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English-Australian film director (born 1946) From Wikipedia, the free encyclopedia
Brian Medwin Trenchard-Smith (born 1946) is an English-Australian filmmaker and author, known for his idiosyncratic and satirical low-budget genre films. His filmography covers action, science fiction, martial arts, dystopian fiction, comedy, war, family, thriller, romance and erotica, and his works tend to be cross-genre pieces.
Brian Trenchard-Smith | |
---|---|
Born | Brian Medwin Trenchard-Smith[1] 1946 (age 77–78) England, U.K. |
Education | Wellington College |
Occupation(s) | Film director, film producer, screenwriter, actor, author |
Years active | 1965—present |
Spouse |
Margaret Trenchard-Smith
(m. 1975) |
Children | 2 |
After gaining experience as a writer and editor of film trailers, Trenchard-Smith made documentary films for Australian television, many of which focused on stunt performers and martial artists, including his frequent collaborator Grant Page. He made his directorial debut with The Man from Hong Kong (1975), the first film to be produced as an international co-production between Australia and Hong Kong. Many of Trenchard-Smith's films over the next decade became notable examples of the Ozploitation cycle, including Deathcheaters (1976), Stunt Rock (1978), Turkey Shoot (1982), BMX Bandits (1983), Frog Dreaming (1986) and Dead End Drive-In (1986).
Trenchard-Smith moved to Hollywood in 1990, and has since primarily directed made-for-television and direct-to-video films. His other notable works include The Siege of Firebase Gloria (1989), Night of the Demons 2 (1994), Leprechaun 3 (1995), Leprechaun 4: In Space (1996), Happy Face Murders (1999), Britannic (2000), Megiddo: The Omega Code 2 (2001), DC 9/11: Time of Crisis (2003), Aztec Rex (2007), Chemistry (2011), Absolute Deception (2013) and Drive Hard (2014). His debut novel, The Headsman's Daughter (later retitled Alice Through the Multiverse), was self-published in 2016. Several of Trenchard-Smith's films have garnered cult followings and have been subject to critical re-evaluation, and he has also been cited as one of Quentin Tarantino's favourite directors.[2]
Trenchard-Smith was born in England, the son of a senior officer of the Royal Air Force (RAF), and lived for a time in Libya, where his father was stationed.[3] His family moved to RAF Odiham, Hampshire and he made his first film at the age of 15 on 8mm, a 2-minute short called The Duel. The following year he made the ten-minute The Chase about a lunatic who escapes from an asylum and chases a boy around the countryside with a bayonet.[4]
He was commissioned to make a film about his school, Wellington College, for prospective parents. He showed this around once he left school, and it helped him get work as an editor's assistant and camera assistant with a French news company in London.[5] However he was unable to get into the union so he moved to Australia in 1965 (his father was Australian).[6]
Trenchard-Smith worked at Channel Ten as an editor, doing news, documentaries and station promos. He moved over to Channel 9 to work as promotions director, then in 1968 he returned to England and went to work in London as a junior writer/producer of feature film trailers at the National Screen Service.
In 1970 he returned to Channel 9 as network promotions director, and made his directorial debut with a French TV special Christmas in Australia. He followed it with a series of other specials: Marty Feldman in Australia (1972), The Big Screen Scene (1972), For Valor (1972), Inside Alvin Purple (1972).[7]
After two years at Channel 9 Trenchard Smith formed his own production company, Trenchard Productions, borrowed $16,000 and made a one-hour television special about stuntmen called The Stuntmen featuring Grant Page. This was a success.
Trenchard-Smith was going to Hong Kong to make an $8,000 documentary on Bruce Lee called The World of Kung Fu but arrived on the day Lee died. He turned the documentary into a tribute on Lee, and in the course of making it met Raymond Chow. Trenchard-Smith made another TV special, Kung Fu Killers (1974), featuring Page and George Lazenby.[8][9] Throughout this decade Trenchard-Smith also worked cutting trailers.
Trenchard-Smith made the sex-orientated semi-documentary The Love Epidemic (1975) which was made for $33,000. It was theatrically released and made a small profit.
