Traditional Storytelling to Promote Wellness in American Indian Communities. Journal of Transcultural Nursing, 6-11.
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Harmon, William (2012), A Handbook to Literature (12th ed.), Boston: Longman, ISBN 978-0-205-02401-8.
Hunter, Kathryn Montgomery (1991). Doctors' Stories: The Narrative Structure of Medical Knowledge. Princeton, NJ: Princeton University Press.
Labov, William. (1972). Chapter 9: The Transformation of Experience in Narrative Syntax. In: "Language in the Inner City." Philadelphia, PA: University of Pennsylvania Press.
Lévi-Strauss, Claude. Mythologiques I-IV (Translated by John Weightman & Doreen Weightman)
Linde, Charlotte (2001). Chapter 26: Narrative in Institutions. In: Deborah Schiffrin, Deborah Tannen & Heidi E. Hamilton (ed.s) "The Handbook of Discourse Analysis." Oxford & Malden, MA: Blackwell Publishing.
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Pérez-Sobrino, Paula (2014). "Meaning construction in verbomusical environments: Conceptual disintegration and metonymy". Journal of Pragmatics. Elsevier. 70: 130-151. doi:10.1016/j.pragma.2014.06.008.