Mellor filme |
Mellor director |
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Mellor actor |
Mellor actriz |
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- Maggie Smith - The Prime of Miss Jean Brodie como Miss Jean Brodie
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Mellor actor secundario |
Mellor actriz secundaria |
- Gig Young - They Shoot Horses, Don't They? como Rocky
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Mellor guión orixinal |
Mellor guión adaptado |
- Butch Cassidy and the Sundance Kid - William Goldman
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Mellor filme en lingua non inglesa |
Mellor deseño de vestiario |
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Mellor documental |
Mellor curtametraxe documental |
- Arthur Rubinstein – The Love of Life
- Before the Mountain Was Moved
- In the Year of the Pig
- Olimpiada en México
- The Wolf Men
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- Czechoslovakia 1968 - Denis Sanders e Robert M. Fresco, Producers
- An Impression of John Steinbeck: Writer
- Jenny Is a Good Thing
- Leo Beuerman
- The Magic Machines
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Mellor curtametraxe de ficción |
Mellor curtametraxe animada |
- The Magic Machines - Joan Keller Stern
- Blake - National Film Board of Canada - Doug Jackson
- People Soup - Marc Merson
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- It's Tough to Be a Bird - Walt Disney Productions, Buena Vista Distribution - Ward Kimball
- Of Men and Demons - Hubley Studios, Paramount - John Hubley e Faith Hubley
- Walking - National Film Board of Canada, Columbia - Ryan Larkin
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Mellor banda sonora |
Mellor banda sonora adaptada |
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- Hello, Dolly! – Banda sonora adaptada de Lennie Hayton e Lionel Newman
- Goodbye, Mr. Chips – Música e letra de Leslie Bricusse; adaptación de John Williams
- Paint Your Wagon – Banda sonora adaptada de Nelson Riddle
- A doce caridade – Banda sonora adaptada de Cy Coleman
- They Shoot Horses, Don't They? – Banda sonora adaptada de John Green e Albert Woodbury
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Mellor canción |
Mellor son |
- "Raindrops Keep Fallin' on My Head" de Butch Cassidy and the Sundance Kid - Burt Bacharach e Hal David
- "Come Saturday Morning" — The Sterile Cuckoo • Música: Fred Karlin • Letra: Dory Previn
- "Jean" — The Prime of Miss Jean Brodie • Música e letra: Rod McKuen
- "True Grit" — Valor de lei • Música: Elmer Bernstein • Letra: Don Black
- "What Are You Doing the Rest of Your Life?" — The Happy Ending • Música: Michel Legrand • Letra: Alan Bergman e Marilyn Bergman
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- Hello, Dolly! - Jack Solomon e Murray Spivack
- Ana dos mil días - John Aldred
- Butch Cassidy and the Sundance Kid - William Edmondson e David Dockendorf
- Gaily, Gaily - Robert Martin e Clem Portman
- Marooned - Les Fresholtz e Arthur Piantadosi
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Mellor dirección de arte |
Mellor fotografía |
- Hello, Dolly! - John DeCuir, Jack Martin Smith, Herman Blumenthal, Walter M. Scott, George James Hopkins, Raphael Bretton
- Ana dos mil días - Maurice Carter, Lionel Couch, Patrick McLoughlin
- Gaily, Gaily - Robert F. Boyle, George B. Chan, Edward G. Boyle, Carl Biddiscombe
- A doce caridade – Alexander Golitzen, George C. Webb, Jack D. Moore
- They Shoot Horses, Don't They? - Harry Horner, Frank McKelvy –
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- Butch Cassidy and the Sundance Kid - Conrad L. Hall
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Mellor montaxe |
Mellores efectos visuais |
- Z—Françoise Bonnot
- Hello, Dolly!—William H. Reynolds
- Cowboy de medianoite—Hugh A. Robertson
- The Secret of Santa Vittoria—William A. Lyon, Earle Herdan
- They Shoot Horses, Don't They?—Fredric Steinkamp
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- Marooned - Robbie Robertson
- Krakatoa, East of Java - Eugène Lourié e Alex Weldon
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