Loading AI tools
From Wikipedia, the free encyclopedia
Bengali traditional games are traditional games that are played in rural parts of the historical region of Bengal (present-day Bangladesh and the Indian state of West Bengal). These games are typically played outside with limited resources. Many games have similarities to other traditional South Asian games.
 | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Some traditional Bengali games are thousands of years old and reference historical ways of life. Due to urbanization, traditional Bengali games are declining in popularity.[1][2]
Some traditional Bengali games are thousands of years old and reference historical ways of living and historical events.[citation needed] For example, it is argued that some of the rhymes used to be associated with the gameplay of Gollachut, in which players run from the center of a circle towards a boundary area to be safe from opponents, may refer to escape attempts by slaves during the Indus Valley Civilisation or afterward.[3]
During the colonial era, traditional Bengali games declined in popularity, as the Bengali middle class (Bhadralok) began to be influenced by European sporting culture.[4]
_(9903944955).jpg)
With riverine Bangladesh's geography being dominated by the world's largest delta, the country has over 230 rivers in its terrain. The rivers have played an important role in the livelihoods of the native Bengali people.
Common in rural areas, Nouka Baich is a very old tradition of the folk Bengali culture going back centuries. Its popularity in urban areas increased in the 18th century. The various Nawab families throughout Mughal Bengal were also known for organising races and the use of Sari gan started to become more popular.
Nouka Baich was also common during the British rule in the Sylhet region after the rainy season when much of the land goes under water. The long canoes were referred to as khel naos (meaning playing boats) and the use of cymbals to accompany the singing was common.Boli Khela was introduced in the last 19th century by Kader Boxo. He was a landlord and resident of Satkania Upazila under Madarsha Union in Chittagong district. Reportedly, beginning in 1879, during the first month of each year, he collected dues from his renters and arranged a boli khela match. After his death, the 7th of Boishakh, the first month of the Bengali calendar year, started being called "Mokkaro Boli Khela".
A 20th century merchant, Abdul Jabbar Saodagor from Chittagong, arranged a boli khela in 1907 match to cultivate a sport that would prepare the youth to fight against British rule. Broad appeal for the sport began at the end of the First World War but subsided at the end of the Second World War.
Rich farmers and other eminent people hired lathial for security and as a symbol of their power. Duels were used as a way to protect or take land and other possessions. A proverb in some South Asian languages is "whoever wields the lathi keeps the buffalo". Zamindars (feudal lords) sent groups of lathial to forcefully collect taxes from villagers. Lathi training was at one time included in the Bratachari system of education.
Although lathi is practised in Indian and Bangladeshi villages, urbanization has led to its decline as a rural martial art in recent decades. Until 1989, an annual nationwide lathi khela convention was held in Kushtia, Bangladesh, where troupes from all over the country took part. Due to the drop in practitioners and spectators, the convention is now held once every three years. Even in the districts where lathi troupes once flourished, only several now remain. Today, lathi khela is most often seen during festivals and weddings. Matches are held in West Bengal for certain puja rituals, and a similar sport called chamdi is played during Eid in North Bengal.Chungakhela is typically played in Chittagong by adults. The players throw firecrackers at each other, attempting to hit their opponents. As a result, players may be burnt while partaking in the game.[5]
Gaigodani is played with one player throwing a stick onto a muddy surface, trying to lodge the stick upright in the mud. A second player throws their stick, attempting to make the first stick either fall to the ground or end up parallel to the first stick. If the second player fails, the first player attempts the same, with the two alternating until one of them succeeds. The winner retains both sticks and then challenges a third player in the same fashion, and so on. Once one player has all the sticks, the player throws the sticks and hides their own stick. Then, each opponent attempts to retrieve a thrown stick and touch the hidden stick. The last opponent to do so loses.[6]
Gulli danda (Bengali: গুল্লি ডাণ্ডা),[8] also known as danguli khela,[9] is usually played by boys.[citation needed] It is played with a small piece of wood called a gulli, and another stick called a danda. The danda is used to hit the gulli, which the opposing player tries to catch.
Ekka-dokka (Bengali: এক্কা-দোক্কা),[8] known locally as guti (গুটি),[7][unreliable source?] is typically played by women.[citation needed] It is played with either a smaller, broken piece of an earthen pot or flat clay that is rectangular or circular. On the ground, a large box long is drawn and is then divided into six smaller boxes. Every box has a common name, such as ek-er ghor for the first box, dui-er ghor for the second box, and so on up to five boxes, with the last box being known as samundra. The players roll their guti (playing piece) into the first box. After that, the player rotates the guti with their toes into the second box, the second box into the third box, and so on, until it reaches the fifth box. Then, the player rotates the guti back towards their starting position. After completing one round, they roll the guti again, starting at the second box. While rolling the guti, a player sings a melody called ekka-dokka. A player may be eliminated if they choose the incorrect box, leave their playing area, place both of their feet inside the box, or if their guti falls on the line.
Raja-chor-mantri-sipahi (Bengali: রাজা-মন্ত্রী-চোর-সিপাহি)[8] is usually played among boys and girls.[citation needed] Four players are needed to play this game, who each take up a role. The four roles are Raja (King), Mantri (Minister), chor (thief) and sipahi (soldier). Each character has different points. Raja has 1000 points, the mantri has 500 points, sipahi has 100 points, and Chor has 0 points. These roles are randomly chosen by writing the roles on a small sheet of paper and tossing them in the middle of the four players. The player who gets Raja gives the order to Mantri to find out who is the chor from the remaining two players. Mantri receives points if he correctly finds the chor. Otherwise, Mantri's points will be zero, and the points of Mantri go to the chor. Rounds repeat this way, and points are recorded in a note. To end, the points are tallied and the player with the most points is declared the winner.
