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Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions),[1] or, in the New Bach Edition, the compositions in Series IV.[2]
- BWV 525 – Sonata No. 1 in E-flat major
- BWV 526 – Sonata No. 2 in C minor
- BWV 527 – Sonata No. 3 in D minor
- BWV 528 – Sonata No. 4 in E minor
- BWV 529 – Sonata No. 5 in C major
- BWV 530 – Sonata No. 6 in G major
- BWV 531 – Prelude and Fugue in C major
- BWV 532 – Prelude and Fugue in D major
- BWV 532a – Fugue in D major (alternative version of the fugue of BWV 532)
- BWV 533 – Prelude and Fugue in E minor ("Cathedral")
- BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals)
- BWV 534 – Prelude and Fugue in F minor (doubtful)[3][4]
- BWV 535 – Prelude and Fugue in G minor
- BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535)
- BWV 536 – Prelude and Fugue in A major
- BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript)[5]
- BWV 537 – Fantasia and Fugue in C minor
- BWV 538 – Toccata and Fugue in D minor ("Dorian")
- BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain)[6]
- BWV 539a – Fugue in D minor (see BWV 1000 for the lute arrangement, movement 2 of BWV 1001 for the violin arrangement)
- BWV 540 – Toccata and Fugue in F major
- BWV 541 – Prelude and Fugue in G major
- BWV 542 – Fantasia and Fugue in G minor ("Great")
- BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542)
- BWV 543 – Prelude and Fugue in A minor
- BWV 544 – Prelude and Fugue in B minor
- BWV 545 – Prelude and Fugue in C major
- BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545)
- BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs)
- BWV 546 – Prelude and Fugue in C minor
- BWV 547 – Prelude and Fugue in C major ("9/8")
- BWV 548 – Prelude and Fugue in E minor ("Wedge")
- BWV 549 – Prelude and Fugue in C minor
- BWV 550 – Prelude and Fugue in G major
- BWV 551 – Prelude and Fugue in A minor
- BWV 552 – Prelude and Fugue in E-flat major ("St. Anne") (part of Clavier-Übung III)
- BWV 553 – Eight Short Preludes and Fugues – Prelude and Fugue in C major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by Johann Christian Kittel)[8]
- BWV 562 – Fantasia and Fugue in C minor (fugue unfinished)
- BWV 563 – Fantasia in B minor (Fantasia and Imitatio) (spurious)
- BWV 564 – Toccata, Adagio and Fugue in C major
- BWV 565 – Toccata and Fugue in D minor
- BWV 566 – Toccata and Fugue in E major (also published in C major)
- BWV 566a – Toccata in E major (earlier version of BWV 566)
- BWV 567 – Prelude in C major (possibly by Johann Ludwig Krebs)[9]
- BWV 568 – Prelude in G major (doubtful)[9]
- BWV 569 – Prelude in A minor
- BWV 570 – Fantasia in C major
- BWV 571 – Fantasia (Concerto) in G major (spurious)
- BWV 572 – Fantasia in G major (Pièce d'Orgue)
- BWV 573 – Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
- BWV 574 – Fugue in C minor (on a theme of Legrenzi)
- BWV 574a – Fugue in C minor (alternative version of BWV 574)
- BWV 574b – Fugue in C minor (alternative version of BWV 574)
- BWV 575 – Fugue in C minor
- BWV 576 – Fugue in G major (doubtful)[10]
- BWV 577 – Fugue in G major à la Gigue (doubtful)[11]
- BWV 578 – Fugue in G minor ("Little")
- BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4)
- BWV 580 – Fugue in D major (doubtful)[12]
- BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius)
- BWV 582 – Passacaglia and Fugue in C minor
- BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer)[13]
- BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria)
- BWV 585 – Trio in C minor (spurious, after Johann Friedrich Fasch)
- BWV 586 – Trio in G major (spurious, possibly after Georg Philipp Telemann)
- BWV 587 – Aria in F major (spurious, after François Couperin)
- BWV 588 – Canzona in D minor
- BWV 589 – Allabreve in D major
- BWV 590 – Pastorella in F major (first movement probably incomplete)
- BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by Johann David Heinichen)
- BWV 592 – Concerto in G major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 592a – Concerto in G major (an arrangement of BWV 592 for harpsichord)
- BWV 593 – Concerto in A minor (after Antonio Vivaldi's Concerto for two violins, Op. 3 No. 8, RV 522)
- BWV 594 – Concerto in C major (after Antonio Vivaldi's Grosso mogul violin concerto, RV 208)
- BWV 595 – Concerto in C major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 596 – Concerto in D minor (after Antonio Vivaldi's Concerto for two violins and cello, Op. 3 No. 11, RV 565)
- BWV 597 – Concerto in E-flat major (doubtful)
- BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by Carl Philipp Emanuel Bach)[14]
Traditionally known as chorale preludes, the compositions in the BWV 599–771 range of the Bach-Werke-Verzeichnis, and later additions BWV 1085, 1090–1120 (Neumeister Chorales) and 1128, are also indicated as chorale settings for organ,[15] and include multi-movement chorale partitas[16] and sets of variations.[17]
| column | content | links to | |
|---|---|---|---|
| 1 | Name | Name of the chorale prelude, by J. S. Bach unless otherwise indicated | Work page at Bach Digital website |
| 2 | BWV | Number of the composition in the Bach-Werke-Verzeichnis | Description of the chorale prelude |
| 3 | Zahn | Zahn number of the hymn tune used in the chorale prelude.[18] | Description of the Lutheran hymn or tune |
| 4 | Other | Works by Bach, other than chorale preludes, using the same hymn tune[19] | Description of the related composition |
Orgelbüchlein (Little Organ Book, BWV 599–644)
The Orgelbüchlein contains 46 chorale preludes, and a fragment (BWV Anh. 200).
