宮崎駿(日語:宮崎 駿,1941年1月5日出生)是一位日本電影導演、製片人、編劇、動畫師、作家和漫畫家。作為吉卜力工作室的聯合創始人,他因其出色的敘事能力和動畫長片製作而在國際上獲得讚譽。他的作品以不斷出現的進步主題為特點,例如女權主義、環保主義、和平主義、愛情和家庭。在他的電影中,主角通常是堅強的女孩或年輕女性,且多部作品中的反派具有道德上的模糊性和可取之處。
Quick Facts 獲獎與提名, 大獎 ...
宮崎駿獲獎與提名列表 |
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阿姆斯特丹奇幻電影節 |
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14 |
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阿根廷電影評論家協會 |
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亞洲太平洋電影獎 |
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劍橋電影節 |
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CEC獎 |
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電影兒童節 |
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多力安電影獎 |
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阿姆斯特丹奇幻影展 |
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國際電影愛好者協會獎 |
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國際恐怖電影協會獎 |
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舊金山國際電影節 |
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東京體育電影大獎 |
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鄉村之聲電影投票獎 |
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女性影評人 |
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獲獎數 | 142 |
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提名數 | 207 |
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在整個的職業生涯中,宮崎駿獲得過多項獎項和提名。他最早執導的故事片《魯邦三世 卡里奧斯特羅之城》和《風之谷》分別讓他於1979年和1984年獲得每日電影獎的大藤信郎獎。他製作的電影《天空之城》於1986年榮獲日本動畫大獎最佳動畫獎,而《龍貓》則於1989年榮獲日本藍絲帶獎特別獎。1990年,他憑藉《魔女宅急便》獲得多個獎項,包括金像獎最佳日本電影獎和日本電影學院獎特別獎。《紅豬》還在1993年獲得了每日電影獎最佳動畫片獎。
《幽靈公主》是宮崎駿第一部獲得日本電影學院獎年度最佳影片獎的動畫電影;它在西方市場的發行大大提高了吉卜力工作室在日本以外的知名度和影響力。2001年,宮崎駿的電影《千與千尋》獲得了第75屆奧斯卡金像獎最佳動畫片獎。2004年他所拍攝的電影《哈爾的移動城堡》以及2009年電影《懸崖上的波妞》獲得了多個獎項,包括東京動畫獎的年度動畫獎,並且兩部作品均獲得了安妮獎最佳劇情片導演獎的提名。2013年上映的電影《起風了》也斬獲了多項大獎,其中包括日本電影學院獎年度最佳動畫獎,以及第71屆金球獎最佳外語片提名。《哈爾的移動城堡》和《起風了》分別獲得第78屆和第86屆奧斯卡金像獎最佳動畫片提名。宮崎駿因其對動畫和電影的影響於2014年11月榮獲奧斯卡榮譽獎。他於2023年製作上映的電影《你想活出怎樣的人生》獲得了眾多獎項,其中就包括2024年第96屆奧斯卡金像獎最佳動畫長片獎。
電影《魯邦三世 卡里奧斯特羅之城》於1979年12月15日在日本上映。
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《風之谷》於1984年3月11日上映。該片票房收入14.8億日元,另外還賺取了7.42億日元的發行收入。
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《天空之城》於1986年8月2日上映。
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《龍貓》於1988年4月16日上映。雖然該片在票房上表現一般,但商品推銷卻很成功,並獲得了評論界的好評。
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《魔女宅急便》於1989年7月29日首播。該片票房收入達21.5億日元,成為1989年日本票房最高的電影。
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《紅豬》於1992年7月18日上映。這部電影獲得了商業上的成功,並連續幾年成為日本票房最高的電影之一。
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《幽靈公主》於1997年7月12日上映。該片在票房上獲得了巨大的成功,連續幾個月成為日本票房最高的電影[a]。該片在西方市場上映後票房表現並不理想,僅獲得約230萬美元票房收入。
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《千與千尋》於2001年7月20日上映,獲得了評論界的一致好評,被認為是21世紀最偉大的電影之一。該片在商業上也取得了成功,票房收入達304億日元(約合2.891億美元)。該片成為日本當時票房最高的電影,並保持這一紀錄近20年[b]。