Trenchard-Smith's Hong Kong connections enabled him to make his dramatic feature film debut with the action movie The Man from Hong Kong (1975), the first Australian-Hong Kong co production. Starring Jimmy Wang Yu, George Lazenby and Grant Page, the film was made for The Movie Company, a production company half owned by Trenchard-Smith and Greater Union, and Golden Harvest. The film sold well around the world and established Trenchard-Smith as an action director.
Trenchard Smith then made the TV documentary Danger Freaks for the Movie Company before Greater Union pulled out of the organisation and it was wound up.
Trenchard Smith then made another action feature film, Deathcheaters (1976), starring Grant Page, which performed disappointingly at the box office. He spent nine months on a proposed film that never got up, The Siege of Sydney (aka Pillage Squad).[10][11]
However he then made a dramatised short, Hospitals Don't Burn Down!, which won a number of awards and was highly successful.[12]
Trenchard-Smith then made a film in the US called Stunt Rock (1978) which he once called "probably the worst film I have made"[13] although it has become a cult classic. It starred Grant Page and the US band Sorcery.
He followed this with Day of the Assassin (1979), where he replaced the original director just before filming began. He later said making the movie was one of his craziest directing experiences:
All directors, at some point in their career trajectory, find themselves hanging on to a runaway train; despite best efforts, things turn to custard on a daily basis. More often than not, The Movie from Hell is a co-production. Foreign locale, fast money, giant egos, high pressure schedule – all make a volatile witches’ brew, even before you factor in deep rooted national resentments.[14]
Trenchard-Smith returned to cutting trailers for various Australian films. Producer Antony I. Ginnane hired him to cut together footage of films during production to raise additional finance. These included Harlequin and The Survivor. Ginnane then hired Trenchard-Smith to direct Turkey Shoot (1982).[15]
His work on that film got him the job of rewriting and directing the children's film, BMX Bandits (1983), which starred Nicole Kidman.[16] He was announced as director of Blowing Hot and Cold but did not make it in the end.[17]
Trenchard-Smith began directing episodes of Australian TV shows such as Five Mile Creek. He was hired by the producers of Frog Dreaming (1985) to replace the original director during the shoot.
He followed it with a melodrama which he co-wrote, Jenny Kissed Me (1985), then another action film, Dead End Drive-In (1986). Neither was successful at the box office but the latter has developed a strong cult reputation.
Trenchard-Smith was hired for another "rescue operation" when the decision was made to sack the director of Day of the Panther (1987) during filming. This film was shot back to back with a sequel Strike of the Panther.
Trenchard-Smith did a straight-to-video thriller, Out of the Body (1988) then travelled to the Philippines to make a Vietnam War film, The Siege of Firebase Gloria (1989).
In January 1990 Trenchard Smith moved to Hollywood. He has said that when he left Australia "I was possibly a medium-sized fish in one of cinema's smaller ponds" and when he arrived he "immediately became plankton."[18] (In 2001 he wrote "I believe I have now evolved into a sardine. My career goal is to become a dolphin, playfully cruising through a variety of genres on adequate budgets."[18])
He established himself by attaching himself "to as much material as possible. Sling enough mud at the wall, something will stick." He also earned a reputation for reliability. "Deliver the goods, above and beyond creative and fiscal expectations. Mr Reliable is a popular guy. Specialise in the difficult. No task too great, no budget too small. Work breeds work, particularly if you leave your producers smiling rather than unhappy. Low-budget genre film making does not mean you have to check your personality at the door."[18]
He returned to Australia to make Official Denial (1993) on the Gold Coast. Back in the US he did Night of the Demons 2 (1994) and Leprechaun 3 (1995). He went back to Australia to make Sahara (1995), then did Escape Clause (1996), Leprechaun 4: In Space (1996), Doomsday Rock (1997), Atomic Dog (1998), and Voyage of Terror (1998).
