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1973 studio album by John Martyn From Wikipedia, the free encyclopedia
Solid Air is the fourth studio album by Scottish singer-songwriter John Martyn, released in February 1973 by Island Records.
Solid Air | ||||
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Studio album by | ||||
Released | February 1973 | |||
Recorded | November–December 1972 | |||
Studio |
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Genre | ||||
Length | 34:44 | |||
Label | Island | |||
Producer |
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John Martyn chronology | ||||
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The album was recorded over eight days and features instrumental contributions by bassist Danny Thompson and members of Fairport Convention.[5][6]
"Solid Air", the title track, was dedicated to a friend of Martyn's, Nick Drake, who would die of an antidepressant overdose 18 months after the album was released.[7] Martyn said of the track "It was done for a friend of mine, and it was done right with very clear motives, and I'm very pleased with it, for varying reasons. It has got a very simple message, but you'll have to work that one out for yourself."[8]
The album features an avant-garde cover of Skip James' "Devil Got My Woman",[5] here retitled "I'd Rather Be the Devil" and performed with heavy use of Martyn's Echoplex tape delay effect.[6]
"May You Never" became something of a signature song for Martyn, becoming a staple of his live performances. Released in November 1971 as a single in an early form, the song was re-recorded during the Solid Air sessions.[9] Eric Clapton covered "May You Never" on his 1977 album Slowhand.[10]
The album cover is an example of schlieren photography demonstrating the 'solid' nature of air.
A remastered CD was issued by Universal Records in October 2000. This CD was packaged in a card slipcase, and featured a remastered version of the original album with the addition of a live version of "I'd Rather Be The Devil". Solid Air was given a further remastering and repackaging when a double CD reissue curated by John Hillarby was released in 2009, and which included several alternate studio and live versions.
In 2006, Martyn performed the album live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series and subsequently toured the UK.[11]
Retrospective reviews | |
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Review scores | |
Source | Rating |
AllMusic | [12] |
American Songwriter | [5] |
Encyclopedia of Popular Music | [13] |
Sputnikmusic | [14] |
Contemporary reviews were favourable, with music weekly Sounds declaring that "Solid Air flows beautifully and shows the entire spectrum of music that John Martyn has at his fingertips."[8] In a retrospective review, American Songwriter described the album as "timeless" and stated that "audacious, hypnotic and groundbreaking only begins to describe Martyn's still unique combination of folk, jazz, blues and space rock, wrapped around riveting, unforgettable melodies."[5] AllMusic called Solid Air "one of the defining moments of British folk" and noted its genre-blending.[12] BBC Music stated that "it's a classic with not a note out of place.. And ably assisted by John Wood's late night production it's now firmly esconced in the hearts of chillers, smokers and music lovers the world over."[6]
Solid Air was rated as the 67th Greatest British Album Ever by the British music magazine Q, and was also included in their list of Best Chill-Out Albums Of All Time. The album is included in the book 1001 Albums You Must Hear Before You Die by Robert Dimery.[15] It was voted number 826 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[16]
All tracks written by John Martyn except where noted.
Side one
Side two
Disc 1
As original album.
Disc 2
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