Schriftart | Beispiel | Serifen | Gruppe nach DIN 16518 | Gestalter | Jahr | Ursprünglicher Herausgeber |
ABC Schule 1 CH |  | | Handschriftliche Antiqua | Hans Eduard Meier | 2002–08 | Elsner+Flake |
Adelle |  |
Serifen | Serifenbetonte Linear-Antiqua | Veronika Burian, José Scaglione | 2009 | TypeTogether |
Agenda |  | serifenlos | Serifenlose Linear-Antiqua | Greg Thompson | 1993 | Font Bureau |
Akkurat |  | serifenlos | Serifenlose Linear-Antiqua | Laurenz Brunner | 2004 | Lineto |
Akzidenz Grotesk |  | serifenlos | Serifenlose Linear-Antiqua | — | 1896 | H. Berthold AG |
Albany |  | serifenlos | Serifenlose Linear-Antiqua | Monotype Design Studio | 1999 | Agfa Monotype Corporation |
Albertus |  | Serifen | Antiqua-Variante | Berthold Wolpe | 1932–40 | Monotype Corporation |
Alte Schwabacher |  | | Gebrochene Schrift | — | ca. 1470 | — |
Alternate Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Morris Fuller Benton | 1903 | ATF |
American Typewriter |  | Serifen | Serifenbetonte Linear-Antiqua | Joel Kaden, Tony Stan | 1974 | ITC |
Amplitude |  | serifenlos | Serifenlose Linear-Antiqua | Christian Schwartz | 2003 | Font Bureau |
AMS Euler |  | | Handschriftliche Antiqua | Hermann Zapf, Donald E. Knuth | 1983 | American Mathematical Society |
Andale Mono |  Nichtproportionale Schriftart | serifenlos | Serifenlose Linear-Antiqua | Steve Matteson | 1997 | Monotype Corporation |
Antique Olive |  | serifenlos | Serifenlose Linear-Antiqua | Roger Excoffon | 1962 | Fonderie Olive |
Arabic Typesetting |  | | Fremde Schriften | Mamoun Sakkal, Paul Nelson, John Hudson | 2002 | Microsoft |
Arial |  | serifenlos | Serifenlose Linear-Antiqua | Robin Nicholas, Patricia Saunders | 1982 | Monotype Corporation |
Arnhem |  | Serifen | Barock-Antiqua | Fred Smeijers | 1998 | OurType |
Arnold Böcklin |  | Serifen | Antiqua-Variante | Otto Weisert | 1904 | Schriftgießerei Otto Weisert |
Aster |  | Serifen | Französische Renaissance-Antiqua | Francesco Simoncini | 1958 | Mecanorma |
Avant Garde |  | serifenlos | Serifenlose Linear-Antiqua |
Herb Lubalin | 1970–77 | ITC |
Avenir |  | serifenlos | Serifenlose Linear-Antiqua | Adrian Frutiger | 1988 | Linotype |
AwanZaman |  | | Fremde Schriften | Mamoun Sakkal | 2016 | TypeTogether |
Baby Teeth |  Majuskelschrift | serifenlos | | Milton Glaser | 1971 | Photo-Lettering |
Balloon |  Majuskelschrift | | Handschriftliche Antiqua | Max R. Kaufmann | 1939 | ATF |
Bank Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Morris Fuller Benton | 1930 | ATF |
Barmeno |  | serifenlos | Serifenlose Linear-Antiqua | Hans Reichel | 1983 | H. Berthold AG |
Base |  | serifenlos | Serifenlose Linear-Antiqua | Zuzana Licko | 1995 | Emigre |
Baskerville |  | Serifen | Barock-Antiqua | John Baskerville | 1754 | — |
Bauhaus |  | serifenlos | Serifenlose Linear-Antiqua | Ed Benguiat, Victor Caruso | 1975 | ITC |
Bell Centennial |  | serifenlos | Serifenlose Linear-Antiqua | Matthew Carter | 1976–78 | Linotype |
Bell Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Chauncey H. Griffith | 1938 | Mergenthaler Linotype |
Belladonna |  | Serifen | Antiqua-Variante | Hildegard Henning | 1912 | Klinkhardt |
Bello |  | | Schreibschrift | Underware | 2004 | Underware |
Bembo |  | Serifen | Französische Renaissance-Antiqua | Francesco Griffo | 1496 | — |
ITC Benguiat |  | Serifen | Antiqua-Variante | Ed Benguiat | 1977 | ITC |
ITC Benguiat Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Ed Benguiat | 1979 | ITC |
Benton Sans |  | serifenlos | Serifenlose Linear-Antiqua | Tobias Frere-Jones, Cyrus Highsmith | 1998–2008 | Font Bureau |
FF Beowolf |  | Serifen | Französische Renaissance-Antiqua | Erik van Blokland, Just van Rossum | 1990 | FontFont |
ITC Berkeley Oldstyle |  | Serifen | Venezianische Renaissance-Antiqua | Frederic W. Goudy, Tony Stan | 1938, 1983 | ITC |
Bernhard Modern |  | Serifen | Barock-Antiqua | Lucian Bernhard | 1937 | ATF |
Berthold Block | — | serifenlos | Serifenlose Linear-Antiqua | Hermann Hoffmann | 1908 | H. Berthold AG |
Bickham Script |  | | Schreibschrift | Richard Lipton | 1997–2004 | Adobe Type |
Big Caslon |  | Serifen | Barock-Antiqua | Matthew Carter | 1994 | Carter & Cone |
