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Indian writer (1923–2005) From Wikipedia, the free encyclopedia
Narayan Sanyal (26 April 1923 – 7 February 2005) was an Indian writer of modern Bengali literature as well as a civil engineer.[1]
Narayan Sanyal | |
|---|---|
Narayan Sanyal | |
| Born | 26 April 1923 |
| Died | 7 February 2005 (aged 81) Kolkata, West Bengal, India |
Narayan Sanyal was born in Hindmotor to Chittasukh Sanyal and Basantalata Devi. His name was initially Narayandas Sanyal in school life.[2] His family consisted of wife Sabita Sanyal; elder daughter Anindita Basu, son-in-law Amitabha Basu, son Tirtharenu Sanyal, daughter-in-law Sharmila Sanyal, younger daughter Mou Sanyal Talukdar, son-in-law Soumitra Talukdar. His granddaughter is Ayoshi Talukdar.
Although Sanyal is known mostly as a novelist, he was also an eminent civil engineer by profession. After graduating in science from the University of Calcutta, he passed Bachelor of Engineering from Bengal Engineering College in 1948. Thereafter he joined Public Works Department and later National Buildings Organisation, Ministry of Works and Housing, Eastern Region, Govt of India. He was a Fellow of the Institution of Engineers (India) and a Fellow of the Association of Engineers (India). He also wrote books in Civil Engineering such as Vaastu Vigyan.
A biography of Narayan Sanyal was written by Pradip Dutta – Ami Narayan Sanyal Ke Dekhechi.
A Documentary on Writer Narayan Sanyal was screened on the 18th Kolkata International Film Festival on 15 November 2012 at Bangla Academy . The film " CHOKHER DEKHA PRANER KOTHA .... Narayan Sanyal " in Bengali named by his elder son-in-law Amitabha basu, was directed by his younger son-in-law Soumitra Talukdar and produced by his younger daughter Mou Sanyal.
Sanyal wrote numerous books[3] that dealt with various topics, such as children, science, art and architecture, travels, psychiatry, technology, refugee problems, history, biographical pieces, encyclopaedia of animals, social novel and Devadasi-related.
This author also preferred writing books on deep shadow of many world-famous works. One of the most popular sci-fiction books, Nakshatraloker Debatatma [নক্ষত্রলোকের দেবতাত্মা], is based on the transformation of human race from primitive creature to civilised intelligent species controlling the whole earth. Then it deals with Jupiter exploration and a super intelligent computer HAL. The three-part book is an inspiration of 2001: A Space Odyssey by Arthur C. Clarke. In his book, Sanyal named HAL as Jantra-Na, in his mother tongue Bengali, it ambiguously means 'not a machine' as well as 'pain'.
His most popular work is Biswasghatak [বিশ্বাসঘাতক] written about the Manhattan project that developed the first US atom bomb. This book is based on the shadow of Brighter than a Thousand Suns: A Personal History of the Atomic Scientists (1970), by Austrian Robert Jungk.
Another book Timi Timingil is on whales. This stands on an article published in Reader's Digest.
He also wrote a series of detective fiction called the Kanta [কাঁটা] (Thorn) series. Most of the stories were inspired from various foreign novels of Erle Stanley Gardner and Agatha Christie. The protagonist of Kanta series thriller, Barrister P.K. Basu was based on the character Perry Mason.
Apart from this series, he wrote Bishupal Bodh: Uposonghar [বিশুপাল বধ: উপসংহার], which is basically a completion of Sharadindu Bandyopadhyay's unfinished Byomkesh Bakshi story: Bishupal Bodh. Narayan Babu fulfilled some terms given by Bandyopadhyay's friend Pratul Chandra Gupta, who edited Bandyopadhyay's works. Samaresh Basu, as the editor (also a friend of Sanyal) of Mahanagar, a magazine, published it in a Puja issue.[4]
Sanyal did not simply copy foreign works; he took the central themes and adapted them for a proper Bengali atmosphere, which would be familiar to Bengali readers. For this reason, some changes in the original plot and a few anachronisms (that suit, e.g. offering a chair to the accused & the witness at the courtroom in India—- which is not generally the practice) necessarily occur in his writings. He always mentioned the source, the changes he made in his script, and why these were necessary. He also tried to keep the nomenclature resembling the original so as to offer his gratitude. He often referred to P. K. Basu as "the Perry Mason of the East", as it was Erle Stanley Gardner's masterpiece that inspired him to create Basu.
It is undoubtedly accepted[citation needed] by all that Narayan Babu was one of the finest authors in Bengali and he was a class apart from the flock of contemporary Bengali writers those who were too dependent on sentiment and emotional overdose in their writings and too dependent on monopolist Bengali media/publication groups in commercial front.