- Advent
- BWV 599 – Nun komm, der Heiden Heiland
- BWV 600 – Gott durch deine Güte (or) Gottes Sohn ist kommen
- BWV 601 – Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (also in the Neumeister Collection)
- BWV 602 – Lob sei dem allmächtigen Gott
- Christmas
- BWV 603 – Puer natus in Bethlehem
- BWV 604 – Gelobet seist du, Jesu Christ
- BWV 605 – Der Tag, der ist so freudenreich
- BWV 606 – Vom Himmel hoch, da komm ich her
- BWV 607 – Vom Himmel kam der Engel Schar
- BWV 608 – In dulci jubilo
- BWV 609 – Lobt Gott, ihr Christen, allzugleich
- BWV 610 – Jesu, meine Freude
- BWV 611 – Christum wir sollen loben schon
- BWV 612 – Wir Christenleut'
- New Year
- Epiphany
- Lent
- BWV 618 – O Lamm Gottes, unschuldig
- BWV 619 – Christe, du Lamm Gottes
- BWV 620 – Christus, der uns selig macht
BWV 620a – Christus, der uns selig macht (older version) - BWV 621 – Da Jesus an dem Kreuze stund
- BWV 622 – O Mensch, bewein dein Sünde groß
- BWV 623 – Wir danken dir, Herr Jesu Christ
- BWV 624 – Hilf Gott, daß mir's gelinge
- Easter
- Pentecost
- Catechism hymns
- Miscellaneous
Schübler Chorales (BWV 645–650)
Most of the Schübler Chorales, which were published around 1748 as Sechs Chorale von verschiedener Art (Six Chorales of Various Kinds), are transcriptions of extant cantata movements:
- BWV 645 – Wachet auf, ruft uns die Stimme
- BWV 646 – Wo soll ich fliehen hin (or) Auf meinen lieben Gott
- BWV 647 – Wer nur den lieben Gott läßt walten
- BWV 648 – Meine Seele erhebt den Herren
- BWV 649 – Ach, bleib bei uns, Herr Jesu Christ
- BWV 650 – Kommst du nun, Jesu, vom Himmel herunter
Great Eighteen Chorale Preludes, a.k.a. Leipzig Chorales (BWV 651–668)
- BWV 651 – Fantasia super: Komm, Heiliger Geist, Herre Gott
BWV 651a – Fantasia (Präludium) super: Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung) - BWV 652 – Komm, Heiliger Geist, Herre Gott
BWV 652a – Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung) - BWV 653 – An Wasserflüssen Babylon
BWV 653a – An Wasserflüssen Babylon alio modo a 4 (ältere, Weimarer Fassung)
BWV 653b – An Wasserflüssen Babylon (Weimarer Urfassung) - BWV 654 – Schmücke dich, o liebe Seele
BWV 654a – Schmücke dich, o liebe Seele (ältere, Weimarer Fassung) - BWV 655 – Trio super: Herr Jesu Christ, dich zu uns wend
BWV 655a – Trio super: Herr Jesu Christ, dich zu uns wend (ältere, Weimarer Fassung)
BWV 655b – Herr Jesu Christ, dich zu uns wend
BWV 655c – Herr Jesu Christ, dich zu uns wend - BWV 656 – O Lamm Gottes, unschuldig
BWV 656a – O Lamm Gottes, unschuldig (ältere, Weimarer Fassung) - BWV 657 – Nun danket alle Gott (Leuthen Chorale) (ältere Weimarer und Leipziger Fassung)
- BWV 658 – Von Gott will ich nicht lassen
BWV 658a – Fantasia super: Von Gott will ich nicht lassen (ältere, Weimarer Fassung) - BWV 659 – Nun komm, der Heiden Heiland
BWV 659a – Fantasia super: Nun komm, der Heiden Heiland (ältere, Weimarer Fassung) - BWV 660 – Trio super: Nun komm, der Heiden Heiland
BWV 660a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
BWV 660b – Nun komm, der Heiden Heiland - BWV 661 – Nun komm, der Heiden Heiland
BWV 661a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung) - BWV 662 – Allein Gott in der Höh' sei Ehr'
BWV 662a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung) - BWV 663 – Allein Gott in der Höh' sei Ehr'
BWV 663a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung) - BWV 664 – Trio super: Allein Gott in der Höh' sei Ehr'
BWV 664a/b – Trio super: Allein Gott in der Höh' sei Ehr' (ältere Weimarer Fassung/Entwurf) - BWV 665 – Jesus Christus, unser Heiland
BWV 665a – Jesus Christus, unser Heiland (in organo pleno) (ältere, Weimarer Fassung) - BWV 666 – Jesus Christus, unser Heiland (alio modo)
BWV 666a – Jesus Christus, unser Heiland (ältere, Weimarer Fassung) - BWV 667 – Komm, Gott Schöpfer, heiliger Geist
BWV 667a/b – Komm, Gott Schöpfer, heiliger Geist (ältere, Weimarer Fassungen) - BWV 668 – Vor deinen Thron tret' ich (Fragment)
BWV 668a – Wenn wir in höchsten Nöten sein (Diktatschrift: Fragment)
Chorale preludes in Clavier-Übung III (BWV 669–689)
- Kyrie (three stanzas of "Kyrie, Gott Vater in Ewigkeit"):
- "Allein Gott in der Höh' sei Ehr'" (Gloria):
- "Dies sind die heilgen zehn Gebot" (Ten Commandments):
- "Wir glauben all an einen Gott" (Credo):
- "Vater unser im Himmelreich" (Lord's Prayer):
- "Christ unser Herr zum Jordan kam" (Baptism):
- "Aus tiefer Not schrei ich zu dir" (Penitence):
- "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Lord's Supper):
24 chorale preludes, formerly known as "from the Kirnberger collection" (BWV 690–713)
The 24 chorale preludes and five variants published as "from the Kirnberger Collection" ("in Kirnberger's Sammlung") in the 40th volume of the Bach-Gesellschaft Ausgabe (1893) were all retained in the 690–713a range of the Bach-Werke-Verzeichnis. Johann Kirnberger's involvement with this collection of chorale preludes, some of which are spurious or doubtful, is however uncertain: modern scholarship no longer refers to this set as "Kirnberger Collection" (unless with qualifiers such as "so-called" or "formerly").[20]
- BWV 690 – Wer nur den lieben Gott läßt walten
- BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No. 11 in the 1725 Notebook for Anna Magdalena Bach, No. 3 in the Klavierbüchlein für Wilhelm Friedemann Bach)
BWV 691a – Wer nur den lieben Gott läßt walten (doubtful variant of BWV 691)[21] - BWV 692 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[22]
BWV 692a – Ach, Gott und Herr (spurious early version of BWV 692: composed by Johann Gottfried Walther)[23] - BWV 693 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[24]
- BWV 694 – Wo soll ich fliehen hin
- BWV 695 – Fantasia super: Christ lag in Todesbanden (manuals only)
BWV 695a – Christ lag in Todesbanden (doubtful variant of BWV 695)[25] - BWV 696 – Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (fughetta; manuals only)
- BWV 697 – Gelobet seist du, Jesu Christ (fughetta; manuals only)
- BWV 698 – Herr Christ, der ein'ge Gottes-Sohn (fughetta; manuals only)
- BWV 699 – Nun komm, der Heiden Heiland (fughetta; manuals only)
