阿班·馬利亞·約翰內斯·貝爾格(德語:Alban Maria Johannes Berg,德語發音:[ˈalbaːn ˈbɛʁk];1885年2月9日—1935年12月24日),奧地利第二維也納樂派的作曲家。他的作曲風格將浪漫主義抒情與十二音技巧相結合。[1]儘管他的作品數量相對較少,但他以其表達性風格被視為20世紀最重要的作曲家之一,他的作品包含了「完整的情感世界和結構」。[2]
貝爾格出生並居住在維也納。他在15歲時便開始作曲。他在1904年至1911年期間跟隨阿諾爾德·荀白克學習對位法、音樂理論和和音,並採用了他的發展式變奏和十二音技巧原則。貝爾格的重要作品包括歌劇《伍采克》(1924年)和《露露》(1935年,未完成),室樂《抒情組曲(英語:Lyric Suite (Berg))》和《室內協奏曲(英語:Kammerkonzert (Berg))》,以及一部小提琴協奏曲。他還創作了一些歌曲(藝術歌曲)。有人說他為十二音體系帶來了更多的「人文價值」,他的作品被認為比荀白克的作品更加「情感化」。[3]在荀白克本人聲望不高時,他的音樂具有迷人的表面魅力,贏得了許多讚賞者。[4]
Georg Markus, Der Kaiser Franz Joseph I.: Bilder und Dokumente; Anna Nahowski and Friedrich Saathen, Anna Nahowski und Kaiser Franz Joseph : Aufzeichnungen/erstmalig herausgegeben und kommentiert von Friedrich Saathen, Böhlau, 1986.
Hailey, Christopher (2010a). "Berg's Worlds". In Hailey (2010).
Headlam, Dave. Berg, Alban 1885–1935. Steib, Murray (編). Reader's Guide to Music: History, Theory and Criticism. Routledge. 2013: 78ff [2 December 2019]. ISBN 978-1-135-94262-5. (原始內容存檔於25 July 2020).
Jarman, Douglas. Alban Berg, Wilhelm Fliess and the Secret Programme of the Violin Concerto. The Musical Times. April 1983, 124 (1682): 218–223. JSTOR 962034. doi:10.2307/962034.
Adorno, Theodor W.Alban Berg: Master of the Smallest Link. Trans. Juliane Brand and Christopher Hailey. New York: Cambridge University Press, 1991.
Brand, Juliane, Christopher Hailey and Donald Harris, eds. The Berg-Schoenberg Correspondence: Selected Letters. New York: Norton, 1987.
Bruhn, Siglind, ed. Encrypted Messages in Alban Berg’s Music. New York: Garland Publishing, 1998.
Carner, Mosco. Alban Berg: The Man and the Work. London: Duckworth, 1975.
dos Santos, Silvio J. Narratives of Identity in Alban Berg's 'Lulu'. Rochester, New York: University of Rochester Press, 2014.
Floros, Constantin. Trans. by Ernest Bernhardt-Kabisch. Alban Berg and Hanna Fuchs互聯網檔案館的存檔,存檔日期4 March 2008.. Bloomington: Indiana University Press, 2007.
Grun, Bernard, ed. Alban Berg: Letters to his Wife. London: Faber and Faber, 1971.
Headlam, Dave. The Music of Alban Berg. New Haven: Yale University Press, 1996.
Jarman, Douglas. "Dr. Schon's Five-Strophe Aria: Some Notes on Tonality and Pitch Association in Berg's Lulu". Perspectives of New Music 8/2 (Spring/Summer 1970).
Jarman, Douglas. "Some Rhythmic and Metric Techniques in Alban Berg's Lulu". The Musical Quarterly 56/3 (July 1970).
Jarman, Douglas. "Lulu: The Sketches". International Alban Berg Society Newsletter, 6 (June 1978).
Jarman, Douglas. "Countess Geschwitz's Series: A Controversy Resolved?". Proceedings of the Royal Musical Association 107 (1980/81).
Jarman, Douglas. "Some Observations on Rhythm, Meter and Tempo in Lulu". In Alban Berg Studien. Ed. Rudolf Klein. Vienna: Universal Edition, 1981.
Jarman, Douglas. "Lulu: The Musical and Dramatic Structure". Royal Opera House Covent Garden program notes, 1981.
Jarman, Douglas. "The 'Lost' Score of the 'Symphonic Pieces from Lulu'". International Alban Berg Society Newsletter 12 (Fall/Winter 1982).
Leibowitz, René. Schoenberg and his school; the contemporary stage of the language of music. Trans. Dika Newlin. New York: Philosophical Library, 1949.
Monson, Karen. Alban Berg: A Biography. London: Macdonald and Jane's, 1979.
Perle, George. The Operas of Alban Berg. Berkeley: University of California Press, 1980.
Redlich, Hans Ferdinand. Alban Berg, the Man and His Music. London: John Calder, 1957.
Reich, Willi. The life and work of Alban Berg. Trans. Cornelius Cardew. New York : Da Capo Press, 1982.
Schmalfeldt, Janet. "Berg's Path to Atonality: The Piano Sonata, Op. 1". Alban Berg: Historical and Analytical Perspectives. Eds. David Gable and Robert P. Morgan, pp. 79–110. New York: Oxford University Press, 1991.
Schweizer, Klaus. Die Sonatensatzform im Schaffen Alban Bergs. Stuttgart: Satz und Druck, 1970.
Simms, Bryan R. Alban Berg 2nd. Hoboken: Taylor & Francis. 2013 [1996] [29 August 2017]. ISBN 978-1-135-84674-9. (原始內容存檔於29 April 2020).
Simms, Bryan & Erwin, Charlotte. Berg. Master Musicians. Oxford University Press. 2021. ISBN 978-0-19-093144-5.