FF Blur | — | serifenlos | Serifenlose Linear-Antiqua | Neville Brody | 1992 | FontFont |
Bodoni |  | Serifen | Klassizistische Antiqua | Giambattista Bodoni | 1790 | — |
Bookman |  | Serifen | Barock-Antiqua | Alexander Phemister | 1858 | Miller & Richard |
Boton |  | Serifen | Serifenbetonte Linear-Antiqua | Albert Boton | 1986 | H. Berthold AG |
Brandon Grotesque |  | serifenlos | Serifenlose Linear-Antiqua | Hannes von Döhren | 2010 | HvD Fonts |
Bree |  | serifenlos | Antiqua-Variante | Veronika Burian, José Scaglione | 2008 | TypeTogether |
Breitkopf-Fraktur |  | | Gebrochene Schrift | Johann Gottlob Immanuel Breitkopf | 1793 | — |
Britannic |  | serifenlos | Antiqua-Variante | Ludwig Wagner, Robert Arthur Schmidt | 1901 | Stephenson Blake |
Broadway |  | serifenlos | Serifenlose Linear-Antiqua | Morris Fuller Benton | 1927 | ATF |
FF Brokenscript |  | | Gebrochene Schrift | Just van Rossum | 1991 | FontFont |
LL Brown | — | serifenlos | Serifenlose Linear-Antiqua | Aurèle Sack | 2011 | Lineto |
Brush Script |  | | Schreibschrift | Robert E. Smith | 1942 | ATF |
Bureau Grot |  | serifenlos | Serifenlose Linear-Antiqua | David Berlow, Jill Pichotta, Christian Schwartz, Richard Lipton | 1989–2006 | Font Bureau |
Buttermilk | — | | Schreibschrift | Jessica Hische | 2009 | Jessica Hische |
Caflisch Script |  | | Schreibschrift | Robert Slimbach | 1993 | Adobe Type |
Cala |  | Serifen | Venezianische Renaissance-Antiqua | Dieter Hofrichter | 2011 | Hoftype |
Calibri |  | serifenlos | Serifenlose Linear-Antiqua | Lucas de Groot | 2004, 2007 | Microsoft |
Cambria |  | Serifen | Barock-Antiqua | Jelle Bosma, Steve Matteson, Robin Nicholas | 2004 | Microsoft |
Candara |  | serifenlos | Serifenlose Linear-Antiqua | Gary Munch | 2007 | Microsoft |
Cardo |  | Serifen | Französische Renaissance-Antiqua | David J. Perry | 2002 | Fonts for Scholars |
Carolina |  | Serifen | Antiqua-Variante | Gottfried Pott | 1991 | Linotype |
Cartier | — | Serifen | Venezianische Renaissance-Antiqua | Carl Dair | 1967 | Linotype |
Caslon |  | Serifen | Barock-Antiqua | William Caslon | 1722 | — |
FF Celeste |  | Serifen | Barock-Antiqua | Christopher Burke | 1995 | FontFont |
Centaur |  | Serifen | Venezianische Renaissance-Antiqua | Bruce Rogers | 1915 | Monotype Corporation |
Century Expanded | — | Serifen | Klassizistische Antiqua | Linn Boyd Benton, Morris Fuller Benton | 1900 | ATF |
Century Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Monotype Design Studio, Sol Hess, Morris Fuller Benton | 1991 | Monotype Corporation |
Century Schoolbook |  | Serifen | Klassizistische Antiqua | Morris Fuller Benton | 1919 | ATF |
P22 Cezanne |  | | Schreibschrift | Michael Want, James Grieshaber | 1995 | P22 |
Chalet |  | serifenlos | Serifenlose Linear-Antiqua | House Industries | 1996 | House Industries |
Charcoal |  | serifenlos | Serifenlose Linear-Antiqua | David Berlow | 1995 | Apple |
Charis SIL |
| Serifen | Barock-Antiqua | Matthew Carter, SIL International | 1987–2006 | SIL International |
Charter |  | Serifen | Barock-Antiqua | Matthew Carter | 1987 | Bitstream |
Cheltenham |  | Serifen | Barock-Antiqua | Hannibal Ingalls Kimball, Bertram Grosvenor Goodhue | 1896–1901 | Cheltenham Press |
Chicago |  | serifenlos | Serifenlose Linear-Antiqua | Susan Kare | 1983 | Apple |
LL Circular | — | serifenlos | Serifenlose Linear-Antiqua | Laurenz Brunner | 2013 | Lineto |
FF Clan | — | serifenlos | Serifenlose Linear-Antiqua | Lukasz Dziedzic | 2006–2008 | FontFont |
Clarendon |  | Serifen | Serifenbetonte Linear-Antiqua | Benjamin Fox | 1845 | Fann Street Foundry |
Claudius |  | | Gebrochene Schrift | Rudolf Koch | 1937 | Gebr. Klingspor |
Clearface |  | Serifen | Barock-Antiqua | Victor Caruso | 1978 | ITC |
FF Clifford |  | Serifen | Französische Renaissance-Antiqua | Akira Kobayashi | 1999 | FontFont |
Cochin |  | Serifen | Barock-Antiqua | Georges Peignot | 1912 | Deberny & Peignot |
Coline Extrême | — | Serifen | Antiqua-Variante | Émilie Rigaud | 2010 | A is for… |
Columna Solid |  Majuskelschrift | Serifen | | Max Caflisch | 1955 | Linotype |
Comic Sans MS |  | serifenlos | Serifenlose Linear-Antiqua | Vincent Connare | 1994 | Microsoft |