Trenchard-Smith made the true crime film Happy Face Murders (1999), which is one of his favourite movies. Trenchard-Smith says the 2000 Fox Family Channel movie Britannic was the best of the three disaster movies he made around this time. It got him the job directing Megiddo: The Omega Code 2.[18][failed verification]
In 2011, Trenchard Smith said his passion project is to do a revisionist history of Richard III.[19]
Since 1975, Trenchard-Smith has been married to Dr. Margaret Gerard Trenchard-Smith (née Enger), an American Byzantine historian and retired actress whom he had cast in Deathcheaters, Stunt Rock, Out of the Body and The Siege of Firebase Gloria. They have two sons, Eric and Alexander,[20] and live in Oregon, where they own pet deer. His hobbies include history and épée fencing, for which he has held a lifelong passion.[1]
Trenchard Smith once said this of his own films:
There is something you always get in a Trenchard-Smith movie: pace, a strong visual sense, and what the movie is actually about told to you very persuasively. Whatever I do, I'll still be applying a sense of pace: trying to find where the joke is and trying to make the film look a lot bigger than it cost.[5]
He says his main advice for directing is:
Be a good leader, kind father, energetic brigade commander to your cast and crew; no one gives their best in an atmosphere of blame and fear, as happens on big star driven movies; humour is much more effective in team management; try to make your own enthusiasm for the project contagious to everybody. Then pick locations that have natural production value... Plan well. Shot list. Make every hour of shooting count.[4]
His favourite among his own movies are The Man From Hong Kong, BMX Bandits, Dead End Drive In, The Siege Of Firebase Gloria, Night Of The Demons 2 and Happy Face Murders.[21]
His main influences growing up were Alfred Hitchcock, Henry Hathaway, Anthony Mann, J. Lee Thompson, Robert Aldrich, Raoul Walsh, King Vidor and John Ford.[22]
Year | Title | Director | Writer | Producer | Actor | Notes |
---|---|---|---|---|---|---|
1975 | The Love Epidemic | Yes | Yes | Yes | No | Semi-documentary |
The Man from Hong Kong | Yes | Yes | Uncredited | Yes | Role: Martial Arts Heavy | |
1976 | Deathcheaters | Yes | Yes | Yes | Yes | Role: Hit & Run Director |
1978 | Stunt Rock | Yes | Yes | Uncredited | Yes | Role: Himself (uncredited) |
Hospitals Don't Burn Down! | Yes | No | No | Yes | Semi-documentary short film Roles: Doctor/Voice of Cleaner (uncredited) | |
1979 | Day of the Assassin | Yes | No | No | No | |
1980 | The Dangerous Summer | Yes | No | No | No | Documentary short film |
1982 | Blood Tide | No | No | Co-producer | No | Also creative consultant |
Turkey Shoot | Yes | Uncredited | No | Yes | Role: Officer arresting Paul (uncredited) | |
1983 | BMX Bandits | Yes | Uncredited | No | No | |
1986 | Frog Dreaming | Yes | No | No | No | |
Jenny Kissed Me | Yes | No | No | No | ||
Dead End Drive-In | Yes | No | No | No | ||
1988 | Day of the Panther | Yes | Yes | No | No | |
Strike of the Panther | Yes | Yes | No | No | ||
Out of the Body | Yes | No | No | No | ||
1989 | The Siege of Firebase Gloria | Yes | Yes | No | No | |
Dangerfreaks | Yes | Yes | Yes | Yes | Documentary compilation film Also additional photography and self | |
1990 | Deathstone | No | No | Executive | No | |
1994 | Night of the Demons 2 | Yes | No | No | No | |
1995 | Leprechaun 3 | Yes | No | No | No | |
1996 | Leprechaun 4: In Space | Yes | No | No | No | |
2001 | Megiddo: The Omega Code 2 | Yes | No | No | No | |
2006 | In Her Line of Fire | Yes | No | Yes | No | |
2009 | Pimpin' Pee Wee | Yes | No | No | No | |
2010 | Arctic Blast | Yes | No | No | No | |
2013 | Absolute Deception | Yes | No | Yes | Yes | Role: Police Commissioner (uncredited) |
2014 | Drive Hard | Yes | Yes | No | No | |
Turkey Shoot | No | No | Executive | No | ||
Year | Title | Director | Writer | Producer | Notes |
---|---|---|---|---|---|
1972 | Marty Feldman in Australia | Yes | No | No | Documentaries |
The Big Screen Scene | Yes | No | No | ||
