OTI Festival 1976

The OTI Festival 1976 is the fifth edition of the annual OTI Festival. It took place in Acapulco, Mexico, following the country's victory at the 1975 contest with the song "La felicidad" by Gualberto Castro. Organised by the Organización de Televisión Iberoamericana (OTI) and host broadcaster Televisa, the contest was held at the Ruiz de Alarcón Theatre on Saturday 30 October 1976 and was hosted by Raúl Velasco and Susana Dosamantes. It was the second time that Raúl Velasco had hosted the event, as he also hosted the 1974 contest at the same venue, making him the first person to host the contest twice.

OTI Festival 1976
Dates
Final	October 30, 1976 (1976-10-30)
Host
Venue	Ruiz de Alarcón Theatre, Acapulco, Mexico
Presenter(s)	Raúl Velasco Susana Dosamantes
Musical director	Jesús Rodriguez de Hijar
Host broadcaster	Televisa
Participants
Number of entries	19
Debuting countries	Costa Rica
Returning countries	Honduras
Non-returning countries	Bolivia  Dominican Republic
Vote
Voting system	Each country had 5 jurors and each of them voted for their favourite entry.
Winning song	Spain María Ostiz: Canta Cigarra (Sing cicada)
1975 ← OTI Festival → 1977

As happened in the previous two years, the festival repeated the record of 19 participating countries with their respective broadcasters and performers established back in the same city in 1974. The winner was Spain, which was represented by the singer-songwriter María Ostiz with her song "Canta cigarra" (Cicada, start singing).

Background

According to the original rules of the OTI Festival, the winning country of the previous year would organise the contest of the following year. In this case, Mexico, with their broadcaster Televisa and their performer Gualberto Castro, were the winners of the previous year's edition of the event with the song "La felicidad" (Happiness).

As the host country, the broadcaster Televisa was going to be the organiser of this year's edition; for that reason, the top employees of Televisa arranged a meeting in order to decide the day, the city and the venue where the contest would be held.

Mexico City was proposed as the host city due to its good infrastructure to host international events, but as happened two years before, the members decided that Acapulco was the most suitable city due to the municipality's prestigious reputation as a tourist centre both for mass tourism and for convention and congress purposes.

Venue

The Ruiz de Alarcón Theatre was, as in 1974, used as the venue for the fifth edition of the OTI Festival.

The Ruiz de Alarcón Theatre was chosen again as the venue for the fifth edition of the OTI Festival.

At the meeting, it was decided that the most suitable venue for the festival was the Ruiz de Alarcón theatre. The Ruiz de Alarcón Theatre of Acapulco was a highly vanguardist building that began construction in 1969 and ended in 1973, a few months before the theatre was chosen as the OTI Festival venue back in 1974. Since then, the theatre had hosted uncountable events, theatre shows, concerts and festivals.

This theatre is the host venue of the Acapulco Philharmonic Orchestra and has a seating capacity for over 2000 people, which makes it much bigger than the previous year's venue in San Juan.

The stage was divided into two sides: The central part, where the singers performed their songs, and the philharmonic orchestral zone that surrounded the central side.

Participating countries

The number of participating countries repeated the previously established record of 19 countries that was achieved in the same city two years before, as well as last year. As with the previous editions, both the state financed and the privately funded TV and radio stations that were members of OTI (Iberoamerican Television Organisation) participated in the event sending their entrant and competing song.

Some of the participating countries such as Mexico, Guatemala and Chile selected their entrants through live-broadcast national finals in order to select their participants. Other broadcasters with more or less resources decided to select their entrant and song internally.

Among the participating countries, it must be taken into account the debut of Costa Rica, whose broadcaster confirmed their participation, selected their song and sent a delegation to Acapulco. This fact makes Costa Rica the last Central American country to debut in the event.

Bolivia and the Dominican Republic decided to withdraw from the event. Both the Andean country and the Caribbean island took the decision of taking a one-year break due to their disappointing previous placings.

Honduras and its broadcaster, which had withdrawn in the previous edition also because of their disappointing results, decided to make their return, internally selecting their representative in the event.

Participating performers

The winner of the "Chilean National OTI Contest," the Chilean national final to select their entrant, was, for a second time, José Alfredo Fuentes, who had won the same selection process two years before. As a result, he made a stellar return to Acapulco, the same Mexican city where he had previously represented his home country.

The Mexican entrant, and the winner of the enormously popular televised national final that Televisa used to produce every year, was Gilberto Valenzuela, who was selected to represent Mexico with his song "De que te quiero te quiero" (If I say I love you It's because I love you) which instantaneously became one of the favourite contestants.^[1]

María Ostiz, the Spanish representative had already established a career for herself in Spain and was selected by RTVE with her song "Canta cigarra", which was a protest song.

The Venezuelan entrants, the popular disco band Las Cuatro Monedas, were selected internally by Venevisión with their song "Soy" (I am).

