Robbery Under Arms (1957 film)
1957 British film by Jack Lee From Wikipedia, the free encyclopedia
Robbery Under Arms is a 1957 British crime film directed by Jack Lee and starring Peter Finch and Ronald Lewis.[1][2] It was written by Alexander Baron and W. P. Lipscomb based on the 1888 Australian novel Robbery Under Arms by Thomas Alexander Browne who wrote under the pseudonym Rolf Boldrewood.[3]
| Robbery Under Arms | |
|---|---|
.jpg) British theatrical poster | |
| Directed by | Jack Lee |
| Written by | Alexander Baron W. P. Lipscomb |
| Based on | novel by Rolf Boldrewood |
| Produced by | Joseph Janni |
| Starring | Peter Finch Ronald Lewis |
| Cinematography | Harry Waxman |
| Edited by | Manuel del Campo |
| Music by | Mátyás Seiber |
Production company | The Rank Organisation |
| Distributed by | Rank Film Distributors of America |
Release date |
|
Running time | 83 minutes (USA) 99 minutes (UK) |
| Country | United Kingdom |
| Language | English |
Plot
Summarize
Perspective
In 1865 Australia, the two Marston brothers, bold Dick and sensitive Jim, are drawn into a life of crime by their ex-convict father Ben and his friend, the famous cattle thief Captain Starlight. They help take some cattle their father and Starlight have stolen across the country to Adelaide, where they are sold, with Starlight impersonating an English gentleman claiming to own the rustled herd.
The two brothers take their share of the money and go to Melbourne. On board ship, they meet the Morrison sisters: greedy Kate and nice Jean, who are romanced by Dick and Jim respectively. They read that Starlight has been arrested, and return home, where they and their father narrowly escape arrest.
The brothers are then reunited with Starlight, who has left prison, and join him and some other men in robbing a coach, in which a trooper is shot and killed. Dick and Jim go to the gold fields to make enough money to escape to America. There, they are reunited with Kate, who is married but is still interested in Dick, and Jean, who Jim marries.
Just as the brothers are about to leave to start a new life, Captain Starlight and his gang (including Ben Marston) arrive to rob the local bank. During the robbery, several people are killed by Starlight's gang (although not by Starlight), including a mother protecting child. Jim Marston is captured by locals and is about to be lynched, but is rescued by a trooper who comes to arrest him. Dick rescues Jim from the trooper, but is killed in the attempt.
Jim hides out with Starlight and his father, but misses his wife too much and goes back to see her. Starlight and Ben Marston are killed in a shoot out with police. Jim Marston is arrested.
Cast
- Peter Finch as Captain Starlight
- Ronald Lewis as Dick Marston
- Laurence Naismith as Ben Marston
- Maureen Swanson as Kate Morrison Mullockson
- David McCallum as Jim Marston
- Vincent Ball as George Storefield
- Jill Ireland as Jean Morrison
- Dudy Nimmo as Eileen Marston
- Jean Anderson as Ma Marston
- Ursula Finlay as Grace Storefield
- John Cadell as Warrigal, black rustler[4]
- Larry Taylor as Burke, new rustler
- Russell Napier as Banker Green
- Max Wagner as Sergeant Goring
- Bartlett Mullins as Paddy
- Ewen Solon as Sergeant Arthur
Production
Summarize
Perspective
Development
Ealing Studios had planned to make the film after The Overlanders (1946) and Eureka Stockade (1949), and they hired William Lipscomb to do the script.[5] Gregory Peck at one stage was announced as a possible star.[6]
In June 1949 Ealing announced Ralph Smart would direct the film after Bitter Springs at an estimated budget of £250,000 with John McCallum as a possible star.[7]
Ken G. Hall wanted to direct and organised a co production between Ealing and an Australian syndicate financed by Charles Munro. However plans to make the film were hampered by the closing of Pagewood Studios and the issuance of a government regulation to cap the raising of finance.[8][9] Leslie Norman was keen to produce.[10]
In February 1956 Michael Balcon, then head of Ealing, announced he would make a film of Robbery Under Arms as well as another movie set in Australia, The Shiralee.[11] Eventually the movie would not be made by Ealing, which in 1956 left Rank to make films with MGM. In May 1956 it was announced the Rank organisation would make Robbery Under Arms directed by Jack Lee and Joe Janni with filming to begin in December.[12][13] In June 1956 it was announced Finch - who was just about to leave England to make The Shiralee in Australia - would play the lead in Robbery Under Arms.[14]
Lee and Janni had a big hit with the Australian-themed A Town Like Alice (1956), starring Peter Finch and written by Lipscomb. Rank put Lee and Janni under contract for two years and had Finch under contract.[15] Jack Lee later said:
