فهرست پرفروش‌ترین فیلم‌ها

درآمد فیلم‌ها، معمولاً در گیشه، از انتشار نسخهٔ خانگی فیلم‌ها و فروش حق پخش تلویزیونی به‌دست می‌آید. میزان فروش در گیشه، به دلیل دارا بودن سهم عمده، ارزیابی میزان موفقیت با این که در مقایسه با نسخه خانگی و درآمد از حق پخش تلویزیونی را دستی به آن آسان‌تر است، بیشتر مورد توجه قرار می‌گیرد.

Thumb — *بر باد رفته* سی وچهار سال رکورد پرفروش‌ترین فیلم جهان را از آن خود کرد و هنوز هم با احتساب تورم این عنوان را داراست.^[۱]

به‌طور سنتی، فیلم‌های جنگی و درام‌های تاریخی، ژانرهای محبوب بوده‌اند، اما در قرن ۲۱ میلادی، ژانر ابرقهرمانی بین مخاطبان جایگاه دارد: برخی آثار بتمن و سوپرمن از شرکت دی‌سی و فیلم‌های مارول مانند مرد عنکبوتی و فیلم‌های دنیای سینمایی مارول نیز در جدول هستند.^[۱]

انتقام‌جویان: پایان بازی موفق‌ترین فیلم ابرقهرمانی است. همچنین سری فیلم‌های انتقام جویان که بر پایه شخصیت‌های گروه انتقام جویان ساخته شده در ۱۰ فیلم پرفروش قرار دارند. علاوه بر این سری فیلم‌های مرد عنکبوتی و مردان ایکس از مارول کامیکس در گیشه موفق بوده‌اند. جنگ ستارگان نیز در نمودار فروش زیر با چهار فیلم نمایش داده می‌شود در حالی که فیلم‌های هری پاتر، پارک ژوراسیک و دزدان دریایی کاراییب به فروش موفقیت‌آمیزی دست یافتند.

تنها فیلم‌هایی که در ۱۰ فیلم پرفروش قرار دارند و اقتباس، دنباله یا بازسازی نیستند، آواتار و تایتانیک هستند که هردوی آن‌ها را جیمز کامرون نوشته، تهیه و کارگردانی کرده‌است. فیلم‌های پویانمایی نیز معمولاً نمایش خوبی در گیشه داشته‌اند. در پویانمایی ها انیمیشن درون و بیرون ۲ پرفروش‌ترین انیمیشن جهان هست. و انیمیشن های شیر شاه ، منجمد ۲، منجمد و زوتوپیا از دیزنی و همچنین ، شگفت‌انگیزان ۲، داستان اسباب‌بازی ۴، داستان اسباب‌بازی ۳، در جستجوی دوری و مجموعه ماشین‌ها از پیکسار ، فروش بسیار خوبی داشتند. مجموعه‌های شرک، عصر یخبندان، ماداگاسکار و من نفرت‌انگیز از دیگر پویانمایی‌های موفق بوده‌اند.

با وجود این که تورم، موفقیت برخی مجموعه فیلم‌ها در دهه‌های ۶۰ و ۷۰ میلادی را کم‌رنگ کرده‌است، هنوز مجموعه‌های از آن زمان وجود دارند که ادامه یافته‌اند و فیلم‌هایشان هنوز ساخته می‌شود. فیلم‌های مجموعه‌ای سوپرمن، جیمز باند و پیشتازان فضا به صورت دوره‌ای منتشر می‌شوند.

در این بین نقش تورم و گرانی کمرنگ نیست. به‌طور مثال بر باد رفته که ۳۴ سال پرفروش‌ترین فیلم تاریخ بود، هم‌اکنون در فهرست پرفروش‌ترین‌ها حتی بین ۵۰ فیلم اول هم قرار ندارد. اما با احتساب نرخ تورم، این فیلم همچنان پرفروش‌ترین فیلم تاریخ است.

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A portrait of a middle aged man with greying hair. — اولین، سومین و چهارمین فیلم‌های پرفروش جهان، هر سه به نویسندگی و کارگردانی جیمز کامرون است.

آواتار با فروش بیش از ۲٬۹ میلیارد دلار، پرفروش‌ترین فیلم تاریخ است. البته این مبلغ فقط شامل فروش فیلم در سالن‌های سینما است و فروش دی‌وی‌دی‌ها و بخش سینمای خانگی در آن محاسبه نشده است که همین بخش، گاهی بیشتر موفقیت مالی فیلم‌ها را شکل می‌دهد. اگر اطلاعات فروش دی‌وی‌دی‌ها و سینمای خانگی محاسبه شوند، دیگر واضح نیست کدام فیلم پرفروش‌ترین بوده است. تایتانیک ۲۵ میلیون نسخه VHS و ۵ میلیون نسخه دی‌وی‌دی و ۴۰۰ هزار نسخه بلو-ری در آمریکای شمالی فروخت و در نهایت ۱٬۲ میلیارد دلار فروش ویدئو، دی‌وی‌دی، بلو-ری و اجاره فیلم در سراسر جهان داشته^[۲] و بیش از ۲٬۲ میلیارد دلار در سینماها جهان فروخته است. آواتار ۱۹ میلیون نسخه دی‌وی‌دی و بیش از ۷ میلیون نسخه بلو-ری در آمریکای شمالی فروخت و ۴۰۱ میلیون دلار کسب کرد.^[۳] در همین حال ۳۰ میلیون نسخه از دی‌وی‌دی و دیسک بلو-ری آن در دیگر نقاط جهان به فروش رفت.^[۴] با محاسبهٔ فروش سینمای خانگی و اجاره، هر دو فیلم جمعاً ۳ میلیارد دلار درآمد داشته‌اند. پخش تلویزیونی نیز به درآمد فیلم اضافه می‌شود. هر فیلم معمولاً با پخش شدن از چندین شبکه مختلف، حدود ۲۰ تا ۲۵ درصد فروش سینمایی‌اش نصیبش می‌شود.^[۵] تایتانیک برای پخش شدن از شبکه‌های ان‌بی‌سی و اچ‌بی‌او حدود ۵۵ میلیون دلار به دست آورد،^[۲] که تقریباً معادل ۹٪ فروشش در آمریکای شمالی است.

وقتی یک فیلم دارای خاصیت بهره‌برداری بسیار بالایی باشد، فروش سینمایی آن می‌تواند در مقابل درآمدهای فرعی آن کم به نظر برسد.^[۶] شیرشاه حدود ۲ میلیارد دلار در گیشه و سینمای خانگی فروخت،^[۷] اما اقتباس‌های نمایشی از آن در سرتاسر جهان ۸ میلیارد دلار فروش داشت.^[۸] همچنین فروش کالاهای مرتبط با فیلم هم می‌تواند اثرگذار باشد: شیرشاه از این راه ۳ میلیارد دلار درآمد کسب کرد،^[۹] و ماشین‌ها که در سال ۲۰۰۶ منتشر شد و فروش جهانی آن به ۴۶۲ میلیون دلار رسید که در مقایسه با دیگر فیلم‌های پیکسار فروش پایین‌تری داشته‌^[۱۰] ولی پنج سال بعد از انتشار فیلم ۸ میلیارد دلار فقط از راه فروش کالاهای مرتبط با آن به دست آورد.^[۱۱]^[۱۲] داستان اسباب‌بازی ۳ که فیلم دیگری از استودیوی پیکسار است، در کنار فروش ۱ میلیاردی‌اش در گیشه، حدود ۱۰ میلیارد دلار از راه فروش کالا به‌دست‌آورد.^[۱۳]^[۱۴]

در این نمودار، فیلم‌ها بر اساس درآمدهای حاصل از اکران، رتبه‌بندی می‌شوند. شش فیلم در مجموع بیش از ۲ میلیارد دلار در سرتاسر جهان فروش داشته‌اند که آواتار در رتبه اول قرار دارد. همه فیلم‌ها در قرن بیست و یکم اکران سینمایی (از جمله اکران مجدد) داشته‌اند.

فیلم‌هایی را مشخص می‌کند که در حال حاضر در سینماهای سراسر جهان پخش می‌شوند.

اطلاعات بیشتر رتبه, اوج ...

پرفروش‌ترین فیلم‌ها^[۱۵]
رتبه	اوج	عنوان	فروش جهانی	سال	منابع
۱	۱	آواتار	$۲٬۹۲۳٬۷۰۶٬۰۲۶	۲۰۰۹	^{[# ۱]}
۲	۱	انتقام‌جویان: پایان بازی	$۲٬۷۹۷٬۵۰۱٬۳۲۸	۲۰۱۹	^{[# ۲]}^{[# ۳]}
۳	۳	آواتار: راه آب	$۲٬۳۲۰٬۲۵۰٬۲۸۱	۲۰۲۲	^{[# ۴]}^{[# ۵]}
۴	۱	تایتانیک	$۲٬۲۵۷٬۸۴۴٬۵۵۴	۱۹۹۷	^{[# ۶]}
۵	۳	جنگ ستارگان: نیرو برمی‌خیزد	$۲٬۰۶۸٬۲۲۳٬۶۲۴	۲۰۱۵	^{[# ۷]}^{[# ۸]}
۶	۴	انتقام‌جویان: جنگ ابدیت	$۲٬۰۴۸٬۳۵۹٬۷۵۴	۲۰۱۸	^{[# ۹]}^{[# ۱۰]}
۷	۶	مرد عنکبوتی: راهی به خانه نیست	$۱٬۹۲۱٬۸۴۷٬۱۱۱	۲۰۲۱	^{[# ۱۱]}^{[# ۱۲]}
۸	۷	درون و بیرون ۲	$۱٬۶۷۵٬۹۴۳٬۳۹۴	۲۰۲۴	^{[# ۱۳]}^{[# ۳]}
۹	۳	دنیای ژوراسیک	$۱٬۶۷۱٬۵۳۷٬۴۴۴	۲۰۱۵	^{[# ۱۴]}^{[# ۱۵]}
۱۰	۴	شیر شاه	$۱٬۶۶۳٬۸۴۳٬۱۲۴	۲۰۱۹
۱۱	۳	انتقام‌جویان	$۱٬۵۱۸٬۸۱۵٬۵۱۵	۲۰۱۲	^{[# ۱۶]}^{[# ۱۷]}
۱۲	۴	خشمگین ۷	$۱٬۵۱۵٬۳۴۱٬۳۹۹	۲۰۱۵	^{[# ۱۸]}^{[# ۱۹]}
۱۳	۱۱	تاپ گان: ماوریک	$۱٬۴۹۵٬۶۹۶٬۲۹۲	۲۰۲۲	^{[# ۲۰]}^{[# ۲۱]}
۱۴	۱۰	یخ‌زده ۲	$۱٬۴۵۰٬۰۲۶٬۹۳۳	۲۰۱۹	^{[# ۲۲]}^{[# ۲۳]}
۱۵	۱۴	باربی †	$۱٬۴۴۵٬۶۳۸٬۴۲۱	۲۰۲۳	^{[# ۲۴]}^{[# ۲۵]}
۱۶	۵	انتقام‌جویان: عصر اولتران	$۱٬۴۰۲٬۸۰۹٬۵۴۰	۲۰۱۵	^{[# ۲۶]}^{[# ۱۹]}
۱۷	۱۵	برادران سوپر ماریو	$۱٬۳۶۱٬۹۷۵٬۰۳۰	۲۰۲۳	^{[# ۲۷]}^{[# ۲۸]}
۱۸	۹	پلنگ سیاه	$۱٬۳۴۷٬۲۸۰٬۸۳۸	۲۰۱۸	^{[# ۲۹]}^{[# ۳۰]}
۱۹	۳	هری پاتر و یادگاران مرگ – قسمت دوم	$۱٬۳۴۲٬۱۳۹٬۷۲۷	۲۰۱۱	^{[# ۳۱]}
۲۰	۹	جنگ ستارگان: آخرین جدای	$۱٬۳۳۲٬۵۳۹٬۸۸۹	۲۰۱۷	^{[# ۳۲]}^{[# ۳۳]}
۲۱	۱۲	دنیای ژوراسیک: سقوط پادشاهی	$۱٬۳۰۸٬۴۷۳٬۴۲۵	۲۰۱۸	^{[# ۳۴]}^{[# ۱۰]}
۲۲	۵	یخ‌زده	$۱٬۲۹۰٬۰۰۰٬۰۰۰	۲۰۱۳	^{[# ۳۵]}
۲۳	۱۰	دیو و دلبر	$۱٬۲۶۳٬۵۲۱٬۱۲۶	۲۰۱۷	^{[# ۳۶]}^{[# ۳۷]}
۲۴	۱۵	شگفت‌انگیزان ۲	$۱٬۲۴۲٬۸۰۵٬۳۵۹	۲۰۱۸	^{[# ۳۸]}^{[# ۱۰]}
۲۵	۱۱	سرنوشت خشمگین	$۱٬۲۳۸٬۷۶۴٬۷۶۵	۲۰۱۷	^{[# ۳۹]}^{[# ۳۷]}
۲۶	۵	مرد آهنی ۳	$۱٬۲۱۴٬۸۱۱٬۲۵۲	۲۰۱۳	^{[# ۴۰]}^{[# ۴۱]}
۲۷	۱۰	مینیون‌ها	$۱٬۱۵۹٬۴۴۴٬۶۶۲	۲۰۱۵	^{[# ۴۲]}^{[# ۱۵]}
۲۸	۱۲	کاپیتان آمریکا: جنگ داخلی	$۱٬۱۵۳٬۳۳۷٬۴۹۶	۲۰۱۶	^{[# ۴۳]}^{[# ۴۴]}
۲۹	۲۰	آکوامن	$۱٬۱۴۸٬۵۲۸٬۳۹۳	۲۰۱۸	^{[# ۴۵]}^{[# ۱۰]}
۳۰	۲	ارباب حلقه‌ها: بازگشت پادشاه	$۱٬۱۴۷٬۹۹۷٬۴۰۷	۲۰۰۳	^{[# ۴۶]}^{[# ۴۷]}
۳۱	۲۴	مرد عنکبوتی: دور از خانه	$۱٬۱۳۱٬۹۲۷٬۹۹۶	۲۰۱۹	^{[# ۴۸]}^{[# ۳]}
۳۲	۲۳	کاپیتان مارول	$۱٬۱۲۸٬۲۷۴٬۷۹۴	۲۰۱۹	^{[# ۴۹]}^{[# ۵۰]}
۳۳	۵	تبدیل‌شوندگان: نیمه تاریک ماه	$۱٬۱۲۳٬۷۹۴٬۰۷۹	۲۰۱۱	^{[# ۵۱]}^{[# ۳۱]}
۳۴	۷	اسکای‌فال	$۱٬۱۰۸٬۵۶۹٬۴۹۹	۲۰۱۲	^{[# ۵۲]}^{[# ۵۳]}
۳۵	۱۰	تبدیل‌شوندگان: عصر انقراض	$۱٬۱۰۴٬۰۵۴٬۰۷۲	۲۰۱۴	^{[# ۵۴]}^{[# ۵۵]}
۳۶	۷	شوالیه تاریکی برمی‌خیزد	$۱٬۰۸۱٬۱۶۹٬۸۲۵	۲۰۱۲	^{[# ۵۶]}^{[# ۵۷]}
۳۷	۳۱	جوکر	$۱٬۰۷۴٬۴۵۸٬۲۸۲	۲۰۱۹	^{[# ۵۸]}^{[# ۲۳]}
۳۸	۳۲	جنگ ستارگان: خیزش اسکای‌واکر	$۱٬۰۷۴٬۱۴۴٬۲۴۸	۲۰۱۹	^{[# ۵۹]}^{[# ۲۳]}
۳۹	۳۰	داستان اسباب‌بازی ۴	$۱٬۰۷۳٬۳۹۴٬۵۹۳	۲۰۱۹	^{[# ۶۰]}^{[# ۳]}
۴۰	۴	داستان اسباب‌بازی ۳	$۱٬۰۶۶٬۹۷۰٬۸۱۱	۲۰۱۰	^{[# ۶۱]}
۴۱	۳	دزدان دریایی کارائیب: صندوقچه مرد مرده	$۱٬۰۶۶٬۱۷۹٬۷۴۷	۲۰۰۶	^{[# ۶۲]}
۴۲	۲۰	روگ وان	$۱٬۰۵۷٬۴۲۰٬۳۸۷	۲۰۱۶	^{[# ۶۳]}^{[# ۶۴]}
۴۳	۳۴	علاءالدین	$۱٬۰۵۰٬۶۹۳٬۹۵۳	۲۰۱۹	^{[# ۶۵]}^{[# ۳]}
۴۴	۶	دزدان دریایی کارائیب: سوار بر امواج ناشناخته	$۱٬۰۴۵٬۷۱۳٬۸۰۲	۲۰۱۱	^{[# ۶۶]}^{[# ۶۱]}
۴۵	۱	پارک ژوراسیک	$۱٬۰۳۷٬۵۳۵٬۲۳۰	۱۹۹۳	^{[# ۶۷]}
۴۶	۲۴	من نفرت‌انگیز ۳	$۱٬۰۳۴٬۸۰۰٬۱۳۱	۲۰۱۷	^{[# ۶۸]}^{[# ۳۷]}
۴۷	۲۲	در جستجوی دوری	$۱٬۰۲۸٬۵۷۰٬۹۴۲	۲۰۱۶	^{[# ۶۹]}^{[# ۷۰]}
۴۸	۲	جنگ ستارگان: قسمت اول – تهدید شبح	$۱٬۰۲۷٬۰۸۲٬۷۰۷	۱۹۹۹	^{[# ۷۱]}^{[# ۶]}
۴۹	۵	آلیس در سرزمین عجایب	$۱٬۰۲۵٬۴۶۸٬۲۱۶	۲۰۱۰	^{[# ۷۲]}^{[# ۷۳]}
۵۰	۲۴	زوتوپیا	$۱٬۰۲۳٬۷۸۴٬۱۹۵	۲۰۱۶	^{[# ۷۴]}^{[# ۴۴]}
۵۱	۱۴	هابیت: یک سفر غیرمنتظره	$۱٬۰۱۷٬۰۳۰٬۶۵۱	۲۰۱۲	^{[# ۷۵]}^{[# ۷۶]}

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اطلاعات بیشتر رتبه, عنوان ...

پرفروش‌ترین فیلم‌ها با احتساب نرخ تورم^[۱۶]^[۱۷]
رتبه	عنوان	فروش جهانی (دلار ۲۰۲۳)	سال	منابع
۱	بربادرفته	$۱۵٬۵۷۰٬۰۶۹٬۶۱۱	۱۹۳۹	^{[# ۷۷]}
۲	تایتانیک	$۴٬۴۱۱٬۱۶۲٬۶۶۲	۱۹۹۷	^{[# ۷۸]}
۳	آواتار	$۳٬۵۴۴٬۹۸۰٬۲۹۵	۲۰۰۹	^{[# ۷۹]}
۴	جنگ ستارگان	$۳٬۱۸۸٬۵۲۰٬۰۵۶	۱۹۷۷	^{[# ۸۰]}
۵	انتقام جویان: پایان بازی	$۲٬۷۹۷٬۷۸۲٬۷۷۲	۲۰۱۹	^{[# ۸۱]}
۶	اشک‌ها و لبخندها	$۲٬۵۹۸٬۵۹۸٬۱۸۶	۱۹۶۵	^{[# ۸۲]}
۷	ای. تی. موجود فرازمینی	$۲٬۴۸۶٬۲۰۳٬۹۰۵	۱۹۸۲	^{[# ۸۳]}
۸	ده فرمان	$۲٬۳۶۱٬۰۰۰٬۰۰۰	۱۹۵۶	^{[# ۸۴]}
۹	دکتر ژیواگو	$۲٬۲۳۸٬۰۰۰٬۰۰۰	۱۹۶۵	^{[# ۸۵]}
۱۰	جنگ ستارگان: نیرو برمی‌خیزد	$۲٬۲۴۵٬۸۵۱٬۳۶۹	۲۰۱۵	^{[# ۸۶]}

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اطلاعات بیشتر سال, عنوان ...

