Fasciculus:Isaac_Cigoli.jpg
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Sua resolutio (801 × 1 076 elementa imaginalia, magnitudo fasciculi: 155 chiliocteti, typus MIME: image/jpeg)
Hic fasciculus apud Vicimedia Communia iacet; in aliis inceptis adhiberi potest. Contenta paginae descriptionis fasciculi subter monstrantur.
Cigolis: Sacrifice of Isaac | |||||||||||||||||||||||||||
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Artifex |
artist QS:P170,Q928350 |
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Titulus |
English: The Sacrifice of Isaac translate
label QS:Lit,"Sacrificio di Isacco"
label QS:Lja,"イサクの犠牲"
label QS:Lfr,"Le Sacrifice d’Isaac"
label QS:Lpl,"Ofiara Izaaka"
label QS:Lhe,"עקדת יצחק"
label QS:Lnl,"Het offer van Isaac"
label QS:Lru,"Жертвоприношението на Исаак"
label QS:Lde,"Die Opferung Isaaks"
label QS:Len,"The Sacrifice of Isaac"
label QS:Lmk,"Жртвувањето на Исак"
label QS:Lsl,"Darovanje Izaka" |
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Object type |
tabula picta object_type QS:P31,Q3305213 |
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Genus | Ars sacra | ||||||||||||||||||||||||||
Descriptio | |||||||||||||||||||||||||||
Datum |
circa 1607 date QS:P571,+1607-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
Altitudo: 175.5 cm; Latitudo: 132.2 cm dimensions QS:P2048,175.5U174728 dimensions QS:P2049,132.2U174728 |
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Collectus |
institution QS:P195,Q29286 |
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Place of creation | Italia | ||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Imago (militia) Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/c/cigoli/isaac.html" |
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Permissio (Reusing this file) |
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Items portrayed in this file
depicts Anglica
Sacrifice of Isaac Anglica
digital representation of Anglica
Sacrifice of Isaac Anglica
Sacrifice of Isaac Anglica
media type Anglica
image/jpeg
Historia fasciculi
Presso die vel tempore fasciculum videbis, sicut tunc temporis apparuit.
Dies/Tempus | Minutio | Dimensiones | Usor | Sententia | |
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recentissima | 10:20, 28 Aprilis 2006 | 801 × 1 076 (155 chiliocteti) | Attilios | Renamed versioni of Isaac.jpg. See that page for license. |
Nexus ad fasciculum
Ad hunc fasciculum nectit:
Usus fasciculi per inceptus Vicimediorum
Quae incepta Vici fasciculo utuntur:
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- Usus in de.wikipedia.org
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- Usus in pl.wikipedia.org
- Usus in pt.wikipedia.org
- Usus in ru.wikipedia.org
- Usus in sv.wikipedia.org
- Usus in www.wikidata.org
- Q17997608
- Wikidata:WikiProject sum of all paintings/Location/Italy/Missing inventory number
- Wikidata:WikiProject sum of all paintings/Main subject/Binding of Isaac
- Wikidata:WikiProject sum of all paintings/Location/Palazzo Pitti
- Wikidata:WikiProject sum of all paintings/Missing depicts/Religious art
- Wikidata:WikiProject sum of all paintings/Location/Pitti Palace
- Wikidata:WikiProject Art in the Christian Tradition (ACT)/Paintings 1600 to 1800
- Q111822118
- Usus in zh.wikipedia.org
Metadata
Hic fasciculus alias res continet, saepius a machina originatore additas, et (si fasciculus postea recensus sit) fortasse corrigendas.
JPEG file comment | CIGOLI
(b. 1559, Villa Castelvecchi di Cigoli, d. 1613, Roma) The Sacrifice of Isaac c. 1607 Oil on canvas, 175,5 x 132,2 cm Galleria Palatina (Palazzo Pitti), Florence Cigoli's picture depicts one of the most dramatic moments in the Old Testament (Genesis 22: 1-14), where the Lord tests Abraham's faith by asking him to sacrifice his only son Isaac. Just as Abraham is about to slit Isaac's throat an angel miraculously appears and points to a ram, tangled in a thicket, that can be sacrificed instead. Cigoli shows the moment at which the angel intervenes, pulling back Abraham's arm as he points to the ram. According to Cigoli's nephew, Giovanni Battista Cardi, the picture was painted while his uncle was working for Cardinal Pompeo Arrigoni in Frascati just outside Rome. Cigoli, a Florentine, is documented in Rome between 1606-07, a date which accords well with the style of The Sacrifice of Isaac. There are several preparatory studies for the painting, one of which is on the verso of a drawing for Massimo Massimi's Ecce Homo of 1607, making it safe to assume that Cigoli was working on both pictures at the same time. Although The Sacrifice of Isaac was painted in Rome, the composition clearly recalls the Florentine tradition of Lorenzo Ghiberti and Andrea del Sarto. Isaac's sensuous nude body, however, reflects the artist's first-hand experience of classical sculpture. Despite the inherent suspense of the narrative, the picture itself lacks dramatic tension. Abraham's massive red tunic serves as a foil for Isaac's unblemished adolescent body, shifting the emphasis to the work's more lascivious characteristics. When the picture was criticised for its sexually evocative content by a visitor to Arrigoni's villa, the cardinal made an eloquent defence of the artist and the painting. The emotions evoked, he said, were the result of Cigoli's excellence as a painter; any stimulation was the fault of the viewer.
Author: CIGOLI Title: The Sacrifice of Isaac Time-line: 1551-1600 School: Italian Form: painting Type: religious |
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