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Music associated with Christmas From Wikipedia, the free encyclopedia
Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season. Music associated with Christmas may be purely instrumental, or, in the case of carols, may employ lyrics about the nativity of Jesus Christ, traditions such as gift-giving and merrymaking, cultural figures such as Santa Claus, or other topics. Many songs simply have a winter or seasonal theme, or have been adopted into the canon for other reasons.
While most Christmas songs before the 20th century were of a traditional religious character, the Great Depression brought a stream of U.S. songs that did not explicitly mention the Christian nature of the holiday, but rather the more secular traditional Western themes and customs associated with it. These included songs aimed at children such as "Santa Claus Is Comin' to Town" and "Rudolph the Red-Nosed Reindeer", as well as sentimental ballad-type songs performed by famous crooners of the era, such as "Have Yourself a Merry Little Christmas" and "White Christmas", the latter of which remained the best-selling single of all time as of 2024.[1][2] Elvis' Christmas Album (1957) by Elvis Presley is the best-selling Christmas album of all time, having sold more than 20 million copies worldwide.[3]
Performances of Christmas music at public concerts, in churches, at shopping malls, on city streets, and in private gatherings are a staple of the Christmas season in many cultures across the world. Many radio stations convert to a 24-7 Christmas music format leading up to the holiday; though the standard for most stations in the US is on or near Veterans Day,[4] some stations adopt the format as early as the day after Halloween (or, exceptionally rarely, even sooner)[5][6] as part of a phenomenon known as "Christmas creep[7]". Liturgically, Christmas music traditionally ceases to be performed at the arrival of Candlemas, the traditional end of the Christmas-Epiphanytide season.[8]
Music associated with Christmas is thought to have its origins in 4th-century Rome, in Latin-language hymns such as Veni redemptor gentium.[9] By the 13th century, under the influence of Francis of Assisi, the tradition of popular Christmas songs in regional native languages developed.[10] Christmas carols in the English language first appear in a 1426 work of John Awdlay, an English chaplain, who lists twenty five "caroles of Cristemas", probably sung by groups of wassailers who would travel from house to house.[11] In the 16th century, various Christmas carols still sung to this day, including "The 12 Days of Christmas", "God Rest You Merry, Gentlemen", and "O Christmas Tree", first emerged.[12]
Music was an early feature of the Christmas season and its celebrations. The earliest examples are hymnographic works (chants and litanies) intended for liturgical use in observance of both the Feast of the Nativity and Theophany, many of which are still in use by the Eastern Orthodox Church. The 13th century saw the rise of the carol written in the vernacular, under the influence of Francis of Assisi.
In the Middle Ages, the English combined circle dances with singing and called them carols. Later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive. From Italy, it passed to France and Germany, and later to England. Christmas carols in English first appear in a 1426 work of John Audelay, a Shropshire priest and poet, who lists 25 "caroles of Cristemas", probably sung by groups of wassailers, who went from house to house.[13] Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of the great musicians. Martin Luther, the father of Lutheran Christianity, encouraged congregational singing during the Mass, in addition to spreading the practice of caroling outside the liturgy.[14]
During the Commonwealth of England government under Cromwell, the Rump Parliament prohibited the practice of singing Christmas carols as Pagan and sinful. Like other customs associated with Christianity of the Catholic and Magisterial Protestant traditions, it earned the disapproval of Puritans.[15] Famously, Cromwell's interregnum prohibited all celebrations of the Christmas holiday. This attempt to ban the public celebration of Christmas can also be seen in the early history of Father Christmas.
The Puritan Westminster Assembly of Divines established Sunday as the only holy day in the liturgical calendar in 1644. The new liturgy produced for the English church recognized this in 1645, and so legally abolished Christmas. Its celebration was declared an offense by Parliament in 1647.[16] There is some debate as to the effectiveness of this ban, and whether or not it was enforced in the country.[16] During the years that the Puritan ban on Christmas was in place in England, semi-clandestine religious services marking Christ's birth continued to be held, and people sang carols in secret.[15]
Puritans generally disapproved of the celebration of Christmas—a trend that continually resurfaced in Europe and the US through the eighteenth, nineteenth and twentieth centuries.[17]
When in May 1660 Charles II restored the Stuarts to the throne, the people of England once again practiced the public singing of Christmas carols as part of the revival of Christmas customs, sanctioned by the king's own celebrations.[15][16]
The Victorian Era saw a surge of Christmas carols associated with a renewed admiration of the holiday, including "Silent Night", "O Little Town of Bethlehem", and "O Holy Night". The first Christmas songs associated with Saint Nicholas or other gift-bringers also came during 19th century, including "Up on the Housetop" and "Jolly Old St. Nicholas".[18] Many older Christmas hymns were also translated or had lyrics added to them during this period, particularly in 1871 when John Stainer published a widely influential collection entitled "Christmas Carols New & Old".[18] William Sandys's Christmas Carols Ancient and Modern (1833), contained the first appearance in print of many now-classic English carols, and contributed to the mid-Victorian revival of the holiday.[19] Singing carols in church was instituted on Christmas Eve 1880 (Nine Lessons and Carols) in Truro Cathedral, Cornwall, England, which is now seen in churches all over the world.[20]
According to one of the only observational research studies of Christmas caroling, Christmas observance and caroling traditions vary considerably between nations in the 21st century, while the actual sources and meanings of even high-profile songs are commonly misattributed, and the motivations for carol singing can in some settings be as much associated with family tradition and national cultural heritage as with religious beliefs.[21] Christmas festivities, including music, are also celebrated in a more secular fashion by such institutions as the Santa Claus Village, in Rovaniemi, Finland.[22]
