Richard Wagner (22 May 1813 Leipzig me – 13 February 1883 Venice me) ek German opera composer rahaa. Uu Romantic period me Germany ke sab se achchhaa composer rahaa. Uu music ke chorr ke jiske uu aapan school ke time likhis rahaa, uu das opera likis rahaa jiske aaj kal bhi perform karaa jaawe hae. Uske jaada opera me German mythology ke baare me khissa rahaa. Uu sab time aapan word me likhat rahaa aur logan ke idea ki opera kon chij hae ke idea ke badal diis rahaa. festival.
Richard Wagner | |
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Wagner ke chapa 1871 me | |
Background information | |
Born | 22 May 1813 Leipzig, Germany |
Origin | German |
Died | 13 February 1883 Venice, Italy |
Genre(s) | opera, mythology |
WWV[1] | Form or genre | Title |
---|---|---|
1 | Trauerspiel | Leubald (1826-1828) |
2 | piano | Sonata in D minor |
3 | aria | Aria (1829; lost) |
4 | chamber music | String Quartet in D major |
5 | piano | Sonata in F minor |
6 | opera | Schäferoper (Die Laune des Verliebten) (early 1830?; lost) |
7 | Lieder | Lieder (1828-1830; drafts) |
8 | aria | Aria for soprano and orchestra (early 1830?; lost) |
9 | arrangement | Piano reduction of Ludwig van Beethoven's Symphony No. 9 in D minor, Op. 125 (1830-1831) |
10 | orchestral | Overture in B flat major ("Paukenschlag-Ouvertüre") (1830; lost) |
11 | orchestral | Politische Ouvertüre (1830?; lost) |
12 | orchestral | Overture to Schiller's Die Braut von Messina (1830; lost?) |
13 | orchestral | Fragment of an orchestral work in E minor (1830?) |
14 | orchestral | Overture in C major (1830; lost) |
15 | Lieder | Seven Compositions on Goethe's Faust |
16 | piano 4-hands | Sonata in B flat major, for four hands |
17 | orchestral | Overture in E flat major (1831; lost) |
18 | arrangement | Piano reduction of Haydn's Symphony No. 103 in E flat major (1831; lost) |
19A | choral | Study fugue "Dein ist das Reich" (1831-1832) |
19B | Double Fugue (1831-1832) | |
20 | orchestral | Concert Overture No. 1 in D minor (1831) |
21 | piano | Sonata in B flat Major, Op. 1 (1831) |
22 | piano | Fantasia in F-sharp minor (1831) |
23A | piano | Polonaise for piano (1831-1832) |
23B | piano | Polonaise for piano, four hands (1832) |
24 | orchestral | Overture in E minor and Theater Music to Raupach's "König Enzio" |
25 | orchestral | Entreacte tragique No. 1 in D major (Fragment) |
26 | piano | Grand Sonata in A major (1832) |
27 | orchestral | Concert Overture No. 2 in C major |
28 | aria | Scene and Aria for soprano and orchestra |
29 | orchestral | Symphony in C major |
30 | Lieder | Glockentöne (Abendglocken) |
31 | Oper | Die Hochzeit (1832-1833) |
32 | grosse romantische Oper | Die Feen |
33 | aria | Aria No. 15 (Aubry) "Wie ein schöner Frühlingsmorgen" from the opera "Der Vampyr" by Heinrich Marschner with a new allegro "Doch jetzt, wohin ich blicke, umgibt mich Schreckensnacht" |
34 | arrangement | Instrumentation of a cavatina from Bellini's "Il pirata'" |
35 | orchestral | Symphony in E major |
36 | Music to the Festspiel "Beim Antritt des neuen Jahres 1835" | |
37 | orchestral | Overture to Guido Theodor Apel's historic drama Columbus |
38 | grosse komische Oper | Das Liebesverbot oder Die Novize von Palermo |
39 | orchestral | Polonia. Overture in C major |
40 | grosse Oper | Die hohe Braut |
41 | incidental music | Music for the play Die letzte Heidenverschwörung in Preußen oder Der Deutsche Ritterorden in Königsberg by J. Singer, Skizze |
42 | orchestral | Rule Britannia. Overture in D major |
43 | aria | "Sanfte Wehmut will sich regen". Aria for bass and orchestra. Excerpt from the opera Mary, Max und Michel by Carl Blum |
44 | choral | Folk hymn Nicolay |
45 | aria | Bass aria from Die Schweizer Familie |
46B | arrangement | Giacomo Meyerbeer: Robert der Teufel No. 18 (C) Cavatina and reorchestration |
46C | arrangement | Carl Maria von Weber: "Euryanthe" No. 18 Hunting chorus and reorchestration |
46D | arrangement | Fromental Halévy: "Le Guitarrero" for several instruments |
46E | arrangement | Arrangements of Halévys "La reine de Chypre" |
46F | arrangement | Daniel Auber: Zanetta ou Jouer avec le feu, Arrangement for Flute and String Trio Suite No. 1 and 2 |
47 | arrangement | Gioachino Rossini: "Les soirées musicales", No. 12 Duet Li Marinari, Instrumentation |
48 | komische Oper | Männerlist grösser als Frauenlist, oder Die glückliche Bärenfamilie |