- BWV 700 – Vom Himmel hoch, da komm' ich her
- BWV 701 – Vom Himmel hoch, da komm' ich her (fughetta, manuals only)
- BWV 702 – Das Jesulein soll doch mein Trost (fughetta)
- BWV 703 – Gottes-Sohn ist kommen (fughetta, manuals only)
- BWV 704 – Lob sei dem allmächtigen Gott (fughetta, manuals only)
- BWV 705 – Durch Adams Fall ist ganz verderbt
- BWV 706 – Liebster Jesu, wir sind hier
- BWV 707 – Ich hab' mein' Sach' Gott heimgestellt
- BWV 708 – Ich hab' mein' Sach' Gott heimgestellt
BWV 708a – Ich hab' mein' Sach' Gott heimgestellt (variant of BWV 708) - BWV 709 – Herr Jesu Christ, dich zu uns wend'
- BWV 710 – Wir Christenleut habn jetzund Freud
- BWV 711 – Allein Gott in der Höh' sei Ehr'
- BWV 712 – In dich hab' ich gehoffet, Herr (manuals only)
- BWV 713 – Jesu, meine Freude (manuals only)
BWV 713a – Jesu, meine Freude (Fantasia, doubtful variant of BWV 713)[26]
Miscellaneous chorale preludes (BWV 714–765)
- BWV 714 – Ach Gott und Herr (also in the Neumeister Collection)
- BWV 715 – Allein Gott in der Höh sei Ehr
- BWV 716 – Fuga super Allein Gott in der Höh sei Ehr
- BWV 717 – Allein Gott in der Höh sei Ehr'
- BWV 718 – Christ lag in Todesbanden (chorale fantasia)[27]
- BWV 719 – Der Tag, der ist so freudenreich (also in the Neumeister Collection)
- BWV 720 – Ein feste Burg ist unser Gott
- BWV 721 – Erbarm dich mein, o Herre Gott
- BWV 722 – Gelobet seist du, Jesu Christ
- BWV 723 – Gelobet seist du, Jesu Christ (also in the Neumeister Collection; likely by Johann Michael Bach)
- BWV 724 – Gott, durch deine Güte (Gottes Sohn ist kommen)
- BWV 725 – Herr Gott, dich loben wir
- BWV 726 – Herr Jesu Christ, dich zu uns wend ()
- BWV 727 – Herzlich tut mich verlangen
- BWV 728 – Jesus, meine Zuversicht (from the 1722 Notebook for Anna Magdalena Bach)
- BWV 729 – In dulci jubilo
- BWV 730 – Liebster Jesu, wir sind hier
- BWV 731 – Liebster Jesu, wir sind hier
- BWV 732 – Lobt Gott, ihr Christen, allzugleich
- BWV 733 – Fuga sopra il Magnificat (Meine Seele erhebt den Herren, a.k.a. German Magnificat – possibly composed by Bach's pupil Johann Ludwig Krebs; )[28][29]
- BWV 734 – Nun freut euch, lieben Christen g'mein/Es ist gewisslich an der Zeit
- BWV 735 – Valet will ich dir geben
- BWV 736 – Valet will ich dir geben
- BWV 737 – Vater unser im Himmelreich (also in the Neumeister Collection)
- BWV 738 – Von Himmel hoch, da komm' ich her
- BWV 738a – Von Himmel hoch, da komm' ich her
- BWV 739 – Wie schön leuchtet der Morgenstern
- BWV 740 – Wir glauben all' an einen Gott, Vater (spurious, partly attributed to Johann Tobias Krebs)[30]
- BWV 741 – Ach Gott, von Himmel sieh' darein
- BWV 742 – Ach Herr, mich armen Sünder (also in the Neumeister Collection)
- BWV 743 – Ach, was ist doch unser Leben
- BWV 744 – Auf meinen lieben Gott (not by Bach, possibly by Johann Tobias Krebs)
- BWV 745 – Aus der Tiefe rufe ich (not by Bach, composed by Carl Philipp Emanuel Bach)
- BWV 746 – Christ ist erstanden (not by Bach, composed by Johann Caspar Ferdinand Fischer)
- BWV 747 – Christus, der uns selig macht
- BWV 748 – Gott der Vater wohn' uns bei (not by Bach, composed by Johann Gottfried Walther)
- BWV 748a – Gott der Vater wohn' uns bei
- BWV 749 – Herr Jesu Christ, dich zu uns wend' (attribution doubtful)[31]
- BWV 750 – Herr Jesu Christ, mein's Lebens Licht (attribution doubtful)[32]
- BWV 751 – In dulci jubilo (also in the Neumeister Collection; spurious: likely by Johann Michael Bach or possibly by Johann Gottfried Walther)
- BWV 752 – Jesu, der du meine Seele (attribution doubtful)[33]
- BWV 753 – Jesu, meine Freude (incomplete)
- BWV 754 – Liebster Jesu, wir sind hier (attribution doubtful)[34]
- BWV 755 – Nun freut euch, lieben Christen
- BWV 756 – Nun ruhen alle Wälder (attribution doubtful)[35]
- BWV 757 – O Herre Gott, dein göttlich's Wort
- BWV 758 – O Vater, allmächtiger Gott
- BWV 759 – Schmücke dich, o liebe Seele (not by Bach, composed by Gottfried August Homilius)[36]
- BWV 760 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[37]
- BWV 761 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[38]
- BWV 762 – Vater unser im Himmelreich (attribution doubtful)[39]
- BWV 763 – Wie schön leuchtet der Morgenstern
- BWV 764 – Wie schön leuchtet der Morgenstern (incomplete)
- BWV 765 – Wir glauben all' an einen Gott
Chorale partitas (BWV 766–768)
- BWV 766 – Chorale partita Christ, der du bist der helle Tag
- BWV 767 – Chorale partita O Gott, du frommer Gott
- BWV 768 – Chorale partita Sei gegrüsset, Jesu gütig
Canonic Variations (BWV 769–769a)
- BWV 769 – Canonic Variations on "Vom Himmel hoch da komm' ich her"
- BWV 769a – Canonic Variations on "Vom Himmel hoch da komm' ich her" (alternative version of BWV 769)
Chorale variations (BWV 770–771)
- BWV 770 – Chorale variations "Ach, was soll ich Sünder machen"
- BWV 771 – Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by Andreas Nicolaus Vetter)[40]
Also known in a version for keyboard (BWV 957)
- BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
Various (BWV 1085–1087)
- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude)
- Canons, sometimes indicated as organ pieces:
- BWV 1086 – Canon concordia discors
- BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974)
Neumeister Chorales (BWV 1090–1120)
31 chorale preludes for organ, discovered 1985 in the archives of the Yale University library.
- BWV 1090 – Wir Christenleut
- BWV 1091 – Das alte Jahr vergangen ist
- BWV 1092 – Herr Gott, nun schleuß den Himmel auf
- BWV 1093 – Herzliebster Jesu, was hast du verbrochen
- BWV 1094 – O Jesu, wie ist dein Gestalt
- BWV 1095 – O Lamm Gottes unschuldig
- BWV 1096 – Christe, der du bist Tag und Licht (or) Wir danken dir, Herr Jesu Christ (spurious: attributed to Johann Pachelbel)[41][42]
- BWV 1097 – Ehre sei dir, Christe, der du leidest Not
- BWV 1098 – Erhalt uns, Herr, bei deinem Wort
- BWV 1099 – Aus tiefer Not schrei ich zu dir
- BWV 1100 – Allein zu dir, Herr Jesu Christ
- BWV 1101 – Durch Adams Fall ist ganz verderbt
- BWV 1102 – Du Friedefürst, Herr Jesu Christ
- BWV 1103 – Erhalt uns, Herr, bei deinem Wort
- BWV 1104 – Wenn dich Unglück tut greifen an
- BWV 1105 – Jesu, meine Freude