پرفروش‌ترین فیلم‌ها بر پایه سال^[۱۸]^[۱۹]^[۲۰]
سال	عنوان	فروش جهانی	بودجه	منابع
۱۹۱۵	تولد یک ملت	$۵۰٬۰۰۰٬۰۰۰–۱۰۰٬۰۰۰٬۰۰۰ $۲۰٬۰۰۰٬۰۰۰+ ($۵٬۲۰۰٬۰۰۰)	$۱۱۰٬۰۰۰	^{[# ۸۷]}
۱۹۱۶	تعصب	$۱٬۰۰۰٬۰۰۰	$۴۸۹٬۶۵۳	^{[# ۸۸]}
۱۹۱۷	کلئوپاترا	$۵۰۰٬۰۰۰	$۳۰۰٬۰۰۰	^{[# ۸۸]}
۱۹۱۸	میکی	$۸٬۰۰۰٬۰۰۰	$۲۵۰٬۰۰۰	^{[# ۸۹]}
۱۹۱۹	مرد شگفت‌انگیز	$۳٬۰۰۰٬۰۰۰	$۱۲۰٬۰۰۰	^{[# ۹۰]}
۱۹۲۰	در دوردست شرق	$۵٬۰۰۰٬۰۰۰ ($۴٬۰۰۰٬۰۰۰)	$۸۰۰٬۰۰۰	^{[# ۹۱]}
۱۹۲۱	چهار سوار سرنوشت	$۵٬۰۰۰٬۰۰۰ ($۴٬۰۰۰٬۰۰۰)	$۶۰۰٬۰۰۰–۸۰۰٬۰۰۰	^{[# ۹۲]}
۱۹۲۲	رابین هود	$۲٬۵۰۰٬۰۰۰	$۹۳۰٬۰۴۳	^{[# ۹۳]}^{[# ۹۴]}
۱۹۲۳	واگن سرپوشیده	$۵٬۰۰۰٬۰۰۰	$۸۰۰٬۰۰۰	^{[# ۹۵]}^{[# ۹۶]}
۱۹۲۴	شاهین دریا	$۳٬۰۰۰٬۰۰۰	$۷۰۰٬۰۰۰	^{[# ۹۵]}
۱۹۲۵	جشن بزرگ	$۱۸٬۰۰۰٬۰۰۰–۲۲٬۰۰۰٬۰۰۰ ($۶٬۱۳۱٬۰۰۰)	$۳۸۲٬۰۰۰	^{[# ۹۷]}^{[# ۹۸]}^{[# ۹۹]}
۱۹۲۵	بن هور	$۱۰٬۷۳۸٬۰۰۰ ($۹٬۳۸۶٬۰۰۰)	$۳٬۹۶۷٬۰۰۰	^{[# ۱۰۰]}^{[# ۱۰۱]}
۱۹۲۶	محض رضای خدا	$۲٬۶۰۰٬۰۰۰	$۱۵۰٬۰۰۰	^{[# ۹۱]}^{[# ۱۰۲]}
۱۹۲۷	بال‌ها	$۳٬۶۰۰٬۰۰۰	$۲٬۰۰۰٬۰۰۰	^{[# ۹۱]}^{[# ۱۰۳]}^{[# ۱۰۴]}
۱۹۲۸	احمق آوازخوان	$۵٬۹۰۰٬۰۰۰	$۳۸۸٬۰۰۰	^{[# ۱۰۴]}^{[# ۱۰۵]}
۱۹۲۹	نوای برادوی	$۴٬۴۰۰٬۰۰۰–۴٬۸۰۰٬۰۰۰	$۳۷۹٬۰۰۰	^{[# ۱۰۶]}^{[# ۱۰۷]}
۱۹۲۹	به سمت آفتاب	$۳٬۵۰۰٬۰۰۰	$۶۰۰٬۰۰۰	^{[# ۱۰۸]}^{[# ۱۰۹]}
۱۹۳۰	در جبهه غرب خبری نیست	$۳٬۰۰۰٬۰۰۰	$۱٬۲۵۰٬۰۰۰	^{[# ۹۱]}^{[# ۱۱۰]}^{[# ۱۱۱]}^{[# ۱۱۲]}
۱۹۳۱	فرانکنشتاین	$۱۲٬۰۰۰٬۰۰۰ ($۱٬۴۰۰٬۰۰۰)	$۲۵۰٬۰۰۰	^{[# ۱۱۳]}^{[# ۱۱۴]}
۱۹۳۱	روشنایی‌های شهر	$۵٬۰۰۰٬۰۰۰	$۱٬۶۰۷٬۳۵۱	^{[# ۱۱۵]}
۱۹۳۲	نشان صلیب	$۲٬۷۳۸٬۹۹۳	$۶۹۴٬۰۶۵	^{[# ۹۶]}^{[# ۱۱۶]}^{[# ۱۱۷]}^{[# ۱۱۸]}
۱۹۳۳	کینگ کونگ	$۵٬۳۴۷٬۰۰۰ ($۱٬۸۵۶٬۰۰۰)	$۶۷۲٬۲۵۶	^{[# ۱۱۹]}
	من فرشته نیستم	$۳٬۲۵۰٬۰۰۰	$۲۰۰٬۰۰۰	^{[# ۱۲۰]}^{[# ۱۲۱]}
	سواران	$۳٬۰۰۰٬۰۰۰–۴٬۰۰۰٬۰۰۰	$۱٬۱۱۶٬۰۰۰	^{[# ۱۲۲]}^{[# ۱۱۱]}
	آن زن به او بد کرد	$۳٬۰۰۰٬۰۰۰	$۲۷۴٬۰۷۶	^{[# ۱۲۳]}^{[# ۱۲۴]}^{[# ۱۲۵]}
۱۹۳۴	بیوه پرنشاط	$۲٬۶۰۸٬۰۰۰	$۱٬۶۰۵٬۰۰۰	^{[# ۱۲۶]}^{[# ۱۱۷]}
۱۹۳۴	در یک شب اتفاق افتاد	$۲٬۵۰۰٬۰۰۰	$۳۲۵٬۰۰۰	^{[# ۱۲۷]}^{[# ۱۲۸]}
۱۹۳۵	شورش در بونتی	$۴٬۴۶۰٬۰۰۰	$۱٬۹۰۵٬۰۰۰	^{[# ۱۱۷]}
۱۹۳۶	سان‌فرانسیسکو	$۶٬۰۴۴٬۰۰۰+ ($۵٬۲۷۳٬۰۰۰)	$۱٬۳۰۰٬۰۰۰	^{[# ۱۲۶]}^{[# ۱۱۷]}
۱۹۳۷	سفیدبرفی و هفت کوتوله	$۴۱۸٬۰۰۰٬۰۰۰+ ($۸٬۵۰۰٬۰۰۰)	$۱٬۴۸۸٬۴۲۳	^{[# ۱۲۹]}^{[# ۱۳۰]}
۱۹۳۸	نمی‌توانی این را با خودت ببری	$۵٬۰۰۰٬۰۰۰	$۱٬۲۰۰٬۰۰۰	^{[# ۱۳۱]}^{[# ۱۳۲]}
۱۹۳۹	بربادرفته	$۳۹۰٬۵۲۵٬۱۹۲–۴۰۲٬۳۵۲٬۵۷۹ ($۳۲٬۰۰۰٬۰۰۰)	$۳٬۹۰۰٬۰۰۰–۴٬۲۵۰٬۰۰۰	^{[# ۱۳۳]}^{[# ۱۳۴]}^{[# ۱۳۵]}^{[# ۱۳۶]}^{[# ۱۳۷]}
۱۹۴۰	پینوکیو	$۸۷٬۰۰۰٬۸۶۲ ($۳٬۵۰۰٬۰۰۰)	$۲٬۶۰۰٬۰۰۰	^{[# ۱۳۸]}^{[# ۱۳۰]}^{[# ۱۳۹]}
۱۹۴۰	شهر بوم	$۴٬۶۰۰٬۰۰۰	$۲٬۱۰۰٬۰۰۰	^{[# ۱۴۰]}^{[# ۱۴۱]}
۱۹۴۱	گروهبان یورک	$۷٬۸۰۰٬۰۰۰	$۱٬۶۰۰٬۰۰۰	^{[# ۱۴۲]}^{[# ۱۴۳]}
۱۹۴۲	بامبی	$۲۶۷٬۹۹۷٬۸۴۳ ($۳٬۴۴۹٬۳۵۳)	$۱٬۷۰۰٬۰۰۰–۲٬۰۰۰٬۰۰۰	^{[# ۱۴۴]}^{[# ۱۴۵]}^{[# ۱۴۶]}
۱۹۴۲	خانم مینی‌ور	$۸٬۸۷۸٬۰۰۰	$۱٬۳۴۴٬۰۰۰	^{[# ۱۴۷]}^{[# ۱۴۸]}
۱۹۴۳	زنگ‌ها برای که به صدا در می‌آیند	$۱۱٬۰۰۰٬۰۰۰	$۲٬۶۸۱٬۲۹۸	^{[# ۱۴۹]}^{[# ۱۵۰]}^{[# ۱۵۱]}
۱۹۴۳	این ارتش است	$۹٬۵۵۵٬۵۸۶٫۴۴	$۱٬۴۰۰٬۰۰۰	^{[# ۱۵۲]}^{[# ۱۵۳]}^{[# ۱۵۱]}
۱۹۴۴	به راه خود می‌روم	$۶٬۵۰۰٬۰۰۰	$۱٬۰۰۰٬۰۰۰	^{[# ۱۵۴]}^{[# ۱۵۵]}^{[# ۱۵۶]}
۱۹۴۵	مامان و بابا	$۸۰٬۰۰۰٬۰۰۰/$۲۲٬۰۰۰٬۰۰۰	$۶۵٬۰۰۰	^{[# ۱۵۷]}
۱۹۴۵	زنگ‌های کلیسای مریم مقدس	$۱۱٬۲۰۰٬۰۰۰	$۱٬۶۰۰٬۰۰۰	^{[# ۱۵۸]}
۱۹۴۶	ترانه جنوب	$۶۵٬۰۰۰٬۰۰۰ ($۳٬۳۰۰٬۰۰۰)	$۲٬۱۲۵٬۰۰۰	^{[# ۱۵۹]}^{[# ۱۶۰]}^{[# ۱۶۱]}
	بهترین سال‌های زندگی ما	$۱۴٬۷۵۰٬۰۰۰	$۲٬۱۰۰٬۰۰۰	^{[# ۱۶۲]}^{[# ۱۶۳]}
	جدال در آفتاب	$۱۰٬۰۰۰٬۰۰۰	$۵٬۲۵۵٬۰۰۰	^{[# ۱۵۴]}^{[# ۱۶۴]}
۱۹۴۷	امبر برای همیشه	$۸٬۰۰۰٬۰۰۰	$۶٬۳۷۵٬۰۰۰	^{[# ۱۰۸]}^{[# ۱۶۴]}
۱۹۴۷	فتح‌نشده	$۷٬۵۰۰٬۰۰۰	$۴٬۲۰۰٬۰۰۰	^{[# ۱۶۵]}^{[# ۱۶۶]}
۱۹۴۸	رژه عید پاک	$۵٬۹۱۸٬۱۳۴	$۲٬۵۰۰٬۰۰۰	^{[# ۱۵۶]}^{[# ۱۶۷]}
	کفش‌های قرمز	$۵٬۰۰۰٬۰۰۰	£۵۰۵٬۵۸۱ (~$۲٬۰۰۰٬۰۰۰)	^{[# ۱۵۴]}^{[# ۱۶۸]}^{[# ۱۶۹]}
	گودال مار	$۴٬۱۰۰٬۰۰۰	$۳٬۸۰۰٬۰۰۰	^{[# ۱۷۰]}^{[# ۱۷۱]}
۱۹۴۹	سامسون و دلیله	$۱۴٬۲۰۹٬۲۵۰	$۳٬۰۹۷٬۵۶۳	^{[# ۱۷۲]}^{[# ۹۶]}
۱۹۵۰	سیندرلا	$۲۶۳٬۵۹۱٬۴۱۵ ($۲۰٬۰۰۰٬۰۰۰/$۷٬۸۰۰٬۰۰۰)	$۲٬۲۰۰٬۰۰۰	^{[# ۱۷۳]}^{[# ۱۷۴]}^{[# ۱۷۵]}
۱۹۵۰	معادن شاه سلیمان	$۱۰٬۰۵۰٬۰۰۰	$۲٬۲۵۸٬۰۰۰	^{[# ۱۷۶]}
۱۹۵۱	کجا می‌روی	$۲۱٬۰۳۷٬۰۰۰–۲۶٬۷۰۰٬۰۰۰	$۷٬۶۲۳٬۰۰۰	^{[# ۱۷۲]}^{[# ۱۷۷]}^{[# ۱۷۸]}
۱۹۵۲	این سینه‌راما است	$۵۰٬۰۰۰٬۰۰۰	$۱٬۰۰۰٬۰۰۰	^{[# ۱۷۹]}^{[# ۱۸۰]}
۱۹۵۲	بزرگترین نمایش روی زمین	$۱۸٬۳۵۰٬۰۰۰	$۳٬۸۷۳٬۹۴۶	^{[# ۱۸۱]}^{[# ۱۸۲]}^{[# ۹۶]}
۱۹۵۳	پیتر پن	$۱۴۵٬۰۰۰٬۰۰۰ ($۷٬۰۰۰٬۰۰۰)	$۳٬۰۰۰٬۰۰۰–۴٬۰۰۰٬۰۰۰	^{[# ۱۸۳]}^{[# ۱۸۴]}
۱۹۵۳	ردا	$۲۵٬۰۰۰٬۰۰۰–۲۶٬۱۰۰٬۰۰۰	$۴٬۱۰۰٬۰۰۰	^{[# ۱۸۵]}^{[# ۱۸۶]}^{[# ۱۷۸]}
۱۹۵۴	پنجره عقبی	$۲۴٬۵۰۰٬۰۰۰ ($۵٬۳۰۰٬۰۰۰)	$۱٬۰۰۰٬۰۰۰	^{[# ۱۸۷]}^{[# ۱۷۷]}
	کریسمس سفید	$۲۶٬۰۰۰٬۰۵۰ ($۱۲٬۰۰۰٬۰۰۰)	$۳٬۸۰۰٬۰۰۰	^{[# ۱۸۸]}^{[# ۱۸۹]}^{[# ۱۹۰]}
	۲۰٬۰۰۰ فرسنگ زیر دریا	$۲۵٬۰۰۰٬۱۳۴ ($۶٬۸۰۰٬۰۰۰–۸٬۰۰۰٬۰۰۰)	$۴٬۵۰۰٬۰۰۰–۹٬۰۰۰٬۰۰۰	^{[# ۱۹۱]}^{[# ۱۹۲]}^{[# ۱۵۴]}^{[# ۱۹۳]}
۱۹۵۵	بانو و ولگرد	$۱۸۷٬۰۰۰٬۰۰۰ ($۶٬۵۰۰٬۰۰۰)	$۴٬۰۰۰٬۰۰۰	^{[# ۱۹۴]}^{[# ۱۵۴]}^{[# ۱۹۵]}
	تعطیلات سینراما	$۲۱٬۰۰۰٬۰۰۰	$۲٬۰۰۰٬۰۰۰	^{[# ۱۹۶]}^{[# ۱۹۷]}
	آقای رابرتس	$۹٬۹۰۰٬۰۰۰	$۲٬۴۰۰٬۰۰۰	^{[# ۱۹۸]}
۱۹۵۶	ده فرمان	$۹۰٬۰۶۶٬۲۳۰ ($۱۲۲٬۷۰۰٬۰۰۰/$۵۵٬۲۰۰٬۰۰۰)	$۱۳٬۲۷۰٬۰۰۰	^{[# ۹۶]}^{[# ۱۹۹]}^{[# ۲۰۰]}
۱۹۵۷	پل رودخانه کوای	$۳۰٬۶۰۰٬۰۰۰	$۲٬۸۴۰٬۰۰۰	^{[# ۲۰۰]}
۱۹۵۸	آرام جنوبی	$۳۰٬۰۰۰٬۰۰۰	$۵٬۶۱۰٬۰۰۰	^{[# ۲۰۱]}
۱۹۵۹	بن هور	$۹۰٬۰۰۰٬۰۰۰ ($۱۴۶٬۹۰۰٬۰۰۰/$۶۶٬۱۰۰٬۰۰۰)	$۱۵٬۹۰۰٬۰۰۰	^{[# ۲۰۲]}^{[# ۲۰۳]}
۱۹۶۰	خانواده سوئیسی رابینسون	$۳۰٬۰۰۰٬۰۰۰	$۴٬۰۰۰٬۰۰۰	^{[# ۲۰۴]}
	اسپارتاکوس	$۶۰٬۰۰۰٬۰۰۰ ($۲۲٬۱۰۵٬۲۲۵)	$۱۰٬۲۸۴٬۰۱۴	^{[# ۲۰۵]}^{[# ۲۰۶]}
	روانی	$۵۰٬۰۰۰٬۰۰۰+ ($۱۴٬۰۰۰٬۰۰۰)	$۸۰۰٬۰۰۰	^{[# ۲۰۷]}
۱۹۶۱	صد و یک سگ خالدار	$۳۰۳٬۰۰۰٬۰۰۰	$۳٬۶۰۰٬۰۰۰–۴٬۰۰۰٬۰۰۰	^{[# ۱۹۴]}^{[# ۲۰۸]}^{[# ۱۴۶]}
۱۹۶۱	داستان وست ساید	$۱۰۵٬۰۰۰٬۰۰۰ ($۳۱٬۸۰۰٬۰۰۰)	$۷٬۰۰۰٬۰۰۰	^{[# ۲۰۹]}^{[# ۲۱۰]}
۱۹۶۲	لورنس عربستان	$۷۷٬۳۲۴٬۸۵۲ ($۶۹٬۹۹۵٬۳۸۵)	$۱۳٬۸۰۰٬۰۰۰	^{[# ۲۱۱]}^{[# ۲۱۲]}
	چگونه غرب تسخیر شد	$۳۵٬۰۰۰٬۰۰۰	$۱۴٬۴۸۳٬۰۰۰	^{[# ۲۱۳]}
	طولانی‌ترین روز	$۳۳٬۲۰۰٬۰۰۰	$۸٬۶۰۰٬۰۰۰	^{[# ۲۱۰]}^{[# ۲۱۲]}
۱۹۶۳	کلئوپاترا	$۴۰٬۳۰۰٬۰۰۰	$۳۱٬۱۱۵٬۰۰۰	^{[# ۲۱۰]}^{[# ۲۱۲]}
۱۹۶۳	از روسیه با عشق	$۷۸٬۹۰۰٬۰۰۰/$۲۹٬۴۰۰٬۰۰۰ ($۱۲٬۵۰۰٬۰۰۰)	$۲٬۰۰۰٬۰۰۰	^{[# ۲۱۴]}^{[# ۲۱۵]}^{[# ۲۱۶]}
۱۹۶۴	بانوی زیبای من	$۵۵٬۰۰۰٬۰۰۰	$۱۷٬۰۰۰٬۰۰۰	^{[# ۲۱۷]}
	گلدفینگر	$۱۲۴٬۹۰۰٬۰۰۰ ($۴۶٬۰۰۰٬۰۰۰)	$۳٬۰۰۰٬۰۰۰	^{[# ۲۱۴]}^{[# ۲۱۶]}