One player, who is given the role as the "tiger", leaps forward and tries to grab any of the other players, who are given the role of "goats", to drag them out of the circle they are stationed within. The last player remaining within the circle becomes the tiger in the next round.[10][9]
In Chikka, also known as "tug and trip", there are two teams who assemble across either side of a dividing line. Each team player attempts to trip the opposing team player by pulling and pushing each other, their opponent falls onto the other side of the line.[9]
In Elating Belating, there are two teams who each form a line by holding hands and facing each other. Each team steps forward while saying a rhyme. Once the rhyme is completed by one team, the players try to grab one of the players on the opposing team. If the grabbing team can successfully take an opposing player away, the grabbing team are the victors.[5]
In Morog Lorai, players must hop on one foot and attempt to knock down other players to eliminate them. The last remaining player wins the game.[11]
In Openti Bioscope, two players form a "gate" by holding hands. The two players sing a rhyme, while the other players attempt to go through the gate before it is lowered, which occurs at the completion of the rhyme.[6]
Baucchi (also spelled Bouchi or Boucchi) is a game where one player, the "bride", stays in an area some distance away from the "bride-snatching" team's area. In variations of the game, the bride may instead be considered an "old lady".[citation needed] The bride-snatchers can leave their area to tag players on the "bride-protecting" team and eliminate them, but the bride-snatchers must hold their breath while doing so; otherwise the bride-snatchers themselves can be tagged out by the protectors. Once the bride-snatchers have run out of breath and tagged out as many opponents as possible, the bride must run to the bride-snatchers' area without being tagged by the remaining protectors.[9]
Borof Paani is the Bengali version of freeze tag.[10]
In Chhi-chhattar, one player (the "kite") is surrounded by all other players (the "cocks"). The cocks form a human chain by holding hands. The kite can attempt to run out of the circle of players, and the first player to chase after and tag the kite becomes the kite in the next round.[10][12]
Also known as Phul Tokka, players are separated by an equal distance from a dividing boundary line. Players are alternately blindfolded and then asked to guess which player on the other team has touched them on the forehead. When players guess correctly, they are allowed to take a jump forward. When a player guesses incorrectly, the opponent that touched them on the forehead gets to take a leap forward. The first team to get a player over the dividing line wins.[13][14]
In Gollachut or Gollachhut, a stick is placed in the center of a 20-metre circle, and players on the king's team (generally eight to ten players) form a chain by holding hands, while one of these players holding onto the stick. The players then, as a chain, start to circle the stick. Some of them then break off from the chain, with the goal of running out of the circle without being tagged by opponents.[15]
The game is believed to be reminiscent of laborers or slaves attempting to escape doing agricultural work (i.e. grinding crops in a farmhouse).[3]
The raider is required to execute each raid on a single breath; in order to prove that they are not inhaling, they are required to repeatedly chant the word "kabaddi", in a process referred to as a cant.[a] The term kabaddi is from a Tamil word composed of "Kai" and "Pidi", meaning "hand catch."
Ronojoy Sen speculates in his book Nation At Play that kabaddi originated during the Vedic period (between 1500 BC and 500 BC). There are accounts of Gautama Buddha and Lord Krishna having played an ancient form of the sport.
According to the sport's origins, Kabaddi is a sport developed centered on Jallikattu. A player going to the opposition is treated like a Bull. It is like taming a bull without touching it, as it is mentioned in Sangam Literature that the game called Sadugudu was practised since ages.
There are also accounts of kabaddi having been played in Iran 2,000 years ago.In Holdug, also known as "tag me in water", one player dives underwater, and the first opponent to tag the player takes their place in the next round of gameplay.[19]
Kho-kho is one of the more popular traditional Bengali games.[20]
In Kumir danga (Bengali: কুমির ডাঁঙ্গা), all but one player stands in a designated area. The players try to leave and stay outside of that area without being tagged by the player outside the area.[24]
In Langdi or Langdi tang, the tagger must hop on one foot, while their opponents must run within the confines of a small field.[25]
In Lathie chhora, players climb up a tree with one of them throwing a stick away from the tree. One player fetches the stick and then touches the tree. Meanwhile, all of the other players climb down the tree while trying to avoid being tagged by the stick-fetcher.[7]
Tilo Express is similar to hide-and-seek, except the seeker must shout out the name of each person they find, followed by the word "express", to eliminate them. The uneliminated players are able to defeat the seeker by tagging them and shouting "tilo".[24]
Snakes and ladders is a board game in Bangladesh. It is usually played on the Ludo board's opposite side, as Ludo and Snakes and ladders are made on the opposite side of the same board in Bangladesh.[citation needed]
Snakes and ladders originated as part of a family of Indian dice board games that included gyan chauper and pachisi (known in English as Ludo and Parcheesi). It made its way to England and was sold as "Snakes and Ladders",[26] then the basic concept was introduced in the United States as Chutes and Ladders.[27]
.jpg)
Carrom is a board game in Bangladesh. It is played by mostly teenagers. Many tea stalls have Carrom to attract customers. The Bangladeshi variant of Carrom is slightly different from the professional variant.
Other popular rural games include:[8][28]
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