The tradition of singing Christmas carols in return for alms or charity began in England in the seventeenth century after the Restoration. Town musicians or 'waits' were licensed to collect money in the streets in the weeks preceding Christmas, the custom spread throughout the population by the eighteenth and nineteenth centuries up to the present day. Also from the seventeenth century, there was the English custom, predominantly involving women, of taking a wassail bowl to their neighbors to solicit gifts, accompanied by carols. Despite this long history, many Christmas carols date only from the nineteenth century onwards, with the exception of songs such as the "Wexford Carol", "God Rest You Merry Gentlemen", "As I Sat on a Sunny Bank", "The Holly and the Ivy",[23] the "Coventry Carol" and "I Saw Three Ships". The practice of ordinary Christian church members of various denominations going door to door and singing carols continues in many parts of the world, such as in India; residents give money to the carolers, which churches distribute to the poor.[24][25]
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The importance of Advent and the feast of Christmastide within the church year means there is a large repertoire of music specially composed for performance in church services celebrating the Christmas story. Various composers from the Baroque era to the 21st century have written Christmas cantatas and motets. Some notable compositions include:
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Many large-scale religious compositions are performed in a concert setting at Christmas. Performances of George Frideric Handel's oratorio Messiah are a fixture of Christmas celebrations in some countries,[26] and although it was originally written for performance at Easter, it covers aspects of the Biblical Christmas narrative.[27][28] Informal Scratch Messiah performances involving public participation are very popular in the Christmas season.[29] Johann Sebastian Bach's Christmas Oratorio (Weihnachts-Oratorium, BWV 248), written for Christmas 1734, describes the birth of Jesus, the annunciation to the shepherds, the adoration of the shepherds, the circumcision and naming of Jesus, the journey of the Magi, and the adoration of the Magi.[30] Antonio Vivaldi composed the Violin Concerto RV270 "Il Riposo per il Santissimo Natale" ("For the Most Holy Christmas"). Arcangelo Corelli composed the Christmas Concerto in 1690. Peter Cornelius composed a cycle of six songs related to Christmas themes he called Weihnachtslieder. Setting his own poems for solo voice and piano, he alluded to older Christmas carols in the accompaniment of two of the songs.
Other classical works associated with Christmas include:
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Songs which are traditional, even some without a specific religious context, are often called Christmas carols. Each of these has a rich history, some dating back many centuries.
A popular set of traditional carols that might be heard at any Christmas-related event include:[32] [33][34]
These songs hearken from centuries ago, the oldest ("Wexford Carol") originating in the 12th century. The newest came together in the mid- to late-19th century. Many began in non-English speaking countries, often with non-Christmas themes, and were later converted into English carols with English lyrics added—not always translated from the original, but newly created—sometimes as late as the early 20th century.[citation needed]
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Among the earliest secular Christmas songs was "The Twelve Days of Christmas", which first appeared in 1780 in England (its melody would not come until 1909); the English West Country carol "We Wish You a Merry Christmas" has antecedents dating to the 1830s but was not published in its modern form until Arthur Warrell introduced it to a wider audience in 1935. As the secular mythos of the holiday (such as Santa Claus in his modern form) emerged in the 19th century, so too did secular Christmas songs. Benjamin Hanby's "Up on the House Top" and Emily Huntington Miller's "Jolly Old Saint Nicholas" were among the first explicitly secular Christmas songs in the United States, both dating to the 1860s; they were preceded by "Jingle Bells", written in 1857 but not explicitly about Christmas, and "O Christmas Tree," written in 1824 but only made about a Christmas tree after being translated from its original German.
Christmas music has been published as sheet music for centuries. One of the earliest collections of printed Christmas music was Piae Cantiones, a Finnish songbook first published in 1582 which contained a number of songs that have survived today as well-known Christmas carols. The publication of Christmas music books in the 19th century, such as Christmas Carols, New and Old (Bramley and Stainer, 1871), played an important role in widening the popular appeal of carols.[36] In the 20th century, Oxford University Press (OUP) published some highly successful Christmas music collections such as The Oxford Book of Carols (Martin Shaw, Ralph Vaughan Williams and Percy Dearmer, 1928), which revived a number of early folk songs and established them as modern standard carols.[35][37] This was followed by the bestselling Carols for Choirs series (David Willcocks, Reginald Jacques and John Rutter), first published in 1961 and now available in a five volumes. The popular books have proved to be a popular resource for choirs and church congregations in the English-speaking world, and remain in print today.[38]
In 2008, BBC Music Magazine published a poll of the "50 Greatest Carols", compiled from the views of choral experts and choirmasters in the UK and the US. The resulting list of the top ten favored Christmas carols and motets was:[39][40][41]
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According to the American Society of Composers, Authors and Publishers (ASCAP) in 2016, "Santa Claus Is Comin' to Town", written by Fred Coots and Haven Gillespie in 1934, is the most played holiday song of the last 50 years. It was first performed by Eddie Cantor, live, on his radio show in November 1934. Tommy Dorsey and his orchestra recorded their version in 1935, followed later by a range of artists including Frank Sinatra in 1948, The Supremes, The Jackson 5, The Beach Boys, and Glenn Campbell. Bruce Springsteen recorded a rock rendition in December 1975.