	مری پاپینز	$۴۴٬۰۰۰٬۰۰۰–$۵۰٬۰۰۰٬۰۰۰	$۵٬۲۰۰٬۰۰۰	^{[# ۲۱۸]}^{[# ۲۱۷]}
۱۹۶۵	اشک‌ها و لبخندها	$۲۸۶٬۲۱۴٬۰۷۶ ($۱۱۴٬۶۰۰٬۰۰۰)	$۸٬۰۰۰٬۰۰۰	^{[# ۲۱۹]}^{[# ۲۱۰]}
۱۹۶۶	کتاب مقدس	$۲۵٬۳۲۵٬۰۰۰	$۱۸٬۰۰۰٬۰۰۰	^{[# ۲۰۶]}^{[# ۲۲۰]}
	هاوایی	$۳۴٬۵۶۲٬۲۲۲ ($۱۵٬۶۰۰٬۰۰۰)	$۱۵٬۰۰۰٬۰۰۰	^{[# ۲۲۱]}^{[# ۱۵۴]}
	چه کسی از ویرجینیا وولف می‌ترسد؟	$۳۳٬۷۳۶٬۶۸۹ ($۱۴٬۵۰۰٬۰۰۰)	$۷٬۶۱۳٬۰۰۰	^{[# ۲۲۲]}^{[# ۱۵۴]}^{[# ۲۲۳]}
۱۹۶۷	کتاب جنگل	$۳۷۸٬۰۰۰٬۰۰۰ ($۲۳٬۸۰۰٬۰۰۰)	$۳٬۹۰۰٬۰۰۰–۴٬۰۰۰٬۰۰۰	^{[# ۱۹۴]}^{[# ۲۲۴]}^{[# ۲۲۵]}^{[# ۱۴۶]}
۱۹۶۷	فارغ‌التحصیل	$۸۵٬۰۰۰٬۰۰۰	$۳٬۱۰۰٬۰۰۰	^{[# ۲۲۶]}^{[# ۲۲۷]}
۱۹۶۸	ادیسه فضایی	$۱۴۱٬۰۰۰٬۰۰۰–۱۹۰٬۰۰۰٬۰۰۰ ($۲۱٬۹۰۰٬۰۰۰)	$۱۰٬۳۰۰٬۰۰۰	^{[# ۲۲۸]}^{[# ۲۱۰]}
۱۹۶۸	دختر شوخ	$۸۰٬۰۰۰٬۰۰۰–۱۰۰٬۰۰۰٬۰۰۰	$۸٬۸۰۰٬۰۰۰	^{[# ۲۲۹]}^{[# ۲۳۰]}
۱۹۶۹	بوچ کسیدی و ساندنس کید	$۱۵۲٬۳۰۸٬۵۲۵ ($۳۷٬۱۰۰٬۰۰۰)	$۶٬۶۰۰٬۰۰۰	^{[# ۲۳۱]}^{[# ۲۱۰]}^{[# ۲۲۷]}
۱۹۷۰	داستان عشق	$۱۷۳٬۴۰۰٬۰۰۰ ($۸۰٬۰۰۰٬۰۰۰)	$۲٬۲۶۰٬۰۰۰	^{[# ۲۳۲]}^{[# ۲۳۳]}^{[# ۲۳۴]}
۱۹۷۱	ارتباط فرانسوی	$۷۵٬۰۰۰٬۰۰۰	$۳٬۳۰۰٬۰۰۰	^{[# ۱۰۸]}
	ویولن‌زن روی بام	$۴۹٬۴۰۰٬۰۰۰ ($۱۰۰٬۰۰۰٬۰۰۰/$۴۵٬۱۰۰٬۰۰۰)	$۹٬۰۰۰٬۰۰۰	^{[# ۲۳۵]}^{[# ۲۳۶]}
	الماس‌ها همیشگی‌اند	$۱۱۶٬۰۰۰٬۰۰۰ ($۴۵٬۷۰۰٬۰۰۰)	$۷٬۲۰۰٬۰۰۰	^{[# ۲۱۴]}^{[# ۲۱۵]}
۱۹۷۲	پدرخوانده	$۲۴۶٬۱۲۰٬۹۷۴–۲۸۷٬۰۰۰٬۰۰۰ ($۱۲۷٬۶۰۰٬۰۰۰–۱۴۲٬۰۰۰٬۰۰۰)	$۶٬۰۰۰٬۰۰۰–۷٬۲۰۰٬۰۰۰	^{[# ۲۳۷]}^{[# ۲۳۶]}^{[# ۲۳۸]}^{[# ۲۳۹]}
۱۹۷۳	جن‌گیر	$۴۱۳٬۰۷۱٬۹۴۸ ($۱۱۲٬۳۰۰٬۰۰۰)	$۱۰٬۰۰۰٬۰۰۰	^{[# ۲۴۰]}^{[# ۲۴۱]}^{[# ۲۴۲]}^{[# ۲۴۳]}
۱۹۷۳	نیش	$۱۱۵٬۰۰۰٬۰۰۰	$۵٬۵۰۰٬۰۰۰	^{[# ۲۴۴]}^{[# ۲۴۵]}
۱۹۷۴	آسمانخراش جهنمی	$۲۰۳٬۳۳۶٬۴۱۲ ($۱۰۴٬۸۳۸٬۰۰۰)	$۱۴٬۳۰۰٬۰۰۰	^{[# ۲۴۶]}^{[# ۲۴۷]}^{[# ۲۴۸]}^{[# ۲۴۳]}^{[# ۲۴۹]}
۱۹۷۵	آرواره‌ها	$۴۷۰٬۶۵۳٬۵۹۱ ($۱۹۳٬۷۰۰٬۰۰۰)	$۹٬۰۰۰٬۰۰۰	^{[# ۲۵۰]}^{[# ۲۵۱]}^{[# ۲۵۲]}
۱۹۷۶	راکی	$۲۲۵٬۰۰۰٬۰۰۰ ($۷۷٬۱۰۰٬۰۰۰)	$۱٬۰۷۵٬۰۰۰	^{[# ۲۵۳]}^{[# ۲۳۶]}^{[# ۲۵۴]}
۱۹۷۷	جنگ ستارگان	$۷۷۵٬۳۹۸٬۰۰۷ ($۵۳۰٬۰۰۰٬۰۰۰/$۲۶۸٬۵۰۰٬۰۰۰)	$۱۱٬۲۹۳٬۱۵۱	^{[# ۲۵۵]}^{[# ۲۵۶]}^{[# ۲۳۶]}^{[# ۲۵۷]}
۱۹۷۸	گریس	$۳۹۵٬۴۵۲٬۰۶۶ ($۳۴۱٬۰۰۰٬۰۰۰)	$۶٬۰۰۰٬۰۰۰	^{[# ۲۵۸]}^{[# ۲۵۹]}^{[# ۲۲۶]}^{[# ۲۶۰]}
۱۹۷۹	مونریکر	$۲۱۰٬۳۰۰٬۰۰۰	$۳۱٬۰۰۰٬۰۰۰	^{[# ۲۱۴]}^{[# ۲۶۱]}
۱۹۷۹	راکی ۲	$۲۰۰٬۱۸۲٬۲۸۹	$۷٬۰۰۰٬۰۰۰	^{[# ۲۶۲]}^{[# ۲۶۳]}^{[# ۲۶۱]}
۱۹۸۰	امپراتوری ضربه می‌زند	$۵۴۷٬۹۶۹٬۰۰۴ ($۴۱۳٬۵۶۲٬۶۰۷)	$۲۳٬۰۰۰٬۰۰۰–۳۲٬۰۰۰٬۰۰۰	^{[# ۲۶۴]}^{[# ۲۶۵]}
۱۹۸۱	مهاجمان صندوق گمشده	$۳۸۹٬۹۲۵٬۹۷۱ ($۳۲۱٬۸۶۶٬۰۰۰–۳۵۳٬۹۸۸٬۰۲۵)	$۱۸٬۰۰۰٬۰۰۰–۲۲٬۸۰۰٬۰۰۰	^{[# ۲۶۶]}
۱۹۸۲	ئی.تی. موجود فرازمینی	$۷۹۲٬۹۱۰٬۵۵۴ ($۶۱۹٬۰۰۰٬۰۰۰–۶۶۴٬۰۰۰٬۰۰۰)	$۱۰٬۵۰۰٬۰۰۰–۱۲٬۲۰۰٬۰۰۰	^{[# ۲۶۷]}^{[# ۲۵۶]}^{[# ۲۶۸]}^{[# ۲۶۹]}
۱۹۸۳	بازگشت جدای	$۴۷۵٬۱۰۶٬۱۷۷ ($۳۸۵٬۸۴۵٬۱۹۷)	$۳۲٬۵۰۰٬۰۰۰–۴۲٬۷۰۰٬۰۰۰	^{[# ۲۷۰]}^{[# ۲۶۵]}
۱۹۸۴	ایندیانا جونز و معبد مرگ	$۳۳۳٬۱۰۷٬۲۷۱	$۲۷٬۰۰۰٬۰۰۰–۲۸٬۲۰۰٬۰۰۰	^{[# ۲۷۱]}^{[# ۲۷۲]}^{[# ۲۷۳]}
۱۹۸۵	بازگشت به آینده	$۳۸۹٬۰۵۳٬۷۹۷ ($۳۸۱٬۱۰۹٬۷۶۲)	$۱۹٬۰۰۰٬۰۰۰–۲۲٬۰۰۰٬۰۰۰	^{[# ۲۷۴]}^{[# ۲۷۵]}
۱۹۸۶	تاپ گان	$۳۵۶٬۸۳۰٬۶۰۱ ($۳۴۵٬۰۰۰٬۰۰۰)	$۱۴٬۰۰۰٬۰۰۰–۱۹٬۰۰۰٬۰۰۰	^{[# ۲۷۶]}^{[# ۲۷۷]}^{[# ۲۷۲]}
۱۹۸۷	جذابیت مرگبار	$۳۲۰٬۱۴۵٬۹۰۵	$۱۴٬۰۰۰٬۰۰۰	^{[# ۲۷۸]}^{[# ۲۷۲]}
۱۹۸۸	مرد بارانی	$۳۵۴٬۸۲۵٬۴۷۶	$۳۰٬۰۰۰٬۰۰۰	^{[# ۲۷۹]}^{[# ۲۸۰]}
۱۹۸۹	ایندیانا جونز و آخرین جنگ صلیبی	$۴۷۴٬۱۷۱٬۸۰۶–۴۹۴٬۰۰۰٬۰۰۰	$۳۶٬۰۰۰٬۰۰۰–۵۵٬۴۰۰٬۰۰۰	^{[# ۲۸۱]}^{[# ۲۷۲]}^{[# ۲۸۲]}
۱۹۹۰	روح	$۵۰۵٬۸۷۰٬۶۸۱ ($۵۰۵٬۷۰۲٬۵۸۸)	$۲۲٬۰۰۰٬۰۰۰	^{[# ۲۸۳]}^{[# ۲۷۲]}
۱۹۹۱	نابودگر ۲: روز داوری	$۵۲۳٬۷۷۴٬۴۵۶ ($۵۱۹٬۸۴۳٬۳۴۵)	$۹۴٬۰۰۰٬۰۰۰	^{[# ۲۸۴]}^{[# ۲۸۵]}
۱۹۹۲	علاءالدین	$۵۰۴٬۰۵۰٬۰۴۵	$۲۸٬۰۰۰٬۰۰۰	^{[# ۲۸۶]}^{[# ۱۴۶]}
۱۹۹۳	پارک ژوراسیک	$۱٬۰۳۴٬۱۹۹٬۰۰۳ ($۹۱۲٬۶۶۷٬۹۴۷)	$۶۳٬۰۰۰٬۰۰۰–۷۰٬۰۰۰٬۰۰۰	^{[# ۲۸۷]}
۱۹۹۴	شیرشاه	$۹۶۸٬۴۸۳٬۷۷۷ ($۷۶۳٬۴۵۵٬۵۶۱)	$۴۵٬۰۰۰٬۰۰۰–۷۹٬۳۰۰٬۰۰۰	^{[# ۲۸۸]}
۱۹۹۵	داستان اسباب‌بازی	$۳۷۳٬۵۵۴٬۰۳۳ ($۳۶۴٬۸۷۳٬۷۷۶)	$۳۰٬۰۰۰٬۰۰۰	^{[# ۲۸۹]}^{[# ۲۹۰]}
۱۹۹۵	جان‌سخت ۳	$۳۶۶٬۱۰۱٬۶۶۶	$۷۰٬۰۰۰٬۰۰۰	^{[# ۲۹۱]}^{[# ۲۹۲]}
۱۹۹۶	روز استقلال	$۸۱۷٬۴۰۰٬۸۹۱	$۷۵٬۰۰۰٬۰۰۰	^{[# ۲۹۳]}
۱۹۹۷	تایتانیک	$۲٬۲۵۵٬۸۲۵٬۹۵۰ ($۱٬۸۴۳٬۴۷۸٬۴۴۹)	$۲۰۰٬۰۰۰٬۰۰۰	^{[# ۲۹۴]}
۱۹۹۸	آرماگدون	$۵۵۳٬۷۰۹٬۶۲۶	$۱۴۰٬۰۰۰٬۰۰۰	^{[# ۲۹۵]}^{[# ۲۹۶]}
۱۹۹۹	جنگ ستارگان: قسمت اول – تهدید شبح	$۱٬۰۲۷٬۰۴۴٬۶۷۷ ($۹۲۴٬۳۱۷٬۵۵۸)	$۱۱۵٬۰۰۰٬۰۰۰–۱۲۷٬۵۰۰٬۰۰۰	^{[# ۷۱]}^{[# ۲۶۵]}
۲۰۰۰	مأموریت: غیرممکن ۲	$۵۴۶٬۳۸۸٬۱۰۵	$۱۰۰٬۰۰۰٬۰۰۰–۱۲۵٬۰۰۰٬۰۰۰	^{[# ۲۹۷]}^{[# ۲۷۲]}
۲۰۰۱	هری پاتر و سنگ جادو	$۱٬۰۰۶٬۹۶۸٬۱۷۱ ($۹۷۴٬۷۵۵٬۳۷۱)	$۱۲۵٬۰۰۰٬۰۰۰	^{[# ۲۹۸]}
۲۰۰۲	ارباب حلقه‌ها: دو برج	$۹۴۷٬۴۹۵٬۰۹۵ ($۹۳۶٬۶۸۹٬۷۳۵)	$۹۴٬۰۰۰٬۰۰۰	^{[# ۲۹۹]}
۲۰۰۳	ارباب حلقه‌ها: بازگشت پادشاه	$۱٬۱۴۶٬۰۳۰٬۹۱۲ ($۱٬۱۴۰٬۶۸۲٬۰۱۱)	$۹۴٬۰۰۰٬۰۰۰	^{[# ۴۶]}
۲۰۰۴	شرک ۲	$۹۱۹٬۸۳۸٬۷۵۸	$۱۵۰٬۰۰۰٬۰۰۰	^{[# ۳۰۰]}
۲۰۰۵	هری پاتر و جام آتش	$۸۹۶٬۳۴۶٬۴۱۳ ($۸۹۵٬۹۲۱٬۰۳۶)	$۱۵۰٬۰۰۰٬۰۰۰	^{[# ۳۰۱]}
۲۰۰۶	دزدان دریایی کارائیب: صندوقچه مرد مرده	$۱٬۰۶۶٬۱۷۹٬۷۲۵	$۲۲۵٬۰۰۰٬۰۰۰	^{[# ۳۰۲]}
۲۰۰۷	دزدان دریایی کارائیب: پایان جهان	$۹۶۳٬۴۲۰٬۴۲۵	$۳۰۰٬۰۰۰٬۰۰۰	^{[# ۳۰۳]}
۲۰۰۸	شوالیه تاریکی	$۱٬۰۰۵٬۹۷۳٬۶۴۵ ($۹۹۷٬۰۳۹٬۴۱۲)	$۱۸۵٬۰۰۰٬۰۰۰	^{[# ۳۰۴]}
۲۰۰۹	آواتار	$۲٬۸۴۷٬۳۹۷٬۳۳۹ ($۲٬۷۴۳٬۵۷۷٬۵۸۷)	$۲۳۷٬۰۰۰٬۰۰۰	^{[# ۳۰۵]}
۲۰۱۰	داستان اسباب‌بازی ۳	$۱٬۰۶۶٬۹۶۹٬۷۰۳	$۲۰۰٬۰۰۰٬۰۰۰	^{[# ۳۰۶]}
۲۰۱۱	هری پاتر و یادگاران مرگ – قسمت دوم	$۱٬۳۴۲٬۰۲۵٬۴۳۰ ($۱٬۳۴۱٬۵۱۱٬۲۱۹)	$۲۵۰٬۰۰۰٬۰۰۰^HP	^{[# ۳۰۷]}
۲۰۱۲	انتقام‌جویان	$۱٬۵۱۸٬۸۱۲٬۹۸۸	$۲۲۰٬۰۰۰٬۰۰۰	^{[# ۱۶]}
۲۰۱۳	یخ‌زده	$۱٬۲۹۰٬۰۰۰٬۰۰۰ ($۱٬۲۸۷٬۰۰۰٬۰۰۰)	$۱۵۰٬۰۰۰٬۰۰۰	^{[# ۳۰۸]}
۲۰۱۴	تبدیل‌شوندگان: عصر انقراض	$۱٬۱۰۴٬۰۳۹٬۰۷۶	$۲۱۰٬۰۰۰٬۰۰۰	^{[# ۵۴]}
۲۰۱۵	جنگ ستارگان: نیرو برمی‌خیزد	$۲٬۰۶۹٬۵۲۱٬۷۰۰	$۲۴۵٬۰۰۰٬۰۰۰	^{[# ۷]}
۲۰۱۶	کاپیتان آمریکا: جنگ داخلی	$۱٬۱۵۳٬۳۲۹٬۴۷۳ ($۱٬۱۵۳٬۲۹۶٬۲۹۳)	$۲۵۰٬۰۰۰٬۰۰۰	^{[# ۴۳]}
۲۰۱۷	جنگ ستارگان: آخرین جدای	$۱٬۳۳۲٬۵۳۹٬۸۸۹	$۲۰۰٬۰۰۰٬۰۰۰	^{[# ۳۲]}
۲۰۱۸	انتقام‌جویان: جنگ ابدیت	$۲٬۰۴۸٬۳۵۹٬۷۵۴	$۳۱۶٬۰۰۰٬۰۰۰–۴۰۰٬۰۰۰٬۰۰۰	^{[# ۹]}^{[# ۳۰۹]}
۲۰۱۹	انتقام‌جویان: پایان بازی	$۲٬۷۹۷٬۵۰۱٬۳۲۸	$۳۵۶٬۰۰۰٬۰۰۰	^{[# ۲]}
۲۰۲۰	شیطان‌کش: فیلم کیمتسو نو یائیبا: قطار موگن	$۵۰۷٬۱۱۹٬۰۵۸	$۱۵٬۷۵۰٬۰۰۰	^{[# ۳۱۰]}
۲۰۲۱	مرد عنکبوتی: راهی به خانه نیست	$۱٬۹۱۶٬۳۰۶٬۹۹۵	$۲۰۰٬۰۰۰٬۰۰۰	^{[# ۱۱]}^{[# ۳۱۱]}
۲۰۲۲	آواتار: راه آب	$۲٬۳۲۰٬۲۵۰٬۲۸۱	$۳۵۰٬۰۰۰٬۰۰۰–۴۶۰٬۰۰۰٬۰۰۰	^{[# ۴]}^{[# ۳۱۲]}^{[# ۳۱۳]}
۲۰۲۳	باربی	$۱٬۴۴۵٬۶۳۸٬۴۲۱	$۱۲۸٬۰۰۰٬۰۰۰–۱۴۵٬۰۰۰٬۰۰۰	^{[# ۲۴]}^{[# ۳۱۴]}^{[# ۳۱۵]}
۲۰۲۴	درون و بیرون ۲ †	$۷۲۴٬۳۸۳٬۱۱۶	$۲۰۰٬۰۰۰٬۰۰۰	^{[# ۳۱۶]}^{[# ۳۱۷]}

