We, unaccustomed to courage exiles from delight live coiled in shells of loneliness until love leaves its high holy temple and comes into our sight to liberate us into life.
Who sings of all of Love's eternity Who shines so bright In all the songs of Love's unending spells? Holy lightning strikes all that's evil Teaching us to love for goodness sake. Hear the music of Love Eternal Teaching us to reach for goodness sake.
Unconscionable Love, bane and tormentor of mankind, parent of strife, fountain of tears, source of a thousand ills.
Apollonius of Rhodes, Argonautica (3rd century BC), Book IV, lines 445–447 (tr. E. V. Rieu)
Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves — and yet The same heart beats in every human breast!
Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.
Hunger allows no choice To the citizen or the police; We must love one another or die.
W. H. Auden, September 1, 1939 (1939) Lines 78-88; for a 1955 anthology text the poet changed this line to "We must love one another and die" to avoid what he regarded as a falsehood in the original.
Ask not of me, love, what is love? Ask what is good of God above; Ask of the great sun what is light; Ask what is darkness of the night; Ask sin of what may be forgiven; Ask what is happiness of heaven; Ask what is folly of the crowd; Ask what is fashion of the shroud; Ask what is sweetness of thy kiss; Ask of thyself what beauty is.
The mightiest love was granted him Love that does not expect to be loved.
Jorge Luis Borges, of Baruch Spinoza in "Baruch Spinoza", as translated in Spinoza and Other Heretics: The Marrano of Reason (1989) by Yirmiyahu Yovel
If thou must love me, let it be for nought Except for love's sake only. Do not say "I love her for her smile — her look — her way Of speaking gently, — for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day" — For these things in themselves, Beloved, may Be changed, or change for thee, — and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry, — A creature might forget to weep, who fbore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou may'st love on, through love's eternity.
I would not be a rose upon the wall A queen might stop at, near the palace-door, To say to a courtier, "Pluck that rose for me, It's prettier than the rest." O Romney Leigh! I'd rather far be trodden by his foot, Than lie in a great queen's bosom.
For life, with all it yields of joy and woe, And hope and fear (believe the aged friend), Is just our chance o' the prize of learning love,— How love might be, hath been indeed, and is.
Every morning I shall concern myself anew about the boundary Between the love-deed-Yes and the power-deed-No And pressing forward honorreality.
We cannot avoid Using power, Cannot escape the compulsion To afflict the world, So let us, cautious in diction And mighty in contradiction, Love powerfully.
Only tragedy allows the release Of love and grief never normally seen. I didn't want to let them see me weep, I didn't want to let them see me weak, But I know I have shown That I stand at the gates alone.
O! that the Desert were my dwelling place, With one fair Spirit for my minister, That I might all forget the human race, And, hating no one, love but only her!
Man's love is of man's life a thing apart, 'Tis woman's whole existence: man may range The court, camp, church, the vessel, and the mart, Sword, gown, gain, glory, offer in exchange Pride, fame, ambition, to fill up his heart, And few there are whom these cannot estrange; Men have all these resources, we but one, To love again, and be again undone.
Amor é um fogo que arde sem se ver, É ferida que dói, e não se sente; É um contentamento descontente, É dor que desatina sem doer. É um não querer mais que bem querer; É um andar solitário entre a gente; É nunca contentar-se de contente; É um cuidar que ganha em se perder. É querer estar preso por vontade; É servir a quem vence, o vencedor; É ter com quem nos mata, lealdade. Mas como causar pode seu favor Nos corações humanos amizade, Se tão contrário a si é o mesmo Amor?
Love is a fire that burns, but is never seen; a wound that hurts, but is never perceived; a pleasure that starts a pain that’s unrelieved; a pain that maddens without any pain; a serene desire for nothing, but wishing her only the best; a lonely passage through the crowd; the resentment of never being content with one’s contentment; a caring that gains only when losing; an obsessed desire to be bound, for love, in jail; a capitulation to the one you’ve conquered yourself; a devotion to your own assassin every single day. So how can Love conform, without fail, every captive human heart, if Love itself is so contradictory in every possible way?
What have I done? What horrid crime committed? To me the worst of crimes—outliv'd my liking.
Colley Cibber, Richard III (1700), Act III, scene 2; altered from Shakespeare
There are no signs, There are no stars aligned, No amulets no charms, To bring you back to my arms. There's just this humanheart. That's built with this human fault. What was your question? Love is the answer.
Years! Years, ye shall mix with me! Ye shall grow a part Of the laughing Sea; Of the moaning heart Of the glittered wave Of the sun-gleam's dart In the ocean-grave.
Fair, cold, and faithless wert thou, my own! For that I love Thy heart of stone! From the heights above To the depths below, Where dread things move,
There is naught can show A life so trustless! Proud be thy crown! Ruthless, like none, save the Sea, alone!
When they lay down beside me I made my confession to them. They touched both my eyes and I touched the dew on their hem. If your life is a leaf that the seasons tear off and condemn, They will bind you with love that is graceful and green as a stem.
I swept the marble chambers, But you sent me down below. You kept me from believing Until you let me know: That I am not the one who loves — It's love that chooses me. When hatred with his package comes, You forbid delivery.
Anything that's worth havin' Sure enough worth fighting for. Quittin's out of the question When it gets tough, gotta fight some more. ... We gotta fight, fight, fight, fight, fight for this love. If its woth having, it's worth fightin for.
Now everyday ain't gonna be no picnic Love ain't no walk in the park All you can do is make the best of it now Can't be afraid of the dark Just know that you're not in this thing alone There's always a place in me that you can call home.
Flowers are lovely; love is flower-like; Friendship is a sheltering tree; Oh the joys that came down shower-like, Of friendship, love, and liberty, Ere I was old!
Now here we are, The two of us, And nothing's gonna come between us again. Forever love, I feel you're with me, You're the sun that chases away the rain. I cherish all the love you bring, It's here forever and a day, I love you more than anything, I can't throw that away. My Love. [...] For the memory of you, For all the times we shared together, For all we've been through, Forever Love.
Mine to the core of the heart, my beauty! Mine, all mine, and for love, not duty: Love given willingly, full and free, Love for love's sake — as mine to thee. Duty's a slave that keeps the keys, But Love, the master, goes in and out Of his goodly chambers with song and shout, Just as he please — just as he please.
I was searching for an answer In a world so full of strangers But what I found was never really enough Now that I've found you I'm looking in the eyes of love (In the eyes of love)
Baby you've been good to me Oh, so much more that you could know, yeah, yeah I never thought that I would find Someone who's so sweet and kind Like you...
Please believe me when I say This time I won't run away I swear by all the heaven's stars above Now that I've found you I'm looking in the eyes of love
Looking in the eyes of love... I can see forever, yeah... I can see you and me Walking in this world together
Oh, my heart's found a hope... I've been dreaming of... Now that I've found you I'm looking in the eyes of love
I somehow see what's beautiful In things that are ephemeral I'm my only friend of mine And love is just a piece of time in the world in the world. And I couldn't help but fall in love again.
Zooey Deschanel, She & Him: Volume One (2008), "I Thought I Saw Your Face Today"
Old habits die hard when you got, when you got a sentimental heart Piece of the puzzle, you're my missing part Oh what can you do with a sentimental heart?