Long-time Christmas classics from prior to the "rock era"[42] still dominate the holiday charts – such as "Let It Snow! Let It Snow! Let It Snow!", "Winter Wonderland", "Sleigh Ride" and "Have Yourself a Merry Little Christmas". Songs from the rock era to enter the top tier of the season's canon[citation needed] include "Wonderful Christmastime" by Paul McCartney, "All I Want for Christmas Is You" by Mariah Carey and Walter Afanasieff and "Last Christmas" by Wham! Radio industry writer Sean Ross noted after the 2004 holiday season that it usually takes about ten years for a song to become a Christmas standard.[43]
The most popular set of these titles—heard over airwaves, on the Internet, in shopping malls, in elevators and lobbies, even on the street during the Christmas season—have been composed and performed from the 1930s onward. (Songs published before 1929 are all out of copyright, are no longer subject to ASCAP royalties and thus do not appear on their list.) In addition to Bing Crosby, major acts that have popularized and successfully covered a number of the titles in the top 30 most performed Christmas songs in 2015 include Frank Sinatra, Elvis Presley, Andy Williams, and the Jackson 5.
Since the mid-1950s, much of the Christmas music produced for popular audiences has explicitly romantic overtones, only using Christmas as a setting. The 1950s also featured the introduction of novelty songs that used the holiday as a target for satire and source for comedy. Exceptions such as "The Christmas Shoes" (2000) have re-introduced Christian themes as complementary to the secular Western themes, and myriad traditional carol cover versions by various artists have explored virtually all music genres. The 1980s and 1990s saw a revival of interest in instrumental Christmas music, including the New Age synthpop of Mannheim Steamroller and the symphonic metal of Trans-Siberian Orchestra, particularly among older listeners.[43]
"The world may have changed profoundly over the last 50 years, but these songs have been part of the holiday spirit for generations. Part of the wonder of music is how it helps us continue to create real memories and traditions. These treasured songs are very special to so many people and are a beloved part of ASCAP's repertoire."
Paul Williams, President and chairman, American Society of Composers, Authors and Publishers (ASCAP)
The top thirty most-played holiday songs for the 2015 holiday season are ranked here, all titles written or co-written by ASCAP songwriters and composers.[44]
Most of these songs in some way describe or are reminiscent of Christmas traditions, how Western Christian countries tend to celebrate the holiday, i.e., with caroling, mistletoe, exchanging of presents, a Christmas tree, feasting, jingle bells, etc. Celebratory or sentimental, and nostalgic in tone, they hearken back to simpler times with memorable holiday practices—expressing the desire either to be with someone or at home for Christmas. The winter-related songs celebrate the climatic season, with all its snow, dressing up for the cold, sleighing, etc.
Many titles help define the mythical aspects of modern Christmas celebration: Santa Claus bringing presents, coming down the chimney, being pulled by reindeer, etc. New mythical characters are created, defined, and popularized by these songs; "Rudolph the Red-Nosed Reindeer", adapted from a major retailer's promotional poem, was introduced to radio audiences by Gene Autry in 1949. His follow-up a year later introduced "Frosty the Snowman", the central character of his song. Though overtly religious, and authored (at least partly) by a writer of many church hymns, no drumming child appears in any biblical account of the Christian nativity scene. This character was introduced to the tradition by Katherine K. Davis in her "The Little Drummer Boy" (written in 1941, with a popular version being released in 1958). Loretta Lynn introduced "Shadrack, the Black Reindeer" in 1974.[45]
The list does not include songs written before 1929 nor songs written solely by songwriters from other guilds such as BMI and SESAC.
The above-ranking results from an aggregation of performances of all different artist versions of each cited holiday song, across all forms of media, from January 1, 2015, through December 31, 2015.[44]
In 2007 surveys of United States radio listeners by two different research groups,[55] the most liked songs were standards such as Bing Crosby's "White Christmas" (1942), Nat King Cole's "The Christmas Song" (1946), and Burl Ives' "A Holly Jolly Christmas" (1965). Other favorites like "Rockin' Around the Christmas Tree" (Brenda Lee, 1958), "Jingle Bell Rock" (Bobby Helms, 1957) and John Lennon and Yoko Ono's "Happy Xmas" (1971), scored well in one study. Also "loved" were Johnny Mathis's "Do You Hear What I Hear?" and Harry Simeone Chorale's "Little Drummer Boy" (1958).
