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ヒルデ・ボーマン=ベーラム (Hilde Boman-Behram, 旧姓:ゾファー (Hilde Sofer)、芸名:ヒルデ・ホルガー (Hilde Holger) 1905年10月18日 - 2001年9月24日) は、表現力豊かなダンサー、振付家、そしてダンスの教師であり、その統合的なダンスにおける先駆的な業績はモダンダンスを変革させた[1][2]。
ヒルデ・ホルガー | |
---|---|
ホルガー、1925年 | |
生誕 |
Hilde Sofer 1905年10月18日 オーストリア=ハンガリー帝国, ウィーン |
死没 |
2001年9月24日 (95歳没) ロンドン, カムデン区 |
国籍 | British, Austrian |
著名な実績 | Dance, choreography and teaching |
運動・動向 | Expressionism and Integrated dance |
配偶者 | Adershir Kavershir Boman-Behram (1940–1975, 1989–2000) |
公式サイト | Official website |
この節の加筆が望まれています。 |
Year | Performance | Music | Venue | Notes | |
---|---|---|---|---|---|
1923 | Bouree | Johann Sebastian Bach | Vienna Secession | ||
1923 | Eine Seifenblase | Claude Debussy | Vienna Secession | ||
1923 | Forelle | Franz Schubert | Vienna Secession | ||
1923 | Humoreske | Max Reger | Vienna Secession | ||
1923 | Le Martyre de Saint Sebastien | Claude Debussy | Vienna Secession | ||
1923 | Reiter im Sturm | Siegfried Frederick Nadel | Vienna Secession | ||
1923 | Sarabande | Johann Sebastian Bach | Vienna Secession | ||
1923 | Trout | ||||
1923 | Vogel als Prophet | Franz Schubert | Vienna Secession | ||
1926 | Funeral March for a Canary | Lord Berners | |||
1926 | Mechanical Ballet | ||||
1929 | Chaconne & Variations | George Frideric Handel | |||
1929 | Englischer Schafertanz | Percy Aldridge Grainger | |||
1929 | Hebraischer Tanz solo | Alexander Veprik | |||
1929 | Lebenswende | Karel Boleslav Jirák | |||
1929 | Marsch | Sergei Sergeyevich Prokofiev | |||
1929 | The Martyrdom of Saint Sebastien | Claude-Achille Debussy | |||
1929 | Mutter Erde | Heinz Graupner | |||
1929 | Sarabande und Bourree | Johann Sebastian Bach | |||
1929 | Tanz nach Rumaischene Motive | Béla Viktor János Bartók | |||
1931 | Javanische Impression | Heinz Graupner | |||
1933 | Kabbalistischer Tanz | Vittorio Rieti | |||
1936 | Ahasver | Marcel Rubin | Volkshochschule, Vienna | ||
1936 | Barbarasong | Weill | Volkshochschule, Vienna | ||
1936 | Engel der Verkündigung | Händel | Volkshochschule, Vienna | ||
1937 | Flämischer Bilderboden | nach Breughel | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Golem | Wilckens | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Mystischer Kreis | Reti | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Orientalischer Tanz | Graupner | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Passacaglia | Händel | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Tango | Benatzky | Volksbildungshaus, Stöbergasse, Vienna | ||
1948 | Annunciation | ||||
1948 | Emperors new Clothes | Wolfgang Amadeus Mozart | |||
1948 | Pavane | Maurice Ravel | |||
1948 | Russian Fairy Tales | Alexander Borodine, Modest Petrovich Mussorgsky | |||
1948 | Selfish Giant | ||||
1948 | Tales and Legends in Modern Ballet | ||||
1948 | Viennese Waltz | Johann Strauss II | |||
1952 | Dance with Cymbals on the Indian Ocean | ||||
1952 | Dance with Tambourines | Fritz Dietrich | |||
1952 | Nocturne | Heinz Graupner | |||
1952 | Slavic Dance | Antonín Dvořák | |||
1954 | Aztec Cult (Sacrifice) | ||||
1954 | Barbar the Elephant | ||||
1954 | Old Vienna | ||||
1954 | Orchid | ||||
1954 | Rhythm of the East | ||||
1954 | Selfish Giant | ||||
1954 | Tibetan Prayer Songs | ||||
1955 | Angels | ||||
1955 | Dance Etudes | ||||
