苏西与女妖

Siouxsie and the Banshees
苏西与女妖
Siouxsie and the Banshees; 苏西与女妖
	1991年，苏西与女妖在美国加州Lollapalooza音乐节上的演出。
组合
音乐类型	哥特摇滚; 后庞克; 另类摇滚; 新浪潮;
出道地点	英国英格兰伦敦
活跃年代	1976年—1996年
唱片公司	Polydor; Geffen; Sanctuary（英语：Sanctuary Records）;
网站	Siouxsieandthebanshees.co.uk
相关团体	治疗乐队; 杂志乐团（英语：Magazine (band)）;
已离开成员
	苏西苏（英语：Siouxsie Sioux）; 史蒂芬·塞维林（英语：Steven Severin）; 马可·皮罗尼（英语：Marco Pirroni）; 席德·维瑟斯; 肯尼·莫里斯（英语：Kenny Morris (musician)）; 彼得·芬顿; 约翰·麦凯（英语：John McKay (musician)）; 虎皮鹦鹉（英语：Budgie (musician)）; 罗伯特·史密斯; 约翰·麦克乔奇（英语：John McGeoch）; 约翰·瓦伦丁·卡拉瑟斯（英语：John Valentine Carruthers）; 乔恩·克莱因（英语：Jon Klein (musician)）; 诺克斯·钱德勒（英语：Knox Chandler）

苏西与女妖（英语：Siouxsie and the Banshees，/ˈsuzi ænd ðə ˈbænʃiz/，SU-zi-and-the-BAN-shees）是一支于1976年由主唱苏西苏（英语：Siouxsie Sioux）和贝斯手史蒂芬·塞维林（英语：Steven Severin）在伦敦成立的英国摇滚乐团。乐团在同辈以及后来的音乐家们之间有着广泛的影响，《泰晤士报》更称他们为“后庞克时代最大胆、最不妥协的音乐冒险家之一”。^[1]

事实速览 Siouxsie and the Banshees苏西与女妖, 组合 ...

关闭

乐团最初从庞克音乐出发，加上吉他手约翰·麦凯（英语：John McKay (musician)）和鼓手肯尼·莫里斯（英语：Kenny Morris (musician)）来创造出一种“充满大胆节奏和声音实验的不和谐后庞克风格”。^[1]乐团1978年的首张专辑《尖叫（英语：The Scream (album)）》得到评论的青睐。

他们已被视为1970年代最有影响力的摇滚乐队之一^[2]^[3]^[4]^[5]^[6]^[7]^[8]^[9]^[10]。

4 sources

唱片

录音室专辑

《尖叫（英语：The Scream (album)）》（1978年11月13日）
《携手同心（英语：Join Hands）》（1979年9月7日）
《万花筒（英语：Kaleidoscope (Siouxsie and the Banshees album)）》（1980年8月1日）
《朱朱（英语：Juju (Siouxsie and the Banshees album)）》（1981年6月19日）
《梦幻屋之吻（英语：A Kiss in the Dreamhouse）》（1982年11月5日）
《鬣狗（英语：Hyæna）》（1984年6月8日）
《火药桶（英语：Tinderbox (Siouxsie and the Banshees album)）》（1986年4月21日）
《镜中世界（英语：Through the Looking Glass (Siouxsie and the Banshees album)）》（1987年3月2日）
《尖叫（英语：Peepshow (album)）》（1988年9月5日）
《迷信（英语：Superstition (Siouxsie and the Banshees album)）》（1991年6月10日）
《狂欢（英语：The Rapture (album)）》（1995年1月16日）