Compacta | — | serifenlos | Serifenlose Linear-Antiqua | Fred Lambert | 1963 | Letraset |
Compatil Letter |  | Serifen | Serifenbetonte Linear-Antiqua | Olaf Leu | 2001 | Linotype |
Computer Modern Roman |  | Serifen | Klassizistische Antiqua | Donald E. Knuth | 1986 | Donald E. Knuth |
Concorde |  | Serifen | Barock-Antiqua | Günter Gerhard Lange | 1969 | H. Berthold AG |
Consolas |  Nichtproportionale Schriftart | serifenlos | | Lucas de Groot | 2007 | Microsoft |
Constantia |  | Serifen | Französische Renaissance-Antiqua | John Hudson | 2005 | Microsoft |
Cooper Black |  | Serifen | Französische Renaissance-Antiqua | Oswald Bruce Cooper | 1921 | Barnhart Brothers & Spindler |
Copperplate Gothic |  | Serifen | Antiqua-Variante | Frederic W. Goudy | 1901–05 | ATF |
Corbel |  | serifenlos | Serifenlose Linear-Antiqua | Jeremy Tankard | 2005 | Microsoft |
Corpid | — | serifenlos | Serifenlose Linear-Antiqua | Lucas de Groot | 1997 | LucasFonts |
Corporate A |  | Serifen | Barock-Antiqua | Kurt Weidemann | 1985–89 | URW Type Foundry |
Courier |  Nichtproportionale Schriftart | Serifen | Serifenbetonte Linear-Antiqua | Howard Kettler | 1956 | IBM |
Curlz |  | | Antiqua-Variante | Steve Matteson, Carl Crossgrove | 1995 | Agfa Monotype Corporation |
Dalliance |  | | Antiqua-Variante | Frank Heine | 2000 | Emigre |
Davida | — | Serifen | Antiqua-Variante | Louis Minott | 1965 | Visual Graphics Corporations |
FF Dax |  | serifenlos | Serifenlose Linear-Antiqua | Hans Reichel | 1995–97 | FontFont |
Dead History |  | Semi‑Serif | | P. Scott Makela | 1990 | Emigre |
DejaVu Sans |  | serifenlos | Serifenlose Linear-Antiqua | Štěpán Roh und andere | 2003 | DejaVu-Fonts-Projekt |
DejaVu Sans Mono |  Nichtproportionale Schriftart | serifenlos | Serifenlose Linear-Antiqua | Štěpán Roh und andere | 2003 | DejaVu-Fonts-Projekt |
Delphin |  | Serifen | Antiqua-Variante | Georg Trump | 1951–1955 | C. E. Weber |
HTF Didot | — | Serifen | Klassizistische Antiqua | Jonathan Hoefler | 1991 | Hoefler & Frere-Jones |
FF DIN |  | serifenlos | Serifenlose Linear-Antiqua | Albert-Jan Pool | 1995 | FontFont |
DIN 1451 |  | serifenlos | Serifenlose Linear-Antiqua | Ludwig Goller | 1926 | DIN |
Diotima | — | Serifen | Antiqua-Variante | Gudrun Zapf-von Hesse | 1951 | D. Stempel |
Dom Casual |  | | Handschriftliche Antiqua | Peter Dombrezian | 1952 | ATF |
Duc de Berry |  | | Gebrochene Schrift | Gottfried Pott | 1990 | Linotype |
FF Dynamoe | — | serifenlos | | Just van Rossum | 1992 | FontFont |
Eckmann |  | Serifen | Antiqua-Variante | Otto Eckmann | 1899 | Rudhard’sche Gießerei |
Element |  | | Gebrochene Schrift | Max Bittrof | 1933 | Bauersche Gießerei |
Elena |  | Serifen | Französische Renaissance-Antiqua | Nicole Dotin | 2010 | Process Type Foundry |
Elephant | — | serifenlos | Serifenlose Linear-Antiqua | Gareth Hague | 1994 | Alias |
Englische Schreibschrift |  | | Schreibschrift | H. Berthold AG | 1970–72 | H. Berthold AG |
Engravers Old English |  | | Gebrochene Schrift | Morris Fuller Benton | 1901 | ATF |
Eras |  | serifenlos | Serifenlose Linear-Antiqua | Albert Boton, Albert Hollenstein | 1976 | ITC |
Erbar-Grotesk |  | serifenlos | Serifenlose Linear-Antiqua | Jakob Erbar | 1926 | Ludwig & Mayer |
Erhardt | — | Serifen | Barock-Antiqua | Monotype Design Studio | 1937 | Monotype Corporation |
FF Erikrighthand |  | | Handschriftliche Antiqua | Erik van Blokland | 1990 | FontFont |
FF Ernestine |  | Serifen | Serifenbetonte Linear-Antiqua | Nina Stössinger, Hrant Papazian | 2011 | FontFont |
Euclid Flex | — | serifenlos | Serifenlose Linear-Antiqua | Swiss Typefaces | 2011 | Swiss Typefaces |
Eurostile |  | serifenlos | Serifenlose Linear-Antiqua | Aldo Novarese | 1962 | Nebiolo |
Everson Mono |  Nichtproportionale Schriftart | serifenlos | Serifenlose Linear-Antiqua | Michael Everson | 1994 | Evertype |
Excelsior |  | Serifen | Klassizistische Antiqua | Chauncey H. Griffith | 1931 | Mergenthaler Linotype |
FF Fago |  | serifenlos | Serifenlose Linear-Antiqua | Ole Schäfer | 2000 | FontFont |
Fairfield |  | Serifen | Klassizistische Antiqua | Rudolf Ruzicka | 1940 | Linotype |
Farnham |  | Serifen | Klassizistische Antiqua | Christian Schwartz | 2004 | Font Bureau |
