Fichier:A_Packet_off_Liverpool_RMG_BHC1862_inverted.tif
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Fichier d’origine (2 400 × 1 600 pixels, taille du fichier : 11,01 Mio, type MIME : image/tiff)
Ce fichier et sa description proviennent de Wikimedia Commons.
Description
Robert Noir : A packet off Liverpool | ||||||||||||||||||||||||
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Artiste |
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Auteur |
creator QS:P170,Q1722657 |
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Titre | ||||||||||||||||||||||||
Type d'objet |
peinture object_type QS:P31,Q3305213 |
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Description |
English: A Packet off Liverpool An early work by the artist painted when he was living and working in Liverpool. It is set in the Mersey with the buildings of Liverpool carefully delineated in the distance. The small 24-gun ship in the foreground is shown in broadside port-bow view, making sail, and again in port and stern view in the distance on the right. It is flying the red ensign and a pennant and is requesting a pilot to assist with the passage down river. A pilot cutter is shown on the far left, preparing to respond to the request and another pilot can be seen on the right in the distance. The ship was originally thought to be a frigate because she appears to be heavily armed but the pennant she is flying is not naval but that flown by mail packets. There is some speculation that she may have been a privateer, a privately owned armed vessel intended to operate against the trade of an enemy in times of war. This practice was abolished in 1856. In the foreground to the right, two men are occupied on board their small fishing boat. In a reference to Dutch marine painting, the artist has shown the fins of several large fish (or possibly dolphins) in the foreground as well as a buoy on the left. Liverpool, like Bristol, came to prominence as an 18th-century slaving and sugar port but overtook this earlier rival as northern industrialization made it one of the main beneficiaries of expanding international markets for British manufactured goods. It remained a 'boom town' for most of the 18th and 19th centuries. The painting displays both technical accuracy and careful delineation, informed by personal experience and intimate knowledge of the sea. This has led to the assumption that Salmon probably supplemented his income as an artist by working in shipping or related industry. Salmon was born in Whitehaven, Cumberland, where his family probably worked as mariners. He moved to London in the late 1790s and then to Liverpool in 1806. In 1828 he left England for Boston, Massachusetts, where he became a successful painter of marine views, ranging from small panels and canvases to theatrical moving panorama scenes. He returned to Europe about 1840 and died between 1848 and 1851, though where is uncertain. The artist has signed the painting with his monogram 'RS' and dated 1809, bottom right. |
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Date |
1809 date QS:P571,+1809-00-00T00:00:00Z/9 |
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Technique / matériaux | huile sur toile | |||||||||||||||||||||||
Dimensions | Frame: 668 mm x 948 mm x 68 mm;Painting: 559 mm x 838 mm | |||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Lieu actuel | ||||||||||||||||||||||||
Numéro d’inventaire |
BHC1862 |
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Références | ||||||||||||||||||||||||
Source / photographe | http://collections.rmg.co.uk/collections/objects/13341 | |||||||||||||||||||||||
Autorisation (Réutilisation de ce fichier) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: 1932-69 Caird Catalogue Number (CCAT): CC V1, P40, 227 id number: BHC1862 |
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Collection InfoField | Oil paintings |
Conditions d’utilisation
Ceci est une reproduction photographique fidèle d'une œuvre d'art originale en deux dimensions. L'œuvre d'art elle-même est dans le domaine public pour la raison suivante :
La position officielle de la Fondation Wikimedia est que « les représentations fidèles des œuvres d'art du domaine public en deux dimensions sont dans le domaine public et les exigences contraires sont une attaque contre le concept même de domaine public ». Pour plus de détails, voir Commons:Quand utiliser le bandeau PD-Art.
Cette reproduction photographique est donc également considérée comme étant élevée dans le domaine public. Merci de noter qu'en fonction des lois locales, la réutilisation de ce contenu peut être interdite ou restreinte dans votre juridiction. Voyez Commons:Reuse of PD-Art photographs. |
Éléments décrits dans ce fichier
dépeint
A packet off Liverpool anglais
image/tiff
069cd48b75cb56088de8ca669e7d64f23094650d
11 548 772 octet
1 600 pixel
2 400 pixel
Historique du fichier
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Date et heure | Vignette | Dimensions | Utilisateur | Commentaire | |
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actuel | 3 juin 2020 à 18:09 | 2 400 × 1 600 (11,01 Mio) | Blue Elf | =={{int:filedesc}}== {{Artwork |artist = |author = {{Creator:Robert Salmon}} |title = |description = {{en|1=A Packet off Liverpool<br> An early work by the artist painted when he was living and working in Liverpool. It is set in the Mersey with the buildings of Liverpool carefully delineated in the distance. The small 24-gun ship in the foreground is shown in broadside port-bow view, making sail, and again in port and stern view in the distanc... |
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Largeur | 2 400 px |
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Hauteur | 1 600 px |
Bits par composante |
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Schéma de compression | Non compressé |
Composition des pixels | RVB |
Emplacement des données de l’image | 28 728 |
Orientation | Normale |
Nombre de composantes | 3 |
Nombre de rangées par bande | 1 600 |
Octets par bande compressée | 11 520 000 |
Résolution horizontale | 72 pt/po |
Résolution verticale | 72 pt/po |
Arrangement des données | Format tronçonné |
Logiciel utilisé | Adobe Photoshop Elements 11.0 Windows |
Date de modification du fichier | 3 juin 2020 à 18:06 |
Espace colorimétrique | sRGB |