Love is not a feeling to pass away Like the balmy breath of a Summer's day....... Love is not a passion of earthly mould As a thirst for honour, or fame, or gold
Charles Dickens, From Lucy's Song in The Poems and Verses of Charles Dickens, Chapman & Hall, London 1903
A purple robe he wore, o'erwrought with gold With the device of a great snake, whose breath Was a fiery flame: which when I did behold I fell a-weeping and I cried, "Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasant realms? I pray thee speak me sooth What is thy name?" He said, "My name is Love." Then straight the first did turn himself to me And cried, "He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame." Then sighing said the other, "Have thy will, "I am the Love that dare not speak its name."
My heart's so full of joy, That I shall do some wild extravagance Of love in public, and the foolish world, Which knows not tenderness, will think me mad.
Lady of silences Calm and distressed Torn and most whole Rose of memory Rose of forgetfulness Exhausted and life-giving Worried reposeful The single Rose Is now the Garden Where all loves end Terminate torment Of love unsatisfied The greater torment Of love satisfied End of the endless Journey to no end Conclusion of all that Is inconclusible Speech without word and Word of no speech Grace to the Mother For the Garden Where all love ends.
Can we only love Something created in our own imaginations? Are we all in fact unloving and unloveable? Then one is alone, and if one is alone Then lover and beloved are equally unreal And the dreamer is no more real than his dreams.
Desire itself is movement Not in itself desirable; Love is itself unmoving, Only the cause and end of movement, Timeless, and undesiring Except in the aspect of time Caught in the form of limitation Between un-being and being.
Love is most nearly itself When here and now cease to matter. Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.
Who then devised the torment? Love. Love is the unfamiliar Name Behind the hands that wove The intolerable shirt of flame Which human power cannot remove. We only live, only suspire Consumed by either fire or fire.
Old sundial, you stand here for Time: For Love, the vine that round your base Its tendrils twines, and dares to climb And lay one flower-capped spray in grace Without the asking on your cold Unsmiling and unfrowning face.
Eleanor Farjeon, Pan-Worship and Other Poems (1908), Time And Love
Upon your shattered ruins where This vine will flourish still, as rare, As fresh, as fragrant as of old. Love will not crumble.
Eleanor Farjeon, Pan-Worship and Other Poems (1908), Time And Love
Dropt tears have hastened your decay And brought you one step nigher death; And you have heard, unthrilled, unmoved, The music of Love's golden breath And seen the light in eyes that loved. You think you hold the core and kernel Of all the world beneath your crust, Old dial? But when you lie in dust, This vine will bloom, strong, green, and proved. Love is eternal.
Eleanor Farjeon, Pan-Worship and Other Poems (1908), Time And Love
Prometheus, I have no Titan's might, Yet I, too, must each dusk renew my heart, For daytime's vulture talons tear apart The tender alcoves built by love at night.
Philip José Farmer, "In Common" in Starlanes #14 (April 1954); re-published in Pearls From Peoria (2006)
One thing is sure, O comrades, that the love That fights to keep us rooted in the earth, But also urges us to dare the stars, This irresistible, this ancient power Wedged in the soul, unshakable, is the light That burns our roots and leaves us free for Space.
Philip José Farmer, Sestina of the Space Rocket (1953), first published in Startling Stories (February 1953); re-published in Pearls From Peoria (2006)
The way is open, comrades, free as Space Alone is free. The only gold is love, A coin that we have minted from the light Of others who have cared for us on Earth And who have deposited in us the power That nerves our nerves to seize the burning stars.
Philip José Farmer, Sestina of the Space Rocket (1953), first published in Startling Stories (February 1953); re-published in Pearls From Peoria (2006)
Yes, we hope to seed a new, rich earth. We hope to breed a race of men whose power Dwells in hearts as open as all Space Itself, who ask for nothing but the light That rinses the heart of hate so that the stars Above will be below when man has Love.
Philip José Farmer, Sestina of the Space Rocket (1953), first published in Startling Stories (February 1953); re-published in Pearls From Peoria (2006)
Just one step at a time And closer to destiny I knew at a glance There'd always be a chance for me With someone I could live for Nowhere I would rather be. Is your love strong enough Like a rock in the sea? Am I asking too much? Is your love strong enough?
Robert Fulghum, "Credo" at his official website; this may be partly influenced by remarks of Albert Einstein in "What Life Means to Einstein: An Interview by George Sylvester Viereck" The Saturday Evening Post (26 October 1929): I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.
Love the battle between chaos and imagination. Remember: Acting is living truthfully in imaginary circumstances. Remember: Acting is the way to live the greatest number of lives. Remember: Acting is the same as real life, lived intentionally. Never forget: The Fruit is out on the end of the limb. Go there.
I need your love I need your time When everything's wrong You make it right I feel so high I come alive I need to be free with you tonight I need your love
Love, which is lust, is the Lamp in the Tomb. Love, which is lust, is the Call from the Gloom. Love, which is lust, is the Main of Desire. Love, which is lust, is the Centric Fire. So man and woman will keep their trust, Till the very Springs of the Sea run dust. Yea, each with the other will lose and win, Till the very Sides of the Grave fall in. For the strife of Love's the abysmal strife, And the word of Love is the Word of Life. And they that go with the Word unsaid, Though they seem of the living, are damned and dead.
You who suffer because you love, love still more. To die of love is to live by it. Love! A dark and starry transfiguration is mingled with that torment. There is ecstacy in the agony.
Les Misérables (1862) by Victor Hugo, Book V - An End Unlike the Beginning, Ch. IV - A Heart Beneath A Stone
Better get ready gonna see the light Love, love is the answer and that's all right So don't you give up now so easy to find Just look to your soul and open your mind
When I have fears that I may cease to be Before my pen has glean’d my teeming brain, Before high piled books, in charact’ry, Hold like rich garners the full-ripen’d grain; When I behold, upon the night’s starr’d face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love! — then on the shore Of the wide world I stand alone, and think Till Love and Fame to nothingness do sink.
A thing of beauty is a joy forever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing.
Ghosts of melodious prophesyings rave Round every spot where trod Apollo's foot; Bronze clarions awake, and faintly bruit, Where long ago a giant battle was; And, from the turf, a lullaby doth pass In every place where infant Orpheus slept. Feel we these things? — that moment have we stept Into a sort of oneness, and our state Is like a floating spirit's. But there are Richer entanglements, enthralments far More self-destroying, leading, by degrees, To the chief intensity: the crown of these Is made of love and friendship, and sits high Upon the forehead of humanity.
Love will come find you Just to remind you Of who you are [...] See that's the thing about love [...] Then life It will embrace you Totally amaze you So you don't give up
Ah Love! could you and I with him conspire To grasp this sorry Scheme of Things entire Would we not shatter it to bits—and then Re-mould it nearer to the Heart's Desire?
For, once he thrilled with high romance And tuned to love his eager voice. Like any cavalier of France He wooed the maiden of his choice. And now deep in his weary heart Are sacred flames that whitely burn. He has of Heaven's grace a part Who loves, who is beloved in turn.
Joyce Kilmer, Trees and Other Poems (1914), Delicatessen
The song within your heart could never rise Until love bade it spread its wings and soar.
