Biutiful
2010 film by Alejandro González Iñárritu From Wikipedia, the free encyclopedia
2010 film by Alejandro González Iñárritu From Wikipedia, the free encyclopedia
Biutiful is a 2010 psychological drama film directed, produced and co-written by Alejandro González Iñárritu, and starring Javier Bardem. The project marks Iñárritu's first film in his native Spanish language since his debut feature Amores perros (2000). Alfonso Cuarón and Guillermo del Toro (who make up the "Three Amigos" with González Iñárritu in the film industry) serve as associate producers. The film follows Uxbal, a criminal and father who is diagnosed with prostate cancer and seeks to settle his affairs and responsibilities before he dies. The title is in reference to the phonetic spelling in Spanish of the English word beautiful.
| Biutiful | |
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.jpg) Theatrical release poster | |
| Directed by | Alejandro González Iñárritu |
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| Based on | a story by Alejandro González Iñárritu |
| Produced by |
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| Starring | Javier Bardem |
| Cinematography | Rodrigo Prieto |
| Edited by | Stephen Mirrione |
| Music by | Gustavo Santaolalla |
Production companies |
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Release dates |
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Running time | 147 minutes[2] |
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| Budget | $35 million[3] |
| Box office | $24.7 million[3] |
Biutiful premiered at the 2010 Cannes Film Festival, and was released theatrically by Videocine in Mexico and United International Pictures in Spain on 22 October 2010 and 3 December, respectively. The film received mixed reviews from critics, and was a box-office bomb grossing $24.7 million worldwide on a budget of $35 million. It was nominated for two Academy Awards in 2011: Best Foreign Language and Best Actor for Bardem; his nomination was the first entirely Spanish-language performance to be nominated for the award. Bardem also received the Best Actor Award at Cannes for his work on the film.
Uxbal lives in a shabby apartment in Barcelona with his two young children, Ana and Mateo. He is separated from their mother Marambra, an alcoholic prostitute with bipolar disorder. Having grown up an orphan, Uxbal has no family other than his brother Tito, who works in the construction business (and sometimes solicits Marambra's services). Uxbal earns a living by procuring work for a group of Chinese illegal immigrants who make forged designer goods which a group of African street vendors then sell. He also works as a medium to the dead, passing on messages from the recently deceased at wakes and funerals. When he is diagnosed with terminal prostate cancer, leaving him with only a few months to live, his world progressively falls apart.
Uxbal initially begins chemotherapy, but he later ends the treatment at the advice of his friend Bea, an alternative healer. She gives him two black stones which she asks him to give his children before he dies. The group of Africans are brutally arrested by the police, despite Uxbal's regular payment of bribes, because they also deal in drugs. When one of them is deported back to Senegal, Uxbal offers his wife Ige and baby son a room in his apartment. Meanwhile, an attempt at reconciliation with Marambra fails when Uxbal realizes she cannot be trusted to look after their children. As the Chinese are out of work, Tito brokers a deal to get them employed at a construction site. However, almost all of them die in the night from carbon monoxide poisoning, as the cheap gas heaters Uxbal bought in an effort to help were not safe. An attempt by a human trafficker to dump the bodies into the sea fails when they are washed up on the shore shortly after, causing a media sensation.
As Uxbal's health continues to deteriorate, he is plagued with guilt that he is responsible for the expulsion of the Senegalese and the death of the Chinese. With his death drawing nearer, he realizes that there will be nobody to take care of Ana and Mateo once he is gone. He entrusts the remainder of his savings to Ige, asking her to stay with the children after his death. She accepts his request but later decides to use the money to return to Africa. At the apartment, Uxbal sees Ige's silhouette behind the bathroom door and hears her voice saying she has returned. Uxbal lies down next to Ana and, after having passed on to her a diamond ring which his father had once given to his mother, he dies. In a snowy winter landscape he is reunited with his father, who had died before Uxbal's birth and shortly after having fled Francoist Spain for Mexico.
Iñárritu got the idea for the film while listening to Ravel's Piano Concerto,[4][5] and its slow middle movement features prominently in the film soundtrack.
Biutiful is formally recognised as a Mexico-Spanish co-production, even if US independent production companies also took part in the production.[6] It is a Menage Atroz, MOD Producciones, Focus Features International, Ikiru Films, and Cha Cha Cha Films (although it later went uncredited) production,[7] and it also had the participation of Televisión Española, Televisió de Catalunya, and ICAA Ministerio de Cultura.[6] Director/producer/co-writer Alejandro González Iñárritu reunites with composer Gustavo Santaolalla and cinematographer Rodrigo Prieto from his previous films, Amores perros (2001), 21 Grams (2003), and Babel (2006), and editor Stephen Mirrione from the latter two films. Alfonso Cuarón and Guillermo del Toro, friends and part of the film industry's dubbed "The Three Amigos of Cinema" with González Iñárritu, serve as associate producers.
