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American actress (1910–2008) From Wikipedia, the free encyclopedia
Anita Page (born Anita Evelyn Pomares; August 4, 1910 – September 6, 2008) was an American film actress who reached stardom in the final years of the silent film era.[1]
Anita Page | |
|---|---|
Page in Our Modern Maidens (1929) | |
| Born | Anita Evelyn Pomares August 4, 1910 Flushing, Queens, New York City, U.S. |
| Died | September 6, 2008 (aged 98) Van Nuys, Los Angeles, California, U.S. |
| Resting place | Holy Cross Cemetery, San Diego, California |
| Occupation | Actress |
| Years active | 1925–1936; 1961; 1996–2008 |
| Spouses | |
| Children | 2 |
She was referred to as "a blond, blue-eyed Latin"[2] and "the girl with the most beautiful face in Hollywood" in the 1920s.[3] She retired from acting in 1936, but made a comeback in 1961, then she retired again. Page returned to acting 35 years later in 1996 and appeared in four films in the 2000s.
Anita Evelyn Pomares was born on August 4, 1910, in Flushing, Queens, New York.[4] Her parents were Marino Leo Pomares, who was originally from Brooklyn,[5] and Maude Evelyn (née Mullane) Pomares.[6] She had one brother, Marino Pomares Jr., who later worked for her as a gym instructor, and her mother worked as her secretary and her father as her chauffeur.[7] Page's paternal grandfather Salvador Marino Pomares, was from Cuba,[8] and had worked as a consul in El Salvador. Her paternal grandmother Anna Muñoz was Venezuelan, of Castilian Spanish and French descent.[8][9]
Page entered films with the help of friend, actress Betty Bronson. A photo of Page was spotted by a man who handled Bronson's fan mail who was also interested in representing actors. With the encouragement of her mother, Page telephoned the man who arranged a meeting for her with a casting director at Paramount Studios. After doing a screen test for Paramount, she became among the first residents of the Chateau Marmont.[10] Page was offered contracts by both studios and selected MGM,[11] "because they were so good for female actresses. If you ask me, MGM was the studio."[12]
Page's first film for MGM was the 1928 comedy-drama Telling the World, opposite William Haines. Her performance in her second MGM film, Our Dancing Daughters (1928) opposite Joan Crawford was a success and it inspired two similar films in which they also co-starred, Our Modern Maidens and Our Blushing Brides. "I used to say that we're going to be 'The Galloping Grandmothers' at the rate we're going with these pictures," she reminisced in 1993.[13]
The Broadway Melody (1929) is considered among her more successful films, and it won Best Picture at the Academy Awards. Page transitioned to sound films, although she criticized the total loss of silent films. "In my opinion, silents were much better than talkies. One thing you had was mood music, which you could have playing throughout your scene to inspire you. My favorite song was 'My Heart at Thy Sweet Voice' from Samson and Delilah. I never seemed to tire of it. The trouble with talkies was, they let you have the music, but they'd stop it when you had to talk, and it was always a let down for me."[13]
When not working on films, she was busy with studio photographer George Hurrell creating publicity shots. She was one of his early subjects, and her photograph was his first to be published.[14] MGM played up her heritage in these press releases such as this 1932 blurb: "She is that rarest and most interesting type of beauty...A Spanish blonde",[4] and dubbed her "a blonde, blue-eyed Latin".[2]
She was the leading lady to Lon Chaney, Buster Keaton, Robert Montgomery, Clark Gable and others. During the early 1930s, she was one of Hollywood's busier actresses. She was involved romantically with Gable briefly during that time. At the height of her popularity, she was receiving more fan mail than any other female star, with the exception of Greta Garbo, and received several marriage proposals from Benito Mussolini in the mail.[7]
When her contract expired in 1933, she announced her retirement from acting at the age of 23. She retired as she was denied a pay rise. She made one more movie, Hitch Hike to Heaven, in 1936, and then retired fully from acting.[4] Later, Page claimed that Irving Thalberg had offered her the starring role in three movies if she would sleep with him, which she refused.[10][15]
She married composer Nacio Herb Brown in 1934. The marriage was annulled a year later because Brown's previous divorce had not been finalized at the time they were married.[16] She married Navy pilot Lieutenant Hershel A. House on January 9, 1937, in Yuma, Arizona.[17] They moved to Coronado, California and lived there until his death in 1991. They had two daughters, Linda and Sandra.[18][19]
Page came back to acting and portrayed a nun in The Runaway, completed in 1961, but she cut short her comeback. She returned to acting in 1996 after 35 years of retirement and appeared in several low-budget horror films. Film veteran Margaret O'Brien appeared in two of them.[4]
Page was the last living attendee of the first Academy Awards ceremony in 1929,[20] and frequently gave interviews as the "last star of the silents", appearing in documentaries about the era.