Joyce Kilmer, Main Street and Other Poems (1917), In Memory
Love is made out of ecstasy and wonder; Love is a poignant and accustomed pain. It is a burst of Heaven-shaking thunder; It is a linnet's fluting after rain.
Joyce Kilmer, Main Street and Other Poems (1917), In Memory
Tonight You're mine completely, You give your love so sweetly Tonight the light of love is in your eyes, But will you love me tomorrow?
You've got to get up every morning with a smile on your face And show the world all the love in your heart The people gonna treat you better, You're gonna find, yes you will, That you're beautiful as you feel.
You may find many a brighter one Than your own rose, but there are none So true to thee, Love.
Letitia Elizabeth LandonThe London Literary Gazette (5th January 1822) 'Song - Are other eyes beguiling, Love?'
Do any thing but love; or if thou lovest And art a Woman, hide thy love from him Who thou dost worship; never let him know How dear he is; flit like a bird before him, — Lead him from tree to tree, from flower to flower; But be not won, or thou wilt, like that bird, When caught and caged, be left to pine neglected, And perish in forgetfulness.
And this is Love! Oh! why should woman love; Wasting her dearest feelings, till health, hope, Happiness, are but things of which henceforth She'll only know the name?
Ah! never is that cherished face Banished from its accustomed place— It shines upon my weariest night It leads me on in thickest fight: All that seems most opposed to be Is yet associate with thee— Together life and thee depart, Dream—idol—treasure of my heart.
These blossoms, gathered in familiar paths, With dear companions now passed out of sight, Shall not be laid upon their graves. They live, Since love is deathless. Pleasure now nor pride Is theirs in mortal wise, but hallowing thoughts Will meet the offering, of so little worth, Wanting the benison death has made divine.
Those that go searching for love only make manifest their own lovelessness, and the loveless never find love, only the loving find love, and they never have to seek for it.
'Cause all of me Loves all of you Love your curves and all your edges All your perfect imperfections Give your all to me I'll give my all to you You're my end and my beginning
There's nothing you can do that can't be done Nothing you can sing that can't be sung Nothing you can say but you can learn how to play the game It's easy.
We all been playing those mind games forever Some kinda druid dudes lifting the veil. Doing the mind guerrilla, Some call it magic — the search for the grail.
Love is the answer and you know that for sure. Love is a flower, you got to let it — you got to let it grow.
Say you'll love, love me forever Never stop, not for whatever Near and far and always and Everywhere and everything. I love you, always forever Near and far, close and together Everywhere, I will be with you Everything, I will do for you I love you, always forever Near and far, close and together Everywhere, I will be with you Everything, I will do for you.
The power of love is a curious thing Make a one man weep, make another man sing Change a hawk to a little white dove More than a feeling that's the power of love Tougher than diamonds, rich like cream Stronger and harder than a bad girl's dream Make a bad one good make a wrong one right Power of love that keeps you home at night
Huey Lewis and the News, The Power of Love (1985)
You don't need money, don't take fame Don't need no credit card to ride this train It's strong and it's sudden and it's cruel sometimes But it might just save your life That's the power of love
Huey Lewis and the News, The Power of Love (1985)
Ah, how skillful grows the hand That obeyeth Love's command! It is the heart, and not the brain, That to the highest doth attain, And he who followeth Love's behest Far excelleth all the rest!
Henry Wadsworth Longfellow, "The Building of the Ship" in Voices of the Night: The Seaside and the Fireside; and Other Poems (1846), p. 34
That was the first sound in the song of love! Scarce more than silence is, and yet a sound. Hands of invisible spirits touch the strings Of that mysterious instrument, the soul, And play the prelude of our fate. We hear The voice prophetic, and are not alone.
How can I tell the signals and the signs By which one heart another heart divines? How can I tell the many thousand ways By which it keeps the secret it betrays?
Henry Wadsworth Longfellow, Tales of a Wayside Inn (1863-1874), Part III. Student's Tale. Emma and Eginhard, line 75
What is love? Baby, don't hurt me. Don't hurt me, no more.
Nestor Alexander Haddaway, "What Is Love" (1993), written by Dieter Lünstedt and Karin Hartmann-Eisenblätter, The Album (May 1993), Germany: Coconut Records
Underneath a starry sky Time was still but hours must really have rushed by I didn't realize But love was in your eyes I really should have gone But love went on and on
Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone.
Love means to look at yourself The way one looks at distant things For you are only one thing among many. And whoever sees that way heals his heart, Without knowing it, from various ills — A bird and a tree say to him: Friend.
Czesław Miłosz , Rescue (1945), "The World": Love (1943), trans. Czesŀaw Miŀosz
It is not virtue, wisdom, valour, wit, Strength, comeliness of shape, or amplest merit, That woman's love can win, or long inherit; But what it is, hard is to say, Harder to hit.
We have come by curious ways To the Light that holds the days; We have sought in haunts of fear For that all-enfolding sphere: And lo! it was not far, but near.
We have found, O foolish-fond, The shore that has no shore beyond.
Deep in every heart it lies With its untranscended skies; For what heaven should bend above Hearts that own the heaven of love?
Alfred Noyes, The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan, Epilogue
Your dreamers may dream it The shadow of a dream, Your sages may deem it A bubble on the stream; Yet our kingdom draweth nigher With each dawn and every day, Through the earthquake and the fire "Love will find out the way."
Alfred Noyes, Drake, an English Epic (1908), Song, Book VIII, p. 146
Heart of my heart, the world is young; Love lies hidden in every rose! Every song that the skylark sung Once, we thought, must come to a close: Now we know the spirit of song, Song that is merged in the chant of the whole, Hand in hand as we wander along, What should we doubt of the years that roll?
Heart of my heart, we are one with the wind, One with the clouds that are whirled o'er the lea, One in many, O broken and blind, One as the waves are at one with the sea! Ay! when life seems scattered apart, Darkens, ends as a tale that is told, One, we are one, O heart of my heart, One, still one, while the world grows old.
Over the mountains, And over the waves, Over the fountains, And under the graves; Over the floods that are deepest, Which do Neptune obey; Over the rocks that are steepest, Love will find out the way.
Thomas Percy, "Love Will Find Out the Way" as published in Reliques of Ancient English Poetry (1765); in its publshed form this is suspected to have been extensively written by Percy himself; it was later used by Pierre de Beaumarchais in Act III of The Marriage of Figaro (1778)
O amor é que é essencial. O sexo é só um acidente.
It's love that is inescapable. Sex is the merest accident.
Fernando Pessoa, Poem (5 April 1935), reported in Poesias inéditas (1930-1935), p. 192
Variant translation:
Love is essential. Sex, a mere accident.
Love is the crowning grace of humanity, the holiest right of the soul, the golden link which binds us to duty and truth, the redeeming principle that chiefly reconciles the heart to life, and is prophetic of eternal good.
Petrarch, reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 392
Years of love have been forgot In the hatred of a minute.
Edgar Allan Poe, To M——— (1829), reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Thou wouldst be loved? — then let thy heart From its present pathway part not! Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise, And love — a simple duty.
The holiness of the real Is always there, accessible In total immanence. The nodes Of transcendence coagulate In you, the experiencer, And in the other, the lover.
