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Structured list and sortable table covering Bach's orchestral suites and concertos From Wikipedia, the free encyclopedia
Orchestral works by Johann Sebastian Bach refers to the compositions in the eleventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions),[1] or, in the New Bach Edition, the compositions in Series VII.[2]
The orchestra of the concertos for one or more accompanied soloists (BWV 1041–1044, 1049–1050 and 1052–1065) consists in most cases of strings (two parts for violins and one viola part) and continuo (for example performed on cello and harpsichord). Such orchestra of the Baroque era can be indicated as string orchestra or chamber orchestra. In the 19th century, the Bach-Gesellschaft published Bach's concertos BWV 1041–1044 and 1046–1065 as chamber music – the designation as orchestral music becoming more common in the second half of the 20th century.[3] Apart from the concertos for more than one performer listed in the sections below, Bach also wrote concertos for a single unaccompanied harpsichordist or organist:
In Series VII of the New Bach Edition:[33]
column | content | |
---|---|---|
1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: |
2 | 2a | Section in which the composition appears in BWV2a:
|
3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
4 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
5 | Key | Key of the composition |
6 | Scoring | See scoring table below for the abbreviations used in this column |
7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[39] |
8 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[40]
|
9 | Additional info | may include:
Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
10 | BD | Bach Digital Work page |
Voices (see also SATB) | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
a | A | b | B | s | S | t | T | v | V | |||
alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
Winds and battery (bold = soloist) | ||||||||||||
Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
Strings and keyboard (bold = soloist) | ||||||||||||
Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso |
Colour | Meaning |
---|---|
green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
orange-brown | extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member |
BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
---|---|---|---|---|---|---|---|---|---|
1041 | 11. | 1730 | Concerto for violin and orchestra No. 1 | A min. | Vl Str Bc | 211: 3 451: 233 |
VII/3: 3 | → BWV 1058 | 01223 |
1042 | 11. | Concerto for violin and orchestra No. 2 | E maj. | Vl Str Bc | 211: 21 | VII/3: 35 | → BWV 1054 | 01224 | |
1043 | 11. | 1730–1731 or earlier | Concerto for 2 violins and orchestra – Double Concerto | D min. | 2Vl Str Bc | 211: 41 | VII/3: 71 | → BWV 1062 | 01225 |
1044 | 11. | 1727 or later |
Concerto for flute, violin, harpsichord and orchestra – Triple Concerto | A min. | Fl Vl Hc Str Bc | 17: 223 | VII/3: 105 | after BWV 894/1, 527/2, 894/2 | 01226 |
1045 | 11. | 1743–1746 | Cantata opening: "Concerto" (Symphonic movement for violin and orchestra) | D maj. | Vl 3Tr Tmp 2Ob Str Bc | 211: 65 | I/34: 305 | after unknown model by other composer?[41][42][43] | 01227 |
1046.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 1 | F maj. | 2Nho 3Ob Bas Vlp Str Bc | 19: 3 | VII/2: 3 | after BWV 1046.1; /3, /7 → BWV 207(a)/1, /5a | 01228 |
1046.1 | 11. | c.1712- 1713? |
Sinfonia (opening of BWV 208?) | F maj. | 2Nho 3Ob Str Bas Bc | 311: 69 | VII/2: 225 | → BWV 1046.2; /1 → BWV 52/1; was BWV 1046a, 1071[41] | 01229 |
1047 | 11. | 1721-03-24 | Brandenburg Concerto No. 2 | F maj. | Tr Fl Ob Vl Str Vne Bc | 19: 3 | VII/2: 43 | 01230 | |