بستن

داده‌ها به ترتیب پردرآمدترین فرنچایز یا مجموعه‌فیلم مرتب شده‌اند.

فیلم‌هایی را مشخص می‌کند که در حال حاضر در سینماهای سراسر جهان پخش می‌شوند.

پرفروش‌ترین فیلم یک فرنچایز را مشخص می‌کند.

اطلاعات بیشتر رتبه, سریفرنچایز ...

فهرست پرفروش‌ترین فرنچایزها یا سری‌های فیلم تمام زمان‌ها
رتبه	سری فرنچایز		فیلم	تاریخ انتشار	فروش در گیشهٔ جهانی (به دلار آمریکا)
رتبه	سری فرنچایز		فیلم	تاریخ انتشار	فروش فیلم	مجموع فروش سری	مجموع فروش فرنچایز
۱	دنیای سینمایی مارول	فاز یکم	انتقام‌جویان	۲۰۱۲	۱٬۵۱۸٬۸۱۲٬۹۸۸	۳٬۸۱۱٬۲۴۴٬۴۸۴	۲۸٬۷۶۹٬۰۹۴٬۳۴۰
			مرد آهنی ۲	۲۰۱۰	۶۲۳٬۹۳۳٬۳۳۱
			مرد آهنی	۲۰۰۸	۵۸۵٬۱۷۴٬۲۲۲
			ثور	۲۰۱۱	۴۴۹٬۳۲۶٬۶۱۸
			کاپیتان آمریکا: نخستین انتقام‌جو	۲۰۱۱	۳۷۰٬۵۶۹٬۷۷۴
			هالک شگفت‌انگیز	۲۰۰۸	۲۶۳٬۴۲۷٬۵۵۱
		فاز دوم	انتقام‌جویان: عصر اولتران	۲۰۱۵	۱٬۴۰۲٬۸۰۹٬۵۴۰	۵٬۲۶۹٬۰۹۷٬۰۵۵
			مرد آهنی ۳	۲۰۱۳	۱٬۲۱۴٬۸۱۱٬۲۵۲
			نگهبانان کهکشان	۲۰۱۴	۷۷۳٬۳۲۸٬۶۲۹
			کاپیتان آمریکا: سرباز زمستان	۲۰۱۴	۷۱۴٬۲۶۴٬۲۶۷
			ثور: دنیای تاریک	۲۰۱۳	۶۴۴٬۵۷۱٬۴۰۲
			مرد مورچه‌ای	۲۰۱۵	۵۱۹٬۳۱۱٬۹۶۵
		فاز سوم	انتقام‌جویان: پایان بازی	۲۰۱۹	۲٬۷۹۷٬۵۰۱٬۳۲۸	۱۳٬۵۰۴٬۹۶۷٬۳۴۱
			انتقام‌جویان: جنگ ابدیت	۲۰۱۸	۲٬۰۴۸٬۳۵۹٬۷۵۴
			پلنگ سیاه	۲۰۱۸	۱٬۳۴۷٬۲۸۰٬۸۳۸
			کاپیتان آمریکا: جنگ داخلی	۲۰۱۶	۱٬۱۵۳٬۳۲۹٬۴۷۳
			مرد عنکبوتی: دور از خانه	۲۰۱۹	۱٬۱۳۱٬۹۲۸٬۵۱۹
			کاپیتان مارول	۲۰۱۹	۱٬۱۲۸٬۲۷۴٬۷۹۴
			مرد عنکبوتی: بازگشت به خانه	۲۰۱۷	۸۸۰٬۱۶۶٬۹۲۴
			نگهبانان کهکشان بخش ۲	۲۰۱۷	۸۶۳٬۷۵۶٬۰۵۱
			ثور: رگناروک	۲۰۱۷	۸۵۳٬۹۷۷٬۱۲۶
			دکتر استرنج	۲۰۱۶	۶۷۷٬۷۱۸٬۳۹۵
			مرد مورچه‌ای و زنبورک	۲۰۱۸	۶۲۲٬۶۷۴٬۱۳۹
		فاز چهارم	مرد عنکبوتی: راهی به خانه نیست	۲۰۲۱	۱٬۹۱۶٬۸۹۳٬۶۴۴	۵٬۷۱۱٬۶۷۸٬۹۹۷
			دکتر استرنج در چندجهانی دیوانگی	۲۰۲۲	۹۵۵٬۷۷۵٬۸۰۴
			پلنگ سیاه: واکاندا تا ابد	۲۰۲۲	۸۵۹٬۰۶۸٬۱۵۵
			ثور: عشق و تندر	۲۰۲۲	۷۶۰٬۹۲۸٬۰۸۱
			شانگ چی و افسانه ده حلقه	۲۰۲۱	۴۳۲٬۲۴۳٬۲۹۲
			جاودانگان	۲۰۲۱	۴۰۲٬۰۶۴٬۸۹۹
			بیوه سیاه	۲۰۲۱	۳۷۹٬۷۵۱٬۶۵۵
		فاز پنجم	مرد مورچه‌ای و زنبورک: شیدایی کوانتومی	۲۰۲۳	۴۶۹٬۶۵۶٬۰۴۰	۴۶۹٬۶۵۶٬۰۴۰
۲	جنگ ستارگان	سه‌گانه دنباله	نیرو برمی‌خیزد	۲۰۱۵	۲٬۰۶۸٬۲۲۳٬۶۲۴	۴٬۴۷۴٬۹۰۷٬۷۶۱	۱۰٬۳۱۷٬۲۰۶٬۷۶۰
			آخرین جدای	۲۰۱۷	۱٬۳۳۲٬۵۳۹٬۸۸۹
			خیزش اسکای‌واکر	۲۰۱۹	۱٬۰۷۴٬۱۴۴٬۲۴۸
		سه‌گانه پیش‌درآمد	قسمت اول – تهدید شبح	۱۹۹۹	۱٬۰۲۷٬۰۴۴٬۶۷۷	۲٬۵۲۵٬۱۹۷٬۷۷۳
			قسمت سوم – انتقام سیت	۲۰۰۵	۸۴۸٬۷۵۴٬۷۶۸
			قسمت دوم – حمله کلون‌ها	۲۰۰۲	۶۴۹٬۳۹۸٬۳۲۸
		سه‌گانه اصلی	جنگ ستارگان	۱۹۷۷	۷۷۵٬۳۹۸٬۰۰۷	۱٬۷۹۸٬۴۷۳٬۱۸۸
			امپراتوری ضربه می‌زند	۱۹۸۰	۵۴۷٬۹۶۹٬۰۰۴
			بازگشت جدای	۱۹۸۳	۴۷۵٬۱۰۶٬۱۷۷
		فیلم‌های آنتولوژی	روگ وان	۲۰۱۶	۱٬۰۵۷٬۴۲۰٬۳۸۷	۱٬۴۵۰٬۳۴۵٬۱۹۴
		فیلم‌های آنتولوژی	سولو: داستانی از جنگ ستارگان	۲۰۱۸	۳۹۲٬۹۲۴٬۸۰۷	۱٬۴۵۰٬۳۴۵٬۱۹۴
		جنگ‌های کلون		۲۰۰۸	۶۸٬۲۸۲٬۸۴۴
۳	مرد عنکبوتی	سری مارول	راهی به خانه نیست	۲۰۲۱	۱٬۹۱۶٬۸۹۳٬۶۴۴	۳٬۹۲۸٬۹۸۹٬۰۸۷	۹٬۸۰۴٬۸۳۲٬۰۹۶
			دور از خانه	۲۰۱۹	۱٬۱۳۱٬۹۲۸٬۵۱۹
			بازگشت به خانه	۲۰۱۷	۸۸۰٬۱۶۶٬۹۲۴
		سری ریمی	مرد عنکبوتی ۳	۲۰۰۷	۸۹۰٬۸۷۱٬۶۲۶	۲٬۵۰۲٬۹۷۹٬۴۸۸
			مرد عنکبوتی	۲۰۰۲	۸۲۱٬۷۰۸٬۵۵۱
			مرد عنکبوتی ۲	۲۰۰۴	۷۸۳٬۷۶۶٬۳۴۱
		سری سونی	ونوم	۲۰۱۸	۸۵۶٬۰۸۵٬۱۵۱	۱٬۵۲۶٬۸۱۴٬۲۷۳
			ونوم: بگذارید کارنیج بیاید	۲۰۲۱	۵۰۶٬۸۶۳٬۵۹۲
			موربیوس	۲۰۲۲	۱۶۳٬۸۶۵٬۵۳۰
		سری وب	مرد عنکبوتی شگفت‌انگیز	۲۰۱۲	۷۵۷٬۹۳۰٬۶۶۳	۱٬۴۶۶٬۹۱۲٬۹۸۶
		سری وب	مرد عنکبوتی شگفت‌انگیز ۲	۲۰۱۴	۷۰۸٬۹۸۲٬۳۲۳	۱٬۴۶۶٬۹۱۲٬۹۸۶
		به درون دنیای عنکبوتی		۲۰۱۸	۳۷۵٬۵۴۰٬۸۳۱
۴	دنیای جادوگری	هری پاتر	یادگاران مرگ – قسمت دوم	۲۰۱۱	۱٬۳۴۲٬۳۵۹٬۹۴۲	۷٬۷۹۳٬۱۶۰٬۰۵۹	۹٬۶۶۷٬۲۱۵٬۸۰۲
			سنگ جادو	۲۰۰۱	۱٬۰۲۲٬۲۹۰٬۰۱۹
			یادگاران مرگ – قسمت اول	۲۰۱۰	۹۷۷٬۰۷۰٬۳۸۳
			محفل ققنوس	۲۰۰۷	۹۴۲٬۲۰۱٬۷۱۰
			شاهزاده دورگه	۲۰۰۹	۹۳۴٬۴۸۳٬۰۳۹
			جام آتش	۲۰۰۵	۸۹۶٬۷۳۰٬۲۶۴
			تالار اسرار	۲۰۰۲	۸۸۰٬۴۵۶٬۰۹۵
			زندانی آزکابان	۲۰۰۴	۷۹۷٬۵۶۸٬۶۰۷
		جانوران شگفت انگیز	جانوران شگفت‌انگیز و زیستگاه آن‌ها	۲۰۱۶	۸۱۴٬۰۳۸٬۵۰۸	۱٬۸۷۴٬۰۵۵٬۷۴۳
			جنایات گریندل‌والد	۲۰۱۸	۶۵۴٬۸۵۵٬۹۰۱
			اسرار دامبلدور	۲۰۲۲	۴۰۵٬۱۶۱٬۳۳۴
۵	جیمز باند	سری دنیل کریگ	اسکای‌فال	۲۰۱۲	۱٬۱۰۸٬۵۶۱٬۰۱۳	۳٬۹۶۵٬۹۸۲٬۲۶۸	۷٬۸۳۲٬۹۵۴٬۷۳۰
			اسپکتر	۲۰۱۵	۸۸۰٬۶۷۴٬۶۰۹
			زمانی برای مردن نیست	۲۰۲۱	۷۷۴٬۱۵۳٬۰۰۷
			کازینو رویال	۲۰۰۶	۶۱۶٬۵۰۲٬۹۱۲
			ذره‌ای آرامش	۲۰۰۸	۵۸۶٬۰۹۰٬۷۲۷
		سری پیرس برازنان	روزی دیگر بمیر	۲۰۰۲	۴۳۱٬۹۷۱٬۱۱۶	۱٬۴۷۹٬۰۰۸٬۶۱۸
			دنیا کافی نیست	۱۹۹۹	۳۶۱٬۸۳۲٬۴۰۰
			گولدن‌آی	۱۹۹۵	۳۵۲٬۱۹۴٬۰۳۴
			فردا هرگز نمی‌میرد	۱۹۹۷	۳۳۳٬۰۱۱٬۰۶۸
		سری راجر مور	مونریکر	۱۹۷۹	۲۱۰٬۳۰۰٬۰۰۰	۱٬۱۵۱٬۶۰۰٬۰۰۰
			فقط به خاطر چشمان تو	۱۹۸۱	۱۹۴٬۹۰۰٬۰۰۰
			جاسوسی که دوستم داشت	۱۹۷۷	۱۸۵٬۴۰۰٬۰۰۰
			اختاپوسی	۱۹۸۳	۱۸۳٬۷۰۰٬۰۰۰
			نمایی به یک قتل	۱۹۸۵	۱۵۲٬۴۰۰٬۰۰۰
			زندگی کن و بگذار بمیرند	۱۹۷۳	۱۲۶٬۴۰۰٬۰۰۰
			مردی با طپانچه طلایی	۱۹۷۴	۹۸٬۵۰۰٬۰۰۰
		سری شان کانری	گلوله آتشین	۱۹۶۵	۱۴۱٬۲۰۰٬۰۰۰	۶۲۱٬۵۰۰٬۰۰۰
			گلدفینگر	۱۹۶۴	۱۲۴٬۹۰۰٬۰۰۰
			الماس‌ها همیشگی‌اند	۱۹۷۱	۱۱۶٬۰۰۰٬۰۰۰
			فقط دو بار زندگی می‌کنید	۱۹۶۷	۱۰۱٬۰۰۰٬۰۰۰
			از روسیه با عشق	۱۹۶۳	۷۸٬۹۰۰٬۰۰۰
			دکتر نو	۱۹۶۲	۵۹٬۵۰۰٬۰۰۰
		سری تیموتی دالتون	روشنایی‌های پایدار روز	۱۹۸۷	۱۹۱٬۲۰۰٬۰۰۰	۳۴۷٬۴۰۰٬۰۰۰
		سری تیموتی دالتون	جواز قتل	۱۹۸۹	۱۵۶٬۲۰۰٬۰۰۰	۳۴۷٬۴۰۰٬۰۰۰
		در خدمت سرویس مخفی ملکه		۱۹۶۹	۶۴٬۶۰۰٬۰۰۰
		دیگر هرگز نگو هرگز		۱۹۸۳	۱۶۰٬۰۰۰٬۰۰۰
		کازینو رویال		۱۹۶۷	۴۱٬۷۴۴٬۷۱۸
۶	انتقام جویان	پایان بازی		۲۰۱۹	۲٬۷۹۷٬۵۰۱٬۳۲۸		۷٬۷۶۷٬۴۸۳٬۶۱۰
		جنگ ابدیت		۲۰۱۸	۲٬۰۴۸٬۳۵۹٬۷۵۴
		انتقام‌جویان		۲۰۱۲	۱٬۵۱۸٬۸۱۲٬۹۸۸
		عصر اولتران		۲۰۱۵	۱٬۴۰۲٬۸۰۹٬۵۴۰
۷	بتمن	سری نولان	شوالیه تاریکی برمی‌خیزد	۲۰۱۲	۱٬۰۸۱٬۱۶۹٬۸۲۵	۲٬۴۶۱٬۰۷۶٬۹۸۵	۶٬۸۴۱٬۱۲۳٬۲۹۱
			شوالیه تاریکی	۲۰۰۸	۱٬۰۰۶٬۲۳۴٬۱۶۷
			بتمن آغاز می‌کند	۲۰۰۵	۳۷۳٬۶۷۲٬۹۹۳
		سری بورتون	بتمن	۱۹۸۹	۴۱۱٬۵۵۶٬۸۲۵	۱٬۲۵۳٬۱۹۲٬۶۸۲
			بتمن برای همیشه	۱۹۹۵	۳۳۶٬۵۶۷٬۵۳۱
			بازگشت بتمن	۱۹۹۲	۲۶۶٬۸۳۲٬۴۱۱
			بتمن و رابین	۱۹۹۷	۲۳۸٬۲۳۵٬۹۱۵
		جوکر		۲۰۱۹	۸۷۳٬۶۳۷٬۵۲۸
		دی‌سی	بتمن در برابر سوپرمن: طلوع عدالت	۲۰۱۶	۸۷۳٬۶۳۷٬۵۲۸
		بتمن		۲۰۲۲	۷۷۰٬۸۳۶٬۱۶۳
		فیلم لگو بتمن		۲۰۱۷	۳۱۱٬۹۵۰٬۳۸۴
		زن گربه‌ای		۲۰۰۴	۸۲٬۱۰۲٬۳۷۹
		بتمن: نقاب شبح		۱۹۹۳	۵٬۶۱۷٬۳۹۱
		جوک کشنده		۲۰۱۶	۴٬۴۶۲٬۰۳۴	۴٬۵۰۱٬۱۲۵
		بتمن و هارلی کوئین [en]		۲۰۱۷	۳۹٬۰۹۱	۴٬۵۰۱٬۱۲۵
		سریال	بتمن	۱۹۶۶	۳٬۹۰۰٬۰۰۰	۳٬۹۵۷٬۳۴۳
		سریال	بازگشت مبارزان شنل‌پوش [en]	۲۰۱۶	۵۷٬۳۴۳	۳٬۹۵۷٬۳۴۳
۸	*سریع* و خشمگین	خشمگین ۷		۲۰۱۵	۱٬۵۱۶٬۰۴۵٬۹۱۱		۶٬۶۲۰٬۱۸۱٬۷۸۰
		سرنوشت خشمگین		۲۰۱۷	۱٬۲۳۸٬۷۶۴٬۷۶۵
		سریع و خشمگین ۶		۲۰۱۳	۷۸۸٬۶۷۹٬۸۵۰
		اف۹		۲۰۲۱	۷۲۶٬۲۲۹٬۵۰۱
		سریع و خشمگین ۵		۲۰۱۱	۶۲۶٬۱۳۷٬۶۷۵
		سریع و خشمگین ۴		۲۰۰۹	۳۶۳٬۱۶۴٬۲۶۵
		۲ سریع و ۲ خشمگین		۲۰۰۳	۲۳۶٬۳۵۰٬۶۶۱
		سریع و خشمگین		۲۰۰۱	۲۰۷٬۲۸۳٬۹۲۵
		توکیو دریفت		۲۰۰۶	۱۵۸٬۴۶۸٬۲۹۲
		هابز و شاو		۲۰۱۹	۷۵۹٬۰۵۶٬۹۳۵
۹	دنیای توسعه یافته دی‌سی	آکوامن		۲۰۱۸	۱٬۱۴۸٬۴۸۵٬۸۸۶		۶٬۳۲۲٬۱۸۷٬۷۱۲
		بتمن در برابر سوپرمن: طلوع عدالت		۲۰۱۶	۸۷۳٬۶۳۴٬۹۱۹
		زن شگفت‌انگیز		۲۰۱۷	۸۲۱٬۸۴۷٬۰۱۲
		جوخه انتحار		۲۰۱۶	۷۴۶٬۸۴۶٬۸۹۴
		مرد پولادین		۲۰۱۳	۶۶۸٬۰۴۵٬۵۱۸
		لیگ عدالت		۲۰۱۷	۶۵۷٬۹۲۴٬۲۹۵
		بلک ادم		۲۰۲۲	۳۹۲٬۹۵۲٬۱۱۱
		شزم!		۲۰۱۹	۳۶۵٬۹۷۱٬۶۵۶
		پرندگان شکاری		۲۰۲۰	۲۰۵٬۳۰۸٬۶۱۱
		زن شگفت‌انگیز ۱۹۸۴		۲۰۲۰	۱۶۹٬۶۰۲٬۰۰۶
		جوخه انتحار		۲۰۲۱	۱۶۸٬۶۵۷٬۵۶۵
		شزم: خشم خدایان		۲۰۲۳	۱۰۱٬۷۴۷٬۴۱۷
۱۰	مردان ایکس	سری اصلی	روزهای گذشته آینده	۲۰۱۴	۷۴۷٬۸۶۲٬۷۷۵	۳٬۰۶۱٬۲۷۵٬۲۹۱	۶٬۰۸۵٬۵۱۷٬۳۳۰
			آپوکالیپس	۲۰۱۶	۵۴۳٬۹۳۴٬۷۸۷
			آخرین ایستادگی	۲۰۰۶	۴۵۹٬۳۵۹٬۵۵۵
			ایکس ۲	۲۰۰۳	۴۰۷٬۷۱۱٬۵۴۹
			کلاس اول	۲۰۱۱	۳۵۳٬۶۲۴٬۱۲۴
			مردان ایکس	۲۰۰۰	۲۹۶٬۳۳۹٬۵۲۷
			دارک فینکس	۲۰۱۹	۲۵۲٬۴۴۲٬۹۷۴
		سری ددپول	ددپول ۲	۲۰۱۸	۷۸۵٬۰۴۶٬۹۲۰	۱٬۵۶۸٬۱۵۹٬۸۹۹
		سری ددپول	ددپول	۲۰۱۶	۷۸۳٬۱۱۲٬۹۷۹	۱٬۵۶۸٬۱۵۹٬۸۹۹
		سری ولورین	لوگان	۲۰۱۷	۶۱۹٬۰۲۱٬۴۳۶	۱٬۴۰۶٬۹۱۲٬۵۴۶
			ولورین	۲۰۱۳	۴۱۴٬۸۲۸٬۲۴۶
			خاستگاه مردان ایکس: ولورین	۲۰۰۹	۳۷۳٬۰۶۲٬۸۶۴
		جهش‌یافته‌های جدید		۲۰۲۰	۴۹٬۱۶۹٬۵۹۴
۱۱	سرزمین میانی	ارباب حلقه‌ها	بازگشت پادشاه	۲۰۰۳	۱٬۱۴۶٬۰۳۰٬۹۱۲	۲٬۹۹۱٬۲۱۶٬۰۷۹	۵٬۹۵۳٬۰۷۷٬۷۱۰
			دو برج	۲۰۰۲	۹۴۷٬۴۹۵٬۰۹۵
			یاران حلقه	۲۰۰۱	۸۹۷٬۶۹۰٬۰۷۲
		هابیت	یک سفر غیرمنتظره	۲۰۱۲	۱٬۰۱۷٬۰۰۳٬۵۶۸	۲٬۹۳۱٬۳۹۰٬۲۱۱
			برهوت اسماگ	۲۰۱۳	۹۵۸٬۳۶۶٬۸۵۵
			نبرد پنج سپاه	۲۰۱۴	۹۵۶٬۰۱۹٬۷۸۸
		ارباب حلقه‌ها		۱۹۷۸	۳۰٬۴۷۱٬۴۲۰
۱۲	پارک ژوراسیک	سه‌گانهٔ دنیای ژوراسیک	دنیای ژوراسیک	۲۰۱۵	۱٬۶۷۱٬۵۳۷٬۴۴۴	۳٬۹۸۲٬۱۵۷٬۹۸۵	۶٬۰۰۴٬۶۱۸٬۷۹۶
			سقوط پادشاهی	۲۰۱۸	۱٬۳۰۹٬۴۸۴٬۴۶۱
			قلمرو	۲۰۲۲	۱٬۰۰۱٬۱۳۶٬۰۸۰
		سه‌گانهٔ پارک ژوراسیک	پارک ژوراسیک	۱۹۹۳	۱٬۰۳۴٬۱۹۹٬۰۰۳	۲٬۰۲۱٬۶۱۸٬۸۱۱
			جهان گمشده	۱۹۹۷	۶۱۸٬۶۳۸٬۹۹۹
			پارک ژوراسیک ۳	۲۰۰۱	۳۶۸٬۷۸۰٬۸۰۹
۱۳	آواتار	آواتار		۲۰۰۹	۲٬۹۲۳٬۷۰۶٬۰۲۶		۵٬۲۳۳٬۳۶۶٬۲۶۲
۱۳	آواتار	راه آب		۲۰۲۲	۲٬۳۰۹٬۶۶۰٬۲۳۶		۵٬۲۳۳٬۳۶۶٬۲۶۲
۱۴	تبدیل شوندگان	سری بِی	نیمه تاریک ماه	۲۰۱۱	۱٬۱۲۳٬۷۹۴٬۰۷۹	۴٬۳۷۹٬۲۸۶٬۷۸۱	۴٬۳۷۹٬۲۸۶٬۷۸۱
			عصر انقراض	۲۰۱۴	۱٬۱۰۴٬۰۵۴٬۰۷۲
			انتقام فالن	۲۰۰۹	۸۳۶٬۳۰۳٬۶۹۳
			تبدیل‌شوندگان	۲۰۰۷	۷۰۹٬۷۰۹٬۷۸۰
			آخرین شوالیه	۲۰۱۷	۶۰۵٬۴۲۵٬۱۵۷
		بامبلبی		۲۰۱۸	۴۶۷٬۹۸۹٬۶۴۵
		تبدیل‌شوندگان: فیلم		۱۹۸۶	۶٬۴۶۹٬۲۴۴
۱۵	دزدان دریایی کارائیب	صندوقچه مرد مرده		۲۰۰۶	۱٬۰۶۶٬۱۷۹٬۷۲۵		۴٬۵۲۴٬۴۳۹٬۷۶۱
		سوار بر امواج ناشناخته		۲۰۱۱	۱٬۰۴۵٬۷۱۳٬۸۰۲
		پایان جهان		۲۰۰۷	۹۶۳٬۴۲۰٬۴۲۵
		مردگان حکایت نمی‌کنند		۲۰۱۷	۷۹۴٬۸۶۱٬۷۹۴
		نفرین مروارید سیاه		۲۰۰۳	۶۵۴٬۲۶۴٬۰۱۵
۱۶	من نفرت انگیز	سری اصلی	من نفرت‌انگیز ۳	۲۰۱۷	۱٬۰۳۴٬۷۹۹٬۴۰۹	۲٬۵۴۸٬۶۷۵٬۲۷۹	۴٬۶۴۷٬۷۴۸٬۸۷۳
			من نفرت‌انگیز ۲	۲۰۱۳	۹۷۰٬۷۶۱٬۸۸۵
			من نفرت‌انگیز	۲۰۱۰	۵۴۳٬۱۱۳٬۹۸۵
		سری مینیون‌ها	مینیون‌ها	۲۰۱۵	۱٬۱۵۹٬۳۹۸٬۳۹۷	۲٬۰۹۹٬۰۷۲٬۸۷۲
		سری مینیون‌ها	مینیون‌ها: ظهور گرو	۲۰۲۲	۹۳۹٬۶۲۸٬۲۱۰	۲٬۰۹۹٬۰۷۲٬۸۷۲
۱۷	شرک	سری اصلی	شرک ۲	۲۰۰۴	۹۱۹٬۸۳۸٬۷۵۸	۲٬۹۵۵٬۸۰۷٬۰۰۵	۴٬۰۰۹٬۵۱۶٬۱۴۲
			شرک ۳	۲۰۰۷	۷۹۸٬۹۵۸٬۱۶۲
			شرک برای همیشه	۲۰۱۰	۷۵۲٬۶۰۰٬۸۶۷
			شرک	۲۰۰۱	۴۸۴٬۴۰۹٬۲۱۸
		سری گربه چکمه‌پوش	گربه چکمه‌پوش	۲۰۱۱	۵۵۴٬۹۸۷٬۴۷۷	۱٬۰۳۰٬۳۷۷٬۹۰۷
		سری گربه چکمه‌پوش	آخرین آرزو	۲۰۲۲	۴۷۵٬۳۹۰٬۴۳۰	۱٬۰۳۰٬۳۷۷٬۹۰۷
۱۸	مأموریت: غیرممکن	فال‌اوت		۲۰۱۸	۷۹۱٬۱۱۵٬۱۰۴		۳٬۵۷۰٬۴۷۷٬۲۲۷
		پروتکل شبح		۲۰۱۱	۶۹۴٬۷۱۳٬۳۸۰
		ملت یاغی		۲۰۱۵	۶۸۲٬۷۱۴٬۲۶۷
		مأموریت: غیرممکن ۲		۲۰۰۰	۵۴۶٬۳۸۸٬۱۰۵
		مأموریت: غیرممکن		۱۹۹۶	۴۵۷٬۶۹۶٬۳۵۹
		مأموریت: غیرممکن ۳		۲۰۰۶	۳۹۷٬۸۵۰٬۰۱۲
۱۹	گرگ‌ و میش	سپیده‌دم – قسمت دوم		۲۰۱۲	۸۲۹٬۷۴۶٬۸۲۰		۳٬۳۴۶٬۱۵۷٬۰۵۶
		سپیده‌دم – قسمت اول		۲۰۱۱	۷۱۲٬۲۰۵٬۸۵۶
		ماه نو		۲۰۰۹	۷۰۹٬۷۱۱٬۰۰۸
		خسوف		۲۰۱۰	۶۹۸٬۴۹۱٬۳۴۷
		گرگ‌ومیش		۲۰۰۸	۳۹۳٬۶۱۶٬۷۸۸
		گرگ‌ومیش و ماه نو با هم		۲۰۱۰	۲٬۳۸۵٬۲۳۷
۲۰	داستان اسباب بازی	سری اصلی	داستان اسباب‌بازی ۴	۲۰۱۹	۱٬۰۷۳٬۳۹۴٬۵۹۳	۳٬۰۴۳٬۵۶۹٬۷۹۸	۳٬۲۶۹٬۹۹۵٬۲۱۸
			داستان اسباب‌بازی ۳	۲۰۱۰	۱٬۰۶۶٬۹۶۹٬۷۰۳
			داستان اسباب‌بازی ۲	۱۹۹۹	۴۹۷٬۳۶۶٬۸۶۹
			داستان اسباب‌بازی	۱۹۹۵	۳۷۳٬۵۵۴٬۰۳۳
		لایت‌یر		۲۰۲۲	۲۲۶٬۴۲۵٬۴۲۰
۲۱	عصر یخبندان	ظهور دایناسورها		۲۰۰۹	۸۸۶٬۶۸۶٬۸۱۷		۳٬۲۱۷٬۲۵۱٬۶۸۱
		رانش قاره‌ای		۲۰۱۲	۸۷۷٬۲۴۴٬۷۸۲
		ذوب		۲۰۰۶	۶۶۱٬۴۸۳٬۹۰۸
		مسیر برخورد		۲۰۱۶	۴۰۸٬۵۷۹٬۰۳۸
		عصر یخبندان		۲۰۰۲	۳۸۳٬۲۵۷٬۱۳۶