I wanted to work with Finch again and I was attracted to Australia... I made a mistake choosing Robbery Under Arms, a complicated Victorian novel with masses of plots and subplots and too much moralising. However I went ahead and chose the part for Peter Finch, who complained that he was overshadowed by everyone else, and in a way he was right. Janni and I weren't happy with the script and would have liked to put it off for another year. But we were under pressure from Rank and we had to go ahead with an inadequate script. There are one or two nice scenes in it but it's too slow and talky.[15]
Vincent Ball, who had been in A Town Like Alice, said Finch suggested to Jack Lee that Ball and Finch play the Marsden boys but John Davis "insisted that contract artistes be used for the leads". Ball agreed to play a smaller role if he could go to Australia. He was away "ten or eleven weeks" on salary to say one line in Australia filming the rest of his scenes at Pinewood.[16]
In October 1956 Janni and Lee visited Australia to scout locations. Janni declared "Robbery Under Arms will be prettty much an old team picture" reuniting much of the cast and crew from A Town Like Alice. "It is to be a bigger picture than Alice in terms of expense and location work," he added. "We want to preserve Boldrewood's book intact although it is so vast and enormous we could easily find material for ten pictures."[17]
Shooting
Peter Finch arrived in Darwin on 30 January 1957, announcing that J. Arthur Rank would back a film for Finch to direct in Australia; Finch hoped for D'arcy Niland to the script (this project never happened.)[18] Most of the key cast were imported from Britain although some were locals such as Ursula Finlay. It was the first film for Aboriginal actor and stockman Johnny Cadell.[19]
Shooting began in January 1957[20] on location in Australia at the Flinders Ranges, South Australia, including Port Augusta and Wilpena Pound, and near Bourke, New South Wales, with two days filming at Pagewood Studios.
In April the unit moved to the UK where interiors and exteriors were shot at Pinewood studios in Buckinghamshire.[21][22]
During the making of the film, on-screen couple David McCallum and Jill Ireland fell in love off screen as well, and married in May.[23]
Reception
Summarize
Perspective
The film had its world premiere in London on 3 October 1957, the week Pinewood Studios celebrated its 21st birthday. It had dual premieres in Australia on 4 December 1957 in Port Augusta and Bourke.[24]
The film was popular at the Australian box office, although reviews were poor.[22]
Critical
The Guardian called it "a very good 'Western'" with "one weaknes - a dispersal of dramtic interest among several characters."[25] 'The Observer thought "the film's chief fault is that there nearly isn't enough of" Peter Finch.[26]
Alexander Walker of The Birmingham Post called the film "messy... Were some of the key scenes lost on the way back? Were they left on the cutting room floor? Were they ever filmed at all?... The main charge I level against Robbery Under Arms is that no one has decided in advance on the state of the film."[27]
The Monthly Film Bulletin wrote: "This film makes disappointing use of Rolf Boldrewood's picaresque novel; eventually, it just fails to command the attention. Technically it is precise, right from the neat, plain credit titles; but the narrative is slow, blunted, rambling. The characterisation is paste-board; the acting (excepting, occasionally, David McCallum) shaky; and the treatment is never clearly romantic nor, on the other hand, naturalistic. Nothing can reconcile the genuine Australian accents of the supporting players with the spurious drawls of the British artists."[28]
Variety called it:
A well-made, straightforward drama which should click okay in British houses. As is so often the case, its American impact will depend entirely on whether its stars are sufficient magnets to attract patrons outside the British domain. The picture is part of the Rank Organization’s current policy of spotlighting the Commonwealth. Its main problem is whether it does not follow a bit too soon after “The Shiralee,” which also starred Peter Finch and the wide, open Aussie spaces... The acting is less important than the situations. With fist- fights, gunfight and a near-lynching, there is plenty of* meat for good, solid thrills.[29]
Filmink magazine said "there's no real theme or story uniting it all... There's no interesting mystery or enigma to Starlight... All the cool things he does in the book... are cut out except for the bit where he impersonates a gent from England. There's no real relationship between Starlight and the boys... A real dull mess."[30]
See also
References
External links
Wikiwand - on
Seamless Wikipedia browsing. On steroids.