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《哈爾的移動城堡》於2004年11月20日上映,獲得了廣泛好評。在日本,該片上映首周票房收入達到創紀錄的1,450萬美元。該片當前仍是日本票房最高的電影之一,全球票房超過193億日元。
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《懸崖上的波妞》於2008年7月19日上映。這部電影也取得了商業上的成功,上映首月票房收入達100億日元(9,320萬美元),到2008年底票房收入達155億日元,成為日本票房最高的電影之一[106]。
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《起風了》於2013年7月20日首映,並獲得評論界一致好評。該片在商業上也取得了成功,日本票房收入達116億日元(1.1億美元),成為2013年日本票房最高的電影。
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《你想活出怎樣的人生》於2023年7月14日首映,並獲得評論界一致好評。該片獲得了商業上的成功,首映周末票房收入達到18億日元,成為吉卜力工作室歷史上首周末票房最高的作品。
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幾個月後上映的《泰坦尼克號》取代《幽靈公主》成為日本票房最高的電影。
與《小鳥怪胎》(The Little Bird Freak)並列。
部分頒獎組織不只給一位獲獎者頒獎,即設立冠軍、亞軍和季軍。由於這種情況不等於落敗,故這類獎項的亞季軍亦計入獲獎總數。部分大獎的獎項沒有事先公布名單,僅由評審團公布結果。為避免內容出錯複雜化,列表中的所有大獎會假定設有提名名單。
網絡來源
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書籍來源
- Camp, Brian; Davis, Julie. Anime Classics Zettai!: 100 Most-See Japanese Animation Masterpieces. Berkeley: Stone Bridge Press. 2007. ISBN 978-1-9333-3022-8.
- Kanō, Seiji. 宮崎駿全書 [宮崎駿全書] 2nd. Tokyo: Film Art Inc. 2006: 34–73, 323. ISBN 978-4-8459-0687-1 (日語).
- Kelly, Paul (編). The International Who's Who 2. Routledge. 2019. ISBN 978-0-367-27815-1.
- Lenburg, Jeff. Hayao Miyazaki: Japan's Premier Anime Storyteller. New York City: Infobase Publishing. 2012. ISBN 978-1-60413-841-2.
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- McCarthy, Helen. Teenage Wildlife: Princess Mononoke and Hayao Miyazaki's Theory of the Feminine. Denison, Rayna (編). Princess Mononoke: Understanding Studio Ghibli's Monster Princess. Bloomsbury Academic. 2019: 97–114. ISBN 978-1-5013-2976-0. doi:10.5040/9781501329753.ch-005.
- Miyazaki, Hayao. Turning Point, 1997–2008. 由Cary, Beth; Schodt, Frederik L.翻譯 2014. San Francisco: Viz Media. 2009. ISBN 978-1-4215-6090-8.
- Pangilinan, Michelle (編). The Art of My Neighbor Totoro. Viz Media. March 2013. ISBN 978-1-5911-6698-6.
- Reinders, Eric. The Moral Narratives of Hayao Miyazaki. Jefferson, NC: McFarland & Company. October 14, 2016. ISBN 978-1-4766-6452-1.
- Schwartz, Ronald. Great Spanish Films Since 1950. Lanham, MD: Scarecrow Press. 2008. ISBN 978-0-8108-5405-5.
期刊來源
- Akimoto, Daisuke. Ratelle, Amy , 編. A Pig, the State, and War: Porco Rosso (Kurenai no Buta). Animation Studies (Society for Animation Studies). October 1, 2014, 9 [June 3, 2017]. (原始內容存檔於January 25, 2018).
- Avery, Laura (編). Hayao Miyazaki. Newsmakers (Gale). 2006, (2). ISSN 0899-0417.
- Loy, David; Goodhew, Linda. The Dharma of Miyazaki Hayao: Revenge vs. Compassion in Nausicaa and Mononoke. 文教大學國際學部紀要 Journal of the Faculty of International Studies (Bunkyo University). February 2004, 14 (2): 67–75.
- Noviana, Fajria. Moral Values in Hayao Miyazaki's Spirited Away: A Sociology of Literature Approach. Humanika (Diponegoro University). 2020, 27 (1): 23–32. ISSN 2502-5783. doi:10.14710/humanika.v27i1.30548 .