For Valor | Yes | No | No | ||
1973 | The Stuntmen | Yes | Yes | Yes | |
The World of Kung Fu | Yes | Yes | Yes | ||
Inside Alvin Purple | Yes | Yes | Yes | ||
1974 | Kung Fu Killers | Yes | Yes | Yes | |
The Making of Stone | Yes | No | No | ||
1976 | Danger Freaks | Yes | Yes | Yes | Documentary miniseries Also additional photography and self |
1984-5 | Five Mile Creek | Yes | No | No | 2 episodes |
1985 | Special Squad | Yes | No | No | |
1989 | Mission: Impossible | Yes | No | No | |
1991-2 | Tarzán | Yes | No | No | 10 episodes |
Silk Stalkings | Yes | No | No | 5 episodes | |
1993 | Time Trax | Yes | No | No | 2 episodes |
Official Denial | Yes | No | No | TV film | |
1994 | High Tide | Yes | No | No | Episode: "Sitting Ducks" |
1995-7 | Flipper | Yes | No | No | 5 episodes |
1995 | Sahara | Yes | No | No | TV films |
The Last Bullet | No | Yes | No | ||
1996 | Escape Clause | Yes | No | No | |
1997 | Doomsday Rock | Yes | No | No | |
1998 | Atomic Dog | Yes | No | No | |
Voyage of Terror | Yes | No | No | ||
1999 | Happy Face Murders | Yes | No | No | |
2000 | Britannic | Yes | Yes | No | |
The Others | Yes | No | No | Episode: "Unnamed" | |
2002 | Seconds to Spare | Yes | Yes | No | TV films |
Sightings: Heartland Ghost | Yes | No | No | ||
2003 | The Paradise Virus | Yes | No | Yes | |
DC 9/11: Time of Crisis | Yes | No | No | ||
2005 | Phantom Below | Yes | No | Yes | |
2006 | Long Lost Son | Yes | No | No | |
2007 | Aztec Rex | Yes | No | No | |
2009 | Fusion | Yes | No | No | Webseries pilot |
Malibu Shark Attack | No | No | Yes | TV films | |
2011 | The Cabin | Yes | No | No | |
Chemistry | Yes | No | No | 7 episodes | |
Year | Title | Role |
---|---|---|
1977 | The Last Wave | Promotional consultant |
1991 | Delta Force 3: The Killing Game | Creative consultant |
2000 | Crash and Byrnes | Second unit director and creative consultant |
2007 | Ice Spiders | Creative consultant |
Dring the late 60s and 1970s, Trenchard Smith was one of the leading makers of film trailers in England and Australia. Among the films whose trailers he edited are:[31]
Brian Trenchard-Smith had cast certain actors in more than one of his films.
The Love Epidemic | Kung Fu Killers | The Man from Hong Kong | Deathcheaters | Stunt Rock | Turkey Shoot | BMX Bandits | Frog Dreaming | Dead End Drive-In | Jenny Kissed Me | Out of the Body | Day of the Panther | Strike of the Panther | The Siege of Firebase Gloria | Night of the Demons 2 | Leprechaun 3 | Sahara | Leprechaun 4: In Space | Happy Face Murders | Megiddo: The Omega Code 2 | Absolute Deception | |
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Angelo D'Angelo |
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Warwick Davis |
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John DeMita |
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R. Lee Ermey |
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John Ewart |
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Noel Ferrier |
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Paris Jefferson |
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George Lazenby |
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John Ley |
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Grant Page |
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Rick Peters |
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Steve Rackman |
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Jim Richards |
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John Stanton |
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Edward Stazak |
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Henry Thomas |
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Brian Trenchard-Smith |
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Margaret Trenchard-Smith |
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Roger Ward |
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Tamsin West |
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Wilbur Wilde |
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