Sanyal received several awards for literature including Rabindra Puraskar (for Aporupa Ajanta in 1969), Bankim Puraskar (for Rupmanjari in 2000), and Narasingha Dutta Award. Many of his books were filmed and he won the Best Film Story Writer Award (for Satyakaam) by Bengal Film Journalists.
All books of the Kanta series are of Prasanna Kumar Basu (famously known as P. K. Basu), Bar at Law.
This novel is the first P. K. Basu story by Sanyal, though he called it as a "trial ball". It was later adopted in a Bengali movie, Jadi Jantem in 1974. Here, Basu is shown to be an old, unmarried man; who solves the death mystery of a businessman. Sujata, who is an essential character of the following stories, was accused of murder. Koushik, in a disguise of a driver, also helps her. Koushik is a typical example of bulk of the engineers who fails to manage any satisfiable job.
After Jodi Jantem, he changed the character Basu to be an aged lawyer, whose wife Ranu is made invalid & Suborna alias Mithu, their only daughter is died in an accident. This novel marks the proper starting of the series. This is based on a murder of Ramen Guha, a policeman and some other incidents at The Repose, a hotel at Ghum, Darjeeling, run by the Mitra couple, Sujata & Koushik Mitra.
Mitra couple returns Kolkata, after selling the hotel and starts a private detective agency, named Sukoushali [সুকৌশলী] at Basu's residence at New Alipore. This story revolves about Supriya Dashgupta [সুপ্রিয় দাশগুপ্ত], a manager of a Bombay based farm. At the end of the story, the caught person is proved to be different than the original culprit.
Old Jagadananda Sen lives with granddaughter Nilima Sen, nephew Jogananda and Jogananda's relative Shyamal. Mahendra, his ex-employee, whom he revoked, suddenly comes back and starts blackmailing Jagadananda. He, then seeks help from Basu. Meanwhile, police arrests Jagadananda in charge of killing his own nephew Jogananda. Joydeep, Nilima's fiancé shadows another ex-employee of Jagadananda, Yu Siang, a Burmese, who is also supposed to come India to blackmail the old man. Finally, Basu succeeds to make him free catching the culprit.
Rabi Bosu, a police inspector, who is prevalent in some later stories, is introduced. This story is about a ticket of lottery and a murder. Basu makes Prakash Sengupta, a doctor free from all charges of killing his friend, Kamalesh Mitter.
Minati Roychaudhury, alias Minti, a lost granddaughter of GokulChandra Roychaudhury is found back. This story has a very little to do with Basu.
Mahadeo Prasad Khanna, an ex-M. P. was murdered in a lonely cottage in Kashmir. A parrot is taught in such a way that Rama Khanna, a Bengali lady, supposed to be married by Khanna is kept in the lock-up. Basu finally solves the issue by tracing some clues at the cottage, that includes a pair of wool knitting sticks (in Bengali, which are called Uler Kanta).
ChandraaChoor Chatterjee [চন্দ্রচূড় চ্যাটার্জী] of Chandannagar was murdered by his brother in law Bikash Mukherjee. Bikash makes an excellent plan to put the blame on a retired Mathematics teacher Shibajee Protap Chakraborty. Chakraborty has a bit psychological problems and has records of attempt of murder unconsciously. Bikash takes full advantage of this, by sending some letters to Basu. These letters apparently seem to be a childish or lunatic job, as it contain quotations & pictures from Sukumar Ray's writings for children and some hotchpotch of Sanskrit & English, but the thing turns serious when murders are made in Asansol and Burdwan (these two names are mentioned in the letters).
Miss Pamela Johnson of Merinagar, a hypothetical township near Kanchrapara, West Bengal dies at age 72. She donates all her belongings to her servants and non-profitable organisations, totally unexpectedly, as everyone anticipates that the old lady would give it to her relatives: Suresh Haldar, Smrituku Haldar alias Tuku & Hena Thakur. This novel is unique in a way as it is written in a first person speech of Koushik Mitra.
A distressed lady, Chhanda, is presently married to Tridib Narayan Rao, son of Tribikram Narayan Rao who is an aristocrat Rajput and also a business tycoon. She is accused of a murder of her previous husband Kamalendu Biswas alias Kamalskha Kar alias Kamal Chandra Ghosh, who also had previous marriages. Basu saves the poor lady.
The story begins with Anirban Dutta, an investment counselor, visiting PK Basu for a legal advice. He was charged with criminal case of embezzling 2.5L from Korobi Sen, daughter of late business tycoon, Raghubir Sen. Before his demise, Mr. Raghubir Sen made a strange will, where he donated everything to a trust, except the Feat car. He made Anirban the trustee, as he thought Korobi was not mature for her age. He had the power of trading the company's shares. Korobi will have access to the fund when she reaches 22, till then she has to depend on him for her expenditures. When she was 18, she lodged a suit to challenge the will, but failed miserably. He stated that Korobi's friends are influencing her to make wrong decisions. Anirban asks PK Basu to advice on how to proceed without harming anyone.
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