- BWV 1106 – Gott ist mein Heil, mein Hilf und Trost
- BWV 1107 – Jesu, meines Lebens Leben
- BWV 1108 – Als Jesus Christus in der Nacht
- BWV 1109 – Ach Gott, tu dich erbarmen
- BWV 1110 – O Herre Gott, dein göttlich Wort
- BWV 1111 – Nun lasset uns den Leib begrab'n
- BWV 1112 – Christus, der ist mein Leben
- BWV 1113 – Ich hab mein Sach Gott heimgestellt
- BWV 1114 – Herr Jesu Christ, du höchstes Gut
- BWV 1115 – Herzlich lieb hab ich dich, o Herr
- BWV 1116 – Was Gott tut, das ist wohlgetan
- BWV 1117 – Alle Menschen müssen sterben
- BWV 1118 – Werde munter, mein Gemüte
- BWV 1119 – Wie nach einer Wasserquelle
- BWV 1120 – Christ, der du bist der helle Tag
Recovered from the Anhang (BWV 1121 and 1128)
- BWV 1121 (=BWV Anh. 205) – Fantasie in C minor (organ)
- BWV 1128 (previously BWV Anh. 71) – Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).[43][44]
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: |
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | See scoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[45] |
| 8 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[46]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Voices (see also SATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso | |
| Colour | Meaning |
|---|---|
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member |
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 525 | 7. | 1727–1731 | Trio Sonata No. 1/6 | E♭ maj. | Organ | 15: 3 | IV/7: 1 | → BWV 525a | 00597 |
| 526 | 7. | 1727–1731 | Trio Sonata No. 2/6 | C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
| 527 | 7. | 1727–1731 | Trio Sonata No. 3/6 (+e. v. for /1) | D min. | Organ | 15: 26 | IV/7: 28 | → BWV 1044/2 | 00599 |
| 528 | 7. | 1727–1731 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E min. | Organ | 15: 40 | IV/7: 44 | after BWV 76/8 | 00600 |
| 529 | 7. | 1727–1731 | Trio Sonata No. 5/6 (+e. v. for /2) | C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
| 530 | 7. | 1727–1731 | Trio Sonata No. 6/6 | G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
| 531 | 7. | c. 1703–1706 | Prelude and Fugue | C maj. | Organ | 15: 81 | IV/5: 3 | in Möllersche Handschrift | 00603 |
| 532.2 | 7. | c. 1708–1712 | Prelude and Fugue | D maj. | Organ | 15: 88 | IV/5: 58 | after BWV 912/1, 532.1 | 00604 |
| 532.1 | 7. | Fugue (early version) | D maj. | Organ | IV/6: 95 | → BWV 532.2/2 | 00605 | ||
| 533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔ BWV 533a | 00606 |
| 533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔ BWV 533 | 00607 | ||
| 535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | after BWV 535a | 00609 |
| 535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | → BWV 535; in Möllersche Handschrift | 00610 | |
| 536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔ BWV 152/1; → 536a | 00611 |
| 537 | 7. | 1729–1750 | Fantasia and Fugue | C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
| 538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian") | D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
| 539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | after BWV 1001/2, 1000 | 00615 |
| 540 | 7. | c.1712–1717? | Toccata and Fugue | F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
| 541 528/3 |
7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | → BWV 528/3 | 00617 |
| 542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
| 543 | 7. | after c.1730 | Prelude and Fugue | A min. | Organ | 15: 189 | IV/5: 186 | after BWV 543/1a | 00619 |
| 543/1a | 7. | bef. c.1725 | Prelude | A min. | Organ | IV/6: 121 | → BWV 543/1 | 00620 | |
| 544 | 7. | 1727–1731 (JSB) | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
| 545 529/2 |
7. | 1708–1717 after 1722 |
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | after BWV 545a, b; → 529/2 | 00622 |
| 545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | → BWV 545b, 545 | 00623 | |
| 546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
| 547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
| 548 | 7. | 1727–1731 (JSB) | Prelude and Fugue ("Wedge") | E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
| 549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | after BWV 549a | 00628 |
| 549a | 7. | bef. c.1703 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | → BWV 549; in Möllersche Handschrift | 00629 | |
| 550 | 7. | c.1708–1712 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
| 551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
| 552 | 7. | 1739 | Prelude and Fugue ("St Anne") from Clavier-Übung III | E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
| 562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue added c.1747–1748) | C min. | Organ | 38: 64, 209 44: 4 |
IV/5: 54 | 00642 | |
| 563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | in Andreas-Bach-Buch | 00643 |
| 564 | 7. | 1708–1717 | Toccata, Adagio and Fugue | C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
| 565 | 7. | c.1704? | Toccata and Fugue | D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
| 566 | 7. | 1703–1707 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E maj. C maj. |
Organ | 15: 276 | IV/6: 40 | 00646 | |
| 569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
| 1121 | 7. | c.1708–1709 | Fantasia | C min. | Organ | IV/11: 54 | in Andreas-Bach-Buch; was Anh. 205 | 01516 | |
| 570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | in Andreas-Bach-Buch | 00650 |
| 572 | 7. | 1708–c.1712 | Fantasia, a.k.a. Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
| 573 | 7. | c.1723–1724 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 |
V/4: 39 IV/6: 18 |
00653 | |
| 574 | 7. | after c.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | after BWV 574b; ↔ 574a | 00654 |
| 574a | 7. | after c.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | after BWV 574b; ↔ 574 | 00655 |
| 574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch | 00656 | |
| 575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
| 578 | 7. | c.1713 or earlier | Fugue ("Little") | G min. | Organ | 38: 116 | IV/6: 55 | in Andreas-Bach-Buch | 00660 |