Fedra Sans |  | serifenlos | Serifenlose Linear-Antiqua | Peter Biľak | 2002 | Typotheque |
Fedra Serif | — | Serifen | Antiqua-Variante | Peter Biľak | 2004 | Typotheque |
Fette Fraktur |  | | Gebrochene Schrift | Johann Christian Bauer | ca. 1835 | C. E. Weber |
Figaro |  | Serifen | Serifenbetonte Linear-Antiqua | Monotype Design Studio | 1940 | Monotype Corporation |
Filosofia |  | Serifen | Klassizistische Antiqua | Zuzana Licko | 1996 | Emigre |
Fixed |  Nichtproportionale Schriftart | serifenlos | | — | ca. 1980 | X Window System |
Fixedsys |  Nichtproportionale Schriftart | serifenlos | | — | ca. 1985 | Microsoft |
Fleischmann |  | Serifen | Barock-Antiqua | Erhard Kaiser | 1997 | DTL |
Folio |  | serifenlos | Serifenlose Linear-Antiqua | Walter Baum, Konrad Friedrich Bauer | 1956 | H. Berthold AG |
Formata |  | serifenlos | Serifenlose Linear-Antiqua | Bernd Möllenstädt | 1984 | H. Berthold AG |
Formular | — | serifenlos | Serifenlose Linear-Antiqua | Gayaneh Bagdasaryan, Vyacheslav Kirilenko | 2014 | Brownfox |
Founders Grotesk |  | serifenlos | Serifenlose Linear-Antiqua | Kris Sowersby | 2010 | Klim Type Foundry |
Franklin Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Morris Fuller Benton | 1904 | ATF |
Friz Quadrata |  | Serifen | Antiqua-Variante | Ernst Friz | 1973 | Visual Graphics Corporations |
Frutiger |  | serifenlos | Serifenlose Linear-Antiqua | Adrian Frutiger | 1975 | D. Stempel |
Futura |  | serifenlos | Serifenlose Linear-Antiqua | Paul Renner | 1927 | — |
ITC Galliard |  | Serifen | Französische Renaissance-Antiqua | Matthew Carter | 1978 | ITC |
ITC Gamma |  | Serifen | Barock-Antiqua | Jovica Veljović | 1986 | ITC |
Garage Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Tobias Frere-Jones | 1992 | Font Bureau |
Garamond |  | Serifen | Französische Renaissance-Antiqua | Claude Garamond | 1530 | — |
Generis Simple | — | serifenlos | Serifenlose Linear-Antiqua | Erik Faulhaber | 2006 | Linotype |
Geneva |  | serifenlos | Serifenlose Linear-Antiqua | Susan Kare, Kris Holmes, Charles Bigelow | 1983 | Apple |
Gentium |  | Serifen | Französische Renaissance-Antiqua | Victor Gaultney | 2003 | — |
Geogrotesque | — | serifenlos | Serifenlose Linear-Antiqua | Eduardo Manso | 2008 | Emtype Foundry |
Georgia |  | Serifen | Barock-Antiqua | Matthew Carter | 1996 | Microsoft |
Gill Sans |  | serifenlos | Serifenlose Linear-Antiqua | Eric Gill | 1928–30 | Monotype Corporation |
ITC Giovanni |  | Serifen | Französische Renaissance-Antiqua | Robert Slimbach | 1989 | ITC |
Glypha | — | Serifen | Serifenbetonte Linear-Antiqua | Adrian Frutiger | 1977 | D. Stempel |
Golden Type |  | Serifen | Venezianische Renaissance-Antiqua | William Morris | 1989 | ITC |
Gotham |  | serifenlos | Serifenlose Linear-Antiqua | Jonathan Hoefler, Tobias Frere-Jones | 2000 | Hoefler & Frere-Jones |
Goudy Old Style |  | Serifen | Französische Renaissance-Antiqua | Frederic W. Goudy | 1915 | ATF |
Granjon |  | Serifen | Französische Renaissance-Antiqua | George W. Jones | 1924 | Linotype |
Graphik |  | serifenlos | Serifenlose Linear-Antiqua | Christian Schwartz, Ilya Ruderman, Panos Haratzopoulos | 2009 | Commercial Type |
Guardi | — | Serifen | Venezianische Renaissance-Antiqua | Reinhard Haus | 1987 | Linotype |
Haettenschweiler |  | serifenlos | Serifenlose Linear-Antiqua | Walter Haettenschweiler, Armin Haab | 1995 | Microsoft |
Halyard |  | serifenlos | Serifenlose Linear-Antiqua | Joshua Darden | 2017 | Darden Studio |
Handel Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Don Handel | Mitte der 1960er | FotoStar |
Harbour | — | Serifen | Antiqua-Variante | Gareth Hague | 1998 | Alias |
FF Harlem |  | serifenlos | Antiqua-Variante | Neville Brody | 1993 | FontFont |
Helvetica |  | serifenlos | Serifenlose Linear-Antiqua | Max Miedinger | 1956 | Haas’sche Schriftgiesserei |
Herculanum |  Majuskelschrift | | | Adrian Frutiger | 1990 | Linotype |
Highway Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Public Roads Administration | 1945 | Public Roads Administration |
Hobo |  | serifenlos | Antiqua-Variante | Morris Fuller Benton | 1910 | ATF |
Hollandsche Mediæval |  | Serifen | Venezianische Renaissance-Antiqua | Sjoerd Hendrik de Roos | 1912 | — |
