figure of speech in which one thing is asserted to be another when it is in fact not so, based on properties of the latter that apply to the former, pointing to similarity From Wikipedia, the free encyclopedia
Metaphor is a term for a figure of speech.[1] It does not use a word in its basic literal sense. Instead, it uses a word in a kind of comparison. We run, and we also say rivers run. We may run into trouble, especially if we run up a bill at the bar.
So a metaphor uses words to make a picture in our mind. It takes a word from its original context, and uses it in another.
Metaphors are an essential part of language: it is not possible to speak or write without them.[2][3] A simple example is the word "run". This has a basic meaning of "moving quickly" or "go with quick steps on alternate feet, never having both feet on the ground at the same time".[4] The Concise Oxford Dictionary then gives 34 other uses as a verb; 21 uses as a noun; about 50 uses in short phrases. All of these are metaphors, although we do not usually notice this.
We use metaphors to make indirect comparisons, but without using 'like' or 'as' – because that would be a simile. A simile is a direct comparison: "Jane is like a child".
A metaphor very often uses the verb 'to be': "love is war", for example, not "love is like war" (that is a simile). Poetry includes much metaphor, usually more than prose.
Spam is an example that any email user knows about – this word was originally a metaphor, from 'Spam', a type of canned meat. Servers putting unwanted email into somebody's inbox was similar to waiters putting unwanted Spam into food. This was originally suggested by a Monty Python scene. When we use a metaphor very often and we forget the old meaning, or forget that the two meanings are connected, this is a 'dead metaphor'.
Originally metaphor was a Greek word for 'transfer'. It came from meta ('beyond') and pherein ('carry'). So the word metaphor in English was a metaphor, too. Today in Greek, metaphor is a trolley (a thing that is pushed for carrying shopping or bags).
A simple metaphor has a single link between the subject and the metaphoric vehicle. The vehicle thus has a single meaning which is transferred directly to the subject.
In the simple metaphor, the effort to understand what the author or speaker intends is relatively low, and hence it may easily be used with a wider and less sophisticated audience.
A complex metaphor happens where a simple metaphor is based on a secondary metaphoric element. For example, using a metaphor of 'light' for 'understanding' may be complexified by saying 'throwing light' rather than 'shining light'. 'Throwing' is an extra metaphor for how light arrives.
That lends weight to the argument.
They stood alone, frozen statues on the plain.
The ball happily danced into the net.
"But at my back I always hear
Time's wingèd chariot hurrying near
And yonder all before us lie
Deserts of vast eternity."
From 17th century English poet Andrew Marvell's poem To His Coy Mistress.
A compound metaphor is one where there are multiple parts in the metaphor that are used to snag the listener. These parts may be enhancement words such as adverbs, adjectives, etc.
Each part in the compound metaphor may be used to signify an additional item of meaning.
Compound metaphors are like a multiple punch, hitting the listener repeatedly with metaphoric elements. Where the complex metaphor uses stacked layers to enhance the metaphor, the compound metaphor uses sequential words. The compound metaphor is also known as a loose metaphor.
A live metaphor is one which a reader notices. A dead metaphor is one no-one notices because it has become so common in the language.
Two people walk off a tennis court. Someone asks the loser: "What happened?".
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