参考文献

引用

[1]
Nigel Williamson. Siouxsie & the Banshees (subscription required). The Times. 27 November 2004 [8 July 2012]. （原始内容存档于2013-07-11）. ...with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation... The Banshees stand proudly alongside PIL, Gang of Four and the Fall as the most audacious and uncompromising musical adventurers of the post-punk era.
[2]
Playlist – Peter Hook’s “Field recordings [Joy Division's drummer]. Q magazine. 23 de abril de 2013 [10 de enero de 2017]. 原始内容存档于2017-11-07. Siouxsie and the Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing
Morris, Stephen. Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years Volume I [Baterista de Joy Division]. Constable. 2019. ISBN 1472126203. It would be Siouxsie and the Banshees to whom I most felt some kind of affinity. [...] the bass-led rhythm, the way first drummer Kenny Morris played mostly toms. [...] The banshees had that [...] foreboding sound, sketching out the future from the dark of the past. [...] hearing the sessions they'd done on John Peel's show and reading gigs write-ups, [...] they sounded interesting..
[3]
Oldham, James. Siamese Twins - The Cure and the Banshees [interview - Robert Smith of the Cure]. Uncut: 60. August 2004. a massive influence on me [...] They were the group who led me towards doing Pornography. They drew something out of me. 缺少或|url=为空 (帮助)
Oldham, James, Bad Medicine [interview - Robert Smith of the Cure], Uncut, February 2000, I think the final straw came when I played Michael the demos for the next album and he hated them. He wanted us to be XTC part 2 and – if anything – I wanted us to be the Banshees part 2.
Rob Fitzpatrick. Robert Smith interview. The Word. August 2012 [15 de agosto de 2016]. （原始内容存档于2022-02-13）. I played with the Banshees through our first tour [1979], and it allowed me to think beyond what we were doing. I wanted to have a band that does what Steve Severin and Budgie do, where they just get a bassline and the drum part and Siouxsie wails.
[4]
Collect-a-Page (Dave Gahan's questionnaire - Depeche Mode). Look-In. 5-12-1981 [4-05-2017]. 原始内容存档于2008-11-27.
[5]
U2 Jukebox. U2wanderer.org. [2010-11-01]. （原始内容存档于2018-04-24）.
[6]
Gibson, Donald. "An interview with Johnny Marr". Seattlepi.com. 17-12-2014.
Horner, Al. Johnny Marr On Working With Noel Gallagher, Scottish Independence And More – Twitter Q&A. NME. 2014-09-19 [2-11-2016]. （原始内容存档于2017-11-07）.
Mitchell, Pete. "Spellbound : the story of John McGeoch" （页面存档备份，存于互联网档案馆） BBC2. February 2008. Retrieved 1 November 2010. About McGeoch's contribution to the single "Spellbound", Johnny Marr stated: "It's so clever. He's got this really good picky thing going on which is very un-rock'n'roll and this actual tune he's playing is really quite mysterious". Radio 2's Pete Mitchell talks to Howard Devoto, Siouxsie Sioux and Johnny Marr among others, as he shines a light on the life of this unsung guitar hero.
[7]
"LCD Soundsystem iTunes Remix Album". jacksonfreepress.com. Retrieved 1 November 2010. cd de LCD Soundsystem en 2006 : versionaron el tema "Slowdive" de Siouxsie & the banshees
[8]
Radiohead Official Biography – Capitol Canada. MuchMcapitolmusic.ca. [10-11-2012]. 原始内容存档于2006-06-29. Colin Greenwood remembers: "The first single we're releasing is actually the longest song on the record. ("There There"). It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie and the Banshees. All the old farts in the band were in seventh heaven.
Jeff, Klingman. 10 Bullet Points from the Thom Yorke Interview on WTF with Marc Maron. Thelmagazine.com. 2013-07-22 [2-09-2013]. 原始内容存档于2013-10-14. The band that really changed my life was R.E.M. and Siouxsie and the Banshees...". "My favourite show I ever saw then was Siouxsie and she was absolutely amazing. ... She's totally in command of the whole audience.
[9]
Appleford, Steve. Checking In With . . . PJ Harvey In a New York State of Mind. Los Angeles Times. 2000-10-29 [10-05-2016]. 原始内容存档于2016-06-24. Q: Was there any figure who connected with you when you were just a listener? A: It's hard to beat Siouxsie Sioux, in terms of live performance. She is so exciting to watch, so full of energy and human raw quality.
"7th January 2000 PJ selects her Top 10 Albums of 1999". Pj Harvey.net. 7th January 2000 - PJ selects her Top 10 Albums of 1999. LP of The Creatures(aka Siouxsie).
[10]
Kaye, Ben. "Here are Thurston Moore's favorite songs of all time". ConsequenceofSound.com. 17-01-2014

参考文献

Bennett, Samantha. Siouxsie and the Banshees' Peepshow (33 1/3). Bloomsbury Publishing. 2018. ISBN 978-1501321863.
Ethaire, Étienne. Diva Siouxsie. Le Camion Blanc. 2008 [2021-07-06]. ISBN 9782910196592. （原始内容存档于2009-02-26）.
Heylin, Clinton. Babylon's Burning: From Punk to Grunge. Penguin. 2006. ISBN 0-14-102431-3.
Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. Penguin. 2005. ISBN 0-14-303672-6.
Stevenson, Ray. The Siouxsie and the Banshees Photo Book. Omnibus Press. 1983. ISBN 0-7119-0301-8.
West, Mike. Siouxsie and the Banshees. Babylon Books. 1982. ISBN 0-9071-8814-1.

外部链接

[The_Times-1] [1]
Nigel Williamson. Siouxsie & the Banshees (subscription required). The Times. 27 November 2004 [8 July 2012]. （原始内容存档于2013-07-11）. ...with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation... The Banshees stand proudly alongside PIL, Gang of Four and the Fall as the most audacious and uncompromising musical adventurers of the post-punk era.

