2013, Museum of the City of St. Petersburg at Peter and Paul Fortress: Ioannovsky Ravelin Museum. «Memory Post 1. Bracha Lichtenberg Ettinger». St. Petersburg
2013, Freud Dream Museum. «Memory Post 2. Bracha Lichtenberg Ettinger». St. Petersburg
2015, Galería Polivalente in Guanajuato.«Bracha L. Ettinger: Medusa – Eurydice». Universidad de Guanajuato, Mexico.
2017, Silesian Museum (Muzeum Śląskie w Katowicach), Bracha: Eurydice - Pieta. Katowice.
2018, Anderson Gallery. «BRACHA: Pieta - Eurydice - Medusa». University at Buffalo, NY.
2022, Andrew Kreps Gallery, NY
2021, «Bracha's Notebooks», Castello di Rivoli, Rivoli, Italy
(en) «Diotima and the Matrixial Transference: Psychoanalytical Encounter-Event as Pregnancy in Beauty», dans Hein Viljoen, Beyond the threshold: Explorations of liminality in literature, New York, Peter Lang, , 272p. (ISBN978-1-4331-0002-4, présentation en ligne).
(en) «From Proto-ethical Compassion to Responsibility: Besideness, and the three Primal Mother-Phantasies of Not-enoughness, Devouring and Abandonment», Athena: Philosophical Studies, Vilnius: Versus, no2, (ISSN1822-5047, lire en ligne).
(en) «Com-passionate Co-response-ability, Initiation in Jointness, and the link x of Matrixial Virtuality», dans Sofie Loo, Gorge(l) oppression and relief in art [«beklemming en verademing in kunst»] (trad.de l'anglais), Anvers, Koninklijk Museum voor Schone Kunsten Gynaika, , 138p. (ISBN90-76979-35-9).
(en) «Gaze-and-touching the Not Enough Mother», dans Catherine de Zegher, Eva Hesse Drawing, NY/New Haven, The Drawing Center/Yale University Press, (ISBN0-300-11618-7).
(en) «Matrixial Trans-subjectivity», Theory Culture and Society, vol.23, nos2-3, (ISSN0263-2764).
(en) «Art and Healing Matrixial Transference Between the Aesthetical and the Ethical», dans ARS 06 Biennale, Helsinki, Kiasma Museum of Contemporary Art, .
Voir: Judith Butler, «Bracha's Eurydice» ainsi que Couze Venn, «Post-Lacanian Affective Economy, Being-in-the-word, and the Critique of the present: Lessons from Bracha Lichtenberg Ettinger», in: Theory, Culture and Society, Vol. 21 (1), 2004.