House Gothic 23 |  | serifenlos | Serifenlose Linear-Antiqua | Tal Leming | 1995 | House Industries |
IBM Plex Sans |  | serifenlos | Serifenlose Linear-Antiqua | Mike Abbink u. a. | 2017 | IBM |
FF Info |  | serifenlos | Serifenlose Linear-Antiqua | Erik Spiekermann | 1996 | FontFont |
Impact |  | serifenlos | Serifenlose Linear-Antiqua | Geoffrey Lee | 1965 | Monotype Corporation |
Industria |  | serifenlos | Antiqua-Variante | Neville Brody | 1989 | Linotype |
Infini |  | serifenlos | Antiqua-Variante | Sandrine Nugue | 2015 | Centre national des arts plastiques |
Ingeborg |  | Serifen | Klassizistische Antiqua | Michael Hochleitner | 2009 | Typejockeys |
Interstate |  | serifenlos | Serifenlose Linear-Antiqua | Tobias Frere-Jones | 1993–95 | Font Bureau |
Isonorm |  | serifenlos | Serifenlose Linear-Antiqua | ISO | 1980 | — |
Janson |  | Serifen | Barock-Antiqua | Nicolas Kis | ca. 1670 | — |
Jenson |  | Serifen | Venezianische Renaissance-Antiqua | Nicolas Jenson | ca. 1470 | — |
Jigsaw | — | serifenlos | Serifenlose Linear-Antiqua | Johanna Biľak | 1999 | Typotheque |
Joanna |  | Serifen | Barock-Antiqua | Eric Gill | 1930 | Monotype Corporation |
FF Johannes G | — | | Gebrochene Schrift | Manfred Klein | 1991 | FontFont |
Johnston |  | serifenlos | Serifenlose Linear-Antiqua | Edward Johnston, Eric Gill | 1916 | — |
Junicode |  | Serifen | Französische Renaissance-Antiqua | Peter S. Baker | 2006 | University of Virginia |
FF Justlefthand |  | | Handschriftliche Antiqua | Just van Rossum | 1990 | FontFont |
Kabel |  | serifenlos | Serifenlose Linear-Antiqua | Rudolf Koch | 1927 | Gebr. Klingspor |
Kaufmann |  | | Schreibschrift | Max R. Kaufmann | 1936 | ATF |
Keedy Sans | — | serifenlos | Serifenlose Linear-Antiqua | Jeffer Keedy | 1991 | Emigre |
Kennerley Old Style |  | Serifen | Venezianische Renaissance-Antiqua | Frederic W. Goudy | 1911 | Monotype Corporation |
Kettler |  Nichtproportionale Schriftart | Serifen | | Eric Olson | 2002 | Process Type Foundry |
Kievit |  | serifenlos | Serifenlose Linear-Antiqua | Michael Abbink, Paul van der Laan | 1995–2001 | FontFont |
Klavika |  | serifenlos | Serifenlose Linear-Antiqua | Eric Olson | 2004 | Process Type Foundry |
Knockout | — | serifenlos | Serifenlose Linear-Antiqua | Jonathan Hoefler | 1990 | Hoefler & Frere-Jones |
FF Kosmik |  | serifenlos | Antiqua-Variante | Erik van Blokland | 1993 | FontFont |
Künstlerschreibschrift |  | | Schreibschrift | Schriftgießerei Stempel | 1902 | D. Stempel |
Laski Slab |  | Serifen | Serifenbetonte Linear-Antiqua | Paula Mastrangelo, Ramiro Espinoza | 2014 | ReType |
Legacy Sans |  | serifenlos | Serifenlose Linear-Antiqua | Ronald Arnholm | 1992 | ITC |
Legacy Serif |  | Serifen | Venezianische Renaissance-Antiqua | Ronald Arnholm | 1992 | ITC |
Legende | — | | Antiqua-Variante | Friedrich Hermann Ernst Schneidler | 1937 | Bauersche Gießerei |
Letter Gothic |  Nichtproportionale Schriftart | serifenlos | Serifenlose Linear-Antiqua | Roger Roberson | 1956 | IBM |
Lexicon |  | Serifen | Französische Renaissance-Antiqua | Bram de Does | 1992 | TEFF |
Liberation Sans |  | serifenlos | Serifenlose Linear-Antiqua | Steve Matteson | 2007 | Ascender Corporation |
Liberation Mono |  Nichtproportionale Schriftart | serifenlos | | Steve Matteson | 2007 | Ascender Corporation |
Liberation Serif |  | Serifen | Französische Renaissance-Antiqua | Steve Matteson | 2007 | Ascender Corporation |
Line | — | | Schreibschrift | Göran Söderström, Stefania Malmsten | 2013 | Letters from Sweden |
Linux Libertine |  | Serifen | Französische Renaissance-Antiqua | Libertine Open Fonts Projekt | 2003 | Libertine Open Fonts Projekt |
Literaturnaya | — | Serifen | Fremde Schriften | Anatolii Schtschukin | späte 1930er | Poligrafmasch |
Lucida Bright |  | Serifen | Barock-Antiqua | Charles Bigelow, Kris Holmes | 1993 | Monotype Corporation |
Lucida Console |  Nichtproportionale Schriftart | serifenlos | | Charles Bigelow, Kris Holmes | 1993 | Monotype Corporation |
Lucida Handwriting |  | | Schreibschrift | Charles Bigelow, Kris Holmes | 1984–85 | Monotype Corporation |
Lucida Sans |  | serifenlos | Serifenlose Linear-Antiqua | Charles Bigelow, Kris Holmes | 1984–85 | Monotype Corporation |