Among the most-hated Christmas songs, according to Edison Media Research's 2007 survey, are Barbra Streisand's "Jingle Bells?", the Jackson 5's "Santa Claus Is Comin' to Town", Elmo & Patsy's "Grandma Got Run Over by a Reindeer", and "O Holy Night" as performed by cartoon characters from Comedy Central's South Park. The "most-hated Christmastime recording" is a rendition of "Jingle Bells" by Carl Weissmann's Singing Dogs, a revolutionary novelty song originally released in 1955, and re-released as an edited version in 1970.[55] A 2004 focus group from Edison, conducted solely among the key demographic of women age 30 to 49, listed "Jingle Bells?," the Singing Dogs "Jingle Bells," the South Park "O Holy Night" rendition, a Guido parody of "The Twelve Days of Christmas," and "Blue Christmas" as performed by Porky Pig impersonator Seymour Swine.[43]
Rolling Stone magazine ranked Darlene Love's version of "Christmas (Baby Please Come Home)" (1963) first on its list of The Greatest Rock and Roll Christmas Songs in December 2010.[56] Carey's "All I Want for Christmas Is You", co-written by Carey and Walter Afanasieff, was No. 1 on Billboard's Holiday Digital Songs chart in December 2013.[57] "Fairytale of New York" by The Pogues is cited as the best Christmas song of all time in various television, radio and magazine related polls in the United Kingdom and Ireland.[58]
A 2021 YouGov survey of 1,000 adults ranked the most hated Christmas songs, counting only those songs that a majority of those polls recognized and listing the songs independent of any artist who may have recorded them. "Santa Baby" ranked atop the list; a side note from a news article covering the list noted that much of that hatred came from the Madonna cover version from A Very Special Christmas, which gets more airplay than Eartha Kitt's original. Other songs that ranked high in terms of listener revulsion included "I Saw Mommy Kissing Santa Claus," "Grandma Got Run Over by a Reindeer" and "Wonderful Christmastime".[59]
The Pinnacle Media Worldwide survey divided its listeners into music-type categories:
A collection of chart hits recorded in a bid to be crowned the UK Christmas No. 1 single during the 1970s and 1980s have become some of the most popular holiday tunes in the United Kingdom. Band Aid's 1984 song "Do They Know It's Christmas?" is the second-best-selling single in UK Chart history. "Fairytale of New York", released by The Pogues in 1987, is regularly voted the British public's favourite-ever Christmas song. It is also the most-played Christmas song of the 21st century in the UK.[60][61][62] British glam rock bands had major hit singles with Christmas songs in the 1970s. "Merry Xmas Everybody" by Slade, "I Wish It Could Be Christmas Everyday" by Wizzard, and "Lonely This Christmas" by Mud all remain hugely popular.[63]
In four out of the five years between 2008 and 2012, PRS for Music (who collect and pay royalties to its 75,000 song-writing and composing members) conducted a survey of the top ten most played Christmas songs in the UK over the past year, and published a top-ten list for each year except 2011 (the 2008 list was for the previous five years, and the 2009 measured the entire previous decade):[64][65]
The best Christmas song "to get adults and children in the festive spirit for the party season in 2016" was judged by the Daily Mirror to be "Fairytale of New York".[66] Mariah Carey's "All I Want For Christmas is You" was declared "the UK's favourite Christmas song", narrowly beating out "Fairytale of New York" according to a "points system" created by The Independent in 2017. Both score well ahead of all others on the list of top twenty Christmas songs in the UK.[48]
"The Christmas song is a genre in its own right . . More than any other type of music, it spans and links generations with disparate musical taste buds."[67]
Ellis Rich, Chairman of PRS for Music
The "Christmas Number One" – songs reaching the top spot on either the UK Singles Chart, the Irish Singles Chart, or occasionally both, on the edition preceding Christmas – is considered a major achievement in the United Kingdom and Ireland. The Christmas number one benefits from broad publicity, so much so that the songs that attempt but fail to achieve the honor and finish second also get widespread attention. Social media campaigns have been used to try to encourage sales of specific songs so that they could reach number one.[68][69][70]
These songs develop an association with Christmas or the holiday season from their chart performance, but the association tends to be shorter-lived than for the more traditionally-themed Christmas songs. Notable longer-lasting examples include Band Aid's "Do They Know It's Christmas?" (No. 1, 1984, the second-biggest selling single in UK Chart history; two re-recordings also hit No. 1 in 1989 and 2004), Slade's "Merry Xmas Everybody" (No. 1, 1973), and Wham!'s "Last Christmas" (No. 2, 1984). Last Christmas would go on to hold the UK record for highest-selling single not to reach No. 1, until it finally topped the chart on January 1, 2021, helped by extensive streaming in the final week of December 2020; it eventually reached Christmas number one in 2023.[71]
The Beatles, Spice Girls, and LadBaby are the only artists to have achieved consecutive Christmas number-one hits on the UK Singles Chart, with LadBaby having the longest winning streak at five years. The Beatles won annually between 1963 and 1965 (with a fourth in 1967), the Spice Girls between 1996 and 1998, and LadBaby between 2018 and 2022 (all five of LadBaby's Christmas number-ones were parodies of other popular songs that included a running gag mentioning sausage rolls). "Bohemian Rhapsody" is the only recording to have ever been Christmas number one twice, in both 1975 and 1991.[72] Three of the four different Band Aid recordings of "Do They Know It's Christmas?" have been number one in Christmas week.
At the turn of the 21st century, songs associated with reality shows became a frequent source of Christmas number ones in the UK. In 2002, Popstars: The Rivals produced the top three singles on the British Christmas charts. The "rival" groups produced by the series—the girl group Girls Aloud and the boy band One True Voice—finished first and second respectively on the charts. Failed contestants The Cheeky Girls charted with a novelty hit, "Cheeky Song (Touch My Bum)", at third. Briton Will Young, winner of the first Pop Idol, charted at the top of the Irish charts in 2003.
The X Factor also typically concluded in December during its run; the winner's debut single earned the Christmas number one in at least one of the two countries every year from 2005 to 2014, and in both countries in five of those ten years. Each year since 2008 has seen protest campaigns to outsell the X Factor single (which benefits from precisely-timed release and corresponding media buzz) and prevent it from reaching number one. In 2009, as the result of a campaign intended to counter the phenomenon, Rage Against the Machine's 1992 single "Killing in the Name" reached number one in the UK instead of that year's X Factor winner, Joe McElderry.[73] In 2011, "Wherever You Are", the single from a choir of military wives assembled by the TV series The Choir, earned the Christmas number-one single in Britain—upsetting X Factor winners Little Mix.[74] With the Military Wives Choir single not being released in Ireland, Little Mix won Christmas number-one in Ireland that year.[citation needed]
Situated in the southern hemisphere, where seasons are reversed from the northern, the heat of early summer in Australia affects the way Christmas is celebrated and how northern hemisphere Christmas traditions are followed. Australians generally spend Christmas outdoors, going to the beach for the day, or heading to campgrounds for a vacation. International visitors to Sydney at Christmastime often go to Bondi Beach where tens of thousands gather on Christmas Day.