Now I know surely and forever, However much I have blotted our Waking love, its memory is still there. And I know the web, the net, The blind and crippled bird. For then, for One brief instant it was not blind, nor Trapped, not crippled. For one heart beat the Heart was free and moved itself. O love, I who am lost and damned with words, Whose words are a business and an art, I have no words. These words, this poem, this Is all confusion and ignorance. But I know that coached by your sweet heart, My heart beat one free beat and sent Through all my flesh the blood of truth.
I can't compete with a memory How can I fight with someone that I can't see? There's two of us but it feels like three I wish her ghost would just let us be Boy you're everything I ever wanted But I got to let you go 'cause this love is Haunted.
Love is the ark appointed for the righteous, Which annuls the danger and provides a way of escape. Sell your cleverness and buy bewilderment. Cleverness is mere opinion, bewilderment intuition.
Rumi, The Masnavi, Book IV, Story II, as translated in Masnavi I Ma'navi: The Spiritual Couplets of Maulána Jalálu-'d-Dín Muhammad Rúmí (1898) by Edward Henry Whinfield
Variant: Sell your cleverness and buy bewilderment. Cleverness is mere opinion, bewilderment is intuition.
Let the lover be disgraceful, crazy, absent-minded. Someone sober will worry about events going badly. Let the lover be.
Rumi, The Essential Rumi (1995), Ch. 4: Spring Giddiness, p. 46
Gamble everything for love, if you are a true human being.
Rumi, The Essential Rumi (1995), "On Gambling" Ch. 18: The Three Fish, p. 193
Come, seek, for search is the foundation of fortune: every success depends upon focusing the heart.
Rumi, Jewels of Remembrance: A Daybook of Spiritual Guidance: Containing 365 Selections from the Wisdom of Rumi (1996) Translated by Camille and Kabir Helminski, III, 2302-5
Love rests on no foundation. It is an endless ocean, with no beginning or end.
Rumi, Hush Don't Say Anything to God: Passionate Poems of Rumi (1999) as translated by Shahram Shiva
This is a gathering of Lovers. In this gathering there is no high, no low, no smart, no ignorant, no special assembly, no grand discourse, no proper schooling required. There is no master, no disciple. This gathering is more like a drunken party, full of tricksters, fools, mad men and mad women. This is a gathering of Lovers.
Rumi, Hush Don't Say Anything to God: Passionate Poems of Rumi (1999) as translated by Shahram Shiva
Love said to me, there is nothing that is not me. Be silent.
Rumi, Hush Don't Say Anything to God: Passionate Poems of Rumi (1999) as translated by Shahram Shiva
O tender yearning, sweet hoping! The golden time of first love! The eye sees the open heaven, The heart is intoxicated with bliss; O that the beautiful time of young love Could remain green forever.
May I never tire of expressing myself may I find contentment in listening to you may there be no constraints of time and may we be bound together as a single knot you, time, and I.
Yet all love is sweet Given or returned. Common as light is love, And its familiar voice wearies not ever. * * * * * They who inspire it most are fortunate, As I am now: but those who feel it most Are happier still after long sufferings As I shall soon become.
This is the day, which down the void abysm At the Earth-born’s spell yawns for Heaven’s despotism And Conquest is dragged captive through the deep: Love, from its awful throne of patient power In the wise heart, from the last giddy hour Of dread endurance, from the slippery, steep, And narrow verge of crag-like agony, springs And folds over the world its healing wings.
True Love in this differs from gold and clay, That to divide is not to take away. Love is like understanding, that grows bright, Gazing on many truths; 'tis like thy light, Imagination! which from earth and sky, And from the depths of human phantasy, As from a thousand prisms and mirrors, fills The Universe with glorious beams, and kills Error, the worm, with many a sun-like arrow Of its reverberated lightning.
I love Love — though he has wings, And like light can flee, But above all other things, Spirit, I love thee — Thou art love and life! Oh come, Make once more my heart thy home.
The problem is all inside your head, she said to me The answer is easy if you take it logically I'd like to help you in your struggle to be free There must be fifty ways to leave your lover.
She said, why don't we both just sleep on it tonight And I believe, in the morning you'll begin to see the light And then she kissed me and I realized she probably was right There must be fifty ways to leave your lover, fifty ways to leave your lover
First thing I remember when you came into my life I said I wanna get that girl, no matter what I do Well I guess I've been in love before and once or twice have been on the floor But I've never loved no-one the way that I love you.
Maybe the heart is part of the mist. And that's all that there is or could ever exist. Maybe and maybe and maybe some more. Maybe's the exit that I'm looking for.
Take me. I'm an ordinary player in the key of C. And my will was broken by my pride and my vanity. Who's gonna love you when you're looks are gone? God will. Like he waters the flowers on your window sill.
When I saw you, I was afraid of meeting you. When I met you, I was afraid of kissing you. When I kissed you, I was afraid to love you. Now that I love you, I'm afraid of losing you.
Silard Somorjay, in "The Voice Of Love" on The Streets of Beijing movie soundtrack, Video Art Beijing
If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf.
Before the beginning of years There came to the making of man Time with a gift of tears, Grief with a glass that ran, Pleasure with pain for leaven, Summer with flowers that fell, Remembrance fallen from heaven, And Madness risen from hell, Strength without hands to smite, Love that endures for a breath; Night, the shadow of light, And Life, the shadow of death.
Time found our tired love sleeping, And kissed away his breath; But what should we do weeping, Though light love sleep to death? We have drained his lips at leisure, Till there's not left to drain A single sob of pleasure, A single pulse of pain.
Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain; Earth is not spoilt for a single shower; But the rain has ruined the ungrown corn.
In the change of years, in the coil of things, In the clamour and rumour of life to be, We, drinking love at the furthest springs, Covered with love as a covering tree, We had grown as gods, as the gods above, Filled from the heart to the lips with love, Held fast in his hands, clothed warm with his wings, O love, my love, had you loved but me!
The loves and hours of the life of a man, They are swift and sad, being born of the sea. Hours that rejoice and regret for a span, Born with a man's breath, mortal as he; Loves that are lost ere they come to birth, Weeds of the wave, without fruit upon earth. I lose what I long for, save what I can, My love, my love, and no love for me!
I had grown pure as the dawn and the dew, You had grown strong as the sun or the sea. But none shall triumph a whole life through: For death is one, and the fates are three. At the door of life, by the gate of breath, There are worse things waiting for men than death; Death could not sever my soul and you, As these have severed your soul from me.
You have chosen and clung to the chance they sent you, Life sweet as perfume and pure as prayer. But will it not one day in heaven repent you? Will they solace you wholly, the days that were? Will you lift up your eyes between sadness and bliss, Meet mine, and see where the great love is, And tremble and turn and be changed? Content you; The gate is strait; I shall not be there.
The pulse of war and passion of wonder, The heavens that murmur, the sounds that shine, The stars that sing and the loves that thunder, The music burning at heart like wine, An armed archangel whose hands raise up All senses mixed in the spirit's cup Till flesh and spirit are molten in sunder — These things are over, and no more mine.
These were a part of the playing I heard Once, ere my love and my heart were at strife; Love that sings and hath wings as a bird, Balm of the wound and heft of the knife. Fairer than earth is the sea, and sleep Than overwatching of eyes that weep, Now time has done with his one sweet word, The wine and leaven of lovely life.