| 579 | 7. | c.1703–1707 | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | after Corelli (theme) | 00661 |
| 582 | 7. | c.1709–1710 | Passacaglia (and Fugue) | C min. | Organ | 15: 289 | IV/7: 98 | in Andreas-Bach-Buch | 00664 |
| 583 | 7. | c.1708–1717 | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
| 585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach | 00667 |
| 586 | 7. | bef. c.1740 | Trio | G maj. | Organ | IV/8: 78 | after Telemann? | 00668 | |
| 587 | 7. | c.1714? | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | after Couperin, Les NationsIII/4 | 00669 |
| 588 | 7. | c.1703–1707 | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | in Möllersche Handschrift | 00670 |
| 589 | 7. | bef. c.1742 | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
| 590 | 7. | c.1723–1727 or later | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
| 592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a | 00674 |
| 592a | 7. | c.1714–1717 | Concerto for solo harpsichord | G maj. | Keyboard | 42: 282 | V/11: 150 | after BWV 592 | 00675 |
| 593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | after Vivaldi, Op. 3 No. 8 (RV 522) | 00676 |
| 594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | after Vivaldi, RV 208, Grosso Mogul | 00677 |
| 595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | after BWV 984/1 | 00678 |
| 596 | 7. | c.1714–1717 | Concerto for solo organ (arrangement previously attributed to W. F. Bach) | D min. | Organ | IV/8: 3 | after Vivaldi, Op. 3 No. 11 (RV 565) | 00679 | |
| 599 | 7. | c.1711–1713 | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | after Z 1174 | 00682 |
| 600 | 7. | c.1711–1713 | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | after Z 3294 | 00683 |
| chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
| 601 | 7. | c.1708–1711 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | after Z 4297a | 00684 |
| chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection) | |||||||||
| 602 | 7. | c.1711–1713 | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | after Z 339 | 00685 |
| 603 | 7. | c.1711–1713 | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | after Z 192b | 00686 |
| 604 | 7. | c.1711–1713 | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | after Z 1947 | 00687 |
| 605 | 7. | c.1711–1713 | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | after Z 7870 | 00688 |
| 606 | 7. | c.1708–1711 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | after Z 346 | 00689 |
| 607 | 7. | c.1711–1713 | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | after Z 192a | 00690 |
| 608 | 7. | c.1711–1713 | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | after Z 4947 | 00691 |
| 609 | 7. | c.1711–1713 | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | after Z 198 | 00692 |
| 610 | 7. | c.1711–1713 | chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | after Z 8032 | 00693 |
| 611 | 7. | c.1714–1716 | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | after Z 297c | 00694 |
| 612 | 7. | c.1711–1713 | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | after Z 2072 | 00695 |
| 613 | 7. | c.1740 | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | after Z 5267 | 00696 |
| 614 | 7. | c.1711–1713 | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | after Z 381c | 00697 |
| 615 | 7. | c.1708–1711 | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | after Z 8537 | 00698 |
| 616 | 7. | c.1714–1716 | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | after Z 3986 | 00699 |
| 617 | 7. | c.1714–1716 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | after Z 7641b | 00700 |
| 618 | 7. | c.1714–1716 | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | after Z 4361a | 00701 |
| 619 | 7. | c.1714–1716 | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | after Z 58 | 00702 |
| 620 | 7. | c.1726 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | after BWV 620a | 00703 |
| 620a | 7. | c.1714–1716 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | after Z 6283b; → BWV 620 | 00704 |
| 621 | 7. | c.1711–1713 | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | after Z 1706 | 00705 |
| 622 | 7. | c.1711–1713 | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | after Z 8303; → BWV 622 (var.) | 00706 |
| 622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | after BWV 622 | 00707 | |||
| 623 | 7. | c.1714–1716 | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | after Z 423 | 00708 |
| 624 | 7. | c.1714–1716 | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | after Z 4329 | 00709 |
| 625 | 7. | c.1708–1711 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | after Z 7012a | 00710 |
| 626 | 7. | c.1711–1713 | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | after Z 1978 | 00711 |
| 627 | 7. | c.1711–1713 | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | after Z 8584 | 00712 |
| 628 | 7. | c.1711–1713 | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | after Z 1747a | 00713 |
| 629 | 7. | c.1711–1713 | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | after Z 1743 | 00714 |
| 630 | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | after BWV 630a | 00715 |
| 630a | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | after Z 2585; → BWV 630 | 00716 | ||
| 631 | 7. | c.1726 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | after BWV 631a | 00717 |
| 631a | 7. | c.1711–1713 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | after Z 295; → BWV 631 | 00718 |
| 632 | 7. | c.1711–1713 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | after Z 624 | 00719 |
| 633 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | after BWV 634 | 00720 |
| 634 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | after Z 3498b; → BWV 633 | 00721 |
| 635 | 7. | c.1711–1713 | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | after Z 1951 | 00722 |
| 636 | 7. | c.1711–1713 | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | after Z 2561 | 00723 |
| 637 | 7. | c.1711–1713 | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | after Z 7549 | 00724 |
