Asavari
Character in the Mahabharata From Wikipedia, the free encyclopedia
Asavari (IAST: Āsāvari) is a minor character from the Stri Parva in Mahabharata, the love life of Karna but due to her father's arrogance, the marriage did not take place. She belongs to the Asavari thaat kingdom.[1]
In pre-Bhatkhande days Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the that process, he changed that Asavari's Komal Rishab to Shuddha Rishab but the name remained the same. From that time the old or real 'Asavari' has been called the Komal Rishabh Asavari, and the new Shuddha Rishabh Asavari is simply called 'Asavari'.[1]
Raga Asavari and Komal Rishabh Asavari also appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Sikh Gurus Sri Guru Ramdas Ji and Sri Guru Arjun Dev Ji used these ragas. The Raga Komal Rishabh Asavari appears as 'Raga Asavari Sudhang' in Sri Guru Granth Sahib Ji.
Structure
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Perspective
Thaat: Asavari
Jati: Audava-Sampoorna
Avarohana: Ṡ Ṉ Ḏ P M P Ḏ M P G̱ R S[b]
Vadi: Ḏ
Samavadi: G̱
Pakad: M P Ḏ M P G̱ R S
Time: Second period of the day (9am-12pm)
Mood: Renunciation and sacrifice
Organization and relationships
The ragas closest to Asavari are Komal Rishabh Asavari and Jaunpuri and it is part of the Kanada Raga group
Film songs
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Perspective
Note that the following songs are composed in Natabhairavi, the equivalent of raga Asavari in Carnatic music.
Language:Tamil
Hindi
- Hume Aur Jeene Ki by Kishore Kumar and Lata Mangeshkar
- Bheegi Bheegi Raaton Me by Adnan Sami
- Pal Pal hai bhaari [Lagaan]
- Sun Raha Hai Na Tu by Shreya Ghoshal and Ankit Tiwari from Aashiqui 2
Notes
References
External links
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