There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear; I hear;" And the lily whispers, "I wait."
Alfred Tennyson, Maud; A Monodrama (1855), Part XXII, Stanza 10
She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthly bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.
Alfred Tennyson, Maud; A Monodrama (1855), Part XXII, Stanza 11
Yet is there one true line, the pearl of pearls: Man dreams of Fame while woman wakes to love.
You, methinks you think you love me well; For me, I love you somewhat; rest: and Love Should have some rest and pleasure in himself, Not ever be too curious for a boon, Too prurient for a proof against the grain Of him ye say ye love: but Fame with men, Being but ampler means to serve mankind, Should have small rest or pleasure in herself, But work as vassal to the larger love, That dwarfs the petty love of one to one.
Sweet is true love though given in vain, in vain; And sweet is death who puts an end to pain: I know not which is sweeter, no, not I.
Love, art thou sweet? then bitter death must be: Love, thou art bitter; sweet is death to me. O Love, if death be sweeter, let me die. … I fain would follow love, if that could be; I needs must follow death, who calls for me; Call and I follow, I follow! let me die.
"Free love, so bound, were freëst," said the King. "Let love be free; free love is for the best: And, after heaven, on our dull side of death, What should be best, if not so pure a love Clothed in so pure a loveliness? yet thee She failed to bind, though being, as I think, Unbound as yet, and gentle, as I know."
Lady, for indeed I loved you and I deemed you beautiful, I cannot brook to see your beauty marred Through evil spite: and if ye love me not, I cannot bear to dream you so forsworn: I had liefer ye were worthy of my love, Than to be loved again of you — farewell; And though ye kill my hope, not yet my love, Vex not yourself: ye will not see me more.
Love's arms were wreathed about the neck of Hope, And Hope kiss'd Love, and Love drew in her breath In that close kiss and drank her whisper'd tales. They said that Love would die when Hope was gone. And Love mourn'd long, and sorrow'd after Hope; At last she sought out Memory, and they trod The same old paths where Love had walked with Hope, And Memory fed the soul of Love with tears.
Sweet is true love though given in vain, in vain; And sweet is death who puts an end to pain: I know not which is sweeter, no, not I.
Love, art thou sweet? then bitter death must be: Love, thou art bitter; sweet is death to me. O Love, if death be sweeter, let me die. … I fain would follow love, if that could be; I needs must follow death, who calls for me; Call and I follow, I follow! let me die.
"Free love, so bound, were freëst," said the King. "Let love be free; free love is for the best: And, after heaven, on our dull side of death, What should be best, if not so pure a love Clothed in so pure a loveliness? yet thee She failed to bind, though being, as I think, Unbound as yet, and gentle, as I know."
Here her hand Grasped, made her vail her eyes: she looked and saw The novice, weeping, suppliant, and said to her, "Yea, little maid, for am I not forgiven?" Then glancing up beheld the holy nuns All round her, weeping; and her heart was loosed Within her, and she wept with these and said,
"Ye know me then, that wicked one, who broke The vast design and purpose of the King. O shut me round with narrowing nunnery-walls, Meek maidens, from the voices crying 'shame.'
I must not scorn myself: he loves me still. Let no one dream but that he loves me still."
When people keep repeating That you'll never fall in love When everybody keeps retreating But you can't seem to get enough Let my love open the door Let my love open the door Let my love open the door To your heart.
For Truth makes holy Love's illusive dreams, And their best promise constantly redeems.
Henry Theodore Tuckerman, "Sonnet XXII", in Poems (Boston: Ticknor, Reed, and Fields, 1851), p. 168
I don't wanna lose you I don't even wanna say goodbye I just wanna hold on To this true love, true love I don't wanna lose you And I always wanna feel this way Cause everytime I'm with you I feel true love, true love
Oh what's love got to do, got to do with it What's love but a second hand emotion What's love got to do, got to do with it Who needs a heart When a heart can be broken
I just sware That I'll always be there I'd give anything and everything And I will always care Through weekness and strength Happiness and sorrow For better or for worse I will love you With every beat of my heart.
When I first saw you, I saw love And the first time you touched me, I felt love And after all this time, You're still the one I love. [...] (You're still the one) You're still the one I run to The one that I belong to You're still the one I want for life (You're still the one) You're still the one that I love The only one I dream of You're still the one I kiss good night.
In your eyes (I can still see the look of the one) I can still see the look Of the one who really loves me (II can still feel the way that you want)
The one who wouldn't put anything Else in the world above me (I can still see your love for me) I can still see your love for me in your eyes (I still see the love)
You say love is a temple, love a higher law Love is a temple, love the higher law You ask me to enter but then you make me crawl And I can't be holdin' on to what you got When all you got is hurt
There are many kinds of love, as many kinds of light, And every kind of love makes a glory in the night. There is love that stirs the heart, and love that gives it rest, But the love that leads life upward is the noblest and the best.
Variant translation: "Love conquers all; let us, too, yield to love."
Quis fallere possit amantem?
Who can deceive a lover?
Virgil, Aeneid (29–19 BC), Book IV, line 296. Variant: "Who could deceive a lover?"
Improbe Amor, quid non mortalia pectora cogis!
All-powerful Love! what changes canst thou cause In human hearts, subjected to thy laws!
Virgil, Aeneid (29–19 BC), Book IV, line 412 (as translated by John Dryden); referring to the unwise actions undertaken by Dido, actuated by amorous passion.
Variant translation: Oh wretched love! to what do you not impel the human breast?
Consent in virtue knit your hearts so fast, That still the knot, in spite of death, does last; For as your tears, and sorrow-wounded soul, Prove well that on your part this bond is whole, So all we know of what they do above, Is that they happy are, and that they love. Let dark oblivion, and the hollow grave, Content themselves our frailer thoughts to have; Well-chosen love is never taught to die, But with our nobler part invades the sky.
Edmund Waller, Poetical Works of Edmund Waller and Sir John Denham (1857)
Love is to die, love is to not die, Love is to dance, love is to dance. Love is to die, Why don't you not die? Why don't you dance? Why don't you dance and dance?
The combination of these two facts — the longing in the depth of the heart for absolute good, and the power, though only latent, of directing attention and love to a reality beyond the world and of receiving good from it — constitutes a link which attaches every man without exception to that other reality. Whoever recognizes that reality recognizes also that link. Because of it, he holds every human being without any exception as something sacred to which he is bound to show respect. This is the only possible motive for universal respect towards all human beings. Whatever formulation of belief or disbelief a man may choose to make, if his heart inclines him to feel this respect, then he in fact also recognizes a reality other than this world's reality. Whoever in fact does not feel this respect is alien to that other reality also.
Simone Weil, Draft for a Statement of Human Obligation (1943)
Life is ever lord of Death And Love can never lose its own.
John Greenleaf Whittier, Snow Bound, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Be not dishearten'd, affection shall solve the problems of freedom yet, Those who love each other shall become invincible...
* Blow again trumpeter! and for thy theme, Take now the enclosing theme of all, the solvent and the setting, Love, that is pulse of all, the sustenance and the pang, The heart of man and woman all for love, No other theme but love — knitting, enclosing, all-diffusing love.
Love, that is all the earth to lovers — love, that mocks time and space, Love, that is day and night — love, that is sun and moon and stars, Love, that is crimson, sumptuous, sick with perfume, No other words but words of love, no other thought but love.