| 638 | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | after BWV 638a | 00725 |
| 638a | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | after Z 4430; → BWV 638 | 00726 | ||
| 639 | 7. | c.1708–1711 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | after Z 7400; → BWV Anh. 73 | 00727 |
| 640 | 7. | c.1711–1713 | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | after Z 2459 | 00728 |
| 641 | 7. | c.1711–1713 | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | after Z 394 | 00729 |
| 642 | 7. | c.1711–1713 | chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | after Z 2778 | 00730 |
| 643 | 7. | c.1711–1713 | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | after Z 6779a | 00731 |
| 644 | 7. | c.1711–1713 | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | after Z 1887b | 00732 |
| 645 | 7. | 1747–1748 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | after BWV 140/4 | 00733 |
| 646 | 7. | 1747–1748 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | after Z 2164 | 00734 |
| chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
| 647 | 7. | 1747–1748 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | after BWV 93/4 | 00735 |
| 648 | 7. | 1747–1748 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | after BWV 10/5 | 00736 |
| 649 | 7. | 1747–1748 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | after BWV 6/3 | 00737 |
| 650 | 7. | 1747–1748 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | after BWV 137/2 | 00738 |
| 651 | 7. | c.1740 | chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18) | F maj. | Organ | 252: 79 | IV/2: 3 | after BWV 651a | 00739 |
| 651a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | after Z 7445a; → BWV 651 | 00740 | |
| 652 | 7. | c.1740 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18) | G maj. | Organ | 252: 86 | IV/2: 13 | after BWV 652a | 00741 |
| 652a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | after Z 7445a; → BWV 652 | 00742 | ||
| 653 | 7. | c.1740 | chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) | G maj. | Organ | 252: 92 | IV/2: 22 | after BWV 653a | 00743 |
| 653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | after BWV 653b; → BWV 653 | 00744 | |
| 653b | 7. | 1708–1714 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | after Z 7663; → BWV 653a | 00745 | |
| 654 | 7. | c.1740 | chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) | E♭ maj. | Organ | 252: 95 | IV/2: 26 | after BWV 654a | 00746 |
| 654a | 7. | 1708–1714 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | after Z 6923; → BWV 654 | 00747 | ||
| 655 | 7. | c.1740 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18) | G maj. | Organ | 252: 98 | IV/2: 31 | after BWV 655a; ↔ 655 var. 1–4; → 655b–c | 00748 |
| 655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | after Z 624; ↔ BWV 655(a), var. 2–4 | 00749 | |||
| 655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1, 3–4 | 00750 | ||
| 655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–2, 4 | 00751 | ||
| 655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–3 | 00752 | ||
| 655a | 7. | 1708–1714 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | after Z 624; ↔ BWV 655 var. 1–4; → 655 | 00753 | |
| 656 | 7. | c.1740 | chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) | A maj. | Organ | 252: 102 | IV/2: 38 | after BWV 656a | 00756 |
| 656a | 7. | 1708–1714 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | after Z 4361b; → BWV 656 | 00757 | |
| 657 | 7. | 1708–1714 | Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) | G maj. | Organ | 252: 108 | IV/2: 46 | after Z 5142 | 00758 |
| 658 | 7. | c.1740 | chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) | F min. | Organ | 252: 112 | IV/2: 51 | after BWV 658a | 00759 |
| 658a | 7. | 1708–1714 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | after Z 5264b → BWV 658 | 00760 | |
| 659 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) | G min. | Organ | 252: 114 | IV/2: 55 | after BWV 659a | 00761 |
| 659a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | after Z 1174; → BWV 659 | 00762 | |
| 660 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18) | G min. | Organ | 252: 116 | IV/2: 59 | after BWV 660a | 00763 |
| 660a | 7. | 1714–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | after Z 1174; → BWV 660, 660b | 00764 | |
| 660b | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs, J. T. (arr.)?; after BWV 660a | 00765 | ||
| 661 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) | G min. | Organ | 252: 118 | IV/2: 62 | after BWV 661a | 00766 |
| 661a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | after Z 1174; → BWV 661 | 00767 | |
| 662 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) | A maj. | Organ | 252: 122 | IV/2: 67 | after BWV 662a | 00768 |
| 662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | after Z 4457; → BWV 662 | 00769 | ||
| 663 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) | G maj. | Organ | 252: 125 | IV/2: 72 | after BWV 663a | 00770 |
| 663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | after Z 4457; → BWV 663 | 00771 | |
| 664 | 7. | 1746–1747 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18) | A maj. | Organ | 252: 130 | IV/2: 79 | after BWV 664a–b | 00772 |
| 664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | after BWV 664b; → BWV 664 | 00773 | |
| 664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | after Z 4457; → BWV 664(a) | 00774 | ||
| 665 | 7. | 1746–1747 | chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) | E min. | Organ | 252: 136 | IV/2: 87 | after BWV 665a | 00775 |
| 665a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | after Z 1576; → BWV 665 | 00776 | |
| 666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18) | E min. | Organ | 252: 140 | IV/2: 91 | after BWV 666a | 00777 |
| 666a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | after Z 1576; → BWV 666 | 00778 | ||
| 667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) | C maj. | Organ | 252: 142 | IV/2: 94 | after BWV 667a | 00779 |
| 667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | after BWV 667b; → BWV 667 | 00780 | ||
