Nilai not

Dalam notasi muzik, nilia not menunjukkan tempoh relatif bagi satu not, menggunakan tekstur atau bentuk kepala not, kehadiran aatau ketiadaan batang, dan kehadiran atau ketiadaan bendera/alang/cangkuk/ekor.

Tanda rehat menunjukkan a silence of an equivalent duration.

Maklumat lanjut Not, Tanda rehat ...

Tanda rehat	Nama not	Nilai relatif	Nilai bertitik	Nilai dwititik	Nilai trititik
	large, duplex longa, atau maksima^[1]^[2] (kadang kala not lapanan,^[3] not penuh lapanan,^[4] atau not muzik seluruh lapanan)^[5]	8	8 + 4 = 12	8 + 4 + 2 = 14	8 + 4 + 2 + 1 = 15
	long^[2]^[6]^[7] atau longa^[8] (kadang kala not empatan^[9] atau not penuh empatan)^[4]	4	4 + 2 = 6	4 + 2 + 1 = 7	4 + 2 + 1 + 1/2 = 7 1/2
	brif	2	2 + 1 = 3	2 + 1 + 1/2 = 3 1/2	2 + 1 + 1/2 + 1/4 = 3 3/4
	semibref	1	1 + 1/2 = 1 1/2	1 + 1/2 + 1/4 = 1 3/4	1 + 1/2 + 1/4 + 1/8 = 1 7/8
	minim	1/2	1/2 + 1/4 = 3/4	1/2 + 1/4 + 1/8 = 7/8	1/2 + 1/4 + 1/8 + 1/16 = 15/16
atau	krocet	1/4	1/4 + 1/8 = 3/8	1/4 + 1/8 + 1/16 = 7/16	1/4 + 1/8 + 1/16 + 1/32 = 15/32
	kuaver	1/8	1/8 + 1/16 = 3/16	1/8 + 1/16 + 1/32 = 7/32	1/8 + 1/16 + 1/32 + 1/64 = 15/64
	semikuaver	1/16	1/16 + 1/32 = 3/32	1/16 + 1/32 + 1/64 = 7/64	1/16 + 1/32 + 1/64 + 1/128 = 15/128
	demisemikuaver	1/32	1/32 + 1/64 = 3/64	1/32 + 1/64 + 1/128 = 7/128	1/32 + 1/64 + 1/128 + 1/256 = 15/256
	hemidemi semikuaver	1/64	1/64 + 1/128 = 3/128	1/64 + 1/128 + 1/256 = 7/256	1/64 + 1/128 + 1/256 + 1/512 = 15/512
	semihemidemisemikuaver^[10]^[11] (jarang)	1/128	1/128 + 1/256 = 3/256	1/128 + 1/256 + 1/512 = 7/512	1/128 + 1/256 + 1/512 + 1/1024 = 15/1024
	demisemihemidemisemikuaver^[4] (jarang)	1/256	1/256 + 1/512 = 3/512	1/256 + 1/512 + 1/1024 = 7/1024	1/256 + 1/512 + 1/1024 + 1/2048 = 15/2048

Tutup

Brif tampil dalam beberapa versi yang berbeza, seperti yang ditunjuk di kanan. Dua yang pertama biasa digunakan; yang ketiga pula pilihan bergaya.

[1]
William Smythe, Babcock Mathews, and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
[2]
Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.
[3]
Ray M. Owen "Glossary of Film Terms: Normal v — Noth". SoundsOfNewMexico.com, 2012. Diarkibkan 13 Ogos 2016 di Wayback Machine MC Peko, "bpm calc 2.2 // for calculating and visualizing bpm and related values // help // change-log // open source: zip js". Focus Studios, 2015.
[4]
Kartik Asooja, Sindhu Kiranmai, and Paul Buitelaar "UNLP at the C@merata Task: Question Answering on Musical Scores ACM Diarkibkan 2015-11-22 di Wayback Machine"
[5]
Anonymous, "My Ambient Sounds—Sleeping Music & Ambient Soundscape Mixer to Help You Sleep Better Now Diarkibkan 2016-08-15 di Wayback Machine" (10 February 2016) Main Facts.biz (accessed 18 June 2016).
[6]
Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).
[7]
William Smythe, Babcock Mathews, and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).
[8]
John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
[9]
John Freckleton Burrowes, Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition Or Teaching in Classes Together with a Guide to Practice, new edition, revised and modernized, with important additions,m by L.H. Southard (Boston and New York: Oliver Ditson, 1874): 41. Hendrik Van der Werf,.. The Oldest Extant Part Music and the Origin of Western Polyphony, 2 vols (Rochester, NY: H. van der Werf, 1993:. 1:97.
[10]
Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. m/s. 38. ISBN 978-0-415-74190-3.
[11]
David Haas (2011). "Shostakovich's Second Piano Sonata: A Composition Recital in Three Styles". Dalam Pauline Fairclough; David Fanning (eds.) (penyunting). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. m/s. 95–114. doi:10.1017/CCOL9780521842204.006. ISBN 978-1-139-00195-3. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.CS1 maint: extra text: editors list (link)(p. 112)

Templat:Notasi muzik Templat:Nilai not muzik Templat:Rhythm and meter

[1] [1]
William Smythe, Babcock Mathews, and Emil Liebling, "Large", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).

[Baker131-2] [2]
Theodore Baker, A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French, German, Italian, Latin, and Greek Words and Phrases, third edition, revised and enlarged (New York: G. Schirmer, 1897): 131.

[3] [3]
Ray M. Owen "Glossary of Film Terms: Normal v — Noth". SoundsOfNewMexico.com, 2012. Diarkibkan 13 Ogos 2016 di Wayback Machine MC Peko, "bpm calc 2.2 // for calculating and visualizing bpm and related values // help // change-log // open source: zip js". Focus Studios, 2015.

[256th-4] [4]
Kartik Asooja, Sindhu Kiranmai, and Paul Buitelaar "UNLP at the C@merata Task: Question Answering on Musical Scores ACM Diarkibkan 2015-11-22 di Wayback Machine"

[5] [5]
Anonymous, "My Ambient Sounds—Sleeping Music & Ambient Soundscape Mixer to Help You Sleep Better Now Diarkibkan 2016-08-15 di Wayback Machine" (10 February 2016) Main Facts.biz (accessed 18 June 2016).

[6] [6]
Music Dictionary (Do–Dq) Dolmetsch.com (accessed 4 February 2015).

[7] [7]
William Smythe, Babcock Mathews, and Emil Liebling, "Double Note", Pronouncing and Defining Dictionary of Music (Cincinnati, New York, London: J. Church and Company, 1896).

[8] [8]
John Morehen and Richard Rastall, "Note values"", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).

[9] [9]
John Freckleton Burrowes, Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition Or Teaching in Classes Together with a Guide to Practice, new edition, revised and modernized, with important additions,m by L.H. Southard (Boston and New York: Oliver Ditson, 1874): 41. Hendrik Van der Werf,.. The Oldest Extant Part Music and the Origin of Western Polyphony, 2 vols (Rochester, NY: H. van der Werf, 1993:. 1:97.

[10] [10]
Robert J. Miller (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. London: Routledge. m/s. 38. ISBN 978-0-415-74190-3.

[11] [11]
David Haas (2011). "Shostakovich's Second Piano Sonata: A Composition Recital in Three Styles". Dalam Pauline Fairclough; David Fanning (eds.) (penyunting). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. m/s. 95–114. doi:10.1017/CCOL9780521842204.006. ISBN 978-1-139-00195-3. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.CS1 maint: extra text: editors list (link)(p. 112)

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