The film's model, Akira Kurosawa's 1953 Japanese film Ikiru, is described as a similar structure and morale in The Guardian's article by Philip French. French writes: "the way a middle-aged Japanese civil servant reacts to the news that he has terminal cancer – and transformed it into a profound statement about the human condition".[8]
Biutiful competed for the Palme d'Or at the 2010 Cannes Film Festival; it premiered on 17 May 2010,[9] with Bardem winning for Best Actor, an award shared with Elio Germano for La Nostra Vita.[10] The film released theatrically in Mexico by Videocine on 22 October that same year, and in Spain by United International Pictures on 3 December.
In the United States, the film was released by LD Entertainment and Roadside Attractions in 29 December 2010 in select theaters before a wide release on 28 January 2011,[11] and released on home media by Lionsgate Home Entertainment on 31 May 2011.[12]
Biutiful grossed $5.1 million in North America and $19.6 million overseas for a worldwide total of $24.7 million, against a production budget of $35 million.[3]
Review aggregator website Rotten Tomatoes reports an approval rating of 66% based on 155 reviews, with an average rating of 6.43/10. The site's critical consensus reads, "Javier Bardem's searing performance helps to elevate Biutiful, as does Alejandro González Iñárritu's craftsmanship, but the film often lapses into contrivance and grimness."[13] On Metacritic the film has a weighted average score of 58 out of 100, based on 33 critics, indicating "mixed or average reviews".[14]
Kirk Honeycutt of The Hollywood Reporter calls the film, "a gorgeous melancholy tone poem about love, fatherhood and guilt", and describes Bardem's performance as "...a knockout."[15] Betsy Sharkey of the Los Angeles Times wrote, "Bardem gives a performance of staggering depth, unquestionably one of the year’s best."[16]
Some dismissed the story as too bleak; Justin Chang of Variety wrote Iñárritu is "...stuck in a grim rut."[17]
Filmmakers Sean Penn, Werner Herzog and Michael Mann have been very outspoken in their acclaim for the film. Herzog likened it to a "poem" and Penn compared Bardem's performance to that of Marlon Brando in Last Tango in Paris (1972).
| Award | Date of ceremony | Category | Recipient(s) | Result |
|---|---|---|---|---|
| Academy Awards[18] | 27 February 2011 | Best Actor | Javier Bardem | Nominated |
| Best Foreign Language Film | Mexico | Nominated | ||
| British Academy Film Awards[19] | 13 February 2011 | Best Leading Actor | Javier Bardem | Nominated |
| Best Foreign Language Film | Nominated | |||
| Goya Awards | Best Actor | Javier Bardem | Won | |
| Best Supporting Actor | Eduard Fernández | Nominated | ||
| Best Supporting Actress | Ana Wagener | Nominated | ||
| Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
| Best Cinematography | Rodrigo Prieto | Nominated | ||
| Best Editing | Stephen Mirrione | Nominated | ||
| Best Art Direction | Brigitte Broch | Nominated | ||
| Best Original Score | Gustavo Santaolalla | Nominated | ||
| Denver Film Critics Society | 28 January 2011 | Best Foreign Language Film | Nominated | |
| Golden Globe Awards[20] | 16 January 2011 | Best Foreign Language Film | Nominated | |
| Phoenix Film Critics Society Awards[21] | 28 December 2010 | Best Foreign Language Film | Won | |
| Utah Film Critics Association Awards | 23 December 2010 | Best Foreign Language Film | Nominated | |
| Chicago Film Critics Association Awards[22] | 20 December 2010 | Best Foreign Language Film | Nominated | |
| St. Louis Gateway Film Critics Association Awards | Best Actor | Javier Bardem | Nominated | |
| Best Foreign Language Film | Nominated | |||
| Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
| Satellite Awards[23] | 19 December 2010 | Best Actor | Javier Bardem | Nominated |
| Best Foreign Language Film | Nominated | |||
| Best Original Screenplay | Alejandro González Iñárritu, Armando Bó Jr., and Nicolás Giacobone | Nominated | ||
| Houston Film Critics Society Awards | 18 December 2010 | Best Foreign Language Film | Nominated | |
| Dallas–Fort Worth Film Critics Association Awards[24] | 17 December 2010 | Best Foreign Language Film | Won | |
| Las Vegas Film Critics Society Awards[25] | 16 December 2010 | Best Foreign Language Film | Nominated | |
| San Diego Film Critics Society Awards[26] | 14 December 2010 | Best Foreign Language Film | Nominated | |
| Critics' Choice Award | Best Foreign Language Film | Nominated | ||
| Southeastern Film Critics Association Awards | 13 December 2010 | Best Foreign Language Film | Nominated | |
| Indiana Film Critics Association | 12 December 2010 | Best Foreign Language Film | Nominated | |
| Washington D. C. Area Film Critics Association Awards[27] | 6 December 2010 | Best Foreign Language Film | Won | |
| Cannes Film Festival | 23 May 2010 | Best Actor | Javier Bardem | Won |
| Palme d'Or | Nominated |
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