I find a rapture linked with each despair, Well worth the price of anguish. I detect More good than evil in humanity. Love lights more fires than hate extinguishes, And men grow better as the world grows old.
Between the finite and the infinite The missing link of Love has left a void. Supply the link, and earth with Heaven will join In one continued chain of endless life.
Give of thy love, nor wait to know the worth Of what thou lovest; and ask no returning. And wheresoe'er thy pathway leads on earth, There thou shalt find the lamp of love-light burning.
Just let your love flow like a mountain stream And let your love grow with the smallest of dreams And let your love show and you'll know what I mean It's the season Let your love fly like a bird on a wing And let your love bind you to all livin' things And let your love shine and you'll know what I mean That's the reason.
True beauty dwells in deep retreats, Whose veil is unremoved Till heart with heart in concord beats, And the lover is beloved.
William Wordsworth, To ____ . (Let other Bards of Angels sing), st. 3 (1824)
If Thou be one whose heart the holy forms Of young imagination have kept pure Stranger! henceforth be warned; and know that pride, Howe'er disguised in its own majesty, Is littleness; that he who feels contempt For any living thing, hath faculties Which he has never used; that thought with him Is in its infancy. The man whose eye Is ever on himself doth look on one, The least of Nature's works, one who might move The wise man to that scorn which wisdom holds Unlawful, ever. O be wiser, thou! Instructed that true knowledge leads to love; True dignity abides with him alone Who, in the silent hour of inward thought, Can still suspect, and still revere himself, In lowliness of heart.
Love is in the air Everywhere I look around Love is in the air Every sight and every sound And I don't know if I'm being foolish Don't know if I'm being wise But it's something that I must believe in And it's there when I look in your eyes.
Love is in the air In the whisper of the trees Love is in the air In the thunder of the sea And I don't know if I'm just dreaming Don't know if I feel sane But it's something that I must believe in And it's there when you call out my name.
Somewhere there waiteth in this world of ours For one lone soul another lonely soul, Each choosing each through all the weary hours, And meeting strangely at one sudden goal, Then blend they, like green leaves with golden flowers, Into one beautiful and perfect whole; And life's long night is ended, and the way Lies open onward to eternal day.
Ma vie a son secret, mon âme a son mystére: Un amour éternel en un moment concu. La mal est sans remède, aussi j'ai dû le taire, Et elle qui l'a fait n'en a jamais rien su.
One sweet, sad secret holds my heart in thrall; A mighty love within my breast has grown, Unseen, unspoken, and of no one known; And of my sweet, who gave it, least of all.
Félix Arvers, Sonnet. Translation by Joseph Knight. In The Athenæum, Jan. 13, 1906. Arvers in Mes Heures Perdues, says that the sonnet was "mite de l'italien"
How many times do I love, again? Tell me how many beads there are In a silver chain Of evening rain Unravelled from the trembling main And threading the eye of a yellow star:— So many times do I love again.
Mein Herz ich will dich fragen, Was ist denn Liebe, sag? "Zwei Seelen und ein Gedanke, Zwei Herzen und ein Schlag."
My heart I fain would ask thee What then is Love? say on. "Two souls and one thought only Two hearts that throb as one."
Von Münch Bellinghausen (Friedrich Halm)—Der Sohn der Wildniss, Act II. Translation by W. H. Charlton. (Commended by author). Popular translation. of the play is by Marie Lovell—Ingomar the Barbarian. Two souls with but a single thought, / Two hearts that beat as one
To Chloe's breast young Cupid slily stole, But he crept in at Myra's pocket-hole.
Love in a shower safe shelter took, In a rosy bower beside a brook, And winked and nodded with conscious pride To his votaries drenched on the other side. Come hither, sweet maids, there's a bridge below, The toll-keeper, Hymen, will let you through. Come over the stream to me.
In your arms was still delight, Quiet as a street at night; And thoughts of you, I do remember, Were green leaves in a darkened chamber, Were dark clouds in a moonless sky.
Who can fear Too many stars, though each in heaven shall roll— Too many flowers, though each shall crown the year? Say thou dost love me, love me, love me—toll The silver iterance!—only minding, Dear, To love me also in silence, with thy soul.
Love has no thought of self! Love buys not with the ruthless usurer's gold The loathsome prostitution of a hand Without a heart! Love sacrifices all things To bless the thing it loves!
He that loves a rosy cheek, Or a coral lip admires, Or from star-like eyes doth seek Fuel to maintain his fires, As Old Time makes these decay, So his flames must waste away.
Let Time and Chance combine, combine! Let Time and Chance combine! The fairest love from heaven above, That love of yours was mine, My Dear! That love of yours was mine.
Alas! they had been friends in youth; But whispering tongues can poison truth, And constancy lives in realms above; And life is thorny, and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
I know not when the day shall be, I know not when our eyes may meet; What welcome you may give to me, Or will your words be sad or sweet, It may not be 'till years have passed, 'Till eyes are dim and tresses gray; The world is wide, but, love, at last, Our hands, our hearts, must meet some day.
He who, being bold For life to come, is false to the past sweet Of mortal life, hath killed the world above. For why to live again if not to meet? And why to meet if not to meet in love? And why in love if not in that dear love of old?
Give, you gods, Give to your boy, your Cæsar, The rattle of a globe to play withal, This gewgaw world, and put him cheaply off; I'll not be pleased with less than Cleopatra.
Oh, tell me whence Love cometh! Love comes uncall'd, unsent. Oh, tell me where Love goeth! That was not Love that went.
Burden of a Woman. Found in J. W. Ebsworth's Roxburghe Ballads
The solid, solid universe Is pervious to Love; With bandaged eyes he never errs, Around, below, above. His blinding light He flingeth white On God's and Satan's brood, And reconciles By mystic wiles The evil and the good.
Not from the whole wide world I chose thee, Sweetheart, light of the land and the sea! The wide, wide world could not inclose thee, For thou art the whole wide world to me.
Whoe'er thou art, thy Lord and master see, Thou wast my Slave, thou art, or thou shalt be.
George Granville, 1st Baron Lansdowne, Inscription for a Figure representing the God of Love. See Genuine Works. (1732) I. 129. Version of a Greek couplet from the Greek Anthology
Dear as the light that visits these sad eyes, Dear as the ruddy drops that warm my heart.
There is a lady sweet and kind, Was never face so pleased my mind; I did but see her passing by, And yet I love her till I die.
Ascribed to Robert Herrick in the Scottish Student's Song-Book. Found on back of leaf 53 of Popish Kingdome or reigne of Antichrist, in Latin verse by Thomas Naogeorgus, and Englished by Barnabe Googe. Printed 1570. See Notes and Queries. S. IX. X. 427. Lines from Elizabethan Song-books. Bullen, p. 31. Reprinted from Thomas Ford's Music of Sundry Kinds. (1607)
Bid me to live, and I will live Thy Protestant to be: Or bid me love, and I will give A loving heart to thee, A heart as soft, a heart as kind, A heart as sound and free As in the whole world thou canst find, That heart I'll give to thee.
Robert Herrick, To Anthea, who may command him anything, No. 268
Let never man be bold enough to say, Thus, and no farther shall my passion stray: The first crime, past, compels us into more, And guilt grows fate, that was but choice, before.