1955 | Galliarde-Siciliano | Ottorino Respighi | |||
1955 | Hoops | Georges Bizet | |||
1955 | Jazz | Heinz Graupner | |||
1955 | Men & Horses | John S. Beckett | |||
1955 | Toccata | Paradies | |||
1955 | Under the Sea | Camille Saint-Saëns | Sadler's Wells Theatre | ||
1955 | Valse Caprice | Aram Khachaturian | |||
1956 | Etude | ||||
1956 | Prelude | Johann Sebastian Bach | |||
1956 | Theme and Variations | George Frideric Handel | |||
1957 | Allegro Vivaci | Johann Sebastian Bach | |||
1957 | Bird | ||||
1957 | Café Dansant | George Gershwin | |||
1957 | Egypt | ||||
1957 | The Hunter and the Geese | ||||
1957 | Madonna | ||||
1957 | March | Lev Knipper | |||
1957 | Nativity | George Frideric Handel, Franz Schubert, Johann Sebastian Bach | |||
1957 | Sale | Johann Strauss II | |||
1957 | The Toyshop | Aram Khachaturian | |||
1957 | Stranger | Aaron Copland | |||
1957 | Witches Kitchen and Walpurgisnight | Paul Dukas | |||
1958 | Dance Divertissement | ||||
1958 | Dance for four Women | Joaquín Turina | |||
1958 | Dance with Bells | John S. Beckett | |||
1958 | Ritual Fire Dance | Manuel de Falla | |||
1958 | Song of the Earth | Antonín Dvořák | |||
1960 | Allegro | Arcangelo Corelli | |||
1960 | Dawn of Life | ||||
1960 | The Farmer’s Curst Wife | Peter Warlock | |||
1960 | Frankie and Johannie | Peter Warlock | |||
1960 | Imaginary Invalid | Gioachino Antonio Rossini | |||
1960 | Secret Annexe | ||||
1960 | West Indian Spiritual | ||||
1961 | Dance for Two | Germaine Tailleferre | |||
1961 | Egypt | ||||
1961 | The House of Bernarda Alba (The Sisters) | Joaquín Turina | written by Federico Lorca | ||
1961 | Metamorphoses | Ovid | |||
1961 | Pierrot | Johann Sebastian Bach | |||
1963 | Dance for Men | ||||
1963 | Dream | Wilckens | |||
1963 | Lady Isobel and the Elf Knight | Peter Warlock | |||
1963 | Narcissus (The Image) | Heinz Graupner | |||
1965 | Ballad of the Hanged (Villons Epitaph) | ||||
1965 | Cain’s Morning | ||||
1965 | Canticle of the Sun | Johann Pachebel | |||
1965 | Creation of Adam & Eve | Olivier Messiaen | |||
1965 | Nightwalkers | Olivier Messiaen | |||
1965 | Saint Francis and his sermon to the birds | ||||
1968 | Angelic Prelude – Inspirations | Giuseppe Torelli | |||
1968 | Salome | Philip Croot | |||
1968 | Towards the Light | Edvard Greig | Sadlers Wells Theatre | ||
1968 | The Wise & Foolish Virgins | Philip Croot | |||
1970 | The Scarecrow | ||||
1971 | Snowchild | ||||
1972 | Bamboo | Khatshaturian | Commonwealth Institute | ||
1972 | Bauhaus | Erik Satie | Commonwealth Institute | ||
1972 | Embrace | Erik Satie | Commonwealth Institute | ||
1972 | Flight | Commonwealth Institute | |||
1972 | Hieronymus Bosch | Roger Cutts | Commonwealth Institute | ||
1972 | Honoré Daumier | Commonwealth Institute | |||
1972 | The Hypopatic Doctor | Gioachino Antonio Rossini, Franz Schubert | Commonwealth Institute | ||
1972 | Inspirations | Sergei Rachmaninoff, Claude Debussy | Commonwealth Institute | ||
1972 | Man against Flood | Yin Chengzong | Commonwealth Institute | based on book by Rewi Alley | |
1972 | Prelude | ||||
1972 | Renaissance, Scene on Earth, Scene on Heaven | Mompou, Gordon Langford, Banchieri | Commonwealth Institute | ||
1972 | Shiva and the Grasshopper | Gordon Langford | Commonwealth Institute | based on the poem by Kipling | |