Luthersche Fraktur | — | | Gebrochene Schrift | Linotype Design Studio | 1996 | Linotype |
Lydian | — | serifenlos | Antiqua-Variante | Warren Chappell | 1938 | ATF |
Lyon | — | Serifen | Französische Renaissance-Antiqua | Kai Bernau | 2010 | Commercial Type |
FF Mambo |  | Serifen | Antiqua-Variante | Val Fullard | 1992 | FontFont |
Mantinia |  | Serifen | Französische Renaissance-Antiqua | Matthew Carter | 1993 | Carter & Cone |
Marvin | — | serifenlos | | Michael Chave | 1969 | Face Photosetting |
Mason Serif |  | Serifen | Französische Renaissance-Antiqua | Jonathan Barnbrook | 1992 | Emigre |
Matrix |  | Serifen | Barock-Antiqua | Zuzana Licko | 1986 | Emigre |
Maxima |  | serifenlos | Serifenlose Linear-Antiqua | Gert Wunderlich | 1970 | Typoart |
Melior |  | Serifen | Klassizistische Antiqua | Hermann Zapf | 1952 | D. Stempel |
Memphis |  | Serifen | Serifenbetonte Linear-Antiqua | Rudolf Wolf | 1929–36 | D. Stempel |
Mercury | — | Serifen | Barock-Antiqua | Jonathan Hoefler, Tobias Frere-Jones | 1996 | Hoefler & Frere-Jones |
Meridien |  | Serifen | Französische Renaissance-Antiqua | Adrian Frutiger | 1957 | Deberny & Peignot |
FF Meta |  | serifenlos | Serifenlose Linear-Antiqua | Erik Spiekermann | 1984–91 | FontFont |
Metro |  | serifenlos | Serifenlose Linear-Antiqua | William Addison Dwiggins | 1927 | Mergenthaler Linotype |
Miller |  | Serifen | Klassizistische Antiqua | Matthew Carter | 1997 | Carter & Cone |
Minion |  | Serifen | Französische Renaissance-Antiqua | Robert Slimbach | 1990 | Adobe Type |
FF Mister K | — | | Schreibschrift | Julia Sysmäläinen | 2008 | FontFont |
Mistral |  | | Schreibschrift | Roger Excoffon | 1953 | Fonderie Olive |
Monaco |  Nichtproportionale Schriftart | serifenlos | Serifenlose Linear-Antiqua | Susan Kare, Kris Holmes, Charles Bigelow | 1983 | Apple |
Monotype Grotesque |  | serifenlos | Serifenlose Linear-Antiqua | Frank Hinman Pierpont | 1926 | Monotype Corporation |
Montserrat | — | serifenlos | Serifenlose Linear-Antiqua | Julieta Ulanovsky | 2011 | Julieta Ulanovsky |
Motter Ombra |  | serifenlos | Antiqua-Variante | Othmar Motter | 1972 | H. Berthold AG |
Mrs Eaves |  | Serifen | Barock-Antiqua | Zuzana Licko | 1996 | Emigre |
MS Sans Serif |  | serifenlos | Serifenlose Linear-Antiqua | Microsoft | 1992 | Microsoft |
Myriad |  | serifenlos | Serifenlose Linear-Antiqua | Robert Slimbach, Carol Twombly | 1992 | Adobe Type |
Myriad Tilt |  | serifenlos | Antiqua-Variante | Robert Slimbach, Carol Twombly | 1993 | Adobe Type |
National | — | serifenlos | Serifenlose Linear-Antiqua | Kris Sowersby | 2004 | Klim Type Foundry |
National |  | | Gebrochene Schrift | Walter Höhnisch | 1934 | Ludwig & Mayer |
Neue Hammer Unziale |  | | | Victor Hammer, Linotype Design Studio | 1988 | Linotype |
Neutraface |  | serifenlos | Serifenlose Linear-Antiqua | Christian Schwartz | 2002 | House Industries |
Neuzeit |  | serifenlos | Serifenlose Linear-Antiqua | Wilhelm Pischner | 1928 | D. Stempel |
New Alphabet |  | serifenlos | Antiqua-Variante | Wim Crouwel | 1967 | Foundry Types Ltd. |
News Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Morris Fuller Benton | 1908 | ATF |
Nimrod | — | Serifen | Klassizistische Antiqua | Robin Nicholas | 1980 | Monotype Corporation |
Nitti |  Nichtproportionale Schriftart | serifenlos | | Pieter van Rosmalen | 2008 | Bold Monday |
Nobel |  | serifenlos | Serifenlose Linear-Antiqua | Sjoerd de Roos | 1929 | Amsterdam Schriftgießerei |
ITC Novarese |  | Serifen | Antiqua-Variante | Aldo Novarese | 1978 | Haas’sche Schriftgiesserei |
Oakland |  | serifenlos | Antiqua-Variante | Zuzana Licko | 1985 | Emigre |
OCR-A |  Nichtproportionale Schriftart | serifenlos | | ATF | 1966 | ATF |
OCR-B |  Nichtproportionale Schriftart | serifenlos | | Adrian Frutiger | 1968 | Monotype Corporation |
Odile |  | Serifen | Antiqua-Variante | Sibylle Hagmann | 2006 | Kontour |
Officina Sans |  | serifenlos | Serifenlose Linear-Antiqua | Erik Spiekermann | 1990 | ITC |
Officina Serif |  | Serifen | Serifenbetonte Linear-Antiqua | Erik Spiekermann | 1990 | ITC |
Ondine |  | | Handschriftliche Antiqua | Adrian Frutiger | 1954 | Deberny & Peignot |