The tradition of an Australian Christmas Eve carol service lit by candles, started in 1937 by Victorian radio announcer Norman Banks, has taken place in Melbourne annually since then. Carols by Candlelight events can be "huge gatherings . . televised live throughout the country" or smaller "local community and church events." Carols in the Domain in Sydney is now a "popular platform for the stars of stage and music."
Some homegrown Christmas songs have become popular. William G. James' six sets of Australian Christmas Carols, with words by John Wheeler, include "The Three Drovers", "The Silver Stars are in the Sky", "Christmas Day", "Carol of the Birds" and others. "Light-hearted Australian Christmas songs" have become "an essential part of the Australian Christmas experience." Rolf Harris' "Six White Boomers", Colin Buchanan's "Aussie Jingle Bells", and the "Australian Twelve Days of Christmas",[75] proudly proclaim the differing traditions Down Under. A verse from "Aussie Jingle Bells" makes the point:
Engine's getting hot
Dodge the kangaroos
Swaggie climbs aboard
He is welcome too
All the family is there
Sitting by the pool
Christmas Day, the Aussie way
By the barbecue![76]
"The Twelve Days of Christmas" has been revised to fit the Australian context, as an example: "On the twelfth day of Christmas, my true love sent to me: 12 parrots prattling, 11 numbats nagging, 10 lizards leaping, 9 wombats working, 8 dingoes digging, 7 possums playing, 6 brolgas dancing, 5 kangaroos, 4 koalas cuddling, 3 kookaburras laughing, 2 pink galahs, and an emu up a gum tree."[77]
Other popular Australian Christmas songs include: 'White Wine in the Sun" by Tim Minchin, "Aussie Jingle Bells" by Bucko & Champs, "Christmas Photo" by John Williamson, "Go Santa, Go" by The Wiggles, and "Six White Boomers" by Russel Coight.[78]
The Australian carols that do exist are mostly novelty re-workings of existing songs with the holly and the ivy replaced by gum trees and wattle. Santa swapping his fur hat for a corked Akubra and a token Aboriginal word is deemed sufficient to localise the celebration of the day a Middle Eastern tradesman wasn't actually born.[79]
— Ben Anderson, Daily Review
"My Little Christmas Belle" (1909) composed by Joe Slater (1872–1926) to words by Ward McAlister (1872–1928) celebrates eastern Australian flora coming into bloom during the heat of Christmas. Blandfordia nobilis, also known as Christmas Bells, are the specific subject of the song—with the original sheet music bearing a depiction of the blossom.[80] Whereas "The Holly and The Ivy" (1937) by Australian Louis Lavater (1867–1953) mentions northern hemisphere foliage.[81]
Australian singer-songwriter Paul Kelly first released "How to Make Gravy" as part of a four-track EP November 4, 1996, through White Label Records. The title track, written by Kelly, tells the story in a letter to his brother from a newly imprisoned man who laments how he will be missing the family Christmas. It received a Song of the Year nomination at the 1998 Australasian Performing Right Association (APRA) Music Awards. Kelly's theme reflects a national experience with Christmas:
A lot of the early imagery of Christmas in Australia is related to isolation and distance. You’ve got the Sydney Mail in 1879 saying ’The revels of Christmas tide cannot endure the ordeal of immigration’. It's that sense that it's alien here and we’re so conscious of being away from family and that figures very prominently in the imagery of Christmas back in that time.[79]
— Nicholas Brown, Australian National University
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The Philippines, a tropical country, has a long tradition of Christmas music influenced by its climate and cultural traditions. Originally building from Spanish and American influences, Filipinos has developed its own Christmas music traditions. These began as far back as 1933, with carols written by Vicente D. Rubil and Levi Celerio.[82] Most Filipino Christmas music is written in the Tagalog language, and some in English and other Philippine languages.
Most Filipino Christmas songs describe the local Christmas traditions and traditions such as caroling, parol, Simbang Gabi/Misa de Gallo, returning to one's hometown for the holidays and the Nochebuena. Songs can be celebratory or sentimental, with the sentimental songs aimed toward overseas Filipinos who long for the Christmas season in the Philippines. Other songs describe the Biblical narrative of Christmas or call to love and charity. The most popular Filipino Christmas song is Jose Mari Chan's "Christmas in Our Hearts".[83] The success of that song led to a Christmas album from Chan with the same name, which went on to become the best-selling album in Original Pilipino Music (OPM) music with more than 800,000 albums sold.
Radio stations in the Philippines usually play Christmas music, both local and foreign, as early as September up to Christmas Day or New Year's Eve, but Philippine radio stations usually do not switch to an all-Christmas format, instead interspersing Christmas music onto their regular music programming.[84] Major television networks in the Philippines also have a tradition of producing Christmas-themed station IDs, which take the form of promotional music videos, some of which became popular such as "Star ng Pasko" and "Thank You, Thank You, Ang Babait Ninyo" produced for ABS-CBN.[82]
"Jolly Old Saint Nicholas" originated with a poem by Emily Huntington Miller (1833–1913), published as "Lilly's Secret" in The Little Corporal Magazine December 1865. Lyrics have also been attributed to Benjamin Hanby, who wrote Up on the Housetop in 1864, but the words commonly heard today resemble Miller's 1865 poem. James R. Murray is attributed as composer in the first publication of the music in School Chimes, A New School Music Book by S. Brainard's Sons in 1874. Early notable recordings were made by Ray Smith (1949), Chet Atkins (1961), Eddy Arnold (1962), and Alvin and the Chipmunks (1963).
