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2005 studio album by Common From Wikipedia, the free encyclopedia
Be is the sixth studio album by American rapper Common. It was released on May 24, 2005, by Geffen Records and GOOD Music. The album is Common's first album under Geffen, following the mediocre performance of 2002's Electric Circus and the July 2003 merger of preceding label MCA Records, which, like Geffen and its sister label Interscope Records, was a division of Universal Music Group.[5]
| Be | ||||
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| Released | May 24, 2005 | |||
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| Length | 42:33 | |||
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The album was primarily and executively produced by rapper and GOOD Music founder Kanye West, with additional production from frequent collaborator J Dilla. It debuted at number two on the US Billboard 200, with first-week sales of 185,000 copies in the United States.[6] The album is Common's second album to sell over 500,000 copies (over 800,000 copies sold), becoming a certified gold by the Recording Industry Association of America (RIAA).
Be was also a critical success, receiving acclaim and accolades from several critics and music publications. The album received a perfect "XXL" rating from hip hop publication XXL[7] and was deemed Common's magnum opus by HipHopGoldenAge.[8] In 2022 and 2024, Rolling Stone and Billboard included Be on their lists of the greatest hip-hop albums of all time.[9][10]
Be was touted as Common's comeback album after the commercially disastrous Electric Circus (2002); the predecessor lacked promotion following MCA Records' absorption into Geffen, which was completed in July 2003.[5] His new alliance with Kanye West helped to spark public interest in the project, as the album was produced by West and released by his own label GOOD Music. "I met Kanye in '96…" he said. "He was still in high school. He used to come around No I.D.'s house, a guy that used to produce for me. The thing I noticed about Kanye was that he could really rap! He had some kind of hunger that I hadn't really seen before."[11]
"He's today's Marvin Gaye of rap," West enthused on a DVD accompanying a deluxe edition of Be. "Buy the album. If you in a situation where you can barely buy groceries, burn the album."
The results show that Common was clearly aware, and perhaps agreeing, with the negative criticisms about Electric Circus. In comparison to that album, Be is lean, immediate, and commanding, yet also restrained in its musical ambitions. Of the reaction to the album, the rapper said: "I don't think [Electric Circus] was as focused. Though I'd done some progressive hip-hop, people know me as the b-boy. When I showed them something different, a different style of b-boy, there were like, "Hold up. You can be Afrocentric, but what's this rock shit that you're doing?"[12] Many of the beats created by West, and which Common rejected for the project, later appeared on West's studio album Late Registration.[13]
In an interview with AllHipHop, Common denied that the album title stood for "Before Erykah."[14] Common explained the concept and the album title in a 2005 interview for SixShot.com:
I named it Be to be who you are, man, and be able to be in the moment and not try too hard. Be is another way of saying just do without trying hard, like I said, natural and be true to the core of who you are; and this album, I wanted to just be and not just go and exist as just an artist, not worried about the past.[15]
Common gave his reasons for featuring controversial spoken word recording artists, the Last Poets, on the album's first official single, "The Corner": "They gifted at writing. They voices is incredible. They took my song to a higher level. And that's what hip-hop was about to me. It would have a message. It would take you to the next place. It was fresh as people say -- something new. They brought newness to what "The Corner" was and they also brought some nostalgia, too. Just them being from the '70s and being used in hip-hop and their spirit brought something pure to it. They gave me a better understanding of the corner after that. I knew those who had been listening to hip-hop would know who the Last Poets were and if they didn't they would feel it in their souls sooner or later. And I also felt good about introducing some of the youth to the Last Poets."[12]
"Go" was the album's third, and highest charting single. The song featured Kanye West and John Mayer, however all the verses are performed by Common with West and Mayer ad-libbing in the chorus. The video for the song included shots of Common surrounded by numerous models.
The album's fourth single, "Testify" received a type of promotional video known as a "mini-movie"; a term coined by Michael Jackson to describe a music video with a complex plot and a suitably long running time, often with intermissions between the song's parts. The video featured acting parts from Taraji P. Henson, Bill Duke, Steve Harris and Wood Harris, and received notable spins on specialist channels such as MTV2. The song samples "Innocent Til Proven Guilty" by Honey Cone.[16]
Be received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 83, based on 26 reviews.[17] Andy Kellman of AllMusic said, "Be isn't likely to be referred to by anyone as groundbreaking, but it's one of Common's best, and it's also one of the most tightly constructed albums of any form within recent memory."[18] Andy Greenwald of Blender said, "Be picks up where West's The College Dropout left off."[19] Raymond Fiore of Entertainment Weekly said, "Be's leanness signals awesome growth even without pushing sonic boundaries."[20] Dorian Lynskey of The Guardian said, "Though not quite 2005's best hip-hop album – Kanye West retains that honour for himself – Be is a lean and vibrant masterclass in hip-hop fundamentals."[21] NME said, "Gives hope to a hip-hop stuck in a mire of mediocrity."[22]