بستن

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پانویس

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Palmeri, Christopher; Sakoui, Anousha (November 6, 2014). "More Disney Fun and Games With 'Toy Story 4' in 2017". Bloomberg Businessweek. Retrieved November 6, 2014.
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Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды [Guinness World Records] (به روسی، translated by Andrianov، P.I. & Palova و I.V.) (2012 ed.). Moscow: Astrel. p. 211. ISBN 978-5-271-36423-5.{{cite book}}: نگهداری یادکرد:زبان ناشناخته (link)
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"Skyfall (2012)". Box Office Mojo. Archived from the original on October 17, 2022. Retrieved January 18, 2023.
[# ۵۳]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on March 3, 2013.
[# ۵۴]
"Transformers: Age of Extinction". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved May 17, 2015.
[# ۵۵]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 2, 2014.
[# ۵۶]
"The Dark Knight Rises (2012)". Box Office Mojo. Archived from the original on September 4, 2023. Retrieved November 7, 2023.
[# ۵۷]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 3, 2012.
[# ۵۸]
"Joker (2019)". Box Office Mojo. Archived from the original on August 1, 2023. Retrieved November 30, 2022.
[# ۵۹]
"Star Wars: Episode IX – The Rise of Skywalker". Box Office Mojo. Archived from the original on December 30, 2019. Retrieved March 21, 2020.
[# ۶۰]
"Toy Story 4". Box Office Mojo. Archived from the original on December 14, 2019. Retrieved December 7, 2019.
[# ۶۱]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 18, 2011.
[# ۶۲]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 1, 2006.
[# ۶۳]
"Rogue One: A Star Wars Story (2016)". Box Office Mojo. Archived from the original on November 5, 2019. Retrieved September 2, 2022.
[# ۶۴]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 19, 2017.
[# ۶۵]
"Aladdin (2019)". Box Office Mojo. Archived from the original on June 17, 2019. Retrieved November 2, 2019.
[# ۶۶]
"Pirates of the Caribbean: On Stranger Tides". Box Office Mojo. Archived from the original on March 23, 2020. Retrieved August 22, 2011.
[# ۶۷]
Krämer, Peter (1999). "Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience". In Sandler, Kevin S.; Studlar, Gaylyn (eds.). Titanic: Anatomy of a Blockbuster. Rutgers University Press. pp. 108–130. ISBN 978-0-8135-2669-0. On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...
[# ۶۸]
"Despicable Me 3 (2017)". Box Office Mojo. Archived from the original on January 17, 2021. Retrieved January 18, 2023.
[# ۶۹]
"Finding Dory (2016)". Box Office Mojo. Archived from the original on September 29, 2022. Retrieved January 18, 2023.
[# ۷۰]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 25, 2016.
[# ۷۱]
Star Wars Episode I: The Phantom Menace
- Total: "Star Wars: Episode I – The Phantom Menace (1999)". باکس آفیس موجو. Retrieved April 2, 2012. $1,027,044,677
- Original release: "Star Wars: Episode I – The Phantom Menace (1999)". Box Office Mojo. Archived from the original on July 19, 2011. Retrieved November 8, 2012. $924,317,558
[# ۷۲]
"Alice in Wonderland (2010)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved January 18, 2023.
[# ۷۳]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 1, 2010.
[# ۷۴]
"Zootopia (2016)". Box Office Mojo. Archived from the original on December 11, 2020. Retrieved January 7, 2017.
[# ۷۵]
"The Hobbit: An Unexpected Journey (2012)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved December 7, 2022.
[# ۷۶]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 2, 2013.
[# ۷۷]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 24 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۷۸]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۷۹]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۰]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۱]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۲]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۳]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۴]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۵]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۶]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)
[# ۸۷]
Lang, Robert, ed. (1994). -9780813520278/page/30 The Birth of a nation: D.W. Griffith, director. Rutgers University Press. p. 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long. {{cite book}}: Check |url= value (help)
[# ۸۸]
(Block و Wilson 2010، ص. 26).
- Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."
- Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
[# ۸۹]
Coons, Robin (June 30, 1939). "Hollywood Chatter". The Daytona Beach News-Journal. p. 6.
[# ۹۰]
Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. p. 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.
[# ۹۱]
"Biggest Money Pictures". ورایتی. June 21, 1932. p. 1 – via بایگانی اینترنت. Cited in "Biggest Money Pictures". Cinemaweb. Archived from the original on July 8, 2011. Retrieved July 14, 2011.
[# ۹۲]
(Hall و Neale 2010، ص. 53). "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
[# ۹۳]
Brownlow, Kevin (1968). The parade's gone by . انتشارات دانشگاه کالیفرنیا. p. 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.
[# ۹۴]
Vance, Jeffrey (2008). Douglas Fairbanks. انتشارات دانشگاه کالیفرنیا. p. 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).
[# ۹۵]
"Business: Film Exports". تایم. July 6, 1925. Archived from the original on November 5, 2010. Retrieved July 12, 2011.
[# ۹۶]
Birchard, Robert S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 978-0-8131-3829-9.
- ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"
- ch. 56. The Sign of the Cross. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"
- ch. 68. Samson and Delilah. "Cost: $3,097,563.05"
- ch. 69. The Greatest Show on Earth. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"
- ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"
[# ۹۷]
May, Richard P. (Fall 2005), "Restoring The Big Parade", The Moving Image, 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978, S2CID 192076406, ...earning somewhere between $18 and $22 million, depending on the figures consulted
[# ۹۸]
Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (4 ed.). Abbeville Publishing Group. p. 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.
[# ۹۹]
(Hall و Neale 2010، صص. 58–59). "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
[# ..۰]
"Ben-Hur (1925) – Notes". تی‌سی‌ام. Retrieved December 19, 2017.
[# ..۱]
(Hall و Neale 2010، ص. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)")
[# ..۲]
Miller, Frank. "For Heaven's Sake (1926) – Articles". تی‌سی‌ام. Retrieved January 15, 2012.
[# ..۳]
(Finler 2003، ص. 188). "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
[# ..۴]
The Jazz Singer and The Singing Fool
- Block, Hayley Taylor (2010), The Jazz Singer, p. 113, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: (Block و Wilson 2010).
[# ..۵]
Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926–1931. انتشارات دانشگاه کالیفرنیا. pp. 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388
[# ..۶]
Birchard, Robert S. (2010), The Broadway Melody, p. 121, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: (Block و Wilson 2010).
[# ..۷]
Bradley, Edwin M. (2004) [1st. pub. 1996]. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. ISBN 978-0-7864-2029-2.
- The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
- The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
- Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
[# ..۸]
Solomon, Aubrey (2002) [First published 1988]. Twentieth Century-Fox: a corporate and financial history. Filmmakers series. Vol. 20. رومن و لیتلفیلد. ISBN 978-0-8108-4244-1.
- Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
- Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
- The French Connection
p. 167. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256. "$3,300,00".
[# ..۹]
(Block و Wilson 2010، ص. 46). "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
[# ..۰]
Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930–1939. پالگریو مک‌میلان. p. 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
[# ..۱]
Balio, Tino (1996). Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Vol. 5 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-20334-1.
- Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
- Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
[# ..۲]
Hell's Angels
- Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. p. 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
[# ..۳]
Feaster, Felicia. "Frankenstein (1931)". تی‌سی‌ام. Retrieved July 4, 2011.
[# ..۴]
(Block و Wilson 2010، ص. 163). "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
[# ..۵]
Vance, Jeffrey (2003). Chaplin: genius of the cinema. آبرامز بوکز. p. 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
[# ..۶]
Ramsaye, Terry, ed. (1937). "The All-Time Best Sellers – Motion Pictures". International Motion Picture Almanac 1937–38: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
[# ..۷]
Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. pp. 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
- Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
- The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
- Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
- Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
- San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
[# ..۸]
Shanghai Express
- (Block و Wilson 2010، ص. 165). "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
[# ..۹]
King Kong
- Jewel, Richard (1994). "RKO Film Grosses: 1931–1951". Historical Journal of Film Radio and Television. 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
- "King Kong (1933) – Notes". تی‌سی‌ام. Retrieved January 7, 2012. 1952 release: $2,500,000; budget: $672,254.75
[# ..۰]
"I'm No Angel (1933) – Notes". تی‌سی‌ام. Retrieved January 7, 2012. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
[# ..۱]
(Finler 2003، ص. 188). "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
[# ..۲]
Solomon, Aubrey (2011). The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. ISBN 978-0-7864-6286-5.
- Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
- What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
- Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
- State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
[# ..۳]
Block, Alex Ben (2010), She Done Him Wrong, p. 173, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: (Block و Wilson 2010).
[# ..۴]
Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. p. 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
[# ..۵]
(Block و Wilson 2010، ص. 135). "Total production cost: $274,076 (Unadjusted $s)."
[# ..۶]
Turk, Edward Baron (2000) [1st. pub. 1998]. Hollywood Diva: A Biography of Jeanette MacDonald. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-22253-3.
- The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
- San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
[# ..۷]
"Wall St. Researchers' Cheery Tone". ورایتی. November 7, 1962. p. 7.
[# ..۸]
Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. انتشارات دانشگاهی میسیسیپی. p. 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
[# ..۹]
Snow White and the Seven Dwarfs
- Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. رومن و لیتلفیلد. p. 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
- Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. p. 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
- "Snow White and the Seven Dwarfs (1987 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $46,594,719
- "Snow White and the Seven Dwarfs (1993 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $41,634,791
[# ..۰]
Snow White and the Seven Dwarfs and Pinocchio
- (Block و Wilson 2010)
p. 207. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
[# ..۱]
1938
- You Can't Take It With You:"You Can't Take It With You Premieres". فوکس فیچرز. Archived from the original on September 13, 2012. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
- Boys Town: Block, Alex Ben (2010), Boys Town, p. 215, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: (Block و Wilson 2010).
- The Adventures of Robin Hood: Glancy, H. Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film, Radio and Television. 1 (15): 55–60. doi:10.1080/01439689500260031. ISSN 0143-9685. $3.981 million.
- Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, p. 213, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: (Block و Wilson 2010).
[# ..۲]
Chartier, Roy (September 6, 1938). "You Can't Take It With You". ورایتی. Retrieved September 13, 2011.
[# ..۳]
"Gone with the Wind". The Numbers. Nash Information Services. LLC. Archived from the original on 1 February 2013. Retrieved February 8, 2013.
[# ..۴]
"Gone with the Wind". Boxoffice. Retrieved May 29, 2016.
[# ..۵]
[# ..۶]
Gone with the Wind در باکس آفیس موجو
[# ..۷]
(Hall و Neale 2010، ص. 283) ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
[# ..۸]
"Pinocchio (1940)". Boxoffice. Retrieved May 29, 2016.
[# ..۹]
Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: انتشارات دانشگاه آکسفورد. p. 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
[# ..۰]
Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. Vol. 6 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. p. 466. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).
[# ..۱]
(Block و Wilson 2010، صص. 258–259). "Production Cost: $2.1 (Unadjusted $s in Millions of $s) … Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
[# ..۲]
(Block و Wilson 2010، ص. 267). "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
[# ..۳]
(Finler 2003، ص. 301). "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
[# ..۴]
"Bambi". Boxoffice. Retrieved May 29, 2016.
[# ..۵]
(Block و Wilson 2010، ص. 281). "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
[# ..۶]
(Block و Wilson 2010، صص. 712–713).
- Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
- 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
- The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
- Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
[# ..۷]
Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. انتشارات دانشگاه منچستر. pp. 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
[# ..۸]
(Block و Wilson 2010)
- Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, p. 279, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
- Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
[# ..۹]
McAdams, Frank (2010), For Whom the Bell Tolls, p. 287, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: (Block و Wilson 2010).
[# ..۰]
"For Whom the Bell Tolls (1943) – Notes". تی‌سی‌ام. Retrieved June 24, 2012.
[# ..۱]
"A Guy Named Joe (1944) – Notes". تی‌سی‌ام. Retrieved August 29, 2012. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.
[# ..۲]
Bergreen, Laurence (Summer 1996). "Irving Berlin: This Is the Army". Prologue. 28 (2). Part 3. Retrieved August 22, 2012.
[# ..۳]
"This Is the Army (1943) – Notes". تی‌سی‌ام. Retrieved July 9, 2011.
[# ..۴]
(Finler 2003، صص. 356–363)
[# ..۵]
(Block و Wilson 2010، ص. 420). "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
[# ..۶]
(Block و Wilson 2010، ص. 232).
- Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
- Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
- Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
[# ..۷]
Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. انتشارات دانشگاه دوک. pp. 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
[# ..۸]
(Block و Wilson 2010)
- p. 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
- Wasson, Sam (2010), The Bells of St. Mary's, p. 297, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.
[# ..۹]
"Song of the South". The Numbers. Nash Information Services. LLC. Archived from the original on 3 September 2011. Retrieved July 10, 2011.
[# ..۰]
Gabler, Neal (2007). Walt Disney: the biography. گروه کوارتو. pp. 438. Still, the film wound up grossing $3.3 million...
[# ..۱]
"Song of the South (1946) – Notes". تی‌سی‌ام. Retrieved July 25, 2012.
[# ..۲]
(Hall و Neale 2010)
- p. 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
- p. 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
[# ..۳]
Burns, Douglas (2010), The Best years of Our Lives, p. 301, The film made a $5 million profit on worldwide rentals of $14.8 million. In: (Block و Wilson 2010).
[# ..۴]
(Hall و Neale 2010، ص. 285 (note 6.56)). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
[# ..۵]
Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. آی بی توریس. p. 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
[# ..۶]
"Unconquered (1947) – Notes". تی‌سی‌ام. Retrieved January 10, 2012.
[# ..۷]
Miller, Frank. "Easter Parade (1948) – Articles". تی‌سی‌ام. Retrieved July 19, 2012.
[# ..۸]
Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. p. 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
[# ..۹]
Officer, Lawrence H. (2011). "Dollar-Pound Exchange Rate From 1791". MeasuringWorth. Retrieved November 18, 2012. 1947–1948: $4.03 (per British pound)
[# ..۰]
"The Snake Pit". The Numbers. Nash Information Services. LLC. Archived from the original on December 28, 2011.
[# ..۱]
"'Snake Pit' Seen No Problem After All". ورایتی. January 19, 1949. p. 7.
[# ..۲]
(Hall و Neale 2010، ص. 136–139)
- Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
- Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
[# ..۳]
"Cinderella (1950)". The Numbers. Nash Information Services. Retrieved January 2, 2017.
[# ..۴]
Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. دانشگاه ایالتی پنسیلوانیا. p. 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
[# ..۵]
Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. انتشارات دانشگاه آکسفورد. p. 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
[# ..۶]
The E. J. Mannix ledger. Margaret Herrick Library, آکادمی علوم و هنرهای سینما: Howard Strickling Collection. 1962.
[# ..۷]
Lev, Peter (2006). Transforming the Screen, 1950–1959. Vol. 7 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-24966-0.
- Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
- Rear Window: pp. 203–204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
[# ..۸]
(Block و Wilson 2010، ص. 335).
- The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
- Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
[# ..۹]
Mulligan, Hugh A. (September 23, 1956). "Cinerama Pushing Ahead As Biggest Money-Maker". The Register-Guard. Eugene, Oregon. p. 7B.
[# ..۰]
Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. p. 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
[# ..۱]
Burns, Douglas (2010), The Greatest Show on Earth, pp. 354–355, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: (Block و Wilson 2010).
[# ..۲]
"The Greatest Show on Earth (1952) – Notes". تی‌سی‌ام. Retrieved January 8, 2012.
[# ..۳]
"Peter Pan (1953) – Notes". تی‌سی‌ام. Retrieved July 24, 2011.
[# ..۴]
"Top Grossers of 1953". Variety. January 13, 1954. p. 10. Retrieved September 12, 2019.
[# ..۵]
(Hall و Neale 2010، ص. 147–148). "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
[# ..۶]
(Block و Wilson 2010، ص. 367). "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
[# ..۷]
"Rear Window". Boxoffice. Retrieved May 29, 2016.
[# ..۸]
"White Christmas". Boxoffice. Retrieved May 29, 2016.
[# ..۹]
(Block و Wilson 2010، ص. 420). "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
[# ..۰]
(Hall و Neale 2010، ص. 149). "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
[# ..۱]
"20000 Leagues Under The Sea". Boxoffice. Retrieved May 29, 2016.
[# ..۲]
Miller, John M. "20,000 Leagues Under the Sea (1954) – Articles". تی‌سی‌ام. Retrieved January 9, 2012.
[# ..۳]
(Finler 2003، ص. 320). "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
[# ..۴]
D'Alessandro, Anthony (October 27, 2003). "Disney Animated Features at the Worldwide Box Office". ورایتی. Retrieved 4 July 2022 – via The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million
[# ..۵]
"Lady and the Tramp (1955) – Notes". تی‌سی‌ام. Retrieved July 27, 2011.
[# ..۶]
Minego, Pete (May 21, 1956). "Pete's Pungent Patter". Portsmouth Daily Times. Portsmouth, Ohio. p. 19.
[# ..۷]
"Cinerama Holiday (1955) – Notes". تی‌سی‌ام. Retrieved July 7, 2012.
[# ..۸]
(Block و Wilson 2010)
- p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
- Burns, Douglas (2010), Mister Roberts, p. 383, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.
[# ..۹]
(Block و Wilson 2010، ص. 327). "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
[# ..۰]
(Hall و Neale 2010، صص. 159–161)
- The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
- The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
[# ..۱]
(Hall و Neale 2010، ص. 153). "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
[# ..۲]
Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. انتشارات دانشگاه آکسفورد. pp. 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
[# ..۳]
(Block و Wilson 2010، ص. 324). "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
[# ..۴]
Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Vol. 14 of Hollywood classics. Lulu. p. 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
[# ..۵]
Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. pp. 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
[# ..۶]
(Hall و Neale 2010، ص. 179).
- Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
- The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
[# ..۷]
Nixon, Rob. "Psycho (1960) – Articles". تی‌سی‌ام. Retrieved January 9, 2012.
[# ..۸]
Tube. (January 18, 1961). "One Hundred and One Dalmatians". ورایتی. Retrieved August 23, 2011.
[# ..۹]
Block, Hayley Taylor (2010), West Side Story, p. 449, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: (Block و Wilson 2010).
[# ..۰]
(Block و Wilson 2010، ص. 434).
- The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
- 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
- Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
- West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
- Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
[# ..۱]
Lawrence of Arabia
- 1962 release: "Lawrence of Arabia". The Numbers. Nash Information Services. LLC. Archived from the original on 16 March 2012. Retrieved August 15, 2011. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000
- U.S. total (including reissues): "Lawrence of Arabia". Boxoffice. Retrieved May 29, 2016. $44,824,852
[# ..۲]
(Hall و Neale 2010، ص. 165–166)
- Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."
- The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
- Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
[# ..۳]
(Hall و Neale 2010، ص. 164). "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
[# ..۴]
(Block و Wilson 2010، صص. 428–429)
- From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
- Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
- Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
- Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
[# ..۵]
Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. آی بی توریس. ISBN 978-1-84511-515-9.
- From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at گوگل بوکز)"
- Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{^{[کدام صفحه؟]}}
- Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at گوگل بوکز)"
[# ..۶]
Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. p. 261. ISBN 978-0-299-23014-2.
- From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at گوگل بوکز)"
- Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at گوگل بوکز)"
[# ..۷]
(Hall و Neale 2010، ص. 184)
- My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
- Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
[# ..۸]
Burns, Douglas (2010), Mary Poppins, p. 469, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: (Block و Wilson 2010).
[# ..۹]
"The Sound of Music". Boxoffice. Retrieved May 29, 2016.
[# ..۰]
Silverman, Stephen M (1988). The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. p. 325. ISBN 978-0-8184-0485-6.
[# ..۱]
"Hawaii". The Numbers. Nash Information Services. LLC. Archived from the original on 16 March 2012. Retrieved August 18, 2011.
[# ..۲]
"Who's Afraid of Virginia Wolf? (1966)". The Numbers. Nash Information Services. LLC. Retrieved February 3, 2020.
[# ..۳]
(Hall و Neale 2010، ص. 188). "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
[# ..۴]
"Animals Portray Parts in Disney's "Robin Hood"". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's [کذا] initial world-wide release, has grossed $23.8 million to date...
[# ..۵]
Murphy, A.D. (October 4, 1967). "The Jungle Book". ورایتی. p. 6. Retrieved March 14, 2018. It was filmed at a declared cost of $4 million over a 42-month period.
[# ..۶]
Denisoff, R. Serge; Romanowski, William D. (1991). Risky Business: Rock in Film. Transaction Publishers. ISBN 978-0-88738-843-9.
- The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."
- Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
[# ..۷]
(Hall و Neale 2010، ص. 191–192)
- The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
- Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
[# ..۸]
2001: A Space Odyssey
- Total: Miller, Frank. "2001: A Space Odyssey (1968) – Articles". تی‌سی‌ام. Retrieved August 24, 2011. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.
- As of 2006: Palmer, R. Barton (2006). "2001: The Critical Reception and the Generation Gap". In Kolker, Robert Phillip (ed.). Stanley Kubrick's 2001: a Space Odyssey: New Essays. انتشارات دانشگاه آکسفورد. p. 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.
- 2013 re-release: "2001: A Space Odyssey (2013 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $214,618; United Kingdom: $568,997
- 2014 re-release: "2001: A Space Odyssey (2014 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $135,370
- 2018 re-release: "2001: A Space Odyssey (2018 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525
[# ..۹]
Haber, Joyces (March 27, 1969). "'Funny Girl' a Box Office Winner". لس آنجلس تایمز. Archived from the original on July 24, 2012. Retrieved March 29, 2012. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
[# ..۰]
Welles, Chris (September 7, 1970). "Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits". [[نیویورک (مجله)|]]. Vol. 3, no. 36. New York Media. pp. 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
[# ..۱]
Butch Cassidy and the Sundance Kid
- United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. Retrieved May 29, 2016. $102,308,525
- Outside North America: Vanity Fair. 2008. p. 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.
[# ..۲]
D'Alessandro, Anthony (July 15, 2002). "Top 50 worldwide grossers". ورایتی. p. 52, Paramount at 90 supplement.
[# ..۳]
"'Love Story' II: Ryan Redux?". [[نیویورک (مجله)|]]. Vol. 9. New York Media. 1976. p. 389. Bring those handkerchiefs out of retirement. … After all, the first movie made around $80 million worldwide.
[# ..۴]
Block, Hayley Taylor (2010), Love Story, p. 545, The final cost came in at $2,260,000. In: (Block و Wilson 2010).
[# ..۵]
(Block و Wilson 2010، ص. 549). "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
[# ..۶]
(Block و Wilson 2010، ص. 527).
- Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
- Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
- Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
[# ..۷]
The Godfather
- 1974: Newsweek. Vol. 84. 1974. p. 74. The original Godfather has grossed a mind-boggling $285 million...
- 1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. p. 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S. -Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).
- Releases: "The Godfather (1972)". باکس آفیس موجو. Retrieved January 22, 2020. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000
[# ..۸]
Jacobs, Diane (1980). Hollywood Renaissance. انتشارات دل. p. 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
[# ..۹]
"The Godfather (1972) – Notes". تی‌سی‌ام. Retrieved January 23, 2020.
[# ..۰]
"The Exorcist". Boxoffice. Retrieved May 29, 2016.
[# ..۱]
Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. p. 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
[# ..۲]
"Big Rental Films of 1974". ورایتی. January 8, 1975. p. 24. Retrieved July 4, 2022 – via بایگانی اینترنت. U.S-Canada market only $66,3000,000
[# ..۳]
Pollock, Dale (May 9, 1979). "WB Adds To Its Record Collection". ورایتی. p. 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" toted up $46,000,000
[# ..۴]
New York, vol. 8, New York Media, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at گوگل بوکز) {{citation}}: External link in |quote= (help)
[# ..۵]
(Block و Wilson 2010، ص. 560). "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."
[# ..۶]
"It Towers $203,336,412 (advertisement)". ورایتی. June 2, 1976. pp. 8–9. Archived from the original on 8 January 2023. Retrieved October 31, 2020.
[# ..۷]
(Hall و Neale 2010، صص. 206–208). "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."
[# ..۸]
Klady, Leonard (1998). "All-Time Top Film Rentals". ورایتی. Archived from the original on October 7, 1999. Domestic rentals: $48,838,000
[# ..۹]
(Block و Wilson 2010، ص. 568). "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."
[# ..۰]
"Jaws". Boxoffice. Retrieved May 29, 2016.
[# ..۱]
[# ..۲]
Priggé, Steven (2004). Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. p. 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
[# ..۳]
(Hall و Neale 2010، ص. 214). "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."
[# ..۴]
Block, Alex Ben (2010), Rocky, p. 583, The budget was $1,075,000 plus producer's fees of $100,000. In: (Block و Wilson 2010).
[# ..۵]
"Star Wars (1977)". باکس آفیس موجو. Retrieved January 10, 2012.
[# ..۶]
Wuntch, Philip (July 19, 1985). "Return of E.T." دالاس مورنینگ نیوز. Retrieved March 6, 2012. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.
[# ..۷]
(Hall و Neale 2010، ص. 218). "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."
[# ..۸]
"Grease". Boxoffice. Retrieved May 29, 2016.
[# ..۹]
Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. p. 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
[# ..۰]
"Grease (40th Anniversary)". باکس آفیس موجو. Retrieved August 30, 2018.
[# ..۱]
Kramer vs. Kramer
- United & Babson Investment Report. Vol. 72. Babson-United, Inc. 1980. p. 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...
- Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. انتشارات دانشگاه کالیفرنیا. p. 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).
[# ..۲]
"Rocky II". Boxoffice. Retrieved May 29, 2016.
[# ..۳]
Kilday, Greg (May 22, 1992). "Rules of the Game". انترتینمنت ویکلی. No. 119. Archived from the original on December 25, 2018. Retrieved July 4, 2012.
[# ..۴]
The Empire Strikes Back
- Total up to 2014: "The Empire Strikes Back (1980)". باکس آفیس موجو. Retrieved January 10, 2012. $538,375,067
- Special edition: "The Empire Strikes Back (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $67,597,694; Overseas: $57,214,766
- 2015 re-release: "The Empire Strikes Back". Box Office Mojo. Retrieved October 8, 2015. United Kingdom: $9,593,937
[# ..۵]
(Block و Wilson 2010، ص. 519).
- The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
- Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
- The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
[# ..۶]
Raiders of the Lost Ark
- "Raiders of the Lost Ark (1981)". باکس آفیس موجو. Retrieved November 4, 2012. Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000
- (Block و Wilson 2010، ص. 625). Domestic Box office: $180.1; "Production Cost: $22.8 (Initial Release – Unadjusted $s in Millions of $s)."
[# ..۷]
"E.T. : The Extra-Terrestrial (1982)". باکس آفیس موجو. Retrieved January 10, 2012.
[# ..۸]
(Block و Wilson 2010، ص. 609). "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T. : The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."
[# ..۹]
(Block و Wilson 2010، ص. 652). "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."
[# ..۰]
Return of the Jedi
- Total: "Return of the Jedi (1983)". باکس آفیس موجو. Retrieved January 10, 2012. $475,106,177
- Special edition: "Return of the Jedi (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $45,470,437; Overseas: $43,790,543
[# ..۱]
"Indiana Jones and the Temple of Doom (1984)". باکس آفیس موجو. Retrieved February 12, 2013.
[# ..۲]
(Finler 2003، صص. 190–191).
[# ..۳]
(Block و Wilson 2010، ص. 664). "Production Cost: $28.2 (Unadjusted $s in Millions of $s)."
[# ..۴]
Back to the Future
- Original release: "Back to the Future (1985)". باکس آفیس موجو. Retrieved August 18, 2014. Worldwide: $381,109,762; Production Budget: $19 million
- 2010 reissue: "Back to the Future (2010 re-release)". Box Office Mojo. Retrieved August 10, 2014. Foreign Total: $2,315,159
- 2014 reissue: "Back to the Future (2014 re-issue)". Box Office Mojo. Retrieved August 31, 2014. United Kingdom: $5,628,876
[# ..۵]
(Finler 2003، ص. 268). "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."
[# ..۶]
"Top Gun". Boxoffice. Retrieved May 29, 2016.
[# ..۷]
McAdams, Frank (2010), Top Gun, pp. 678–679, Production Cost: $19.0 (Millions of $s) … Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office. In: (Block و Wilson 2010).
[# ..۸]
Fatal Attraction
- "Fatal Attraction". Boxoffice. Retrieved May 29, 2016.
- Scott, Vernon (June 15, 1990). "'Three Men and Baby' Sequel Adds Cazenove to Original Cast". The Daily Gazette. New York. Hollywood (UPI). p. 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...
[# ..۹]
"Rain Man". Boxoffice. Retrieved May 29, 2016.
[# ..۰]
(Finler 2003، ص. 244). "Rain Man: 30.0 (cost in million $s)"
[# ..۱]
"Indiana Jones and the Last Crusade (1989)". باکس آفیس موجو. Retrieved September 15, 2013.
[# ..۲]
(Block و Wilson 2010، صص. 694–695). "Production Cost: $55.4 (Unadjusted $s in Millions of $s) … The film went on to haul in over $494 million worldwide."
[# ..۳]
"Ghost (1990)". باکس آفیس موجو. Retrieved July 12, 2020.
[# ..۴]
Terminator 2
- Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Archived from the original on June 26, 2017. $519,843,345
- 3D re-release: "Terminator 2: Judgment Day (1991)". باکس آفیس موجو. Retrieved September 20, 2017.
[# ..۵]
Ansen, David (July 8, 1991). "Conan The Humanitarian". نیوزویک. Retrieved September 19, 2013.
[# ..۶]
"Aladdin". Boxoffice. Retrieved May 29, 2016.
[# ..۷]
Jurassic Park
- Pre-2022 releases: "Jurassic Park (1993)". باکس آفیس موجو. Archived from the original on 2021-01-26. Retrieved March 7, 2022. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million
- 2022 re-release: "Jurassic Park (2022 Re-release)". Box Office Mojo. Retrieved July 1, 2022. Mexico: $270,700
- As of 2010: (Block و Wilson 2010، صص. 756–757). "Production Cost: $70.0 (Unadjusted $s in Millions of $s) … Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."
[# ..۸]
The Lion King
- Total: "The Lion King (1994)". باکس آفیس موجو. Retrieved May 29, 2016. Worldwide: $968,483,777; Production Budget: $45 million
- Lifetime grosses (US & Canada): "The Lion King (1994) – Release Summary". Box Office Mojo. Retrieved May 29, 2016. Initial: $312,855,561; IMAX: $15,686,215; 3D: $94,242,001
- Lifetime grosses (outside U.S. & Canada): Brevert, Brad (May 29, 2016). "'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide". Box Office Mojo. Retrieved May 29, 2016. ...the original release of The Lion King made $450.6 million internationally, an additional $3.8 million with the 2002 IMAX reissue, and another $91.3 million from 2011's 3D reissue for an international total of $545.7 million.
- As of 2010: (Block و Wilson 2010، ص. 764). "Production Cost: $79.3 (Unadjusted $s in Millions of $s)."
[# ..۹]
Toy Story
- Total: "Toy Story (1995)". باکس آفیس موجو. Retrieved November 16, 2014. Worldwide: $373,554,033
- 3D release: "Toy Story in 3D (2009)". Box Office Mojo. Retrieved November 16, 2014. Foreign Total: $8,680,257
[# ..۰]
(Block و Wilson 2010، صص. 776). "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"
[# ..۱]
"Die Hard: With A Vengeance". Boxoffice. Retrieved May 29, 2016.
[# ..۲]
(Finler 2003، ص. 123).
[# ..۳]
"Independence Day (1996)". باکس آفیس موجو. Retrieved September 13, 2009.
[# ..۴]
Titanic
- Pre-2020 releases: "Titanic (1997)". باکس آفیس موجو. Archived from the original on October 27, 201. Worldwide: $2,187,463,944; Original release: $1,843,221,532; 2012 3D Release: $343,550,770; 2017 Re-release: $691,642
- 2020 Re-release: "Titanic (2020 Re-release)". Box Office Mojo. 2020 Re-release: $71,352
[# ..۵]
"Armageddon". Boxoffice. Retrieved May 29, 2016.
[# ..۶]
(Block و Wilson 2010، ص. 509). "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."
[# ..۷]
"Mission: Impossible II". باکس آفیس موجو. Retrieved January 6, 2012.
[# ..۸]
Harry Potter and the Philosopher's Stone
- Total: "Harry Potter and the Sorcerer's Stone (2001)". باکس آفیس موجو. Retrieved January 20, 2021.
[# ..۹]
"The Lord of the Rings: The Two Towers". باکس آفیس موجو. Retrieved February 10, 2020. Worldwide: $947,495,095; Original Release: $936,689,735
[# ..۰]
"Shrek 2 (2002)". باکس آفیس موجو. Retrieved February 5, 2009.
[# ..۱]
Harry Potter and the Goblet of Fire
- Total: "Harry Potter and the Goblet of Fire (2005)". باکس آفیس موجو. Retrieved June 15, 2020.
[# ..۲]
"Pirates of the Caribbean: Dead Man's Chest (2006)". باکس آفیس موجو. Retrieved January 11, 2010.
[# ..۳]
"Pirates of the Caribbean: At World's End (2007)". باکس آفیس موجو. Retrieved June 15, 2011.
[# ..۴]
The Dark Knight
- Total: "The Dark Knight (2008)". باکس آفیس موجو. Retrieved October 28, 2012. Total: $1,004,558,444
- Original release (excluding 2009 IMAX reissue): "The Dark Knight". The Numbers. Nash Information Services. LLC. Archived from the original on February 8, 2009. Retrieved October 28, 2012. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009
- 2009 IMAX re-release: "Warner Bros. Entertainment Wraps Record-Breaking Year". برادران وارنر. January 8, 2009. Archived from the original on 9 June 2022. Retrieved April 22, 2016. With worldwide receipts of $997 million, "The Dark Knight" is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.
- First-run gross and IMAX reissue: Gray, Brandon (February 20, 2009). "Billion Dollar Batman". باکس آفیس موجو. Retrieved June 7, 2014. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.
[# ..۵]
"Avatar (2009)". باکس آفیس موجو. Retrieved June 11, 2022. Worldwide: $2,847,397,339; Original Release: $2,743,577,587; 2010 Special Edition: $44,838,548; 2020 Re-release: $1,281,204; 2021 Re-release: $57,700,000
[# ..۶]
"Toy Story 3 (2010)". باکس آفیس موجو. Retrieved March 17, 2010.
[# ..۷]
Harry Potter and the Deathly Hallows – Part 2
- Total: "Harry Potter and the Deathly Hallows Part 2 (2011)". باکس آفیس موجو. Retrieved June 15, 2020.
- Production cost: Frankel, Daniel (November 17, 2010). "Get Ready for the Biggest 'Potter' Opening Yet". درپ. Archived from the original on 20 November 2010. Retrieved August 27, 2011.
[# ..۸]
Frozen
- "Frozen (2013) – International Box Office Results". باکس آفیس موجو. Archived from the original on August 9, 2014. Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)
- "Frozen (2013) – International Box Office Results: Japan". Box Office Mojo. Retrieved September 3, 2014.
Total as of August 3, 2014: $247,650,477