Presenters

The journalist and well-known media personality Raúl Velasco was chosen by Televisa to host the OTI Festival. Velasco had already hosted the contest two years before in the same city. The other presenter was Susana Dosamantes, who is also a well known TV celebrity thanks to her participation in many telenovelas. The decision to select a telenovela actress as a co-mistress of ceremonies was made because of the popularity of Mexican telenovelas both with the local audience and with the Latin American and also Spanish audience.

The presenters, after the opening act performed by the Acapulco Philharmonic Orchestra, made a brief speech highlighting the goals of the OTI Festival as a song contest and the goals of the Iberoamerican Telecommunications Organisation. The speech was made both in Spanish and Portuguese.

Just like in the previous years, the master and mistress of ceremonies made brief presentations of the performing artists shortly before they took the stage.

Running order

As happened in previous years, the host broadcaster, in this case Televisa, in collaboration with the Iberoamerican Television Organisation (OTI), organised a draw in Mexico City a few days before the event took place.

The performance round was opened by the Ecuadorian entrant Tito del Salto with his song "Esos veinte años" (Those twenty years), which received a moderate to cold welcome.

The host country Mexico, and its representative Gilberto Valenzuela, was the sixth to take the stage with his song "De que te quiero te quiero", which relied on a high support base by the audience.

The Spanish entrant María Ostiz, who did not seem to have much fan support, was the second to last to enter in the stage, while the Puerto Rican representative Edward was the one to end the performance round.

As an interesting fact, all the competing songs from all the participating countries were sung in Spanish. Even the Brazilian performer Denise de Kalafe, who was the fifth one to enter the stage, performed her song in Spanish. This highly controversial decision was taken by Rede Globo, the Brazilian broadcaster, in order to get more points from the rest of the Latin American countries, which were mainly Spanish-speaking states.

#	Country	Artist	Song	Language
1	Ecuador	Tito del Salto	Esos veinte años (Those twenty years)	Spanish
2	Nicaragua	Peter Vivas	De sol a sol (From sun to sun)	Spanish
3	Panama	Pablo Azael	Gracias amor (Thanks love)	Spanish
4	Netherlands Antilles	Jossy Brokke	El primer criollo (The first Criollo)	Spanish
5	Brazil	Denise de Kalafe	María de las flores (Mary, the flower seller)	Spanish
6	Mexico	Gilberto Valenzuela	De que te quiero te quiero (If I say that I love you It's becauseI love you)	Spanish
7	Guatemala	Hugo Leonel Baccaro	Que haré sin tí (What will I do without you?)	Spanish
8	Chile	Jose Alfredo Fuentes	Era solo un chiquillo (He was just a young man)	Spanish
9	Uruguay	Ronald	Otra vez cantaré (I will sing again)	Spanish
10	Colombia	Amparito	Son de tambores (Drum rhythm)	Spanish
11	Argentina	Adriana Santamaría	Cómo olvidar que te quise tanto? (How to forget that I loved you so much?)	Spanish
12	El Salvador	Walter Salvador Bautista	Tú que no mueres en la muerte (You, the one who doesn't die in the death)	Spanish
13	United States	Carmen Moreno	Sangre Antigua (Old blood)	Spanish
14	Venezuela	Las Cuatro Monedas	Soy (I am)	Spanish
15	Peru	Fernando Llosa	Quiero salir al sol (I want to go out to see the sun)	Spanish
16	Honduras	Wilson Reynoot	Por cantarle al mar (For singing to the sea)	Spanish
17	Costa Rica	Félix Ángel Lobo	Patria (Homeland)	Spanish
18	Spain	María Ostiz	Canta cigarra (Sing Cicada)	Spanish
19	Puerto Rico	Edward	¿Quién? (Who?)	Spanish

Voting system

The voting system followed the same process of the previous years in which the national juries were contacted by telephone by the presenters. All the juries from the participating countries were composed, as usual, by five professional jurors, who elected, each one, only their favourite song among the participating entries.

The national juries of every participating country were contacted directly by telephone by the presenters from the Ruiz de Alarcón Theatre in Acapulco in order to know the decision of the jurors. The jury members of Mexico, the host country, were located in the central studios of Televisa in Mexico City.

Voting process

The show was characterised by an unusually tense voting process in which only three countries were the most likely to win the contest.^[2] This time, the national juries were not contacted by the running order but aleatorily. Spain, Venezuela and Chile were the countries that were scoring the most points throughout most of the process. Out of those countries, Chile was precisely the country that was in the lead until their jury was contacted. The Chilean jurors gave all their votes to Spain and Venezuela, which eventually and unexpectedly changed the final result of the process.

Result

The countries that ended in the top three places in this year's edition were only separated by one point of difference.

After the Chilean jurors gave their votes, Spain, represented by María Ostiz, unexpectedly became the winner of the fifth edition of the event with her song "Canta Cigarra" (Sing Cicada). In fact, Spain became the first and only non-American country to win the contest.

The second place was awarded to the Venezuelan entrants, the band Las Cuatro Monedas with their disco track "Soy". Their equally unexpected second position was also caused by the decision of the Chilean jurors, who gave part of their votes to their entry.