"I've Got My Love to Keep Me Warm", introduced in the musical film On the Avenue by Dick Powell and Alice Faye in 1937, was written by Irving Berlin. "The Little Boy that Santa Claus Forgot" – written by Michael Carr, Tommie Connor, and Jimmy Leach in 1937 – was notably performed by Vera Lynn and Nat King Cole. "I'll Be Home for Christmas", by lyricist Kim Gannon and composer Walter Kent, was recorded by Bing Crosby in 1943. "Merry Christmas Baby" is credited to Lou Baxter and Johnny Moore, whose group originally recorded it in 1947, featuring singer and pianist Charles Brown. Kay Thompson introduced her "The Holiday Season" in 1945, which later became part of a medley by Andy Williams. "A Marshmallow World" (sometimes called "It's a Marshmallow World") was written in 1949 by Carl Sigman (lyrics) and Peter DeRose (music).
More popular songs which reference the Nativity include "I Wonder as I Wander" (1933), "Mary's Boy Child" (1956), "Carol of the Drum" ("Little Drummer Boy") (1941), and "Do You Hear What I Hear?" (1962).
Other titles and recordings added to the popular Christmas song canon[citation needed] include:
"I've Got My Love to Keep Me Warm", written by Irving Berlin, was introduced in the musical film On the Avenue by Dick Powell and Alice Faye in 1937. "White Christmas" was introduced in the film Holiday Inn (1942), while "Have Yourself a Merry Little Christmas" was from Meet Me in St. Louis (1944), and "Silver Bells" The Lemon Drop Kid (1950). The operetta Babes in Toyland (1903) featured the song "Toyland". The 1934 film adaptation, a Laurel and Hardy musical film known by alternative titles, opened with the song. Introducing Christmas-themed songs that have yet to achieve popularity, Scrooge (1970) included "Father Christmas", "December the 25th", and the Academy Award-nominated "Thank You Very Much".
"Mistletoe and Wine" was written for a 1976 musical entitled Scraps, which was an adaptation of Hans Christian Andersen's "The Little Match Girl;" it underwent substantial revision for Cliff Richard's 1988 version.[92] "Hard Candy Christmas" was written by Carol Hall for the 1982 musical, The Best Little Whorehouse in Texas, and later released by Dolly Parton (who starred in the film version) as a single. Tim Burton's The Nightmare Before Christmas (1993) features Christmas-themed songs like "Making Christmas", "What's This?", "Town Meeting Song", and "Jack's Obsession".
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Musical parodies of the season – comical or nonsensical songs performed principally for their comical effect – are often heard around Christmas. Many novelty songs employ unusual lyrics, subjects, sounds, or instrumentation, and may not even be particularly musical. The term arose in the Tin Pan Alley world of popular songwriting, with novelty songs achieving great popularity during the 1920s and 1930s.
The Christmas novelty song genre, which got its start with "I Yust Go Nuts at Christmas" written by Yogi Yorgesson and sung by him with the Johnny Duffy Trio in 1949, includes such notable titles as:
In the 1970s comedic singing duo Cheech & Chong's debut single in 1971 was "Santa Claus and His Old Lady". The Kinks did "Father Christmas" in 1977, and Elmo & Patsy came out with "Grandma Got Run Over by a Reindeer" in 1979. More recent titles added to the canon include:
Seattle radio personality Bob Rivers became nationally famous for his line of novelty Christmas songs and released five albums (collectively known as the Twisted Christmas quintilogy, after the name of Rivers' radio program, Twisted Radio) consisting entirely of Christmas parodies from 1987 to 2002. "Don't Shoot Me Santa" was released by The Killers in 2007, benefiting various AIDS charities. Christmas novelty songs can involve gallows humor and even morbid humor like that found in "Christmas at Ground Zero" and "The Night Santa Went Crazy", both by "Weird Al" Yankovic. The Dan Band released several adult-oriented Christmas songs on their 2007 album Ho: A Dan Band Christmas which included "Ho, Ho, Ho" (ho being slang for a prostitute), "I Wanna Rock You Hard This Christmas", "Please Don't Bomb Nobody This Holiday" and "Get Drunk & Make Out This Christmas".
Kristen Bell and a cappella group Straight No Chaser "teamed up to poke fun at the modern seasons greeting" with "Text Me Merry Christmas":
Straight No Chaser singer Randy Stine said of the song: "We wanted a Christmas song that spoke to how informal communication has become."[95]
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Christmas novelty songs include many sung by young teens, or performed largely for the enjoyment of a young audience. Starting with "I Saw Mommy Kissing Santa Claus" sung by 13-year-old Jimmy Boyd in 1952, a few other notable novelty songs written to parody the Christmas season and sung by young singers include:
Christmas novelty songs aimed at a young audience include:
The number of Christmas novelty songs is so vast that radio host Dr. Demento devotes an entire month of weekly two-hour episodes to the format each year, and the novelty songs receive frequent requests at radio stations across the country.[citation needed]
Approximately half of the 30 best-selling Christmas songs by ASCAP members in 2015 were written by Jewish composers. Johnny Marks has three top Christmas songs, the most for any writer—"Rudolph the Red-Nosed Reindeer", "Rockin' Around the Christmas Tree", and "A Holly Jolly Christmas". By far the most recorded Christmas song is "White Christmas" by Irving Berlin (born Israel Isidore Beilin in Russia)—who also wrote "Happy Holiday"—with well over 500 versions in dozens of languages.
Others include:[96][97][98][99]
Lyricist Jerome "Jerry" Leiber and composer Mike Stoller wrote "Santa Claus Is Back in Town", which Elvis Presley debuted on his first Christmas album in 1957. "Christmas (Baby Please Come Home)" was written by Ellie Greenwich and Jeff Barry (with Phil Spector), originally for Ronnie Spector of The Ronettes. It was made into a hit by Darlene Love in 1963.