Soft is the breath of a maiden's Yes: Not the light gossamer stirs with less; But never a cable that holds so fast Through all the battles of wave and blast.
When late I attempted your pity to move, Why seemed you so deaf to my prayers? Perhaps it was right to dissemble your love But—why did you kick me downstairs?
J. P. Kemble, Panel, Act I, scene 1. Quoted from Asylum for Fugitive Pieces, Volume I, p. 15. (1785) where it appeared anonymously. Kemble is credited with its authorship. The Panel is adapted from Bickerstaff's 'Tis Well 'Tis No Worse, but these lines are not therein. It may also be found in Annual Register. Appendix. (1783) P. 201
What's this dull town to me? Robin's not near— He whom I wished to see, Wished for to hear; Where's all the joy and mirth Made life a heaven on earth? O! they're all fled with thee, Robin Adair.
By the old Moulmein Pagoda, lookin' eastward to the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!"
If Love were jester at the court of Death, And Death the king of all, still would I pray, "For me the motley and the bauble, yea, Though all be vanity, as the Preacher saith, The mirth of love be mine for one brief breath!"
Do you know you have asked for the costliest thing Ever made by the Hand above— A woman's heart, and a woman's life, And a woman's wonderful love?
Mary T. Lathrop, A Woman's Answer to a Man's Question. Erroneously credited to Mrs. Browning
I love a lassie, a bonnie, bonnie lassie, She's as pure as the lily in the dell. She's as sweet as the heather, The bonnie, bloomin' heather, Mary, ma Scotch Blue-bell.
Harry Lauder and Gerald Grafton. I Love a Lassie
Et c'est dans la première flamme Qu'est tout le nectar du baiser.
And in that first flame Is all the nectar of the kiss.
Lebrun, Mes Souvenirs, ou les Deux Rives de la Seine
Love leads to present rapture,—then to pain; But all through Love in time is healed again.
A warrior so bold, and a virgin so bright, Conversed as they sat on the green. They gazed on each other with tender delight, Alonzo the Brave was the name of the knight— The maiden's the Fair Imogene.
M. G. Lewis—Alonzo the Brave and the Fair Imogene. First appeared in his novel Ambrosio the Monk. Found in his Tales of Wonder, Volume III, p. 63. Lewis's copy of his poem is in the British Museum
Love contending with friendship, and self with each generous impulse. To and fro in his breast his thoughts were heaving and dashing, As in a foundering ship.
I do not love thee less for what is done, And cannot be undone. Thy very weakness Hath brought thee nearer to me, and henceforth My love will have a sense of pity in it, Making it less a worship than before.
So they grew, and they grew, to the church steeple tops And they couldn't grow up any higher; So they twin'd themselves into a true lover's knot, For all lovers true to admire.
Lord Lovel. Old Ballad. History found in Professor Child's English and Scottish Popular Ballads, II. 204. Also in The New Comic Minstrel. Pub. by John Cameron, Glasgow. The original version seems to be as given there
Under floods that are deepest, Which Neptune obey, Over rocks that are steepest, Love will find out the way.
Tell me not, sweet, I am unkind, That from the nunnery Of thy chaste breast and quiet mind To war and arms I fly. . . . . . . Yet this inconstancy is such As you too shall adore:— I could not love thee, dear, so much, Loved I not honour more.
Richard Lovelace, To Lucasta, on going to the Wars. Given erroneously to Montrose by Scott
True love is but a humble, low born thing, And hath its food served up in earthenware; It is a thing to walk with, hand in hand, Through the every-dayness of this workday world.
Not as all other women are Is she that to my soul is dear; Her glorious fancies come from far, Beneath the silver evening star, And yet her heart is ever near.
Wer nicht liebt Wein, Weib, und Gesang, Der bleibt ein Narr sein Leben lang.
He who loves not wine, woman, and song, Remains a fool his whole life long.
Attributed to Luther by Uhland in Die Geisterkelter. Found in Luther's Tischreden. Proverbs at end. Credited to J. H. Voss by Redlich, Die poetischen Beiträge zum Waudsbecker Bothen, Hamburg, 1871, p. 67
None without hope e'er lov'd the brightest fair: But Love can hope where Reason would despair.
But thou, through good and evil, praise and blame, Wilt not thou love me for myself alone? Yes, thou wilt love me with exceeding love, And I will tenfold all that love repay; Still smiling, though the tender may reprove, Still faithful, though the trusted may betray.
This lass so neat, with smile so sweet, Has won my right good will, I'd crowns resign to call her mine, Sweet lass of Richmond Hill.
Ascribed to Leonard McNally, who married Miss I'Anson, one of the claimants for the "Lass," by Sir Joseph Barrington in Sketches of His Own Times, Volume II, p. 47. Also credited to William Upton. It appeared in Public Advertiser, Aug. 3, 1789. "Sweet Lass of Richmond Hill" erroneously said to have been a sweetheart of King George III
When Madelon comes out to serve us drinks, We always know she's coming by her song. And every man he tells his little tale, And Madelon, she listens all day long. Our Madelon is never too severe— A kiss or two is nothing much to her— She laughs us up to love and life and God— Madelon, Madelon, Madelon.
La Madelon, song of the French Soldiers in the Great War
Come live with me, and be my love, And we will all the pleasures prove, That valleys, groves, or hills, or fields, Or woods and steepy mountains, yield.
Great men, Till they have gained their ends, are giants in Their promises, but, those obtained, weak pigmies In their performance. And it is a maxim Allowed among them, so they may deceive, They may swear anything; for the queen of love, As they hold constantly, does never punish, But smile, at lovers' perjuries.
Love is all in fire, and yet is ever freezing; Love is much in winning, yet is more in leesing: Love is ever sick, and yet is never dying; Love is ever true, and yet is ever lying; Love does doat in liking, and is mad in loathing; Love indeed is anything, yet indeed is nothing.
Thomas Middleton, Blurt, Master Constable (c. 1601), Act II, scene 2
I never heard Of any true affection but 'twas nipped.
Thomas Middleton, Blurt, Master Constable (c. 1601), Act III, scene 2
He who for love hath undergone The worst that can befall, Is happier thousandfold than one Who never loved at all.
No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sunflower turns on her god, when he sets, The same look which she turn'd when he rose.
Thomas Moore, Believe Me, If All Those Endearing Young Charms, Stanza 2
I know not, I ask not, if guilt's in that heart, I but know that I love thee, whatever thou art.
A boat at midnight sent alone To drift upon the moonless sea, A lute, whose leading chord is gone, A wounded bird, that hath but one Imperfect wing to soar upon, Are like what I am, without thee.
Thomas Moore, Loves of the Angels, Second Angel's Story
But there's nothing half so sweet in life As love's young dream.
"Tell me, what's Love;" said Youth, one day, To drooping Age, who crost his way.— "It is a sunny hour of play; For which repentance dear doth pay; Repentance! Repentance! And this is Love, as wise men say."
I've wandered east, I've wandered west, I've bourne a weary lot; But in my wanderings far or near Ye never were forgot. The fount that first burst frae this heart Still travels on its way And channels deeper as it rins The luve o' life's young day.
Duty's a slave that keeps the keys, But Love, the master goes in and out Of his goodly chambers with song and shout, Just as he please—just as he please.