Total as of August 31, 2014: $249,036,646
- "Frozen (2013) – International Box Office Results: Nigeria". Box Office Mojo. Retrieved September 3, 2014.
Total as of August 17, 2014: $167,333
- "Frozen (2013) – International Box Office Results: Spain". Box Office Mojo. Retrieved November 6, 2014.
Total as of July 27, 2014: $21,668,593

Total as of November 2, 2014: $22,492,845
- "Frozen (2013) – International Box Office Results: United Kingdom". Box Office Mojo. Retrieved March 30, 2016.
Total as of June 8, 2014: £39,090,985

Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)

Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)

Total as of December 14, 2014: £41,170,608 ($1 = £0.636)

Total as of November 26, 2017: £42,840,559 ($1 = £0.7497)

Total as of December 3, 2017: £42,976,318 ($1 = £0.742)
- "Frozen (2013) – International Box Office Results: Germany". Box Office Mojo. Retrieved March 30, 2016.
Total as of March 30, 2014: €35,098,170

Total as of October 18, 2015: €42,526,744
nb. the exact euro to dollar conversion rate is unknown for earnings since April 2014, but the euro never fell below parity with the dollar during 2014 and 2015 (as can be verified by comparing the exchange rate on the individual date entries at the provided reference) so an approximate conversion rate of €1: $1 is used here to give a lower-bound.
[# ..۹]
Rubin, Rebecca (April 30, 2018). "'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time". ورایتی. Archived from the original on May 2, 2018. Retrieved May 14, 2018.
[# ..۰]
"Kimetsu no Yaiba: Mugen Ressha-Hen (2020)". The Numbers. Nash Information Services, LLC. Retrieved November 13, 2023.
[# ..۱]
"Spider-Man: No Way Home (2021)". The Numbers. Nash Information Services, LLC. Retrieved July 2, 2022.
[# ..۲]
McClintock, Pamela (November 22, 2022). "Box Office: 'Avatar: The Way of Water' Lands Coveted China Release". هالیوود ریپورتر. Retrieved January 10, 2023.
[# ..۳]
Anthony D'Alessandro (December 18, 2022). "'Avatar: The Way Of Water' Opens To $134M; Why Pic's Box Office Fate Will Be Determined Through The Holidays – Sunday AM Update". ددلاین هالیوود. Retrieved January 10, 2023.
[# ..۴]
D'Alessandro, Anthony (July 23, 2023). "'Barbie' Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update". ددلاین هالیوود. Archived from the original on July 21, 2023. Retrieved July 23, 2023.
[# ..۵]
Paskin, Willa (July 11, 2023). "Greta Gerwig's 'Barbie' Dream Job". مجله نیویورک تایمز. Archived from the original on July 11, 2023. Retrieved July 11, 2023.
[# ..۶]
"Inside Out 2 (2024)". باکس آفیس موجو. Retrieved June 23, 2024.
[# ..۷]
Rubin, Rebecca (June 11, 2024). "Box Office: Inside Out 2 Aims to Reverse Pixar's Woes With $85 Million Debut". ورایتی (به انگلیسی). Retrieved June 23, 2024.

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[Guinness_2015-1] [۱]
Records, Guinness World (2014). Guinness World Records. Vol. 60 (2015 ed.). pp. 160–161. ISBN 978-1-908843-70-8.

[titanic-sales-2] [۲]
Pincus-Roth, Zachary (January 8, 2006). "Producers claim prod'n has grossed over $3.2 bil at the B.O. worldwide". Variety. Retrieved February 2, 2014.

[3] [۳]
"Avatar – Video Sales". The Numbers. Nash Information Services. Retrieved November 12, 2013.

[4] [۴]
"Unkind unwind". The Economist. March 17, 2011. Retrieved April 12, 2012.

[5] [۵]
Vogel, Harold L. (2010). Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. p. 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.

[6] [۶]
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[Pincus-Roth_(2006)-7] [۷]
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[8] [۸]
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[9] [۹]
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[10] [۱۰]
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[11] [۱۱]
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[12] [۱۲]
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[13] [۱۳]
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[14] [۱۴]
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[15] [۱۵]
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[92] [۱۶]
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[93] [۱۷]
Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды [Guinness World Records] (به روسی، translated by Andrianov، P.I. & Palova و I.V.) (2012 ed.). Moscow: Astrel. p. 211. ISBN 978-5-271-36423-5.{{cite book}}: نگهداری یادکرد:زبان ناشناخته (link)

[104] [۱۸]
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[105] [۱۹]
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[Dirks_(year)-106] [۲۰]
Dirks, Tim. "All-Time Box-Office Hits By Decade and Year". Filmsite.org. شبکه‌های ای‌ام‌سی. Retrieved January 5, 2012.

[avatar_peak-16] [# ۱]
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[endgame-17] [# ۲]
"Avengers: Endgame (2019)". Box Office Mojo. Archived from the original on January 7, 2023. Retrieved March 13, 2021.

[endgame_peak-18] [# ۳]
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[avatar2-19] [# ۴]
"Avatar: The Way of Water (2022)". Box Office Mojo. Archived from the original on December 19, 2022. Retrieved May 26, 2023.

[avatar_2_peak-20] [# ۵]
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[titanic_peak-21] [# ۶]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 16, 2001.

[sw7-22] [# ۷]
"Star Wars: The Force Awakens (2015)". Box Office Mojo. Archived from the original on November 8, 2019. Retrieved August 15, 2016.

[sw7_peak-23] [# ۸]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 5, 2016.

[infinity_war-24] [# ۹]
"Avengers: Infinity War (2018)". Box Office Mojo. Archived from the original on February 21, 2020. Retrieved January 13, 2019.

[infinity_war_peak-25] [# ۱۰]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 1, 2019.

[nwh-26] [# ۱۱]
"Spider-Man: No Way Home (2021)". Box Office Mojo. Archived from the original on July 29, 2022. Retrieved January 18, 2023. All Releases: $1,921,847,111; Original Release: $1,912,233,593

[No_Way_Home_peak-27] [# ۱۲]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 29, 2022.

[28] [# ۱۳]
"The Lion King". Box Office Mojo. Archived from the original on November 25, 2020. Retrieved January 8, 2020.

[jurassic_world-29] [# ۱۴]
"Jurassic World (2015)". Box Office Mojo. Archived from the original on March 8, 2021. Retrieved March 7, 2022.

[jurassic_world_peak-30] [# ۱۵]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 26, 2015.

[avengers-31] [# ۱۶]
"The Avengers (2012)". Box Office Mojo. Archived from the original on January 6, 2023. Retrieved January 18, 2023.

[avengers_peak-32] [# ۱۷]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on October 1, 2012.

[fast7-33] [# ۱۸]
"Furious 7 (2015)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved January 9, 2023.

[furious_7_peak-34] [# ۱۹]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on June 26, 2015.

[35] [# ۲۰]
"Top Gun: Maverick (2022)". Box Office Mojo. Archived from the original on June 17, 2022. Retrieved June 8, 2023.

[Maverick_peak-36] [# ۲۱]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 29, 2022.

[37] [# ۲۲]
"Frozen II". Box Office Mojo. Archived from the original on August 12, 2019. Retrieved March 26, 2020.

[covid_peak-38] [# ۲۳]
"Top Lifetime Grosses – Worldwide". Box Office Mojo. Archived from the original on August 1, 2020.

[Barbie_BOM-39] [# ۲۴]
"Barbie (2023)". Box Office Mojo. Archived from the original on August 9, 2023. Retrieved March 21, 2024.

[barbie_peak-40] [# ۲۵]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on January 17, 2024.

[41] [# ۲۶]
"Avengers: Age of Ultron (2015)". Box Office Mojo. Archived from the original on December 18, 2022. Retrieved January 8, 2022.

[42] [# ۲۷]
"The Super Mario Bros. Movie (2023)". Box Office Mojo. Archived from the original on April 5, 2023. Retrieved March 21, 2024.

[mario_peak-43] [# ۲۸]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on August 29, 2023.

[black_panther-44] [# ۲۹]
"Black Panther (2018)". Box Office Mojo. Archived from the original on August 30, 2020. Retrieved October 29, 2018.

[45] [# ۳۰]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 1, 2018.

[HP8_peak-46] [# ۳۱]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on October 31, 2011.

[sw8-47] [# ۳۲]
"Star Wars: The Last Jedi". Box Office Mojo. Archived from the original on December 1, 2019. Retrieved May 21, 2018.

[SW8_peak-48] [# ۳۳]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 27, 2018.

[49] [# ۳۴]
"Jurassic World: Fallen Kingdom (2018)". Box Office Mojo. Archived from the original on August 21, 2020. Retrieved January 12, 2019.

[frozen_peak-50] [# ۳۵]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 2, 2014.

[beauty-51] [# ۳۶]
"Beauty and the Beast (2017)". Box Office Mojo. Archived from the original on August 18, 2019. Retrieved September 5, 2017.

[Beauty_peak-52] [# ۳۷]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 11, 2017.

[53] [# ۳۸]
"Incredibles 2 (2018)". Box Office Mojo. Archived from the original on October 21, 2020. Retrieved March 25, 2019.

[54] [# ۳۹]
"The Fate of the Furious (2017)". Box Office Mojo. Archived from the original on August 22, 2017.

[iron_man_3-55] [# ۴۰]
"Iron Man 3 (2013)". Box Office Mojo. Archived from the original on December 15, 2017. Retrieved October 28, 2013.

[iron_man_3_peak-56] [# ۴۱]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on February 21, 2014.

[57] [# ۴۲]
"Minions (2015)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved January 18, 2023.

[civil_war-58] [# ۴۳]
"Captain America: Civil War (2016)". Box Office Mojo. Archived from the original on January 6, 2023. Retrieved January 18, 2023.

[civil_war_peak-59] [# ۴۴]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on August 1, 2016.

[60] [# ۴۵]
"Aquaman (2018)". Box Office Mojo. Archived from the original on June 17, 2023. Retrieved January 18, 2023.

[lotr3-61] [# ۴۶]
"The Lord of the Rings: The Return of the King". Box Office Mojo. Archived from the original on November 5, 2023. Retrieved November 7, 2023.

[ROTK_peak-62] [# ۴۷]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on June 5, 2004.

[63] [# ۴۸]
"Spider-Man: Far From Home". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved November 27, 2019.

[captain_marvel-64] [# ۴۹]
"Captain Marvel (2019)". Box Office Mojo. Archived from the original on February 21, 2020. Retrieved July 21, 2019.

[captain_marvel_peak-65] [# ۵۰]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 23, 2019.

[66] [# ۵۱]
"Transformers: Dark of the Moon (2011)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved January 18, 2014.

[67] [# ۵۲]
"Skyfall (2012)". Box Office Mojo. Archived from the original on October 17, 2022. Retrieved January 18, 2023.

[Skyfall_peak-68] [# ۵۳]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on March 3, 2013.

[transformers-69] [# ۵۴]
"Transformers: Age of Extinction". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved May 17, 2015.

[Transformers_4_peak-70] [# ۵۵]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on November 2, 2014.

[71] [# ۵۶]
"The Dark Knight Rises (2012)". Box Office Mojo. Archived from the original on September 4, 2023. Retrieved November 7, 2023.

[Ice_Age_3_peak-72] [# ۵۷]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 3, 2012.

[73] [# ۵۸]
"Joker (2019)". Box Office Mojo. Archived from the original on August 1, 2023. Retrieved November 30, 2022.

[74] [# ۵۹]
"Star Wars: Episode IX – The Rise of Skywalker". Box Office Mojo. Archived from the original on December 30, 2019. Retrieved March 21, 2020.

[75] [# ۶۰]
"Toy Story 4". Box Office Mojo. Archived from the original on December 14, 2019. Retrieved December 7, 2019.

[toy_story_3_peak-76] [# ۶۱]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 18, 2011.

[POTC_2_peak-77] [# ۶۲]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 1, 2006.

[78] [# ۶۳]
"Rogue One: A Star Wars Story (2016)". Box Office Mojo. Archived from the original on November 5, 2019. Retrieved September 2, 2022.

[rogue_one_peak-79] [# ۶۴]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 19, 2017.

[80] [# ۶۵]
"Aladdin (2019)". Box Office Mojo. Archived from the original on June 17, 2019. Retrieved November 2, 2019.

[81] [# ۶۶]
"Pirates of the Caribbean: On Stranger Tides". Box Office Mojo. Archived from the original on March 23, 2020. Retrieved August 22, 2011.

[Jurassic_Park_peak-82] [# ۶۷]
Krämer, Peter (1999). "Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience". In Sandler, Kevin S.; Studlar, Gaylyn (eds.). Titanic: Anatomy of a Blockbuster. Rutgers University Press. pp. 108–130. ISBN 978-0-8135-2669-0. On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...

[83] [# ۶۸]
"Despicable Me 3 (2017)". Box Office Mojo. Archived from the original on January 17, 2021. Retrieved January 18, 2023.

[84] [# ۶۹]
"Finding Dory (2016)". Box Office Mojo. Archived from the original on September 29, 2022. Retrieved January 18, 2023.

[Dory_peak-85] [# ۷۰]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on December 25, 2016.

[tpm-86] [# ۷۱]
Star Wars Episode I: The Phantom Menace
Total: "Star Wars: Episode I – The Phantom Menace (1999)". باکس آفیس موجو. Retrieved April 2, 2012. $1,027,044,677

Original release: "Star Wars: Episode I – The Phantom Menace (1999)". Box Office Mojo. Archived from the original on July 19, 2011. Retrieved November 8, 2012. $924,317,558

[92] Total: "Star Wars: Episode I – The Phantom Menace (1999)". باکس آفیس موجو. Retrieved April 2, 2012. $1,027,044,677

[93] Original release: "Star Wars: Episode I – The Phantom Menace (1999)". Box Office Mojo. Archived from the original on July 19, 2011. Retrieved November 8, 2012. $924,317,558

[87] [# ۷۲]
"Alice in Wonderland (2010)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved January 18, 2023.

[Alice_peak-88] [# ۷۳]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on July 1, 2010.

[zootopia-89] [# ۷۴]
"Zootopia (2016)". Box Office Mojo. Archived from the original on December 11, 2020. Retrieved January 7, 2017.

[90] [# ۷۵]
"The Hobbit: An Unexpected Journey (2012)". Box Office Mojo. Archived from the original on November 2, 2019. Retrieved December 7, 2022.

[Hobbit_1_peak-91] [# ۷۶]
"All Time Worldwide Box Office". Box Office Mojo. Archived from the original on April 2, 2013.

[Gone-with-the-Wind-94] [# ۷۷]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 24 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[Titanic-95] [# ۷۸]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[Avatar-96] [# ۷۹]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[Star-Wars-Ep-IV-A-New-Hope-97] [# ۸۰]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[Avengers-Endgame-(2019)-98] [# ۸۱]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[The-Sound-of-Music-(1965)-99] [# ۸۲]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[ET:-The-Extra-Terrestrial-100] [# ۸۳]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[The-Ten-commandments-101] [# ۸۴]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[Doctor-Zhivago-102] [# ۸۵]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[The-Force-Awakens-103] [# ۸۶]
"نسخه آرشیو شده". Archived from the original on 17 November 2021. Retrieved 6 January 2020.{{cite web}}: نگهداری یادکرد:ربات:وضعیت نامعلوم پیوند اصلی (link)

[107] [# ۸۷]
Lang, Robert, ed. (1994). -9780813520278/page/30 The Birth of a nation: D.W. Griffith, director. Rutgers University Press. p. 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long. {{cite book}}: Check |url= value (help)

[BlockWilson26-108] [# ۸۸]
(Block و Wilson 2010، ص. 26).
Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."

Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[111] Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."

[112] Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[mickey-109] [# ۸۹]
Coons, Robin (June 30, 1939). "Hollywood Chatter". The Daytona Beach News-Journal. p. 6.

[110] [# ۹۰]
Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. p. 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.

[Variety_(1932)-111] [# ۹۱]
"Biggest Money Pictures". ورایتی. June 21, 1932. p. 1 – via بایگانی اینترنت. Cited in "Biggest Money Pictures". Cinemaweb. Archived from the original on July 8, 2011. Retrieved July 14, 2011.

[112] [# ۹۲]
(Hall و Neale 2010، ص. 53). "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."

[113] [# ۹۳]
Brownlow, Kevin (1968). The parade's gone by . انتشارات دانشگاه کالیفرنیا. p. 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.