49 | grosse tragische Oper | Rienzi, der Letzte der Tribunen |
50 | Lieder | Der Tannenbaum |
51 | choral | Gesang am Grabe Julies von Holtei |
52 | "Norma il predisse, o Druidi", Aria for bass, male chorus, and orchestra from the opera "Norma" by Vincenzo Bellini | |
53 | song | Dors mon enfant |
54 | song | Extase [fragment] |
55 | song | Attente |
56 | song | La tombe dit à rose (fragment) |
57 | song | Mignonne |
58 | song | Tout n'est qu'images fugitives (Soupir) |
59 | orchestral | Faustsymphonie, first movement (Eine Faust-Ouvertüre, first version) |
59 | orchestral | Faust Overture (second version) |
60 | song | Les deux grenadiers |
61 | song | Adieux de Marie Stuart |
62B | arrangement | Arrangements from Gaetano Donizetti's opera La favorite |
62C | arrangement | Henri Herz: "Grande Fantaisie sur La Romanesca fameux air de danse du XVI siècle" op. 111. Arrangement for piano four-hands |
62E | arrangement | Arrangements of Fromental Halévys opera in five acts "La reine de Chypre" |
63 | romantische Oper | Der fliegende Holländer |
64 | piano | Albumblatt für Ernst Benedikt Kietz: Lied ohne Worte |
65 | "Descendons gaiement la courtille". Contribution to the Vaudeville-Ballet-Pantomime La descente de la courtille by Th. Marion Dumersan and Ch.-Désiré Dupeuty, for chorus and orchestra | |
66 | Oper | Die Sarazenin |
67 | Oper | Die Bergwerke zu Falun |
68 | choral | Festgesang Der Tag erscheint |
68A/B | choral | Festgesang zur Enthüllung des Friedrich August-Monuments |
69 | choral | Das Liebesmahl der Apostel |
70 | grosse romantische Oper | Tannhäuser und der Sängerkrieg auf Wartburg |
71 | choral | Gruß seiner Treuen an Friedrich August (II. von Sachsen) |
72 | choral | An Webers Grabe |
73 | orchestral | Funeral music |
74 | arrangement | Orchestration of Spontini's La vestale |
75 | romantische Oper | Lohengrin |
76 | Oper ? | Friedrich I. |
77 | arrangement | Arrangement of Christoph Willibald Gluck's tragic opera Iphigénie en Aulide |
78 | orchestral | Symphonies |
79 | arrangement | Giovanni Pierluigi da Palestrina: Stabat mater. Arrangement |
80 | Oper ? | Jesus of Nazareth (1849; scenario and 1 musical sketch) |
81 | Oper ? | Achilleus (1849-1850) |
82 | Heldenoper | Wieland der Schmied (1849-1850; scenario only) |
83 | arrangement | Arrangement of Mozart's Don Giovanni (1850) |
84 | piano | Polka (1853) |
85 | piano | Eine Sonate für das Album von Frau MW (1853) |
86A | Bühnenfestspiel, Vorabend | Das Rheingold (1853-1854) |
86B | Bühnenfestspiel, erster Tag | Die Walküre (1854-1856) |
86C | Bühnenfestspiel, zweiter Tag | Siegfried |
86D | Bühnenfestspiel, dritter Tag | Götterdämmerung (1869-1874) |
87 | arrangement | Konzertschluß to the Overture to Gluck's Iphigenie in Aulis (1854) |
88 | piano | Züricher Vielliebchen-Walzer (1854) |
89 | Oper | Die Sieger (1856; 1878) |
90 | Handlung | Tristan und Isolde (1857-1859) |
91 | Lieder | Wesendonck Lieder (1857-1858) |
91B | orchestral | Träume. Version for violin and chamber orchestra (1857) |
92 | Lieder | Es ist bestimmt in Gottes Rat (1858?; draft) |
93 | orchestral | 'Romeo und Julie' (1868; sketches) |
94 | piano | In the album of Fürstin M |
95 | piano | Ankunft bei den schwarzen Schwänen |
96 | Oper | Die Meistersinger von Nürnberg |
97 | orchestral | Huldigungsmarsch. Arrangement for military music |
98 | ? | 'Sogenannte Themen' |
99 | Oper ? | Luther's Wedding (1868; prose sketches) |
100 | Lustspiel | Ein Lustspiel in einem Akt (1868) |
101 | choral | Wahlspruch für die Deutsche Feuerwehr (1869) |
102 | Lustspiel in antiker Manier | Eine Kapitulation (1870) |
103 | orchestral | Siegfried Idyll (1870) |
104 | orchestral | Kaiser march (1871) |
105 | Lieder | kleinere Liedkompositionen (1871) |
106 | Kinder-Katechismus zu Kosel's Geburtstag (1873) | |
107 | ? | 'Sogenannte Themen' (1874-1883) |
108 | piano | Albumblatt für Frau Betty Schott (1875) |
109 | arrangement | Arrangement of the Waltz Wein, Weib und Gesang by Johann Strauss II (1875) |
110 | orchestral | Grand Festive March for the Opening of the Centennial Celebration of the Signing of the Declaration of Independence of the United States of America (1876) |
111 | Bühnenweihfestspiel | Parsifal (1877-1882) |
112 | Lieder | Kleinere Liedkompositionen (1877) |
113 | Lieder | Kleinere Liedkompositionen (1880) |
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