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Aldo Baldin
Brazilian tenor From Wikipedia, the free encyclopedia
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Aldo Baldin (January 1, 1945 - January 5, 1994) was a Brazilian classical tenor, known for his interpretations of music by Johann Sebastian Bach. He performed internationally and made many recordings. He was professor of voice at the Hochschule für Musik Karlsruhe.
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Education
Aldo Baldin was born in Urussanga, Santa Catarina. A child prodigy in music, he was awarded a scholarship in Brazil for studies in piano and cello. He learned singing with Heloisa Nemoto Vergara and cello with Jean-Jacques Pagnot at the Music School of the Federal University of Rio Grande do Sul (UFRGS) in Porto Alegre. He graduated in vocal studies alongside Roberto Miranda and Eliane Sampaio from the Federal University of Rio de Janeiro.
Conductor Karl Richter was instrumental in securing a scholarship from DAAD for Baldin to study with Martin Gründler at the Musikhochschule Frankfurt, where he received a Performing Arts degree. He continued to study with Margarethe von Winterfeldt in Berlin and participated in summer courses with Conchita Badia and Noemi Perugia in Paris.[2]
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Singing career
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While still studying, Baldin was already active as a concert and oratorio soloist and Lied interpreter and was also in demand as a recording artist for radio and record companies.
His career as an opera singer began at the Pfalztheater in Kaiserslautern, in 1975, and soon led to the Mannheim National Theatre. In 1980, he debuted at the Teatro Colón in Buenos Aires and, in 1981, at the Teatro alla Scala in Milan. He was also hired as a guest performer at the Deutsche Oper Berlin and at other internationally known opera houses.[3] He undertook extended concert tours, which brought him to France, Holland, Italy, Portugal, Spain, Switzerland, Israel, Russia, Poland, Czech Republic, Latvia, Iceland, the USA and South America. He worked with conductors such as Sir Neville Marriner, Helmuth Rilling, Herbert von Karajan, Rolf Beck, Karl Richter, Isaac Karabtchevsky and Peter Schreier. With Neville Marriner, Baldin recorded Haydn's Die Schöpfung (Philips Records - 1981 Grammy Winner[4]) and Mozart's Die Zauberflöte and Le nozze di Figaro (Philips - 1986 Grammy Nomination[5]).
The great versatility of his voice enabled him to perform music from the Renaissance to contemporary. In opera, he focused on Mozart, Donizetti and Rossini; in concert, he focused on Bach's music, particularly the role of the Evangelist, but also works by Haydn, Mozart, Beethoven, Bruckner, Rossini and Verdi. Baldin's song repertoire covers not only German Lieder, but also the Spanish, Italian, and French literature, as well as songs by contemporary Brazilian composers.
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Concert Repertoire
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Opera Repertoire
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Lied Repertoire
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Teaching career
Among other institutions, Baldin taught at the music academies of Blumenau, Brazil, in 1975. From 1978 to 1980, he was a lecturer in vocal music at the Musikhochschule of Heidelberg and, in 1983, he became a professor at the Hochschule für Musik Karlsruhe. His students included Reginaldo Pinheiro, Fernando Portari, Roberto Saccà, Marc Marshall, Hernán Iturralde, Ulf Bästlein, Hans Christoph Begemann, Georg Heckel, Winfried Toll and Ralf Willershäuser.
Aldo Baldin died in Waldbronn, on January 5, 1994, at age 49.
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Documentary
In 2011, after receiving the Research and Development of Feature Film award from the Cinemateca Catarinense, filmmaker Yves Goulart started a research on Aldo Baldin's life and career to make his biographical documentary called Aldo Baldin - A Life for Music. The film was released in Brazil in July 2025 by Bretz Filmes.[9]
Discography
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Baldin's discography covers a wide range of recordings of oratorios, Lieder and operas on well-known labels. He used to work regularly with the world's noted conductors and orchestras and performed at international music festivals, as well as in nearly all great concert halls and opera houses in the world. His recordings of complete operas include:
- Basilio in Le nozze di Figaro – José van Dam, Barbara Hendricks, Ruggero Raimondi, Lucia Popp, Agnes Baltsa, Robert Lloyd, Felicity Palmer – The Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner (Philips Classics, 1986)
- Christ in Die Schuldigkeit des ersten Gebots – Margaret Marshall, Ann Murray, Inga Nielsen, Hans Peter Blochwitz – Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner (Philips Classics, 1989)
- Filippo in L'infedeltà delusa – Edith Mathis, Barbara Hendricks, Claes H. Ahnsjö, Michael Devlin – Orchestre de Chambre de Lausanne, Antal Doráti (Philips Records, 1980)
- Hirte in Oedipus Rex – Gabriele Schreckenbach, Werner Hollweg, Roland Hermann, Roland Bracht, Jochen Bartels – Sinfonieorchester des Südwestfunks, Ferdinand Leitner (Intercord, 1989)
- Tenor soloist in L'incontro improvviso – Claes H. Ahnsjö, Linda Zoghby, Margaret Marshall, Della Jones, Domenico Trimarchi, Benjamin Luxon – Orchestre de Chambre de Lausanne, Antal Doráti (Philips Records, 1979; only featured in the appendix numbers)
- Monostatos in Die Zauberflöte – Samuel Ramey, Cheryl Studer, Kiri Te Kanawa, Francisco Araiza, Olaf Bär, Eva Lind, José van Dam, Yvonne Kenny, Iris Vermillion, Anne Collins – The Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner (Philips Classics, 1989)
His oratorio and cantata work include:
- A majority of Johann Sebastian Bach's sacred cantatas, as well as his St. John Passion, under Helmuth Rilling for Hänssler and CBS.
- A 1980 recording of Joseph Haydn's The Creation under the direction of Sir Neville Marriner, with fellow soloists Edith Mathis and Dietrich Fischer-Dieskau, which garnered a Grammy Award at the 1981 ceremony.
- A recording of Gaetano Donizetti's rarely-performed Messa di Requiem under Miguel Angel Gomez-Martinez for Orfeo.
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References
External links
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