File:Leoattila-Raphael.jpg
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Sua resolutio (1 139 × 700 elementa imaginalia, magnitudo fasciculi: 146 chiliocteti, typus MIME: image/jpeg)
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Summarium
The Meeting between Leo the Great (painted as a portrait of Leo X) and Attila ( ) | ||||||||||||||||||||||||
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Auctor |
creator QS:P170,Q5597 |
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Titulus |
The Meeting between Leo the Great (painted as a portrait of Leo X) and Attila label QS:Lru,"Святитель Лев I Великий (лат. Leo PP. I), (родился в 390 году — умер 10 ноября 461) — папа римский с 29 сентября 440 по 10 ноября 461."
label QS:Len,"The Meeting between Leo the Great (painted as a portrait of Leo X) and Attila" |
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Descriptio |
The fresco was completed after the death of Julius II (pontiff from 1503 to 1513), during the pontificate of his successor Leo X (pontiff from 1513 to 1521). In fact the latter appears twice in the same scene, portrayed in the guise of Pope Leo the Great and as cardinal. According to legend, the miraculous apparition of Saints Peter and Paul armed with swords during the meeting between Pope Leo the Great and Attila (452 A.D.) caused the king of the Huns to desist from invading Italy and marching on Rome.[1] |
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Datum |
1514 date QS:P571,+1514-00-00T00:00:00Z/9 |
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Medium |
fresco medium QS:P186,Q25631150 |
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Collectus | Stanza di Eliodoro, Palazzi Pontifici, Vatican | |||||||||||||||||||||||
Source/Photographer |
Web gallery of Art: [2] Art Renewal Center |
Potestas usoris
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
derivative works
Derivative works of this file:
Items portrayed in this file
depicts Anglica
data size Anglica
149 975 byte
700 pixel
1 139 pixel
media type Anglica
image/jpeg
checksum Anglica
770c23634f2d790ddb0401858e576b7ee55132b0
Historia fasciculi
Presso die vel tempore fasciculum videbis, sicut tunc temporis apparuit.
Dies/Tempus | Minutio | Dimensiones | Usor | Sententia | |
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recentissima | 10:18, 16 Februarii 2009 | 1 139 × 700 (146 chiliocteti) | Vissarion | High quality | |
06:34, 16 Februarii 2009 | 499 × 363 (80 chiliocteti) | Vissarion | Better quality | ||
00:13, 16 Maii 2005 | 436 × 245 (33 chiliocteti) | Ascánder | w:en:Raphael's ''The Meeting between Leo the Great and Attila'' {{PD-art}} Category:History of Italy |
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Metadata
Hic fasciculus alias res continet, saepius a machina originatore additas, et (si fasciculus postea recensus sit) fortasse corrigendas.
JPEG file comment | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) The Meeting between Leo the Great and Attila 1514 Fresco, base: 750 cm Stanza di Eliodoro, Palazzi Pontifici, Vatican In the last episode of the Stanza di Eliodoro, Raphael returns to the symmetrical compositional type of the Stanza della Segnatura. The painting represents. Pope Leo the Great who, with the assistance of God, prevented the Huns from attacking Rome. In AD 452 Pope Leo I managed to halt Attila the Hun, on his way to invade Rome, at the river Mincio near Mantua. The Eternal City was thus saved from destruction. In the fresco, Leo X, in the figure of his namesake, is riding with great dignityin the company of his retinue towards the Huns, who are galloping into the picture from the right. A mere wave of Leo's hand is enough to repel them. The figure of the Pope on horseback is a portrait of Leo X. It was originally intended to represent Julius II, but the Della Rovere Pope died before the completion of the cycle, and his portrait was substituted by that of his successor. The scene is divided into two parts: at left the Pope and his attendants, poised and solemn, offer a gesture of peace to the Huns. Above them, Saints Peter and Paul brandish a sword. At right, Attila and his attendants, also on horseback, are frightened to death at the view of the two saints, whose figures are counterbalanced by an armed foot soldier. In the background are Rome and Mount Mario, on which a fire is blazing. This episode is clearly more fragmentary and dispersive than the other frescoes of the cycle. Many critics attribute this weakness to the extensive participation of Raphael's pupils, led by Giulio Romano.
Author: RAFFAELLO Sanzio Title: The Meeting between Leo the Great and Attila Time-line: 1501-1550 School: Italian Form: painting Type: religious |
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