Vaudeville Villain
2003 album by MF Doom From Wikipedia, the free encyclopedia
Vaudeville Villain is the third studio album by British-American rapper-producer MF DOOM, released on September 16, 2003 under the pseudonym of Viktor Vaughn. All of the tracks are produced by Sound-Ink record label members Heat Sensor, King Honey, and Max Bill, with the exception of "Saliva", produced by RJD2.
| Vaudeville Villain | ||||
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| Released | September 16, 2003 | |||
| Genre | Underground hip hop | |||
| Length | 56:42 | |||
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| MF Doom chronology | ||||
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| Singles from Vaudeville Villain | ||||
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Background
In early 2003, while MF DOOM and Madlib were working on Madvillainy, the unfinished demo of the album was stolen and leaked on the internet. Frustrated, the duo decided to work separately on other projects. The first album released by MF DOOM in that period was Take Me to Your Leader, followed by Vaudeville Villain.[1]
Recording
Unlike MF DOOM's previous albums, produced entirely by him, the majority of the tracks on Vaudeville Villain were produced by the members of Sound-Ink record label.[2] He met one of them, Heat Sensor, at a bar in Brooklyn. The two shared common interests, including interest in time travel. Heat Sensor later introduced him to King Honey and Max Bill.[3] The only song not produced by the producer trio was "Saliva", which was produced by RJD2.[4]
Music and lyrics
Vaudeville Villain tells a story of Viktor Vaughn, who was described by NME as a "time travelling street hustler".[5] The character was named after Marvel supervillain Victor Von Doom.[6] While time traveling, Viktor Vaughn's time machine got damaged, which forced him to stay in the early 1990s New York City.[5][7] The album shows his day-to-day life,[5] with each track showing a different situation he ends up in as he tries to earn money to fix his time machine.[4][7]
Release
Vaudeville Villain was released on September 16, 2003,[8] by Sound-Ink Records and Traffic Entertainment Group.[9] Two singles from the album were released commercially: "Rae Dawn" and "Mr. Clean".[10][11] 7-inch promo single "Saliva" was also produced for an online giveaway.[9] Music video for "Mr. Clean" was released to promote the album.[9]
Vaudeville Villain was a moderate commercial success, peaking at number 99 on the Billboard Top R&B/Hip-Hop Albums.[12]
Critical reception
Summarize
Perspective
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [13] |
| And It Don't Stop | A[14] |
| Entertainment Weekly | A[15] |
| HipHopDX | 4.0/5[16] |
| Pitchfork | 9.1/10[4] |
| Spin | B+[17] |
| Stylus Magazine | B[18] |
| Tiny Mix Tapes | 5/5[19] |
Vaudeville Villain received critical acclaim. AllMusic reviewer Mark Pytlik claimed MF DOOM was at his absolute best on Vaudeville Villain, calling the album "dense, bright, and packed with ideas".[13] Nathan Rabin, writing for The A.V. Club, commended MF DOOM's "ultra-magnetic lyrics" and noted that the album's production isn't as strong as one of Take Me to Your Leader.[20] Neil Drumming of Entertainment Weekly praised the album for its punch lines and "eerie, droning, sci-fi-scented funk" beats.[15] HipHopDX called the album "stellar from start to finish" from the production standpoint, naming track "Saliva" the highlight of the album.[16] Roland Pemberton, writing for Pitchfork, praised the lyrical content of Vaudeville Villain, but criticized its production.[4] Conversely, Scott McKeating of Stylus Magazine thought production of the album was its real strength, and disliked Viktor Vaughn alias and the concept of the album, calling it "fundamentally silly".[18] PopMatters called Vaudeville Villain MF DOOM's best work to date, saying rappers like him "helped kick hip-hop in a thousand directions, both sonically and psychologically".[8] Tiny Mix Tapes praised the album, noting that the production "lacks the overall rough and experimental quirkiness and unevenness" of Take Me To Your Leader, which puts vocal delivery in the forefront of the record.[19]
Retrospect
Writing in 2021 after MF DOOM's death, Robert Christgau said the album "could very well be his best" and viewed it as a consistent example of how he was "a fundamentally comic artist for whom rhyme as opposed to meaning was king".[14] In January 2021, NME wrote an article about the album, calling it an "undersung masterpiece" and "perhaps the most compelling reminder of the many talents of Daniel Dumile".[5]
Accolades
Several publications included Vaudeville Villain in their lists of the best albums. Vaudeville Villain ranked at number 25 on Pitchfork's "Top 50 Albums of 2003" list.[21] Washington City Paper put it at number 4 on its list of the best albums of 2003.[22] Exclaim! listed the album among the best hip hop albums of 2003.[3] In 2010, Slant Magazine ranked Vaudeville Villain at number 217 in its list of 250 best albums of the 2000s.[23] In 2012, the album ranked at number 25 on Pigeons & Planes's "30 Best Underground Hip-Hop Albums" list.[24]
Track listing
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Overture" | 0:34 | ||
| 2. | "Vaudeville Villain" |
| King Honey | 2:31 |
| 3. | "Lickupon" |
| Heat Sensor | 2:44 |
| 4. | "The Drop" |
| Max Bill | 3:24 |
| 5. | "Lactose and Lecithin" |
| Heat Sensor | 2:34 |
| 6. | "A Dead Mouse" |
| King Honey | 3:55 |
| 7. | "Open Mic Nite, Pt. 1" (featuring Lord Sear, Brother Sambuca, Rodan as Dr. Moreau and Louis Logic) |
| King Honey | 4:09 |
| 8. | "RaeDawn" |
| Heat Sensor | 3:00 |
| 9. | "Let Me Watch" (featuring Apani B as Nikki) |
| King Honey | 4:27 |
| 10. | "Saliva" |
| RJD2 | 2:28 |
| 11. | "Modern Day Mugging" |
| Heat Sensor | 2:43 |
| 12. | "Open Mic Nite, Pt. 2" (featuring Lord Sear, AJ Ready Wright and Creature) |
|
| 3:13 |
| 13. | "Never Dead" (featuring M. Sayyid as Curis Strifer) |
| Heat Sensor | 3:27 |
| 14. | "PopSnot" |
| Max Bill | 4:39 |
| 15. | "Mr. Clean" |
| King Honey | 2:13 |
| 16. | "G.M.C." |
| Max Bill | 3:33 |
| 17. | "Untitled A.K.A. Change the Beat" (Bonus Track) (performed by MF Doom) | Max Bill | 6:55 |
Notes
- Track 9 is sometimes also called "Can I Watch?".[5]
Personnel
Credits are adapted from the album's liner notes.[25]
Personnel
- N. Gosman – engineering, executive production
- Mark Einstmann – mastering
- D. Dumile – executive production
- A. Threadgold – executive production
Artwork
- M. McDonald (for Sound-Ink Records) – art direction
- Ralph Borland (for Lazy-R) – layout, design
Additional personnel
- M. Lawrence – executive gardening
Charts
| Chart (2003) | Peak position |
|---|---|
| US Top R&B/Hip-Hop Albums (Billboard)[12] | 99 |
| Chart (2022) | Peak position |
|---|---|
| US Billboard 200[26] | 133 |
| US Independent Albums (Billboard)[27] | 14 |
References
External links
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