正弦波合成是一種用純音代替共振峰的語音合成方法。哈斯金斯實驗室的Philip Rubin於1970年代開發了第一個正弦波合成程序，用於自動創建感知實驗的刺激物。隨後，Robert Remez、Philip Rubin、David Pisoni及其他同事利用該程序證明，聽者可以在沒有傳統語音線索（音高、重音和語氣）時感知連續語音。這項研究說明，可將語音看做通過發音-聲學空間的軌跡的動態模式。[1]
書目
- Rubin, P.E. Sinewave synthesis. Internal memorandum, Haskins Laboratories, New Haven, CT, 1980.[1] （頁面存檔備份，存於互聯網檔案館）
- Remez, R.E., Rubin, P.E., Pisoni, D.B., & Carrell, T.D. Speech perception without traditional speech cues. Science, 1981, 212, 947-950.
- Best, C.T., Morrongiello, B. & Robson, R. Perceptual equivalence of acoustic cues in speech and nonspeech perception. Perception & Psychophysics, 1981, 29, 191-211.
- Remez, R.E., Rubin, P.E., Berns, S.M., Pardo, J.S. & Lang, J.M. On the perceptual organization of speech. Psychological Review, 1994, 101, 129-156.
- Remez, R. E., Fellowes, J. M., & Rubin, P.E. Talker identification based on phonetic information. Journal of Experimental Psychology: Human Perception and Performance, 1997, 23, 651-666.
參考文獻
外部連結
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