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Rembrandt Harmenszoon van Rijn (1606 nî 7 goe̍h 15 ji̍t – 1669 nî 10 goe̍h 4 ji̍t) sī éng-koè Hô-lân ê oē-ka kiam kā-pán-ka (etcher). Rembrandt hông tòng-chò Au-chiu gē-su̍t-sú (European art history) siāng úi-tāi ê oē-ka kap pán-oē-ka (printmaker) chi it. I chham-ú gē-sût chhòng-chok hit toāⁿ sî-kan hông hō-chò Hô-lân N̂g-kim Sî-kî (Dutch Golden Age).
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Self-Portrait with Beret and Turned-Up Collar (1659), National Gallery of Art, Washington, D.C. | |||
Pún-miâ | Rembrandt Harmenszoon van Rijn | ||
Chhut-sì |
1606 nî 7 goe̍h 15 ji̍t[1] Leiden, Dutch Republic | ||
Koè-sin |
1669 nî 10 goe̍h 4 ji̍t (63 hòe) Amsterdam, Dutch Republic | ||
Ūn-tōng |
Dutch Golden Age Baroque | ||
Chhut-miâ î | Painting, printmaking, drawing | ||
Kàu-io̍k |
Jacob van Swanenburg Pieter Lastman | ||
Chhut-miâ chok-phín |
Self-portraits The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Belshazzar's Feast (1635) The Night Watch (1642) Bathsheba at Her Bath (1654) Syndics of the Drapers' Guild (1662) The Hundred Guilder Print (etching, c. 1647–1649) | ||
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