[2] [2]
Playlist – Peter Hook’s “Field recordings [Joy Division's drummer]. Q magazine. 23 de abril de 2013 [10 de enero de 2017]. 原始内容存档于2017-11-07. Siouxsie and the Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing
Morris, Stephen. Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years Volume I [Baterista de Joy Division]. Constable. 2019. ISBN 1472126203. It would be Siouxsie and the Banshees to whom I most felt some kind of affinity. [...] the bass-led rhythm, the way first drummer Kenny Morris played mostly toms. [...] The banshees had that [...] foreboding sound, sketching out the future from the dark of the past. [...] hearing the sessions they'd done on John Peel's show and reading gigs write-ups, [...] they sounded interesting..

[3] [3]
Oldham, James. Siamese Twins - The Cure and the Banshees [interview - Robert Smith of the Cure]. Uncut: 60. August 2004. a massive influence on me [...] They were the group who led me towards doing Pornography. They drew something out of me. 缺少或|url=为空 (帮助)
Oldham, James, Bad Medicine [interview - Robert Smith of the Cure], Uncut, February 2000, I think the final straw came when I played Michael the demos for the next album and he hated them. He wanted us to be XTC part 2 and – if anything – I wanted us to be the Banshees part 2.
Rob Fitzpatrick. Robert Smith interview. The Word. August 2012 [15 de agosto de 2016]. （原始内容存档于2022-02-13）. I played with the Banshees through our first tour [1979], and it allowed me to think beyond what we were doing. I wanted to have a band that does what Steve Severin and Budgie do, where they just get a bassline and the drum part and Siouxsie wails.

[4] [4]
Collect-a-Page (Dave Gahan's questionnaire - Depeche Mode). Look-In. 5-12-1981 [4-05-2017]. 原始内容存档于2008-11-27.

[5] [5]
U2 Jukebox. U2wanderer.org. [2010-11-01]. （原始内容存档于2018-04-24）.

[6] [6]
Gibson, Donald. "An interview with Johnny Marr". Seattlepi.com. 17-12-2014.
Horner, Al. Johnny Marr On Working With Noel Gallagher, Scottish Independence And More – Twitter Q&A. NME. 2014-09-19 [2-11-2016]. （原始内容存档于2017-11-07）.
Mitchell, Pete. "Spellbound : the story of John McGeoch" （页面存档备份，存于互联网档案馆） BBC2. February 2008. Retrieved 1 November 2010. About McGeoch's contribution to the single "Spellbound", Johnny Marr stated: "It's so clever. He's got this really good picky thing going on which is very un-rock'n'roll and this actual tune he's playing is really quite mysterious". Radio 2's Pete Mitchell talks to Howard Devoto, Siouxsie Sioux and Johnny Marr among others, as he shines a light on the life of this unsung guitar hero.

[7] [7]
"LCD Soundsystem iTunes Remix Album". jacksonfreepress.com. Retrieved 1 November 2010. cd de LCD Soundsystem en 2006 : versionaron el tema "Slowdive" de Siouxsie & the banshees

[8] [8]
Radiohead Official Biography – Capitol Canada. MuchMcapitolmusic.ca. [10-11-2012]. 原始内容存档于2006-06-29. Colin Greenwood remembers: "The first single we're releasing is actually the longest song on the record. ("There There"). It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie and the Banshees. All the old farts in the band were in seventh heaven.
Jeff, Klingman. 10 Bullet Points from the Thom Yorke Interview on WTF with Marc Maron. Thelmagazine.com. 2013-07-22 [2-09-2013]. 原始内容存档于2013-10-14. The band that really changed my life was R.E.M. and Siouxsie and the Banshees...". "My favourite show I ever saw then was Siouxsie and she was absolutely amazing. ... She's totally in command of the whole audience.

[la-9] [9]
Appleford, Steve. Checking In With . . . PJ Harvey In a New York State of Mind. Los Angeles Times. 2000-10-29 [10-05-2016]. 原始内容存档于2016-06-24. Q: Was there any figure who connected with you when you were just a listener? A: It's hard to beat Siouxsie Sioux, in terms of live performance. She is so exciting to watch, so full of energy and human raw quality.
"7th January 2000 PJ selects her Top 10 Albums of 1999". Pj Harvey.net. 7th January 2000 - PJ selects her Top 10 Albums of 1999. LP of The Creatures(aka Siouxsie).

[10] [10]
Kaye, Ben. "Here are Thurston Moore's favorite songs of all time". ConsequenceofSound.com. 17-01-2014

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