The third position was for the Chilean performer José Alfredo Fuentes and his melody "Era solo un chiquillo". This entry was the one that was leading the voting process until their jurors were contacted.

There was a tie in fourth place between the Brazilian entrant Denise de Kalafe, and Amparito, the performer from neighbouring Colombia. Both entries were warmly welcomed by the juries, but their songs didn't manage to get most of the attention.

Unlike the previous year, in which three countries ended in last place with no points, this time, only one country, the United States, represented by Carmen Moreno, ended the last with zero points and a more than icy welcome.

#	Country	Artist	Song	Lugar	Puntos
1	Ecuador	Tito del Salto	Esos veinte años	15	1
2	Nicaragua	Peter Vivas	De sol a sol	8	3
3	Panama	Pablo Azael	Gracias amor	8	3
4	Antillas Neerlandesas	Jossy Brokke	El primer criollo	13	2
5	Brazil	Denisse de Kalafe	María de las flores	4	9
6	Mexico	Gilberto Valenzuela	De que te quiero, te quiero	6	8
7	Guatemala	Hugo Leonel Vaccaro	Qué haré sin ti	8	3
8	Chile	José Alfredo Fuentes	Era solo un chiquillo	3	12
9	Uruguay	Ronald	Otra vez cantaré	7	7
10	Colombia	Amparito	Son de tambores	4	9
11	Argentina	Adriana Santamaria	Cómo olvidar que te quise tanto	8	3
12	El Salvador	Walter Salvador Bautista	Tú que no mueres en la muerte	15	1
13	United States	Carmen Moreno	Sangre antigua	19	0
14	Venezuela	Las cuatro Monedas	Soy	2	13
15	Peru	Fernando Llosa	Quiero salir al sol	15	1
16	Honduras	Wilson Reynoot	Por cantarle al mar	8	3
17	Costa Rica	Félix Ángel Lobo	Patria	13	2
18	Spain	María Ostiz	Canta, cigarra	1	14
19	Puerto Rico	Edward	Quién	15	1

Audience and impact

This time, without the technical difficulties during the broadcast of the show as had occurred last year, the audience returned to the viewing figures of two hundred million viewers that the festival received two years before in the same city.

The winner María Ostiz was already an established artist in Spain, especially thanks to her songs that usually revolved around the tough life of the rural population in 1970s Spain. Their songs used to have a cheerful spirit, although her song in the festival was completely different. "Canta cigarra" was a sad and pessimistic protest song in which the farmers, the women, the oppressed people with their hopelessness and hunger were mentioned as main elements. The selection of such a controversial song as the Spanish entry was attributed to the fall of the censorship after the death of dictator Francisco Franco.^[3]

When the OTI Festival was being held, "Canta cigarra" was one of the least favoured entries in the betting odds due to the unusual simplicity of its production. While the voting process was taking place, Ostiz, who was not confident about the possibilities of her song in the contest, left the green room and went to the hotel. When her victory was clear after the decisive Chilean votes, she had to return to the stage dressed in her casual clothes.^[4]

The second placed entrants, the Venezuelan disco fusion band Las Cuatro Monedas, were also already famous in their country with an eleven year career. They were famous for combining disco rhythms with Jamaican and Caribbean influences. Thanks to their second place, the prestige of their career was confirmed in Venezuela.

The third placed entrant, the Chilean José Alfredo Fuentes, also saw his career consolidated due to his third place in the festival, significantly improving the eighth place he got back in 1974 in the same city.^[5]

One of the fourth placed entrants, the Brazilian entrant Denise de Kalafe, who was tied with the Colombian representative, had already represented her country in 1970 in the "Festival Mundial de la Canción Latina", the antecessor of the OTI Festival in 1970. With her fourth place in 1976 with her song "María de las flores" (Flower Mary), she started generating interest not only in her country Brazil, but also in Mexico, where her popularity had started rising. Two years later in 1978, she would return to the festival and win the event.^[6]

See also

• Eurovision Song Contest 1976

References

1. "Gilberto 'El Sahuaripa' Valenzuela: una leyenda sonorense | La Chicharra". www.la-chicharra.com (in Mexican Spanish). July 19, 2016. Retrieved December 17, 2017.
2. "Apretada victoria española en la OTI". EL PAÍS (in Spanish). November 2, 1976. Retrieved December 17, 2017.
3. ""Canta cigarra", de María Ostiz, a la OTI". EL PAÍS (in Spanish). October 12, 1976. Retrieved December 17, 2017.
4. "María Ostiz ganó el Festival de la OTI". EL PAÍS (in Spanish). October 31, 1976. Retrieved December 17, 2017.
5. "José Alfredo Fuentes". José Alfredo Fuentes | MusicaPopular.cl (in European Spanish). Retrieved December 17, 2017.
6. "Denisse de Kalafe". denissedekalafe.com. Retrieved December 17, 2017.

External links

• OTI Festival 1976
• Winner of the OTI Festival 1976