| 667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | after Z 295; → BWV 667(a) | 00781 | ||
| 668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18) | G maj. | Organ | 252: 145 | IV/2: 113 | after BWV 668a | 00782 |
| 668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | after Z 394; → BWV 668 | 00783 | ||
| 669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Organ | 3: 184 | IV/4: 16 | after Z 8600 | 00784 | |
| 670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Organ | 3: 186 | IV/4: 18 | after Z 8600 | 00785 | |
| 671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Organ | 3: 190 | IV/4: 20 | after Z 8600 | 00786 | |
| 672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | after Z 8600 | 00787 | |
| 673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | after Z 8600 | 00788 | |
| 674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | after Z 8600 | 00789 | |
| 675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 197 | IV/4: 30 | after Z 4457 | 00790 | |
| 676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 199 | IV/4: 33 | after Z 4457; → BWV 676a | 00791 | |
| 677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | after Z 4457 | 00793 | |
| 678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III | Organ | 3: 206 | IV/4: 42 | after Z 1951 | 00794 | |
| 679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | after Z 1951 | 00795 | |
| 680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III | Organ | 3: 212 | IV/4: 52 | after Z 7971 | 00796 | |
| 681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | after Z 7971 | 00797 | |
| 682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Organ | 3: 217 | IV/4: 58 | after Z 2561 | 00798 | |
| 683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | after Z 2561; → BWV 683a | 00799 | |
| 684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Organ | 3: 224 | IV/4: 68 | after Z 7246 | 00801 | |
| 685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | after Z 7246 | 00802 | |
| 686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Organ | 3: 229 | IV/4: 74 | after Z 4437 | 00803 | |
| 687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | after Z 4437 | 00804 | |
| 688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III | Organ | 3: 234 | IV/4: 81 | after Z 1576 | 00805 | |
| 689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | after Z 1576 | 00806 | |
| 690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | after Z 2778 | 00807 | |
| 691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 |
V/5: 6 V/4: 90 IV/3: 98 |
after Z 2778; → BWV 691a | 00808 | |
| 694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | after Z 2164 | 00813 | |
| 695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | after Z 7012a; → BWV 695a | 00814 | |
| 695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | after BWV 695 | 00815 | ||
| 696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | after Z 297c | 00816 | |
| chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
| 697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | after Z 1947 | 00817 | |
| 698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | after Z 4297a | 00818 | |
| 699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | after Z 1174 | 00819 | |
| 700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | after Z 346 | 00820 | |
| 701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | after Z 346 | 00821 | |
| 702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | after Z 7597 | 00822 | |
| 703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | after Z 3294 | 00823 | |
| 704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | after Z 339 | 00824 | |
| 706/1 706/2 |
7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | after Z 3498b | 00826 | |
| 707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | after Z 1679 | 00827 | |
| 709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | after Z 624 | 00830 | |
| 710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | after Z 2072 | 00831 | |
| 711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | after Z 4457 | 00832 | |
| 712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | after Z 2461 | 00833 | |
| 713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | after Z 8032; → BWV 713a | 00834 | |
| 713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | after BWV 713 | 00835 | |
| 714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) | Organ | 40: 43 | IV/9: 26 IV/3: 3 |
after Z 2050, 2052 | 00836 | |
| 715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | after Z 4457 | 00837 | |
| 717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | after Z 4457 | 00839 | |
| 718 | 7. | 1703–1708 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | after Z 7012a | 00840 | |
| 719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) | Organ | 40: 55 | IV/9: 2, 72 | after Z 7870 | 00841 | |
| 720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | after Z 7377; by Bach, J. Michael? | 00842 | |
| 721 | 7. | c.1703–1707 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | after Z 5851 | 00843 | |
| 722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | after BWV 722a | 00844 | |
| 722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | after Z 1947; → BWV 722 | 00845 | |
| 724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | after Z 3294; in Andreas-Bach-Buch | 00847 | |
| chorale setting "Gottes Sohn ist kommen" | |||||||||
| 725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | after Z 8652 | 00848 | |
| 727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | after Z 5385a | 00850 | |
| 728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 |
V/4: 41 IV/3: 58 |
after Z 3432b | 00851 | |
| 729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | after BWV 729a | 00852 | |
| 729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | after Z 4947; → BWV 729 | 00853 | |
| 730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | after Z 3498b | 00854 | |
| 731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | after Z 3498b | 00855 | |