Page died in her sleep at the age of 98 on September 6, 2008, at her home in Los Angeles,[4] where she had lived with long-time companion Randal Malone.[10] She is buried in the Holy Cross Cemetery in San Diego.[21]
For her contribution to the motion picture industry, Anita Page has a star on the Hollywood Walk of Fame at 6116 Hollywood Boulevard.[22]
Page said she dated Ramon Novarro, her co-star in the 1929 silent film The Flying Fleet, and he asked her to marry him but she turned him down.[23]
Page was a Democrat who supported the campaign of Adlai Stevenson during the 1952 presidential election.[24] Page was a Catholic.[25]
Anita's second marriage was to Herschel Austin House in 1937. They lived in southern California and were together for 54 years until Herschel's death in 1991 at the age of 84. Herschel had retired from the Navy as a rear admiral. They had two daughters, Sandra and Linda, and they are buried together under his last name.[citation needed]
For a biography of Anita Page see Allan R. Ellenberg and Robert Murdoch Paton, Anita Page - A Career Chronicle and Biography (McFarland, 2021).
| Year | Title | Role | Notes[26] |
|---|---|---|---|
| 1925 | A Kiss for Cinderella | Uncredited | |
| 1926 | Love 'Em and Leave 'Em | Uncredited | |
| 1927 | Beach Nuts | Short | |
| 1928 | Telling the World | Chrystal Malone | |
| Our Dancing Daughters | Ann 'Annikins' | ||
| While the City Sleeps | Myrtle | portions of 2 reels are missing | |
| West of Zanzibar | bit role | uncredited | |
| 1929 | The Flying Fleet | Anita Hastings | |
| The Broadway Melody | Queenie Mahoney | alternative title: The Broadway Melody of 1929 | |
| The Hollywood Revue of 1929 | herself | ||
| Our Modern Maidens | Kentucky Strafford | ||
| Speedway | Patricia | ||
| Navy Blues | Alice "Allie" Brown | ||
| 1930 | Free and Easy | Elvira Plunkett | alternative title: Easy Go |
| Caught Short | Genevieve Jones | ||
| Our Blushing Brides | Connie Blair | ||
| The Little Accident | Isabel | ||
| War Nurse | Joy Meadows | ||
| Great Day | Incomplete | ||
| Estrellados | herself | uncredited | |
| 1931 | The Voice of Hollywood No. 7 (Second Series) | herself | short |
| Wir schalten um auf Hollywood | herself | uncredited | |
| Reducing | Vivian Truffle | ||
| The Easiest Way | Peg Murdock Feliki | ||
| Gentleman's Fate | Ruth Corrigan | ||
| Sidewalks of New York | Margie Kelly | ||
| Under Eighteen | Sophie | ||
| 1932 | Are You Listening? | Sally O'Neil | |
| Night Court | Mary Thomas | alternative title: Justice for Sale | |
| Skyscraper Souls | Jenny LeGrande | ||
| Prosperity | Helen Praskins Warren | ||
| 1933 | Jungle Bride | Doris Evans | |
| Soldiers of the Storm | Natalie | ||
| The Big Cage | Lilian Langley | ||
| I Have Lived | Jean St. Clair | alternative titles: After Midnight Love Life | |
| 1936 | Hitch Hike to Heaven | Claudia Revelle | alternative title: Footlights and Shadows |
| 1961 | The Runaway | Nun | |
| 1996 | Sunset After Dark | Anita Bronson | |
| 1998 | Creaturealm: From the Dead | herself | segment "Hollywood Mortuary" |
| 2000 | Witchcraft XI: Sisters in Blood | Sister Seraphina | direct-to-DVD release |
| 2002 | The Crawling Brain | Grandma Anita Kroger | direct-to-DVD release |
| 2004 | Bob's Night Out | Socialite | |
| 2010 | Frankenstein Rising | Elizabeth Frankenstein | released posthumously |
| 2019 | Doctor Stein | Elizabeth Stein | released posthumously; archive footage |
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