"Peace on Earth" was written by Ian Fraser, Larry Grossman, and Alan Kohan as a counterpoint to "The Little Drummer Boy" (1941) to make David Bowie comfortable recording "Peace on Earth/Little Drummer Boy" with Bing Crosby on September 11, 1977 – for Crosby's then-upcoming television special, Bing Crosby's Merrie Olde Christmas.[101]
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What is known as Christmas music today, coming to be associated with the holiday season in some way, has often been adopted from works initially composed for other purposes. Many tunes adopted into the Christmas canon carry no Christmas connotation at all. Some were written to celebrate other holidays and gradually came to cover the Christmas season.
"Shchedryk", a Ukrainian tune celebrating the arrival of springtime, was adapted in 1936 with English lyrics to become the Christmas carol "Carol of the Bells" and in 1995 as the heavy-metal instrumental "Christmas Eve/Sarajevo 12/24." "When You Wish Upon a Star", an Academy Award-winning song about dreams, hope, and magic featured in Walt Disney's Pinocchio (1940). What later became the main theme for Disney studios was sung by Cliff Edwards, who voiced Jiminy Cricket in the film. In Scandinavian countries and Japan, the song is used in reference to the Star of Bethlehem and the "ask, and it will be given to you" discourse in Matthew 7:7–8; in the movie it is in reference to the Blue Fairy.
Many popular Christmas tunes of the 20th-century mention winter imagery, leading to their being adopted into the Christmas and holiday season. These include:
"Do You Want to Build a Snowman?" (2013), from the movie Frozen, features lyrics that are more of an illustration of the relationship between the two main characters than a general description of winter or the holidays, but its title rhetoric and the winter imagery used throughout the film have led it to be considered a holiday song.
"Sleigh Ride", composed originally in 1948 as an instrumental by Leroy Anderson, was inspired by a heatwave in Connecticut. The song premiered with the Boston Pops Orchestra in May 1948 with no association with Christmas. The lyrics added in 1950 have "nothing to do with Santa, Jesus, presents or reindeer," but the jingling bells and "sleigh" in the title made it a natural Christmas song. Lyricist Sammy Cahn and composer Jule Styne also found themselves in a heatwave in July 1945 when they wrote "Let It Snow! Let It Snow! Let It Snow!", inserting no reference to Christmas in the song.[104] "Holiday" (2010) is about the summer holidays, but has been used in some Christmas ad campaigns.
Perry Como famously sang Franz Schubert's setting of "Ave Maria" in his televised Christmas special each year, including the song on The Perry Como Christmas Album (1968). The song, a prayer to the Virgin Mary sung in Latin, would become a "staple of family holiday record collections."[105] American a capella group Pentatonix released their version of "Hallelujah", the 1984 song written by Leonard Cohen and covered famously by a number of acts, on their Christmas album shortly before the songwriter's death in 2016. Besides the title, and several biblical references, the song contains no connection to Christmas or the holidays per se. Various versions have been added to Christmas music playlists on radio stations in the United States and Canada.
In the United Kingdom, songs not explicitly tied to Christmas are popularly played during the year-end holidays. "Stop the Cavalry", written and performed by English musician Jona Lewie in 1980, was intended as a war protest, which his record label was unwilling to release in its original form. The label reworked the record, added a tubular bell and a brass band sound, and built upon a throwaway line about wanting to be "home for Christmas" to make the song a Christmas song.[106][107]
"There's no other programming tactic in radio history that consistently delivers ratings increases better than Christmas music. Playing Christmas music is all about having a larger audience after Christmas than you did before. People who find the station often stick around after the holidays and discover a new favorite station."[108]
Darren Davis, Senior V.P., Clear Channel
In the United States, it is common for local radio stations to gradually begin adding Christmas music to their regular playlists in late-November, typically after Thanksgiving (which is generally considered the official start of the holiday season), and sometimes culminating with all-Christmas music by Christmas itself.[109] More prominently, some stations temporarily drop their regular music format entirely and switch exclusively to Christmas music for the holiday season.[109][110] The latter practice became more widespread in 2001 after the September 11 attacks, as a means of helping improve the morale of listeners.[111]
Although there is a chance that a station's normal audience may be alienated by a switch to all-Christmas music (adult contemporary, country music, and oldies audiences are generally the most accepting), these risks are outweighed by the increase in ratings that such a shift can attract.[108] There is also a chance that after they return to regular programming, a station may be able to retain some of this expanded audience as new, regular listeners.[108]
Arbitron (now Nielsen Audio) reported in 2011 that it was not uncommon for a station's average audience to double after switching to Christmas music, citing several large-market stations in 2010 such as Boston's WODS, Los Angeles's KOST, New York's WLTW, and San Diego's KYXY.[108] In 2017, Chicago's WLIT-FM roughly quadrupled its audience share between November (2.8) and December (12.4) after making the switch.[112][113] The practice may not always transition well into financial success, since advertisers do not universally recognize Nielsen's holiday ratings book.[114]
In some markets, there may be one dominant broadcaster of Christmas music, but this is not always the case.[112] Perceiving a competitive advantage in being the first in a market to begin playing Christmas music, it is not uncommon for some stations to adopt the format prior to Thanksgiving, or even as early as late-October. The practice has been considered an example of Christmas creep.[115][110][109] In an extreme example of Christmas creep, at least one station in 2020 (WWIZ in the Mahoning Valley) flipped to Christmas music in late September, exactly three full months before Christmas; the same station had also been first in the nation in 2019, but had begun two months before Christmas that year, on October 25.[116] WWIZ was the first of many stations in the United States that had flipped to Christmas especially early in 2020, in part to alleviate stress caused by the COVID-19 pandemic.[117][118] The trend largely halted after the pandemic waned, with stations that traditionally start later increasingly moving their starts up, but the first stations continuing to hold firm at November 1, with a select few stations flipping no sooner than October 31.[119] The choice of November 1 has been regularly promoted by Mariah Carey, who regularly releases videos promoting her song "All I Want for Christmas Is You" on the morning of November 1 each year, transitioning from Halloween themes to Christmas settings as Carey declares "It's time!"[120]