[114] [# ۹۴]
Vance, Jeffrey (2008). Douglas Fairbanks. انتشارات دانشگاه کالیفرنیا. p. 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).

[Time_(1925)-115] [# ۹۵]
"Business: Film Exports". تایم. July 6, 1925. Archived from the original on November 5, 2010. Retrieved July 12, 2011.

[Birchard_(2009)-116] [# ۹۶]
Birchard, Robert S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 978-0-8131-3829-9.
ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

ch. 56. The Sign of the Cross. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

ch. 68. Samson and Delilah. "Cost: $3,097,563.05"

ch. 69. The Greatest Show on Earth. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[121] . 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

[122] . 56. The Sign of the Cross. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

[123] . 68. Samson and Delilah. "Cost: $3,097,563.05"

[124] . 69. The Greatest Show on Earth. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

[125] . 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[May_(2005)-117] [# ۹۷]
May, Richard P. (Fall 2005), "Restoring The Big Parade", The Moving Image, 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978, S2CID 192076406, ...earning somewhere between $18 and $22 million, depending on the figures consulted

[118] [# ۹۸]
Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (4 ed.). Abbeville Publishing Group. p. 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.

[119] [# ۹۹]
(Hall و Neale 2010، صص. 58–59). "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."

[Ben-Hur_(1925)-120] [# ..۰]
"Ben-Hur (1925) – Notes". تی‌سی‌ام. Retrieved December 19, 2017.

[HallNeale163-121] [# ..۱]
(Hall و Neale 2010، ص. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)")

[122] [# ..۲]
Miller, Frank. "For Heaven's Sake (1926) – Articles". تی‌سی‌ام. Retrieved January 15, 2012.

[123] [# ..۳]
(Finler 2003، ص. 188). "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."

[Jolson-124] [# ..۴]
The Jazz Singer and The Singing Fool
Block, Hayley Taylor (2010), The Jazz Singer, p. 113, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: (Block و Wilson 2010).

[134] Block, Hayley Taylor (2010), The Jazz Singer, p. 113, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: (Block و Wilson 2010).

[Crafton-125] [# ..۵]
Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926–1931. انتشارات دانشگاه کالیفرنیا. pp. 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388

[126] [# ..۶]
Birchard, Robert S. (2010), The Broadway Melody, p. 121, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: (Block و Wilson 2010).

[bradley-127] [# ..۷]
Bradley, Edwin M. (2004) [1st. pub. 1996]. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. ISBN 978-0-7864-2029-2.
The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[138] The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

[139] The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

[140] Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[Solomon_(1988)-128] [# ..۸]
Solomon, Aubrey (2002) [First published 1988]. Twentieth Century-Fox: a corporate and financial history. Filmmakers series. Vol. 20. رومن و لیتلفیلد. ISBN 978-0-8108-4244-1.
Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

The French Connection

p. 167. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256. "$3,300,00".

[142] Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

[143] Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

[144] The French Connection

[129] [# ..۹]
(Block و Wilson 2010، ص. 46). "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."

[130] [# ..۰]
Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930–1939. پالگریو مک‌میلان. p. 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.

[Balio_(1996)-131] [# ..۱]
Balio, Tino (1996). Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Vol. 5 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-20334-1.
Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[148] Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

[149] Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[Balio_(1976)-132] [# ..۲]
Hell's Angels
Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. p. 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[151] Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. p. 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[133] [# ..۳]
Feaster, Felicia. "Frankenstein (1931)". تی‌سی‌ام. Retrieved July 4, 2011.

[134] [# ..۴]
(Block و Wilson 2010، ص. 163). "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."

[135] [# ..۵]
Vance, Jeffrey (2003). Chaplin: genius of the cinema. آبرامز بوکز. p. 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.

[IMPA_(1937)-136] [# ..۶]
Ramsaye, Terry, ed. (1937). "The All-Time Best Sellers – Motion Pictures". International Motion Picture Almanac 1937–38: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)

[Sedgwick-137] [# ..۷]
Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. pp. 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[157] Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

[158] The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

[159] Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

[160] Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

[161] San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[shanghai-138] [# ..۸]
Shanghai Express
(Block و Wilson 2010، ص. 165). "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[163] (Block و Wilson 2010، ص. 165). "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[139] [# ..۹]
King Kong
Jewel, Richard (1994). "RKO Film Grosses: 1931–1951". Historical Journal of Film Radio and Television. 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

"King Kong (1933) – Notes". تی‌سی‌ام. Retrieved January 7, 2012. 1952 release: $2,500,000; budget: $672,254.75

[165] Jewel, Richard (1994). "RKO Film Grosses: 1931–1951". Historical Journal of Film Radio and Television. 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

[166] "King Kong (1933) – Notes". تی‌سی‌ام. Retrieved January 7, 2012. 1952 release: $2,500,000; budget: $672,254.75

[140] [# ..۰]
"I'm No Angel (1933) – Notes". تی‌سی‌ام. Retrieved January 7, 2012. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.

[141] [# ..۱]
(Finler 2003، ص. 188). "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."

[Solomon_(2011)-142] [# ..۲]
Solomon, Aubrey (2011). The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. ISBN 978-0-7864-6286-5.
Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[170] Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

[171] What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

[172] Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

[173] State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[BlockWilson173-143] [# ..۳]
Block, Alex Ben (2010), She Done Him Wrong, p. 173, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: (Block و Wilson 2010).

[Phillips_(2008)-144] [# ..۴]
Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. p. 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.

[145] [# ..۵]
(Block و Wilson 2010، ص. 135). "Total production cost: $274,076 (Unadjusted $s)."

[Turk-146] [# ..۶]
Turk, Edward Baron (2000) [1st. pub. 1998]. Hollywood Diva: A Biography of Jeanette MacDonald. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-22253-3.
The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[178] The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

[179] San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[147] [# ..۷]
"Wall St. Researchers' Cheery Tone". ورایتی. November 7, 1962. p. 7.

[148] [# ..۸]
Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. انتشارات دانشگاهی میسیسیپی. p. 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.

[149] [# ..۹]
Snow White and the Seven Dwarfs
Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. رومن و لیتلفیلد. p. 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. p. 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

"Snow White and the Seven Dwarfs (1987 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $46,594,719

"Snow White and the Seven Dwarfs (1993 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $41,634,791

[183] Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. رومن و لیتلفیلد. p. 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

[184] Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. p. 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

[185] "Snow White and the Seven Dwarfs (1987 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $46,594,719

[186] "Snow White and the Seven Dwarfs (1993 Re-issue)". Boxoffice. Retrieved May 29, 2016. North American box-office: $41,634,791

[Snow_White_&_Pinocchio-150] [# ..۰]
Snow White and the Seven Dwarfs and Pinocchio
(Block و Wilson 2010)

p. 207. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."

[188] (Block و Wilson 2010)

[151] [# ..۱]
1938
You Can't Take It With You:"You Can't Take It With You Premieres". فوکس فیچرز. Archived from the original on September 13, 2012. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

Boys Town: Block, Alex Ben (2010), Boys Town, p. 215, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: (Block و Wilson 2010).

The Adventures of Robin Hood: Glancy, H. Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film, Radio and Television. 1 (15): 55–60. doi:10.1080/01439689500260031. ISSN 0143-9685. $3.981 million.

Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, p. 213, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: (Block و Wilson 2010).

[190] You Can't Take It With You:"You Can't Take It With You Premieres". فوکس فیچرز. Archived from the original on September 13, 2012. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

[191] Boys Town: Block, Alex Ben (2010), Boys Town, p. 215, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: (Block و Wilson 2010).

[192] The Adventures of Robin Hood: Glancy, H. Mark (1995). "Warner Bros Film Grosses, 1921–51: the William Schaefer ledger". Historical Journal of Film, Radio and Television. 1 (15): 55–60. doi:10.1080/01439689500260031. ISSN 0143-9685. $3.981 million.

[193] Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, p. 213, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: (Block و Wilson 2010).

[152] [# ..۲]
Chartier, Roy (September 6, 1938). "You Can't Take It With You". ورایتی. Retrieved September 13, 2011.

[153] [# ..۳]
"Gone with the Wind". The Numbers. Nash Information Services. LLC. Archived from the original on 1 February 2013. Retrieved February 8, 2013.

[154] [# ..۴]
"Gone with the Wind". Boxoffice. Retrieved May 29, 2016.

[gwtw_tcm-155] [# ..۵]

[156] [# ..۶]
Gone with the Wind در باکس آفیس موجو

[157] [# ..۷]
(Hall و Neale 2010، ص. 283) ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."

[158] [# ..۸]
"Pinocchio (1940)". Boxoffice. Retrieved May 29, 2016.

[Barrier602-159] [# ..۹]
Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: انتشارات دانشگاه آکسفورد. p. 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.

[Schatz_(1999)-160] [# ..۰]
Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. Vol. 6 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. p. 466. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).

[161] [# ..۱]
(Block و Wilson 2010، صص. 258–259). "Production Cost: $2.1 (Unadjusted $s in Millions of $s) … Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."

[162] [# ..۲]
(Block و Wilson 2010، ص. 267). "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."

[163] [# ..۳]
(Finler 2003، ص. 301). "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."

[164] [# ..۴]
"Bambi". Boxoffice. Retrieved May 29, 2016.

[165] [# ..۵]
(Block و Wilson 2010، ص. 281). "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."

[Disney-166] [# ..۶]
(Block و Wilson 2010، صص. 712–713).
Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[209] Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

[210] 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

[211] The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

[212] Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[167] [# ..۷]
Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. انتشارات دانشگاه منچستر. pp. 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.

[168] [# ..۸]
(Block و Wilson 2010)
Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, p. 279, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[215] Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, p. 279, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

[216] Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[169] [# ..۹]
McAdams, Frank (2010), For Whom the Bell Tolls, p. 287, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: (Block و Wilson 2010).

[170] [# ..۰]
"For Whom the Bell Tolls (1943) – Notes". تی‌سی‌ام. Retrieved June 24, 2012.

[guy-named-joe-171] [# ..۱]
"A Guy Named Joe (1944) – Notes". تی‌سی‌ام. Retrieved August 29, 2012. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.

[172] [# ..۲]
Bergreen, Laurence (Summer 1996). "Irving Berlin: This Is the Army". Prologue. 28 (2). Part 3. Retrieved August 22, 2012.

[173] [# ..۳]
"This Is the Army (1943) – Notes". تی‌سی‌ام. Retrieved July 9, 2011.

[Finler356-174] [# ..۴]
(Finler 2003، صص. 356–363)

[175] [# ..۵]
(Block و Wilson 2010، ص. 420). "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"

[BlockWilson232-176] [# ..۶]
(Block و Wilson 2010، ص. 232).
Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[225] Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

[226] Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

[227] Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[Schaefer_(1999)-177] [# ..۷]
Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. انتشارات دانشگاه دوک. pp. 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.

[178] [# ..۸]
(Block و Wilson 2010)
p. 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

Wasson, Sam (2010), The Bells of St. Mary's, p. 297, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[230] . 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

[231] Wasson, Sam (2010), The Bells of St. Mary's, p. 297, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[179] [# ..۹]
"Song of the South". The Numbers. Nash Information Services. LLC. Archived from the original on 3 September 2011. Retrieved July 10, 2011.

[180] [# ..۰]
Gabler, Neal (2007). Walt Disney: the biography. گروه کوارتو. pp. 438. Still, the film wound up grossing $3.3 million...

[181] [# ..۱]
"Song of the South (1946) – Notes". تی‌سی‌ام. Retrieved July 25, 2012.

[182] [# ..۲]
(Hall و Neale 2010)
p. 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

p. 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[236] . 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

[237] . 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[183] [# ..۳]
Burns, Douglas (2010), The Best years of Our Lives, p. 301, The film made a $5 million profit on worldwide rentals of $14.8 million. In: (Block و Wilson 2010).

[HallNeale285-184] [# ..۴]
(Hall و Neale 2010، ص. 285 (note 6.56)). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."

[185] [# ..۵]
Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. آی بی توریس. p. 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million

[186] [# ..۶]
"Unconquered (1947) – Notes". تی‌سی‌ام. Retrieved January 10, 2012.

[187] [# ..۷]
Miller, Frank. "Easter Parade (1948) – Articles". تی‌سی‌ام. Retrieved July 19, 2012.

[188] [# ..۸]
Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. p. 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.

[189] [# ..۹]
Officer, Lawrence H. (2011). "Dollar-Pound Exchange Rate From 1791". MeasuringWorth. Retrieved November 18, 2012. 1947–1948: $4.03 (per British pound)

[190] [# ..۰]
"The Snake Pit". The Numbers. Nash Information Services. LLC. Archived from the original on December 28, 2011.

[191] [# ..۱]
"'Snake Pit' Seen No Problem After All". ورایتی. January 19, 1949. p. 7.

[HallNeale136-192] [# ..۲]
(Hall و Neale 2010، ص. 136–139)
Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[248] Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

[249] Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[193] [# ..۳]
"Cinderella (1950)". The Numbers. Nash Information Services. Retrieved January 2, 2017.

[194] [# ..۴]
Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. دانشگاه ایالتی پنسیلوانیا. p. 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.

[195] [# ..۵]
Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. انتشارات دانشگاه آکسفورد. p. 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.

[Mannix-196] [# ..۶]
The E. J. Mannix ledger. Margaret Herrick Library, آکادمی علوم و هنرهای سینما: Howard Strickling Collection. 1962.

[Lev-197] [# ..۷]
Lev, Peter (2006). Transforming the Screen, 1950–1959. Vol. 7 of History of the American Cinema. انتشارات دانشگاه کالیفرنیا. ISBN 978-0-520-24966-0.
Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

Rear Window: pp. 203–204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[255] Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

[256] Rear Window: pp. 203–204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[BlockWilson335-198] [# ..۸]
(Block و Wilson 2010، ص. 335).
The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[258] The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

[259] Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[199] [# ..۹]
Mulligan, Hugh A. (September 23, 1956). "Cinerama Pushing Ahead As Biggest Money-Maker". The Register-Guard. Eugene, Oregon. p. 7B.

[200] [# ..۰]
Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. p. 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.

[201] [# ..۱]
Burns, Douglas (2010), The Greatest Show on Earth, pp. 354–355, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: (Block و Wilson 2010).

[202] [# ..۲]
"The Greatest Show on Earth (1952) – Notes". تی‌سی‌ام. Retrieved January 8, 2012.

[203] [# ..۳]
"Peter Pan (1953) – Notes". تی‌سی‌ام. Retrieved July 24, 2011.

[204] [# ..۴]
"Top Grossers of 1953". Variety. January 13, 1954. p. 10. Retrieved September 12, 2019.

[HallNeale147-205] [# ..۵]
(Hall و Neale 2010، ص. 147–148). "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."

[206] [# ..۶]
(Block و Wilson 2010، ص. 367). "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."

[207] [# ..۷]
"Rear Window". Boxoffice. Retrieved May 29, 2016.

[208] [# ..۸]
"White Christmas". Boxoffice. Retrieved May 29, 2016.

[209] [# ..۹]
(Block و Wilson 2010، ص. 420). "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."

[210] [# ..۰]
(Hall و Neale 2010، ص. 149). "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."

[211] [# ..۱]
"20000 Leagues Under The Sea". Boxoffice. Retrieved May 29, 2016.

[212] [# ..۲]
Miller, John M. "20,000 Leagues Under the Sea (1954) – Articles". تی‌سی‌ام. Retrieved January 9, 2012.

[213] [# ..۳]
(Finler 2003، ص. 320). "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."

[DisneyWWVariety2003-214] [# ..۴]
D'Alessandro, Anthony (October 27, 2003). "Disney Animated Features at the Worldwide Box Office". ورایتی. Retrieved 4 July 2022 – via The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million

[215] [# ..۵]
"Lady and the Tramp (1955) – Notes". تی‌سی‌ام. Retrieved July 27, 2011.

[216] [# ..۶]
Minego, Pete (May 21, 1956). "Pete's Pungent Patter". Portsmouth Daily Times. Portsmouth, Ohio. p. 19.

[217] [# ..۷]
"Cinerama Holiday (1955) – Notes". تی‌سی‌ام. Retrieved July 7, 2012.

[218] [# ..۸]
(Block و Wilson 2010)
p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

Burns, Douglas (2010), Mister Roberts, p. 383, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[280] . 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

[281] Burns, Douglas (2010), Mister Roberts, p. 383, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[BlockWilson327-219] [# ..۹]
(Block و Wilson 2010، ص. 327). "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."

[HallNeale159-220] [# ..۰]
(Hall و Neale 2010، صص. 159–161)
The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[284] The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

[285] The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[221] [# ..۱]
(Hall و Neale 2010، ص. 153). "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."

[222] [# ..۲]
Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. انتشارات دانشگاه آکسفورد. pp. 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.

[223] [# ..۳]
(Block و Wilson 2010، ص. 324). "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"

[224] [# ..۴]
Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Vol. 14 of Hollywood classics. Lulu. p. 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.

[225] [# ..۵]
Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. pp. 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.

[HallNeale179-226] [# ..۶]
(Hall و Neale 2010، ص. 179).
Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[292] Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

[293] The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[227] [# ..۷]
Nixon, Rob. "Psycho (1960) – Articles". تی‌سی‌ام. Retrieved January 9, 2012.

[228] [# ..۸]
Tube. (January 18, 1961). "One Hundred and One Dalmatians". ورایتی. Retrieved August 23, 2011.

[229] [# ..۹]
Block, Hayley Taylor (2010), West Side Story, p. 449, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: (Block و Wilson 2010).

[BlockWilson434-230] [# ..۰]
(Block و Wilson 2010، ص. 434).
The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[298] The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

[299] The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

[300] 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

[301] Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

[302] West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

[303] The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

[304] Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[231] [# ..۱]
Lawrence of Arabia
1962 release: "Lawrence of Arabia". The Numbers. Nash Information Services. LLC. Archived from the original on 16 March 2012. Retrieved August 15, 2011. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

U.S. total (including reissues): "Lawrence of Arabia". Boxoffice. Retrieved May 29, 2016. $44,824,852

[306] 1962 release: "Lawrence of Arabia". The Numbers. Nash Information Services. LLC. Archived from the original on 16 March 2012. Retrieved August 15, 2011. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

[307] U.S. total (including reissues): "Lawrence of Arabia". Boxoffice. Retrieved May 29, 2016. $44,824,852

[HallNeale165-232] [# ..۲]
(Hall و Neale 2010، ص. 165–166)
Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[309] Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

[310] The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

[311] Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[HallNeale164-233] [# ..۳]
(Hall و Neale 2010، ص. 164). "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."

[Bond_grosses-234] [# ..۴]
(Block و Wilson 2010، صص. 428–429)
From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[314] From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

[315] Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

[316] Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

[317] Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[Chapman_(2007)-235] [# ..۵]
Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. آی بی توریس. ISBN 978-1-84511-515-9.
From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at گوگل بوکز)"

Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{^{[کدام صفحه؟]}}

Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at گوگل بوکز)"

[319] From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at گوگل بوکز)"

[320] Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{^{[کدام صفحه؟]}}

[321] Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at گوگل بوکز)"

[Balio_(2009)-236] [# ..۶]
Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. p. 261. ISBN 978-0-299-23014-2.
From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at گوگل بوکز)"

Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at گوگل بوکز)"

[323] From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at گوگل بوکز)"

[324] Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at گوگل بوکز)"

[HallNeale184-237] [# ..۷]
(Hall و Neale 2010، ص. 184)
My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[326] My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

[327] Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[238] [# ..۸]
Burns, Douglas (2010), Mary Poppins, p. 469, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: (Block و Wilson 2010).

[239] [# ..۹]
"The Sound of Music". Boxoffice. Retrieved May 29, 2016.

[240] [# ..۰]
Silverman, Stephen M (1988). The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. p. 325. ISBN 978-0-8184-0485-6.

[241] [# ..۱]
"Hawaii". The Numbers. Nash Information Services. LLC. Archived from the original on 16 March 2012. Retrieved August 18, 2011.

[242] [# ..۲]
"Who's Afraid of Virginia Wolf? (1966)". The Numbers. Nash Information Services. LLC. Retrieved February 3, 2020.

[HallNeale188-243] [# ..۳]
(Hall و Neale 2010، ص. 188). "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."

[244] [# ..۴]
"Animals Portray Parts in Disney's "Robin Hood"". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's [کذا] initial world-wide release, has grossed $23.8 million to date...

[245] [# ..۵]
Murphy, A.D. (October 4, 1967). "The Jungle Book". ورایتی. p. 6. Retrieved March 14, 2018. It was filmed at a declared cost of $4 million over a 42-month period.

[Denisoff_&_Romanowski_(1991)-246] [# ..۶]
Denisoff, R. Serge; Romanowski, William D. (1991). Risky Business: Rock in Film. Transaction Publishers. ISBN 978-0-88738-843-9.
The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."

Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[337] The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."

[338] Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[HallNeale191-247] [# ..۷]
(Hall و Neale 2010، ص. 191–192)
The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[340] The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

[341] Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[248] [# ..۸]
2001: A Space Odyssey
Total: Miller, Frank. "2001: A Space Odyssey (1968) – Articles". تی‌سی‌ام. Retrieved August 24, 2011. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

As of 2006: Palmer, R. Barton (2006). "2001: The Critical Reception and the Generation Gap". In Kolker, Robert Phillip (ed.). Stanley Kubrick's 2001: a Space Odyssey: New Essays. انتشارات دانشگاه آکسفورد. p. 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

2013 re-release: "2001: A Space Odyssey (2013 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $214,618; United Kingdom: $568,997

2014 re-release: "2001: A Space Odyssey (2014 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $135,370

2018 re-release: "2001: A Space Odyssey (2018 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[343] Total: Miller, Frank. "2001: A Space Odyssey (1968) – Articles". تی‌سی‌ام. Retrieved August 24, 2011. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

[344] As of 2006: Palmer, R. Barton (2006). "2001: The Critical Reception and the Generation Gap". In Kolker, Robert Phillip (ed.). Stanley Kubrick's 2001: a Space Odyssey: New Essays. انتشارات دانشگاه آکسفورد. p. 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

[345] 2013 re-release: "2001: A Space Odyssey (2013 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $214,618; United Kingdom: $568,997

[346] 2014 re-release: "2001: A Space Odyssey (2014 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $135,370

[347] 2018 re-release: "2001: A Space Odyssey (2018 re-release)". باکس آفیس موجو. Retrieved September 26, 2018. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[249] [# ..۹]
Haber, Joyces (March 27, 1969). "'Funny Girl' a Box Office Winner". لس آنجلس تایمز. Archived from the original on July 24, 2012. Retrieved March 29, 2012. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.

[250] [# ..۰]
Welles, Chris (September 7, 1970). "Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits". [[نیویورک (مجله)|]]. Vol. 3, no. 36. New York Media. pp. 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.

[251] [# ..۱]
Butch Cassidy and the Sundance Kid
United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. Retrieved May 29, 2016. $102,308,525

Outside North America: Vanity Fair. 2008. p. 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.

[351] United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. Retrieved May 29, 2016. $102,308,525

[352] Outside North America: Vanity Fair. 2008. p. 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.

[252] [# ..۲]
D'Alessandro, Anthony (July 15, 2002). "Top 50 worldwide grossers". ورایتی. p. 52, Paramount at 90 supplement.

[253] [# ..۳]
"'Love Story' II: Ryan Redux?". [[نیویورک (مجله)|]]. Vol. 9. New York Media. 1976. p. 389. Bring those handkerchiefs out of retirement. … After all, the first movie made around $80 million worldwide.

[254] [# ..۴]
Block, Hayley Taylor (2010), Love Story, p. 545, The final cost came in at $2,260,000. In: (Block و Wilson 2010).