1048 | 11. | 1721-03-24 | Brandenburg Concerto No. 3 | G maj. | 3Vl 3Vla 3Vc Vne Hc | 19: 3 | VII/2: 73 | → BWV 174/1 | 01231 |
1049 | 11. | 1721-03-24 | Brandenburg Concerto No. 4 | G maj. | Vl 2Fl Str Vc Vne Bc | 19: 3 | VII/2: 99 | → BWV 1057 | 01232 |
1050.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 5 (early version) | D maj. | Fl Vl Hc Vl Va Vc Vne | 19: 3 | VII/2: 145 | after BWV 1050.1 | 01233 |
1050.1 | 11. | 1720–1721 | Brandenburg Concerto No. 5 (revised version) | D maj. | Fl Vl Hc Vl Va Vne | 19: 3 | VII/2: 145 | → BWV 1050.2 | 01234 |
1051 | 11. | 1721-03-24 | Brandenburg Concerto No. 6 | B♭ maj. | 2Vla 2Gam Vc Vne Hc | 19: 3 | VII/2: 197 | 01235 | |
1052.2 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 1 (revised version) | D min. | Hc Str Bc | 17: 3 | VII/4: 3 | after BWV 1052.1, BWV 146/1, /2 and 188/1 | 01236 |
1052.1 | 11. | before 1726 | Concerto for harpsichord and orchestra No. 1 (early version) | D min. | Hc Str Bc | 17: 3 | VII/4: 317 | by Bach, C. P. E.?; → BWV 1052.2, BWV 146/1, /2 and 188/1 | 01237 |
1053 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 2 | E maj. | Hc Str Bc | 17: 3 | VII/4: 79 | after BWV 169/1, /5 and 49/1 | 01238 |
1054 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 3 | D maj. | Hc Str Bc | 17: 3 | VII/4: 127 | after BWV 1042 | 01239 |
1055 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 4 | A maj. | Hc Str Bc | 17: 3 | VII/4: 161 | after BWV 1055R? | 01240 |
1056 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 5 | F min. | Hc Str Bc | 17: 3 | VII/4: 197 | after BWV 1056R?; /2 after BWV 156/1 | 01241 |
1057 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 6 | F maj. | Hc 2Fl Str Bc | 17: 3 | VII/4: 221 | after BWV 1049 | 01242 |
1058 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 7 | G min. | Hc Str Bc | 17: 3 | VII/4: 283 | after BWV 1041 | 01243 |
1059 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement) | D min. | Hc Ob Str Bc | 17: 3 | VII/4: 313 | after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5 |
01244 |
1060 | 11. | c.1736 | Concerto for 2 harpsichords and orchestra No. 1 | C min. | 2Hc Str Bc | 212: 3 | VII/5: 3 | after BWV 1060R? | 01245 |
1061.2 | 11. | after 1732–1733 | Concerto for 2 harpsichords and orchestra No. 2 | C maj. | 2Hc Str Bc | 212: 39 | VII/5: 109 | after BWV 1061.1 | 01246 |
1061.1 | 11. | 1732–1733 or earlier | Concerto for 2 harpsichords (No. 2) | C maj. | 2Hc | 212: 39 | VII/5: 83 | → BWV 1061.2 | 01247 |
1062 | 11. | 1736 | Concerto for 2 harpsichords and orchestra No. 3 | C min. | 2Hc Str Bc | 212: 83 | VII/5: 43 | after BWV 1043 | 01248 |
1063 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 1 | D min. | 3Hc Str Bc | 313: 3 | VII/6: 3 | after unknown model? | 01249 |
1064 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 2 | C maj. | 3Hc Str Bc | 313: 53 | VII/6: 55 | after BWV 1064R? | 01250 |
1065 | 11. | c.1730 | Concerto for 4 harpsichords and orchestra | A min. | 4Hc Str Bc | 431: 71 | VII/6: 117 | after Vivaldi, Op. 3 No. 10 | 01251 |
1066 | 11. | May 1724–End 1725 | Orchestral Suite No. 1 | C maj. | 2Ob Bas Str Bc | 311: 3 | VII/1: 3 | Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied | 01252 |
1067 | 11. | 1738–1739 | Orchestral Suite No. 2 | B min. | Fl Str Bc | 311: 24 | VII/1: 27 | Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie | 01253 |
1068 | 11. | c.1730 | Orchestral Suite No. 3 | D maj. | 3Tr Tmp 2Ob (Vl) Str Bc | 311: 40 | VII/1: 49, 119 |
Ouverture Air 2Gavotte Bourrée Gigue | 01254 |
1069 | 11. | before late 1727 | Orchestral Suite No. 4 | D maj. | 3Tr Tmp 2Ob Bas Str Bc | 311: 66 | VII/1: 79 | Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1 | 01255 |
1071 |
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see BWV 1046.1 | 01229 |
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