1972 | Suspension | Maurice Ravel | Commonwealth Institute | ||
1972 | Tranquillity | Alan Hovhaness | Commonwealth Institute | ||
1972 | Tribal Nocturne | Béla Viktor János Bartók | Commonwealth Institute | ||
1974 | Archaic | ||||
1974 | Bamboo | Aram Khachaturian | |||
1974 | Egypt | Giuseppe Verdi | |||
1974 | Hieronymus Bosch | Roger Cutts | |||
1974 | The Hunter and the Hunted | ||||
1974 | Paul Klee Spring Awakening | Béla Viktor János Bartók | |||
1974 | Renaissance | Federico Mompou | |||
1974 | Spring Awakening | ||||
1975 | Inspirations | Sergei Rachmaninow, Claude Debussy | The Hampstead Theatre | ||
1975 | Mobiles | Alfredo Casella | The Hampstead Theatre | ||
1975 | Paul Klee Spring Awakening | Belá Bartók | The Hampstead Theatre | ||
1975 | Rockpaintings | Roger Cutts | The Hampstead Theatre | ||
1975 | Toulouse Lautrec | Erik Satie | The Hampstead Theatre | ||
1976 | The Park | ||||
1977 | Prelude and Chorale | César Franck | |||
1977 | Sacred and Profane Dance | ||||
1979 | African Poetry | ||||
1979 | Apsaras | ||||
1979 | Homage to Barbara Hepworth | Heitor Villa-Lobos | |||
1979 | Prelude | Giuseppe Torelli | |||
1979 | Tower of Mothers | Carl Orff | |||
1979 | Tradisches Ballet | choreographed by Oskar Schlemmer | |||
1979 | We are Dancing | Johann Sebastian Bach | |||
1983 | The Bow and Arrow | David Sutton-Anderson | The Hampstead Theatre | ||
1983 | Fishes | David Sutton-Anderson | The Hampstead Theatre | ||
1983 | The Letter | Coleridge | The Hampstead Theatre | ||
1983 | The Manikin | Coleridge | The Hampstead Theatre | ||
1983 | The Penguin Story | David Sutton-Anderson | The Hampstead Theatre | ||
1983 | Pick a Back | Coleridge | The Hampstead Theatre | ||
1983 | Poems on a Boy’s Painting | David Sutton-Anderson | The Hampstead Theatre | poems by Ke Yan, pictures by Bu Di | |
1983 | Sea and Sand | The Hampstead Theatre | poems by Rewi Alley | ||
1983 | Sea, Clouds, Sparkling Lighthouse, Flames | The Hampstead Theatre | |||
1983 | Umbrellas | The Hampstead Theatre | poems by Bu Di and Ke Yan | ||
1983 | What is a Poem | David Sutton-Anderson | The Hampstead Theatre | ||
1984 | The City | Marcel Rubin | The Hampstead Theatre | ||
1984 | Don Quixote | David Sutton-Anderson | The Hampstead Theatre | ||
1984 | Ritual | David Sutton-Anderson | The Hampstead Theatre | ||
1984 | Scherzo | Frédéric Chopin | |||
1988 | Children of the Vorstadt | Franz Lehár | The Hampstead Theatre | ||
1988 | Childrens' Games | ||||
1988 | Death and the Maiden | Franz Schubert | The Hampstead Theatre | ||
1988 | Egon Schiele in Memoriam, The Dying Empire | Strauss | The Hampstead Theatre | ||
1988 | The Family | Hugo Wolf | The Hampstead Theatre | ||
1988 | Flemish Picture Sheet | ||||
1988 | Fluteplayers | ||||
1988 | Four Seasons | Antonio Vivaldi | The Hampstead Theatre | ||
1988 | Golem | Wilckens | |||
1988 | Hands | David Sutton-Anderson | The Hampstead Theatre | ||
1988 | The Least is the Most | Percussion: David Sutton-Anderson | The Hampstead Theatre | ||
1988 | Mechanical Ballet | Ludwig Hirschfeld Mack | |||
1988 | Models | Schubert, Schönberg | The Hampstead Theatre | ||
1995 | Whales | ||||
2000 | Rhythms of the Unconscious Mind |
Year | Title | Role | Notes |
---|---|---|---|
1996 | Spirit Levels | herself | |
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