Variety (1925 film)

For the later film, see Variety (1935 German film).

Variety (German: Varieté [ˌvaʀi̯eˈte], also known by the alternative titles Jealousy or Vaudeville) is a 1925 German silent drama film directed by Ewald Andre Dupont based on the 1912 novel The Oath of Stephan Huller by Felix Hollaender.^[1]

Variety
Directed by	Ewald Andre Dupont
Written by	Screenwriter: Ewald Andre Dupont Leo Birinski
Based on	The Oath of Stephan Huller by Felix Hollaender
Produced by	Erich Pommer
Starring	Emil Jannings Lya de Putti Maly Delschaft Warwick Ward
Cinematography	Karl W. Freund Carl Hoffmann
Distributed by	UFA (Germany) Paramount Pictures (US)
Release date	16 November 1925 (1925-11-16) (Germany)
Country	Germany
Languages	Silent film German intertitles

The trapeze scenes are set in the Berlin Wintergarten theatre. The camera swings from long shot to close-up, like the acrobats.^[2]

The story was loosely remade by Dupont as the 1931 German sound film Salto Mortale.

Plot

Variety (1925)

In the film, Jannings portrays "Boss Huller", a former trapeze artist who was badly injured in a fall from the high wire and who now runs a seedy carnival with his wife (Maly Delschaft) and their child. Huller insists that the family take in a beautiful stranger (Lya De Putti) as a new sideshow dancer, with whom he develops a new trapeze number. He falls in love with the new star, and the story ends in tragedy.

Cast

• Emil Jannings as Boss Huller
• Maly Delschaft as wife of Boss
• Lya De Putti as Bertha
• Warwick Ward as Artinelli
• Georg John

Release

The film was heavily censored when it was released in the United States (except for New York) by excising the entire first reel, "thus destroying the motivation of the tragedy, implying that the acrobat was married to his Eurasian temptress."^[3]

Influence

The film is noted for its innovative camerawork with highly expressive movement through space, accomplished by the expressionist cinematographer Karl Freund.^[4]

Decades later, the German director Florian Henckel von Donnersmarck cites being unexpectedly exposed to the film as a child of four as the start of his interest in the medium.^[5]

This film is believed to contain the first documentation of unicycle hockey – it features a short sequence showing two people playing the game.

See also

• The House That Shadows Built (1931 promotional film by Paramount which excerpts this film)