Ryan Dombal of Pitchfork said, "The lack of instant-gratification couplets may disappoint at first, but each verse's rewarding intricacies become more evident with multiple listens."[23] Q said, "Common's best album so far, one that proves hip hop can be both smart and mainstream."[24] Nathan Brackett of Rolling Stone said, "West is the producer Common has been waiting for all of his career: He makes Common both catchier and edgier at the same time."[25] Will Hermes of Spin said, "Even when the music flags, Common's remarkably hungry raps push it along."[26] XXL gave the album its highest rating of XXL, writing, "While label support and the times heavily influence whether great music can be crowned a classic, if nothing else Common has created a flawless album. By giving us himself completely and speaking to and for us as complete people, he's birthed the total package. Common has raised the bar. Hopefully, a year from now we'll look back and see that MCs have been rhyming like Common since.[28]
Andrew Simon of Vibe wrote that the album "gets to the root of human experience—all the while staying beautifully soulful and funky."[27] The New York Times' Kelefa Sanneh felt that Be was "certainly a triumph, but if it isn't quite the all-time classic Common was hoping for, that's because it sounds a bit too straightforward."[29] Assigning the album a three-star honorable mention rating, Robert Christgau of The Village Voice wrote that "few of the best moments belong to the main attraction, who's not as wise as they tell him he is."[30]
Common's lyrics on Be earned him the Lyricist of the Year award at the 2006 BET Hip Hop Awards. In 2012 Complex called the album one of the classics of the last decade.[31] The album was also included in the book 1001 Albums You Must Hear Before You Die.[2]
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Aftenposten | Norway | Albums of the Year[32] | 2005 | 18 |
| AllMusic | USA | Albums of the Year[33] | 2005 | * |
| Associated Press | USA | Albums of the Year[citation needed] | 2005 | 7 |
| B92 | Serbia | Albums of the Year[citation needed] | 2005 | 7 |
| Billboard | USA | Albums of the Year[citation needed] | 2005 | 5 |
| Dagbladet | Norway | Albums of the Year[citation needed] | 2005 | 13 |
| Dagsavisen | Norway | Albums of the Year[34] | 2005 | 18 |
| E! Online | USA | Albums of the Year[35] | 2005 | 17 |
| Expressen | Sweden | Albums of the Year[citation needed] | 2005 | 17 |
| Go-Mag | Spain | Albums of the Year[citation needed] | 2005 | 17 |
| H Magazine | Spain | Albums of the Year[citation needed] | 2005 | * |
| Harp | USA | Albums of the Year[citation needed] | 2005 | 33 |
| Hip Hop Connection | UK | The 100 Greatest Rap Albums 1995–2005[36] | 2006 | 69 |
| Iguana | Spain | Albums of the Year[citation needed] | 2005 | 3 |
| Laut.de | Germany | Albums of the Year[37] | 2005 | 42 |
| Monitor | Croatia | Albums of the Year[38] | 2005 | 34 |
| Musik-Express/Sounds | Germany | Albums of the Year[citation needed] | 2005 | 36 |
| Musikbyrån | Sweden | Albums of the Year[39] | 2005 | 12 |
| Natt & Dagg | Norway | Albums of the Year[citation needed] | 2005 | 14 |
| The Observer | UK | Albums of the Year[40] | 2005 | 25 |
| OOR | Netherlands | Albums of the Year[citation needed] | 2005 | 12 |
| People | USA | Albums of the Year[citation needed] | 2005 | * |
| Piccadilly Records | UK | Albums of the Year[citation needed] | 2005 | 4 |
| PopMatters | USA | Albums of the Year[41] | 2005 | 12 |
| Prefix Magazine | USA | Albums of the Year[42] | 2005 | 19 |
| Pure Pop | Mexico | Albums of the Year[citation needed] | 2005 | 5 |
| Q | USA | Albums of the Year[citation needed] | 2005 | 42 |
| Rock de Lux | Spain | Albums of the Year[citation needed] | 2005 | 9 |
| Rolling Stone | USA | Albums of the Year[43] | 2005 | 21 |
| Spex | Germany | Albums of the Year[citation needed] | 2005 | 12 |
| Spin | USA | Albums of the Year[44] | 2005 | 17 |
| URB | USA | Albums of the Year[citation needed] | 2005 | * |
| The Village Voice | USA | Albums of the Year[45] | 2005 | 15 |
| Vibe | USA | Albums of the Year[citation needed] | 2005 | * |
| WOXY.com | USA | Albums of the Year[46] | 2005 | 58 |
| Zundfunk | Germany | Albums of the Year[citation needed] | 2005 | 22 |
Be was nominated in four categories at the 48th Grammy Awards: Best Rap Album, Best Rap Performance by a Duo or Group for "The Corner" featuring the Last Poets, Best Rap/Sung Collaboration for "They Say" featuring Kanye West and John Legend, and Best Rap Solo Performance for "Testify".[47]
All tracks produced by Kanye West, except where noted.[16]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Be (Intro)" |
| 2:24 | |
| 2. | "The Corner" (featuring Umar Bin Hassan of the Last Poets) |
| 3:45 | |
| 3. | "Go!" (featuring John Mayer and Kanye West) |
| 3:44 | |
| 4. | "Faithful" |
| 3:33 | |
| 5. | "Testify" |
| 2:36 | |
| 6. | "Love Is…" | J Dilla | 4:10 | |
| 7. | "Chi-City" |
| 3:27 | |
| 8. | "The Food" (live) |
| 3:36 | |
| 9. | "Real People" |
| 2:48 | |
| 10. | "They Say" (featuring Kanye West and John Legend) | 3:57 | ||
| 11. | "It's Your World (Part 1 & 2)" (featuring "the Kids") | 8:33 | ||
| Total length: | 42:33 | |||
Notes
Sample credits
Credits for Be adapted from AllMusic.[48]
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Weekly charts
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Year-end charts
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| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[57] | Silver | 60,000^ |
| United States (RIAA)[58] | Gold | 500,000^ |
|
^ Shipments figures based on certification alone. | ||
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