Let those love now who never lov'd before, Let those who always loved now love the more.
Thomas Parnell—Translation of the Pervigilium Veneris. Ancient poem. Author unknown. Ascribed to Catullus. See also Burton—Anatomy of Melancholy, Part III, Section II. Memb. 5. 5
The moods of love are like the wind, And none knows whence or why they rise.
What thing is love?—for (well I wot) love is a thing. It is a prick, it is a sting. It is a pretty, pretty thing; It is a fire, it is a coal, Whose flame creeps in at every hole!
George Peele, Miscellaneous Poems, The Hunting of Cupid
Ah! what avails it me the flocks to keep, Who lost my heart while I preserv'd my sheep.
Is it, in Heav'n, a crime to love too well? To bear too tender or too firm a heart, To act a lover's or a Roman's part? Is there no bright reversion in the sky For those who greatly think, or bravely die?
If all the world and love were young, And truth in every shepherd's tongue, These pretty pleasures might me move To live with thee, and be thy love.
Sir Walter Raleigh, The Nymph's Reply to the Passionate Shepherd
As one who cons at evening o'er an album all alone, And muses on the faces of the friends that he has known, So I turn the leaves of Fancy, till in shadowy design I find the smiling features of an old sweetheart of mine.
Trust thou thy Love: if she be proud, is she not sweet? Trust thou thy love: if she be mute, is she not pure? Lay thou thy soul full in her hands, low at her feet— Fail, Sun and Breath!—yet, for thy peace, she shall endure.
Mortals, while through the world you go, Hope may succor and faith befriend, Yet happy your hearts if you can but know, Love awaits at the journey's end!
In peace, Love tunes the shepherd's reed; In war, he mounts the warrior's steed; In halls, in gay attire is seen; In hamlets, dances on the green. Love rules the court, the camp, the grove, And men below, and saints above; For love is heaven, and heaven is love.
Walter Scott, The Lay of the Last Minstrel (1805), Canto III, Stanza 2
Her blue eyes sought the west afar, For lovers love the western star.
Walter Scott, The Lay of the Last Minstrel (1805), Canto III, Stanza 24
Where shall the lover rest, Whom the fates sever From his true maiden's breast, Parted for ever? Where, through groves deep and high, Sounds the far billow, Where early violets die, Under the willow.
Walter Scott, Marmion (1808), Canto III, Stanza 10
Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me prov'd, I never writ, nor no man ever lov'd.
My true-love hath my heart, and I have his, By just exchange, one for the other given; I hold his dear, and mine he cannot miss, There never was a better bargain driven.
They sin who tell us Love can die: With life all other passions fly, All others are but vanity, In Heaven Ambition cannot dwell, Nor Avarice in the vaults of Hell.
Sweetheart, when you walk my way, Be it dark or be it day; Dreary winter, fairy May, I shall know and greet you. For each day of grief or grace Brings you nearer my embrace; Love hath fashioned your dear face, I shall know you when I meet you.
I who all the Winter through, Cherished other loves than you And kept hands with hoary policy in marriage-bed and pew; Now I know the false and true, For the earnest sun looks through, And my old love comes to meet me in the dawning and the dew.
Just like Love is yonder rose, Heavenly fragrance round it throws, Yet tears its dewy leaves disclose, And in the midst of briars it blows Just like Love.
In all I wish, how happy should I be, Thou grand Deluder, were it not for thee? So weak thou art that fools thy power despise; And yet so strong, thou triumph'st o'er the wise.
Love, as is told by the seers of old, Comes as a butterfly tipped with gold, Flutters and flies in sunlit skies, Weaving round hearts that were one time cold.
O Love, O great god Love, what have I done, That thou shouldst hunger so after my death? My heart is harmless as my life's first day: Seek out some false fair woman, and plague her Till her tears even as my tears fill her bed.
I that have love and no more Give you but love of you, sweet; He that hath more, let him give; He that hath wings, let him soar; Mine is the heart at your feet Here, that must love you to live.
I love thee, I love but thee, With a love that shall not die Till the sun grows cold, And the stars are old, And the leaves of the Judgment Book unfold!
Like to a wind-blown sapling grow I from The cliff, Sweet, of your skyward-jetting soul,— Shook by all gusts that sweep it, overcome By all its clouds incumbent; O be true To your soul, dearest, as my life to you! For if that soil grow sterile, then the whole Of me must shrivel, from the topmost shoot Of climbing poesy, and my life, killed through, Dry down and perish to the foodless root.
Why should we kill the best of passions, love? It aids the hero, bids ambition rise To nobler heights, inspires immortal deeds, Even softens brutes, and adds a grace to virtue.
O, what are you waiting for here? young man! What are you looking for over the bridge?— A little straw hat with the streaming blue ribbons Is soon to come dancing over the bridge.
Nec jurare time; Veneris perjuria venti Irrita per terras et freta summa ferunt, Gratia magna Jovi; vetuit pater ipse valere, Jurasset cupide quicquid ineptus amor.
Fear not to swear; the winds carry the perjuries of lovers without effect over land and sea, thanks to Jupiter. The father of the gods himself has denied effect to what foolish lovers in their eagerness have sworn.
The warrior for the True, the Right, Fights in Love's name; The love that lures thee from that fight Lures thee to shame: That love which lifts the heart, yet leaves The spirit free,— That love, or none, is fit for one Man-shaped like thee.
To love is to believe, to hope, to know; 'Tis an essay, a taste of Heaven below!
Edmund Waller, Divine Poems, Divine Love, Canto III, line 17
Could we forbear dispute, and practise love, We should agree as angels do above.
Edmund Waller, Divine Poems, Divine Love, Canto III, line 25
And the King with his golden sceptre, The Pope with Saint Peter's key, Can never unlock the one little heart That is opened only to me. For I am the Lord of a Realm, And I am Pope of a See; Indeed I'm supreme in the kingdom That is sitting, just now, on my knee.
Your love in a cottage is hungry, Your vine is a nest for flies— Your milkmaid shocks the Graces, And simplicity talks of pies! You lie down to your shady slumber And wake with a bug in your ear, And your damsel that walks in the morning Is shod like a mountaineer.
He loves not well whose love is bold! I would not have thee come too nigh. The sun's gold would not seem pure gold Unless the sun were in the sky: To take him thence and chain him near Would make his beauty disappear.
For mightier far Than strength of nerve or sinew, or the sway Of magic potent over sun and star, Is love, though oft to agony distrest, And though his favourite be feeble woman's breast.
William Wordsworth, Poems Founded on the Affections, No. XIX. To. ——, VII. 114
While all the future, for thy purer soul, With "sober certainties" of love is blest.
William Wordsworth, Poems Founded on the Affections, VII. 115. (Knight's ed.)
Farewell, Love, and all thy laws for ever.
Sir Thomas Wyatt, Songs and Sonnets, A Renouncing of Love.
With every act of love we move a little closer to immortality, whereas every act of hate brings us nearer to death. Recueil de Caprices
Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner Ruh. Ach, wie vergnügt wär so mein Ende, es drückten deine schönen Hände mir die getreuen Augen zu!
With you by my side I go with joy to death and to my rest. How delightful would be my end were your beautiful hands to shut my faithful eyes.