| 732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | after BWV 732a | 00856 | |
| 732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | after Z 198; → BWV 732 | 00857 | |
| 733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | after Magnificat peregrini toni; by Krebs, J. L.? | 00858 | |
| 734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | after Z 4429a; → BWV 734a | 00859 | |
| 734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | after BWV 734; arr. by Scholz? | 00860 | |
| 735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | after BWV 735a | 00861 | |
| 735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | after Z 5404a; → BWV 735 | 00862 | |
| 736 | 7. | 1708–1717 or later | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | after Z 5404a | 00863 | |
| 737 | 7. | 1703–1707 | chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) | Organ | 40: 96 | IV/9: 36 IV/3: 90 |
after Z 2561 | 00864 | |
| 738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | after BWV 738a | 00865 | |
| 738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | after Z 346; → BWV 738 | 00866 | |
| 739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | after Z 8359 | 00867 | |
| 741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | after Z 4431 | 00869 | |
| 742 | 7. | c.1704 | chorale setting "Ach Herr, mich armen Sünder" (Neumeister Chorales No. 14) | Organ | IV/9: 28 | after Z 5385a | 00870 | ||
| 747 | 7. | 1703–1707 or earlier | chorale setting "Christus, der uns selig macht" | Organ | IV/10: 38 | after Z 6283b | 00875 | ||
| 753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) | Organ | 40: 163 451: 214 |
V/5: 8 | after Z 8032 | 00882 | |
| 764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | after Z 8359 | 00893 | |
| 1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" | Organ | IV/3: 76 | after Z 4361 | 01683 | ||
| 1090 | 7. | c.1704 | chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) | Organ | IV/9: 4 | after Z 2072 | 01276 | ||
| 1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist" (Neumeister Chorales No. 3) | Organ | IV/9: 6 | after Z 381c | 01277 | ||
| 1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) | Organ | IV/9: 8 | after Z 7641b | 01278 | ||
| 1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) | Organ | IV/9: 10 | after Z 983 | 01279 | ||
| 1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) | Organ | IV/9: 12 | after Z 8360 | 01280 | ||
| 1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) | Organ | IV/9: 14 | after Z 4361a | 01281 | ||
| 1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) | Organ | IV/9: 18 | after Z 8187h | 01283 | ||
| 1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) | Organ | IV/9: 20 | after Z 7971 | 01284 | ||
| 1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) | Organ | IV/9: 22 | after Z 4438 | 01285 | ||
| 1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) | Organ | IV/9: 24 | after Z 7292b | 01286 | ||
| 1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) | Organ | IV/9: 30 | after Z 7549 | 01287 | ||
| 1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) | Organ | IV/9: 33 | after Z 4373 | 01288 | ||
| 1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) | Organ | IV/9: 35 | after Z 350 | 01289 | ||
| 1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) | Organ | IV/9: 38 | after Z 499 | 01290 | ||
| 1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) | Organ | IV/9: 39 | after Z 8032 | 01291 | ||
| 1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) | Organ | IV/9: 40 | after Z 4421 | 01292 | ||
| 1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) | Organ | IV/9: 42 | after Z 6794 | 01293 | ||
| 1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) | Organ | IV/9: 44 | after Z 258 | 01294 | ||
| 1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) | Organ | IV/9: 46 | after Z 7228c | 01295 | ||
| 1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) | Organ | IV/9: 48 | after Z 5690 | 01296 | ||
| 1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) | Organ | IV/9: 50 | after Z 352 | 01297 | ||
| 1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) | Organ | IV/9: 52 | after Z 132 | 01298 | ||
| 1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) | Organ | IV/9: 54 | after Z 1679 | 01299 | ||
| 1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) | Organ | IV/9: 56 | after Z 4486 | 01300 | ||
| 1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) | Organ | IV/9: 58 | after Z 8326 | 01301 | ||
| 1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) | Organ | IV/9: 60 | after Z 5629 | 01302 | ||
| 1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) | Organ | IV/9: 62 | after Z 6779a | 01303 | ||
| 1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) | Organ | IV/9: 66 | after Z 6551 | 01304 | ||
| 1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) | Organ | IV/9: 68 | after Z 1294 | 01305 | ||
| 1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) | Organ | IV/9: 70 | after Z 384 | 01306 | ||
| 957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G maj. | Organ | 42: 203 | IV/9: 64, 74 | after Z 2383 | 01134 |
| 766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | after Z 384 | 00895 | |
| 767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | after Z 5138 | 00896 | |
| 768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | Organ | 40: 122 | IV/1: 132, 152 | after Z 3889b | 00897 | |
| 769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) | Organ | 40: 137 | IV/2: 197 | after Z 346; → BWV 769a | 00898 | |
| 769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) | Organ | IV/2: 98 | after BWV 769 | 00899 | ||
| 770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | after Z 3574 | 00900 |
Various lost, doubtful and spurious organ works are included in the BWV Anhang:
- BWV Anh. 42–79
- BWV Anh. 171–178
- BWV Anh. 200, 206, 208, 213
- Bach, Johann Sebastian; Stockmeier, Wolfgang (1997), Das Orgelwerk (20-CD box set), Hamburg: Art & Music, OCLC 163302495
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