[255] [# ..۵]
(Block و Wilson 2010، ص. 549). "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."

[BlockWilson527-256] [# ..۶]
(Block و Wilson 2010، ص. 527).
Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[358] Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

[359] The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

[360] Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

[361] Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[257] [# ..۷]
The Godfather
1974: Newsweek. Vol. 84. 1974. p. 74. The original Godfather has grossed a mind-boggling $285 million...

1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. p. 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S. -Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

Releases: "The Godfather (1972)". باکس آفیس موجو. Retrieved January 22, 2020. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[363] 1974: Newsweek. Vol. 84. 1974. p. 74. The original Godfather has grossed a mind-boggling $285 million...

[364] 1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. p. 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S. -Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

[365] Releases: "The Godfather (1972)". باکس آفیس موجو. Retrieved January 22, 2020. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[258] [# ..۸]
Jacobs, Diane (1980). Hollywood Renaissance. انتشارات دل. p. 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.

[godfather-tcm-259] [# ..۹]
"The Godfather (1972) – Notes". تی‌سی‌ام. Retrieved January 23, 2020.

[260] [# ..۰]
"The Exorcist". Boxoffice. Retrieved May 29, 2016.

[261] [# ..۱]
Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. p. 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.

[262] [# ..۲]
"Big Rental Films of 1974". ورایتی. January 8, 1975. p. 24. Retrieved July 4, 2022 – via بایگانی اینترنت. U.S-Canada market only $66,3000,000

[WBos-263] [# ..۳]
Pollock, Dale (May 9, 1979). "WB Adds To Its Record Collection". ورایتی. p. 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" toted up $46,000,000

[264] [# ..۴]
New York, vol. 8, New York Media, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at گوگل بوکز) {{citation}}: External link in |quote= (help)

[BlockWilson560-265] [# ..۵]
(Block و Wilson 2010، ص. 560). "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."

[266] [# ..۶]
"It Towers $203,336,412 (advertisement)". ورایتی. June 2, 1976. pp. 8–9. Archived from the original on 8 January 2023. Retrieved October 31, 2020.

[267] [# ..۷]
(Hall و Neale 2010، صص. 206–208). "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."

[268] [# ..۸]
Klady, Leonard (1998). "All-Time Top Film Rentals". ورایتی. Archived from the original on October 7, 1999. Domestic rentals: $48,838,000

[BlockWilson568-269] [# ..۹]
(Block و Wilson 2010، ص. 568). "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."

[270] [# ..۰]
"Jaws". Boxoffice. Retrieved May 29, 2016.

[jaws-271] [# ..۱]

[272] [# ..۲]
Priggé, Steven (2004). Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. p. 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.

[HallNeale214-273] [# ..۳]
(Hall و Neale 2010، ص. 214). "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."

[BlockWilson583-274] [# ..۴]
Block, Alex Ben (2010), Rocky, p. 583, The budget was $1,075,000 plus producer's fees of $100,000. In: (Block و Wilson 2010).

[star-wars-se-275] [# ..۵]
"Star Wars (1977)". باکس آفیس موجو. Retrieved January 10, 2012.

[et_first-run-276] [# ..۶]
Wuntch, Philip (July 19, 1985). "Return of E.T." دالاس مورنینگ نیوز. Retrieved March 6, 2012. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.

[HallNeale218-277] [# ..۷]
(Hall و Neale 2010، ص. 218). "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."

[278] [# ..۸]
"Grease". Boxoffice. Retrieved May 29, 2016.

[279] [# ..۹]
Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. p. 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...

[280] [# ..۰]
"Grease (40th Anniversary)". باکس آفیس موجو. Retrieved August 30, 2018.

[kramer-281] [# ..۱]
Kramer vs. Kramer
United & Babson Investment Report. Vol. 72. Babson-United, Inc. 1980. p. 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. انتشارات دانشگاه کالیفرنیا. p. 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[390] United & Babson Investment Report. Vol. 72. Babson-United, Inc. 1980. p. 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

[391] Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. انتشارات دانشگاه کالیفرنیا. p. 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[282] [# ..۲]
"Rocky II". Boxoffice. Retrieved May 29, 2016.

[283] [# ..۳]
Kilday, Greg (May 22, 1992). "Rules of the Game". انترتینمنت ویکلی. No. 119. Archived from the original on December 25, 2018. Retrieved July 4, 2012.

[284] [# ..۴]
The Empire Strikes Back
Total up to 2014: "The Empire Strikes Back (1980)". باکس آفیس موجو. Retrieved January 10, 2012. $538,375,067

Special edition: "The Empire Strikes Back (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $67,597,694; Overseas: $57,214,766

2015 re-release: "The Empire Strikes Back". Box Office Mojo. Retrieved October 8, 2015. United Kingdom: $9,593,937

[395] Total up to 2014: "The Empire Strikes Back (1980)". باکس آفیس موجو. Retrieved January 10, 2012. $538,375,067

[396] Special edition: "The Empire Strikes Back (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $67,597,694; Overseas: $57,214,766

[397] 2015 re-release: "The Empire Strikes Back". Box Office Mojo. Retrieved October 8, 2015. United Kingdom: $9,593,937

[BlockWilson519-285] [# ..۵]
(Block و Wilson 2010، ص. 519).
The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."

Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."

The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."

[399] The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."

[400] Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."

[401] The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."

[286] [# ..۶]
Raiders of the Lost Ark
"Raiders of the Lost Ark (1981)". باکس آفیس موجو. Retrieved November 4, 2012. Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000

(Block و Wilson 2010، ص. 625). Domestic Box office: $180.1; "Production Cost: $22.8 (Initial Release – Unadjusted $s in Millions of $s)."

[403] "Raiders of the Lost Ark (1981)". باکس آفیس موجو. Retrieved November 4, 2012. Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000

[404] (Block و Wilson 2010، ص. 625). Domestic Box office: $180.1; "Production Cost: $22.8 (Initial Release – Unadjusted $s in Millions of $s)."

[ET-287] [# ..۷]
"E.T. : The Extra-Terrestrial (1982)". باکس آفیس موجو. Retrieved January 10, 2012.

[BlockWilson609-288] [# ..۸]
(Block و Wilson 2010، ص. 609). "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T. : The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."

[BlockWilson652-289] [# ..۹]
(Block و Wilson 2010، ص. 652). "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."

[290] [# ..۰]
Return of the Jedi
Total: "Return of the Jedi (1983)". باکس آفیس موجو. Retrieved January 10, 2012. $475,106,177

Special edition: "Return of the Jedi (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $45,470,437; Overseas: $43,790,543

[409] Total: "Return of the Jedi (1983)". باکس آفیس موجو. Retrieved January 10, 2012. $475,106,177

[410] Special edition: "Return of the Jedi (Special Edition)". Box Office Mojo. Retrieved January 10, 2012. North America: $45,470,437; Overseas: $43,790,543

[291] [# ..۱]
"Indiana Jones and the Temple of Doom (1984)". باکس آفیس موجو. Retrieved February 12, 2013.

[Finler190-292] [# ..۲]
(Finler 2003، صص. 190–191).

[BlockWilson664-293] [# ..۳]
(Block و Wilson 2010، ص. 664). "Production Cost: $28.2 (Unadjusted $s in Millions of $s)."

[294] [# ..۴]
Back to the Future
Original release: "Back to the Future (1985)". باکس آفیس موجو. Retrieved August 18, 2014. Worldwide: $381,109,762; Production Budget: $19 million

2010 reissue: "Back to the Future (2010 re-release)". Box Office Mojo. Retrieved August 10, 2014. Foreign Total: $2,315,159

2014 reissue: "Back to the Future (2014 re-issue)". Box Office Mojo. Retrieved August 31, 2014. United Kingdom: $5,628,876

[415] Original release: "Back to the Future (1985)". باکس آفیس موجو. Retrieved August 18, 2014. Worldwide: $381,109,762; Production Budget: $19 million

[416] 2010 reissue: "Back to the Future (2010 re-release)". Box Office Mojo. Retrieved August 10, 2014. Foreign Total: $2,315,159

[417] 2014 reissue: "Back to the Future (2014 re-issue)". Box Office Mojo. Retrieved August 31, 2014. United Kingdom: $5,628,876

[295] [# ..۵]
(Finler 2003، ص. 268). "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."

[296] [# ..۶]
"Top Gun". Boxoffice. Retrieved May 29, 2016.

[297] [# ..۷]
McAdams, Frank (2010), Top Gun, pp. 678–679, Production Cost: $19.0 (Millions of $s) … Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office. In: (Block و Wilson 2010).

[298] [# ..۸]
Fatal Attraction
"Fatal Attraction". Boxoffice. Retrieved May 29, 2016.

Scott, Vernon (June 15, 1990). "'Three Men and Baby' Sequel Adds Cazenove to Original Cast". The Daily Gazette. New York. Hollywood (UPI). p. 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...

[422] "Fatal Attraction". Boxoffice. Retrieved May 29, 2016.

[423] Scott, Vernon (June 15, 1990). "'Three Men and Baby' Sequel Adds Cazenove to Original Cast". The Daily Gazette. New York. Hollywood (UPI). p. 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...

[299] [# ..۹]
"Rain Man". Boxoffice. Retrieved May 29, 2016.

[300] [# ..۰]
(Finler 2003، ص. 244). "Rain Man: 30.0 (cost in million $s)"

[301] [# ..۱]
"Indiana Jones and the Last Crusade (1989)". باکس آفیس موجو. Retrieved September 15, 2013.

[BlockWilson694-302] [# ..۲]
(Block و Wilson 2010، صص. 694–695). "Production Cost: $55.4 (Unadjusted $s in Millions of $s) … The film went on to haul in over $494 million worldwide."

[303] [# ..۳]
"Ghost (1990)". باکس آفیس موجو. Retrieved July 12, 2020.

[Terminator_2-304] [# ..۴]
Terminator 2
Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Archived from the original on June 26, 2017. $519,843,345

3D re-release: "Terminator 2: Judgment Day (1991)". باکس آفیس موجو. Retrieved September 20, 2017.

[430] Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Archived from the original on June 26, 2017. $519,843,345

[431] 3D re-release: "Terminator 2: Judgment Day (1991)". باکس آفیس موجو. Retrieved September 20, 2017.

[Ansen_(1991)-305] [# ..۵]
Ansen, David (July 8, 1991). "Conan The Humanitarian". نیوزویک. Retrieved September 19, 2013.

[306] [# ..۶]
"Aladdin". Boxoffice. Retrieved May 29, 2016.

[jp-307] [# ..۷]
Jurassic Park
Pre-2022 releases: "Jurassic Park (1993)". باکس آفیس موجو. Archived from the original on 2021-01-26. Retrieved March 7, 2022. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million

2022 re-release: "Jurassic Park (2022 Re-release)". Box Office Mojo. Retrieved July 1, 2022. Mexico: $270,700

As of 2010: (Block و Wilson 2010، صص. 756–757). "Production Cost: $70.0 (Unadjusted $s in Millions of $s) … Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."

[435] Pre-2022 releases: "Jurassic Park (1993)". باکس آفیس موجو. Archived from the original on 2021-01-26. Retrieved March 7, 2022. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million

[436] 2022 re-release: "Jurassic Park (2022 Re-release)". Box Office Mojo. Retrieved July 1, 2022. Mexico: $270,700

[437] As of 2010: (Block و Wilson 2010، صص. 756–757). "Production Cost: $70.0 (Unadjusted $s in Millions of $s) … Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."

[lion_king-308] [# ..۸]
The Lion King
Total: "The Lion King (1994)". باکس آفیس موجو. Retrieved May 29, 2016. Worldwide: $968,483,777; Production Budget: $45 million

Lifetime grosses (US & Canada): "The Lion King (1994) – Release Summary". Box Office Mojo. Retrieved May 29, 2016. Initial: $312,855,561; IMAX: $15,686,215; 3D: $94,242,001

Lifetime grosses (outside U.S. & Canada): Brevert, Brad (May 29, 2016). "'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide". Box Office Mojo. Retrieved May 29, 2016. ...the original release of The Lion King made $450.6 million internationally, an additional $3.8 million with the 2002 IMAX reissue, and another $91.3 million from 2011's 3D reissue for an international total of $545.7 million.

As of 2010: (Block و Wilson 2010، ص. 764). "Production Cost: $79.3 (Unadjusted $s in Millions of $s)."

[439] Total: "The Lion King (1994)". باکس آفیس موجو. Retrieved May 29, 2016. Worldwide: $968,483,777; Production Budget: $45 million

[440] Lifetime grosses (US & Canada): "The Lion King (1994) – Release Summary". Box Office Mojo. Retrieved May 29, 2016. Initial: $312,855,561; IMAX: $15,686,215; 3D: $94,242,001

[441] Lifetime grosses (outside U.S. & Canada): Brevert, Brad (May 29, 2016). "'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide". Box Office Mojo. Retrieved May 29, 2016. ...the original release of The Lion King made $450.6 million internationally, an additional $3.8 million with the 2002 IMAX reissue, and another $91.3 million from 2011's 3D reissue for an international total of $545.7 million.

[442] As of 2010: (Block و Wilson 2010، ص. 764). "Production Cost: $79.3 (Unadjusted $s in Millions of $s)."

[Toy_Story-309] [# ..۹]
Toy Story
Total: "Toy Story (1995)". باکس آفیس موجو. Retrieved November 16, 2014. Worldwide: $373,554,033

3D release: "Toy Story in 3D (2009)". Box Office Mojo. Retrieved November 16, 2014. Foreign Total: $8,680,257

[444] Total: "Toy Story (1995)". باکس آفیس موجو. Retrieved November 16, 2014. Worldwide: $373,554,033

[445] 3D release: "Toy Story in 3D (2009)". Box Office Mojo. Retrieved November 16, 2014. Foreign Total: $8,680,257

[BlockWilson776-310] [# ..۰]
(Block و Wilson 2010، صص. 776). "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"

[311] [# ..۱]
"Die Hard: With A Vengeance". Boxoffice. Retrieved May 29, 2016.

[Finler123-312] [# ..۲]
(Finler 2003، ص. 123).

[id4-313] [# ..۳]
"Independence Day (1996)". باکس آفیس موجو. Retrieved September 13, 2009.

[titanic-314] [# ..۴]
Titanic
Pre-2020 releases: "Titanic (1997)". باکس آفیس موجو. Archived from the original on October 27, 201. Worldwide: $2,187,463,944; Original release: $1,843,221,532; 2012 3D Release: $343,550,770; 2017 Re-release: $691,642

2020 Re-release: "Titanic (2020 Re-release)". Box Office Mojo. 2020 Re-release: $71,352

[451] Pre-2020 releases: "Titanic (1997)". باکس آفیس موجو. Archived from the original on October 27, 201. Worldwide: $2,187,463,944; Original release: $1,843,221,532; 2012 3D Release: $343,550,770; 2017 Re-release: $691,642

[452] 2020 Re-release: "Titanic (2020 Re-release)". Box Office Mojo. 2020 Re-release: $71,352

[315] [# ..۵]
"Armageddon". Boxoffice. Retrieved May 29, 2016.

[316] [# ..۶]
(Block و Wilson 2010، ص. 509). "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."

[317] [# ..۷]
"Mission: Impossible II". باکس آفیس موجو. Retrieved January 6, 2012.

[hp1-318] [# ..۸]
Harry Potter and the Philosopher's Stone
Total: "Harry Potter and the Sorcerer's Stone (2001)". باکس آفیس موجو. Retrieved January 20, 2021.

[457] Total: "Harry Potter and the Sorcerer's Stone (2001)". باکس آفیس موجو. Retrieved January 20, 2021.

[lotr2-319] [# ..۹]
"The Lord of the Rings: The Two Towers". باکس آفیس موجو. Retrieved February 10, 2020. Worldwide: $947,495,095; Original Release: $936,689,735

[shrek2-320] [# ..۰]
"Shrek 2 (2002)". باکس آفیس موجو. Retrieved February 5, 2009.

[hp4-321] [# ..۱]
Harry Potter and the Goblet of Fire
Total: "Harry Potter and the Goblet of Fire (2005)". باکس آفیس موجو. Retrieved June 15, 2020.

[461] Total: "Harry Potter and the Goblet of Fire (2005)". باکس آفیس موجو. Retrieved June 15, 2020.

[potc2-322] [# ..۲]
"Pirates of the Caribbean: Dead Man's Chest (2006)". باکس آفیس موجو. Retrieved January 11, 2010.

[potc3-323] [# ..۳]
"Pirates of the Caribbean: At World's End (2007)". باکس آفیس موجو. Retrieved June 15, 2011.

[tdk-324] [# ..۴]
The Dark Knight
Total: "The Dark Knight (2008)". باکس آفیس موجو. Retrieved October 28, 2012. Total: $1,004,558,444

Original release (excluding 2009 IMAX reissue): "The Dark Knight". The Numbers. Nash Information Services. LLC. Archived from the original on February 8, 2009. Retrieved October 28, 2012. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009

2009 IMAX re-release: "Warner Bros. Entertainment Wraps Record-Breaking Year". برادران وارنر. January 8, 2009. Archived from the original on 9 June 2022. Retrieved April 22, 2016. With worldwide receipts of $997 million, "The Dark Knight" is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.

First-run gross and IMAX reissue: Gray, Brandon (February 20, 2009). "Billion Dollar Batman". باکس آفیس موجو. Retrieved June 7, 2014. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.

[465] Total: "The Dark Knight (2008)". باکس آفیس موجو. Retrieved October 28, 2012. Total: $1,004,558,444

[466] Original release (excluding 2009 IMAX reissue): "The Dark Knight". The Numbers. Nash Information Services. LLC. Archived from the original on February 8, 2009. Retrieved October 28, 2012. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009

[467] 2009 IMAX re-release: "Warner Bros. Entertainment Wraps Record-Breaking Year". برادران وارنر. January 8, 2009. Archived from the original on 9 June 2022. Retrieved April 22, 2016. With worldwide receipts of $997 million, "The Dark Knight" is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.

[468] First-run gross and IMAX reissue: Gray, Brandon (February 20, 2009). "Billion Dollar Batman". باکس آفیس موجو. Retrieved June 7, 2014. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.

[avatar-325] [# ..۵]
"Avatar (2009)". باکس آفیس موجو. Retrieved June 11, 2022. Worldwide: $2,847,397,339; Original Release: $2,743,577,587; 2010 Special Edition: $44,838,548; 2020 Re-release: $1,281,204; 2021 Re-release: $57,700,000

[ts3-326] [# ..۶]
"Toy Story 3 (2010)". باکس آفیس موجو. Retrieved March 17, 2010.

[hp7.2-327] [# ..۷]
Harry Potter and the Deathly Hallows – Part 2
Total: "Harry Potter and the Deathly Hallows Part 2 (2011)". باکس آفیس موجو. Retrieved June 15, 2020.

Production cost: Frankel, Daniel (November 17, 2010). "Get Ready for the Biggest 'Potter' Opening Yet". درپ. Archived from the original on 20 November 2010. Retrieved August 27, 2011.

[472] Total: "Harry Potter and the Deathly Hallows Part 2 (2011)". باکس آفیس موجو. Retrieved June 15, 2020.

[473] Production cost: Frankel, Daniel (November 17, 2010). "Get Ready for the Biggest 'Potter' Opening Yet". درپ. Archived from the original on 20 November 2010. Retrieved August 27, 2011.

[Frozen-328] [# ..۸]
Frozen
"Frozen (2013) – International Box Office Results". باکس آفیس موجو. Archived from the original on August 9, 2014. Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)

"Frozen (2013) – International Box Office Results: Japan". Box Office Mojo. Retrieved September 3, 2014.

Total as of August 3, 2014: $247,650,477

Total as of August 31, 2014: $249,036,646

"Frozen (2013) – International Box Office Results: Nigeria". Box Office Mojo. Retrieved September 3, 2014.

Total as of August 17, 2014: $167,333

"Frozen (2013) – International Box Office Results: Spain". Box Office Mojo. Retrieved November 6, 2014.

Total as of July 27, 2014: $21,668,593

Total as of November 2, 2014: $22,492,845

"Frozen (2013) – International Box Office Results: United Kingdom". Box Office Mojo. Retrieved March 30, 2016.

Total as of June 8, 2014: £39,090,985

Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)

Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)

Total as of December 14, 2014: £41,170,608 ($1 = £0.636)

Total as of November 26, 2017: £42,840,559 ($1 = £0.7497)

Total as of December 3, 2017: £42,976,318 ($1 = £0.742)

"Frozen (2013) – International Box Office Results: Germany". Box Office Mojo. Retrieved March 30, 2016.

Total as of March 30, 2014: €35,098,170

Total as of October 18, 2015: €42,526,744
nb. the exact euro to dollar conversion rate is unknown for earnings since April 2014, but the euro never fell below parity with the dollar during 2014 and 2015 (as can be verified by comparing the exchange rate on the individual date entries at the provided reference) so an approximate conversion rate of €1: $1 is used here to give a lower-bound.

[475] "Frozen (2013) – International Box Office Results". باکس آفیس موجو. Archived from the original on August 9, 2014. Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)

[476] "Frozen (2013) – International Box Office Results: Japan". Box Office Mojo. Retrieved September 3, 2014.

[477] "Frozen (2013) – International Box Office Results: Nigeria". Box Office Mojo. Retrieved September 3, 2014.

[478] "Frozen (2013) – International Box Office Results: Spain". Box Office Mojo. Retrieved November 6, 2014.

[479] "Frozen (2013) – International Box Office Results: United Kingdom". Box Office Mojo. Retrieved March 30, 2016.

[480] "Frozen (2013) – International Box Office Results: Germany". Box Office Mojo. Retrieved March 30, 2016.

[VarietyBudget-329] [# ..۹]
Rubin, Rebecca (April 30, 2018). "'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time". ورایتی. Archived from the original on May 2, 2018. Retrieved May 14, 2018.

[330] [# ..۰]
"Kimetsu no Yaiba: Mugen Ressha-Hen (2020)". The Numbers. Nash Information Services, LLC. Retrieved November 13, 2023.

[331] [# ..۱]
"Spider-Man: No Way Home (2021)". The Numbers. Nash Information Services, LLC. Retrieved July 2, 2022.

[budget_350–400-332] [# ..۲]
McClintock, Pamela (November 22, 2022). "Box Office: 'Avatar: The Way of Water' Lands Coveted China Release". هالیوود ریپورتر. Retrieved January 10, 2023.

[budget_460-333] [# ..۳]
Anthony D'Alessandro (December 18, 2022). "'Avatar: The Way Of Water' Opens To $134M; Why Pic's Box Office Fate Will Be Determined Through The Holidays – Sunday AM Update". ددلاین هالیوود. Retrieved January 10, 2023.

[Deadline-Previews-334] [# ..۴]
D'Alessandro, Anthony (July 23, 2023). "'Barbie' Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update". ددلاین هالیوود. Archived from the original on July 21, 2023. Retrieved July 23, 2023.

[Paskin-335] [# ..۵]
Paskin, Willa (July 11, 2023). "Greta Gerwig's 'Barbie' Dream Job". مجله نیویورک تایمز. Archived from the original on July 11, 2023. Retrieved July 11, 2023.

[336] [# ..۶]
"Inside Out 2 (2024)". باکس آفیس موجو. Retrieved June 23, 2024.

[337] [# ..۷]
Rubin, Rebecca (June 11, 2024). "Box Office: Inside Out 2 Aims to Reverse Pixar's Woes With $85 Million Debut". ورایتی (به انگلیسی). Retrieved June 23, 2024.

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