The typical Christmas music format in the United States carries a mix of approximately 150 recordings, with a heavy focus on vocal adult standards and MOR selections (both formats otherwise being rare on major commercial radio since the early 21st century) from before 1970.[121] Instrumental selections from that era, which generally fall under the beautiful music category, are rarely heard and unpopular.[43] Rob Lucas, who for 22 years served as music director and morning host for Star 102.5 in Buffalo, New York (a station now relegated to an automated digital feed), outlined his scheduling formula for that station:[121]
The period from late afternoon Christmas Eve to noon Christmas Day, Lucas reserved for heavy rotation of religious and spiritual records, as a nod to the solemnity of the holiday.[121]
WLIT-FM, which likewise runs a 250-song core playlist and runs the format for longer than usual (traditionally November 2 to December 25), emphasizes the mid-20th-century standards, especially during the early days and weeks of the all-Christmas format, because its listeners expect more familiarity in the format in that time period when such songs have been off the air for several months.[123]
As many Christmas songs contain themes strongly associated with Christmas Day (such as references to figures such as Santa Claus), and popular observance of the Christmas season often ends after December 25 (in contrast to the traditional Twelve Days of Christmas, which by definition runs until Epiphany on January 6), most stations typically end their all-Christmas programming at some point on December 25 or 26. If a station opts to continue playing Christmas songs beyond the date itself, Lucas advises that these songs be removed from the playlist, noting a substantial number of seasonal winter records still remain playable through the weekend following Christmas, or even through New Year's Day.[121]
Christmas music is a popular stunt format for radio stations, either as a "Christmas in July" promotion, or as a buffer period for transitioning from one format to another.
The end of a calendar year is a common time period for format switches, often following an all-Christmas format (either immediately, or with a second stunt occurring directly afterward).[124] However, the transition itself can still occur before the end of the holiday season, such as the sudden transition of country station KMPS in Seattle to soft adult contemporary KSWD, after briefly playing an all-Christmas format following the merger of CBS Radio and Entercom (its country format had been made redundant by its new sister station KKWF).[125][126]
Playing Christmas music outside of the holiday season, or otherwise implying that the format is permanent, is a more obvious stunt. In April 2008, the new radio station CFWD-FM in Saskatoon soft launched with an all-Christmas format in preparation for the station's official launch as a top 40 station.[127][128]
In an extreme case, adult hits station WJSR in Lakeside/Richmond, Virginia maintained a Christmas music format from October 13, 2020, all the way through March 4, 2021, after which it flipped to classic hits; the station had stunted from the beginning of October as "Short Attention Span Radio" before switching to Christmas music.[129][130] Ironically, WJSR's sister station in the same market—WURV—had broadcast a 12-hour block of "inappropriately early" Christmas music on October 7, 2015, as a parody of Christmas creep and stations trying to be the first in their market to play Christmas music.[131][132]
Christmas music stations in Canada tend to follow a similar pattern to those in the United States but with the addition of Canadian content; because of the relative lack of older Christmas music written or recorded in Canada and/or by Canadians, this leads to a more contemporary sound compared to most American stations.[133]
With the growth in digital broadcasting platforms around the world, the opportunity to offer thematic radio formats on a pop-up basis has increased.
In Ireland, a temporary radio station named Christmas FM broadcasts on a temporary license in Dublin and Cork from November 28 to December 26, solely playing Christmas music.
In the UK, the Festive Fifty list of songs as voted for by listeners is broadcast starting on Christmas Day, originally by DJ John Peel, and nowadays by Internet radio station Dandelion Radio.
Since the early 2010s, a number of Christmas music stations have broadcast on national and local digital platforms in the United Kingdom, with some also being carried on the FM band. These have included:
Outside of traditional AM/FM radio, satellite radio provider SiriusXM typically devotes multiple channels to different genres of Christmas music during the holiday season.[145] Numerous Internet radio services also offer Christmas music channels, some of them available year-round. Citadel Media produced The Christmas Channel, a syndicated 24-hour radio network, during the holiday season in past years (though in 2010, Citadel instead included Christmas music on its regular Classic Hits network). Music Choice offers nonstop holiday music to its digital cable, cable modem, and mobile phone subscribers between November 1 and New Year's Day on its "Sounds of the Seasons" (traditional), "R&B" (soul), "Tropicales" (Latin), and "Soft Rock" (contemporary) channels, as well as a year-round "All Christmas" channel. DMX provides holiday music as part of its SonicTap music service for digital cable and DirecTV subscribers, as does Dish Network via its in-house Dish CD music channels. Services such as Muzak also distribute Christmas music to retail stores for use as in-store background music during the holidays.
The growing popularity of Internet radio has inspired other media outlets to begin offering Christmas music. In 2009 Phoenix television station KTVK launched four commercial-free online radio stations including Ho Ho Radio, which streams Christmas music throughout the month of December.
iHeartRadio also has two-year-round stations that are dedicated to Christmas music. One station, iHeart Christmas, focuses on more contemporary holiday music, while the other, iHeart Christmas Classics, offers seasonal music from past decades.
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