Optima |  | serifenlos | Antiqua-Variante | Hermann Zapf | 1952 | D. Stempel |
Oxford |  | | Schreibschrift | Arthur Baker | 1989 | Alpha Omega |
Palatino |  | Serifen | Französische Renaissance-Antiqua | Hermann Zapf | 1949 | D. Stempel |
Peignot |  | serifenlos | Serifenlose Linear-Antiqua | A. M. Cassandre | 1937 | Deberny & Peignot |
ITC Pioneer | — | serifenlos | | Ronné Bonder, Tom Carnase | 1970 | ATF |
Plantin |  | Serifen | Französische Renaissance-Antiqua | Fritz Stelzer | 1913 | Monotype Corporation |
Playbill |  | Serifen | Serifenbetonte Linear-Antiqua | Robert Harling | 1938 | Stephenson Blake |
Poliphilus |  | Serifen | Französische Renaissance-Antiqua | Francesco Griffo, Monotype Design Studio | 1499 | Monotype Corporation |
PMN Caecilia |  | Serifen | Serifenbetonte Linear-Antiqua | Peter Matthias Noordzij | 1990 | Linotype |
Pompeijana | — Majuskelschrift | | | Adrian Frutiger | 1992 | Linotype |
Populaire | — | | Handschriftliche Antiqua | Erica Jung, Ricardo Marcin | 2011 | PintassilgoPrints |
Post-Antiqua |  | | Antiqua-Variante | Herbert Post | 1932 | H. Berthold AG |
Potsdam |  | | Gebrochene Schrift | Robert Golpon | 1934 | J. D. Trennert & Sohn |
Prestige |  Nichtproportionale Schriftart | Serifen | | Clayton Smith | 1953 | IBM |
Proforma |  | Serifen | Französische Renaissance-Antiqua | Petr van Blokland | 1988 | Font Bureau |
Prokyon |  | serifenlos | Serifenlose Linear-Antiqua | Erhard Kaiser | 2002 | DTL |
Product Sans | — | serifenlos | Serifenlose Linear-Antiqua | Patrick Wong | 2015 | Google Inc. |
FF Providence |  | | Antiqua-Variante | Guy Jeffrey Nelson | 1994 | FontFont |
Proxima Nova |  | serifenlos | Serifenlose Linear-Antiqua | Mark Simonson | 2005 | Mark Simonson Studio |
FF Quadraat |  | Serifen | Französische Renaissance-Antiqua | Fred Smeijers | 1992 | FontFont |
Quay Sans |  | serifenlos | Serifenlose Linear-Antiqua | David Quay | 1990 | ITC |
Renault | — | Serifen | Klassizistische Antiqua | Wolff Olins | 1968 | Renault |
Reporter |  | | Handschriftliche Antiqua | Carlos Winkow | 1938 | Gießerei Johannes Wagner |
Retina |  | Serifen | Serifenlose Linear-Antiqua | Jonathan Hoefler, Tobias Frere-Jones | 1999 | Hoefler & Frere-Jones |
Rhapsodie |  | | Gebrochene Schrift | Ilse Schüle | 1951 | Ludwig & Mayer |
Rockwell |  | Serifen | Serifenbetonte Linear-Antiqua | Frank Hinman Piermont | 1934 | Monotype Corporation |
Rotis Semi Serif |  | Semi-Serif | | Otl Aicher | 1988 | Monotype Corporation |
Rumba |  | Serifen | Antiqua-Variante | Laura Meseguer | 2005 | Type-Ø-Tones |
Sabon |  | Serifen | Französische Renaissance-Antiqua | Jan Tschichold | 1967 | D. Stempel |
San Marco |  | | Gebrochene Schrift | Karlgeorg Hoefer, Alexei Chekulayev | 1991–97 | Linotype |
FF Scala |  | Serifen | Französische Renaissance-Antiqua | Martin Majoor | 1987–91 | FontFont |
FF Scala Sans |  | serifenlos | Serifenlose Linear-Antiqua | Martin Majoor | 1993–2003 | FontFont |
Segoe UI |  | serifenlos | Serifenlose Linear-Antiqua | Steve Matteson | 2004 | Microsoft |
FF Seria |  | Serifen | Französische Renaissance-Antiqua | Martin Majoor | 2000 | FontFont |
ITC Serif Gothic | — | Serifen | Antiqua-Variante | Herb Lubalin, Tony DiSpigna | 1972 | ATF |
Sinaloa | — | | | Rosmarie Tissi | 1972 | Letraset |
Skia |  | serifenlos | Serifenlose Linear-Antiqua | Matthew Carter | 1993 | Apple |
Skolar |  | Serifen | Antiqua-Variante | David Březina | 2009 | TypeTogether |
ITC Slimbach |  | Serifen | Barock-Antiqua | Robert Slimbach | 1987 | ITC |
ITC Souvenir |  | Serifen | Antiqua-Variante | Ed Benguiat | 1970 | ITC |
Stempel-Schneidler |  | Serifen | Venezianische Renaissance-Antiqua | Friedrich Hermann Ernst Schneidler | 1939 | D. Stempel |
Stencil |  Majuskelschrift | Serifen | | Robert Hunter Middleton, Gerry Powell | 1937 | Ludlow-Gießmaschine, ATF |
Stone Sans | — | serifenlos | Serifenlose Linear-Antiqua | Sumner Stone | 1987 | Adobe Type |
Stone Serif |  | Serifen | Französische Renaissance-Antiqua | Sumner Stone | 1987 | Adobe Type |
Suisse Int’l | — | serifenlos | Serifenlose Linear-Antiqua | Swiss Typefaces | 2011 | Swiss Typefaces |
Swift |  | Serifen | Französische Renaissance-Antiqua | Gerard Unger | 1987 | Dr.-Ing Rudolf Hell GmbH |
Syntax |  | serifenlos | Serifenlose Linear-Antiqua | Hans Eduard Meier | 1968–72 | D. Stempel |
Syntax Letter | — | | Handschriftliche Antiqua | Hans Eduard Meier | 2000 | Linotype |
Tahoma |  | serifenlos | Serifenlose Linear-Antiqua | Matthew Carter | 1995 | Microsoft |
Tannenberg |  | | Gebrochene Schrift | Erich Meyer | 1933–35 | D. Stempel |
Tekton |  | | Handschriftliche Antiqua | David Siegel | 1989 | Adobe Type |
Template Gothic |  | serifenlos | Antiqua-Variante | Barry Deck | 1990 | Emigre |
Tempo |  | serifenlos | Serifenlose Linear-Antiqua | Robert Hunter Middleton | 1930 | Ludlow-Gießmaschine |
TheMix | — | Semi-Serif | | Lucas de Groot | 1994 | LucasFonts |
TheSans |  | serifenlos | Serifenlose Linear-Antiqua | Lucas de Groot | 1994 | LucasFonts |
TheSerif | — | Serifen | Serifenbetonte Linear-Antiqua | Lucas de Groot | 1994 | LucasFonts |
ITC Tiffany | — | Serifen | Venezianische Renaissance-Antiqua | Ed Benguiat | 1974 | ITC |
Tiempos | — | Serifen | Barock-Antiqua | Kris Sowersby | 2010 | Klim Type Foundry |
Time Script |  | | Handschriftliche Antiqua | Georg Trump | 1957 | C. E. Weber |
Times |  | Serifen | Barock-Antiqua | Stanley Morison, Victor Lardent | 1931 | — |
Times New Roman |  | Serifen | Barock-Antiqua | Stanley Morison, Victor Lardent | 1931 | Monotype Corporation |
Today Sans | — | serifenlos | Serifenlose Linear-Antiqua | Volker Küster | 1988 | Scangraphic |
Trade Gothic |  | serifenlos | Serifenlose Linear-Antiqua | Jackson Burke | 1948 | Mergenthaler Linotype |
Trajan |  Majuskelschrift | Serifen | Antiqua-Variante | Carol Twombly | 1989 | Adobe Type |
Trebuchet MS |  | serifenlos | Serifenlose Linear-Antiqua | Vincent Connare | 1996 | Microsoft |
Trinité |  | Serifen | Französische Renaissance-Antiqua | Bram de Does | 1982 | TEFF |
Triplex |  | serifenlos | Serifenlose Linear-Antiqua | Zuzana Licko | 1989 | Emigre |
FF Trixie | — | Serifen | | Erik van Blokland | 1991–2008 | FontFont |
Ubuntu |  | serifenlos | Serifenlose Linear-Antiqua | Dalton Maag | 2010 | Canonical |
Unciala |  | | | Ralph M. Unger | 2005 | URW Type Foundry |
FF Unit Slab |  | Serifen | Serifenbetonte Linear-Antiqua | Christian Schwartz, Erik Spiekermann, Kris Sowerby | 2009 | FontFont |
Univers |  | serifenlos | Serifenlose Linear-Antiqua | Adrian Frutiger | 1950–56 | Deberny & Peignot |
VAG Rundschrift |  | serifenlos | Serifenlose Linear-Antiqua | Gerry Barney | 1979 | Volkswagen AG |
Vectora |  | serifenlos | Serifenlose Linear-Antiqua | Adrian Frutiger | 1990 | Linotype |
ITC Veljovic |  | Serifen | Venezianische Renaissance-Antiqua | Jovica Veljović | 1984 | ITC |
Venus | — | serifenlos | Serifenlose Linear-Antiqua | Bauersche Gießerei | 1907 | Bauersche Gießerei |
Vera Sans |  | serifenlos | Serifenlose Linear-Antiqua | Jim Lyles | 2003 | Bitstream |
Vera Sans Mono |  Nichtproportionale Schriftart | serifenlos | | Jim Lyles | 2003 | Bitstream |
Vera Serif |  | Serifen | Antiqua-Variante | Jim Lyles | 2003 | Bitstream |
Verdana |  | serifenlos | Serifenlose Linear-Antiqua | Matthew Carter | 1996 | Microsoft |
Versailles | — | Serifen | Barock-Antiqua | Adrian Frutiger | 1984 | Linotype |
Victorian | — | Serifen | Antiqua-Variante | Freda Sack, Colin Brignall | 1976 | Letraset |
Walbaum |  | Serifen | Klassizistische Antiqua | Justus Erich Walbaum | 1800 | — |
GT Walsheim | — | serifenlos | Serifenlose Linear-Antiqua | Noël Leu, Mirco Schiavone | 2009 | Grilli Type |
ITC Weidemann | — | Serifen | Venezianische Renaissance-Antiqua | Kurt Weidemann | 1983 | ITC |
Wiesbaden Swing |  | | Handschriftliche Antiqua | Rosemarie Kloos-Rau | 1992 | Linotype |
Wilhelm Klingspor Gotisch |  | | Gebrochene Schrift | Rudolf Koch | 1925 | Gebr. Klingspor |
William | — | Serifen | Barock-Antiqua | Maria Doreuli | 2016 | Typotheque |
Windsor | — | Serifen | Antiqua-Variante | Eleisha Pechey | 1905 | Stephenson Blake |
Zapata |  | Serifen | Serifenbetonte Linear-Antiqua | Erik van Blokland | 1997 | FontFont |
ITC Zapf Chancery | — | | Handschriftliche Antiqua | Hermann Zapf | 1979 | ITC |
Zapfino |  | | Schreibschrift | Hermann Zapf | 1998 | Linotype |
Zentenar-Fraktur |  | | Gebrochene Schrift | Friedrich Hermann Ernst Schneidler | 1937 | Bauersche Gießerei |