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Valerio Rocco Orlando (Italian pronunciation: [vaˈlɛːrjo ˈrɔkko orˈlando]) (born 1978 in Milan, Italy) is an Italian artist, Professor of Multimedia Dramaturgy at Brera Academy in Milan and PhD candidate in Engineering-based Architecture and Urban Planning at Sapienza University of Rome.
Valerio Rocco Orlando | |
|---|---|
 Valerio Rocco Orlando, Promenades, 2012. Performance, MACRO, Rome. | |
| Born | 1978 |
| Nationality | Italian |
| Known for | Multimedia art |
| Awards | VII VAF Foundation Art Prize, MMCA Korea International Artist Fellowship, Civitella Ranieri Foundation Visual Arts Fellowship, ISCP New York Prize |
| Website | valerioroccoorlando |
His collaborations include working with French philosopher Jean-Luc Nancy, English composer Michael Nyman,[1] artists Gilbert & George, Ugo Rondinone and Liam Gillick, jazz singer Amalia Grè, supermodel Eva Riccobono, actors Saleh Bakri, Alba Rohrwacher, and psychoanalyst Luigi Zoja.
Valerio Rocco Orlando has exhibited widely and represented Italy at the 11th Havana Biennial (2012). Recent solo institutional exhibitions include: The Reverse Grand Tour, Galleria Nazionale d'Arte Moderna e Contemporanea, Rome (2013); The Sphere of the Between, Korea Foundation, Seoul (2015); What Education for Mars?, Museo Marino Marini, Florence[2] (2015); Portami al Confine, MUSMA, Matera[3] (2016); Valerio Rocco Orlando, Santiago Museum of Contemporary Art, Santiago[4] (2017); Dialogue with the Unseen, MUDEC Museo delle Culture, Milan[5] (2019).
Orlando's works have been featured in Artforum, ArtReview, Contemporary (magazine), Corriere della Sera, Domus (magazine), Flash Art, Frieze (magazine), Il manifesto, La Repubblica, L'Uomo Vogue, Modern Painters (magazine), The Korea Herald, Vogue Italia and W magazine.
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Since 2002 Valerio Rocco Orlando has worked on a number of community-based projects, creating different cycles of installations focused on the relationship between individual and collective identity. His first project (The Sentimental Glance, 2002-2007) is a seven-channel video installation built like a stratified Bildungsroman populated by the portraits of six young women on the threshold between childhood and adulthood, passion and loneliness, melancholy, maternity and androgyny. As art critic Caroline Corbetta has said,
"Emotions and beauty are the weapons of Valerio Rocco Orlando’s utopia. The erudite aesthetic component of his works is not a sterile exercise in style but a necessary instrument (revolutionary?) of communication and participation. In his case, beauty is the name of a particular interaction between two beings, a ‘Self’ and an ‘Other’... Beauty and emotion imply an idea of movement: interior but also towards the 'Other'. Though he rapidly shifted from cinematography to art, in reality Valerio Rocco Orlando has continued to “do” cinema in the etymological sense of the term: indeed, kinema means movement. Entering the space sketched out by one of his video installations implies not only the movement of vision, but also of bodies and emotivity".[6]
Dealing with themes such as the relationship between artists and society (The Reverse Grand Tour, 2012), the feelings of newer generations towards folklore (Bisiàc, 2007), the exchanges between a couple (Lover’s Discourse, 2010)[7] and within a school as an institution (What Education for Mars?, 2011-2013). Orlando carries out a personal exploration of portraiture, using the activities of meeting and dialogue as tools.[8] By defining art as a process of analysis and mutual knowledge, Valerio Rocco Orlando explores and tells everyday life stories, taken from personal and social context, recomposing them as the pieces of a mosaic within an image of the whole.[9]
"In order to investigate a universal theme, Valerio Rocco Orlando thinks, builds, and weaves relationships with the other, in such a direct and essential way that the artist’s main medium become the encounter itself. Einfülhung, what German philosophers refer to as empathy, is both a prerequisite and a direct consequence of the methodology of Orlando. Conceiving the production as a long-term process based on trust and intimacy, the audience gets to feel the other, participating in his points of view and feelings, by mirroring and questioning their own experience. Only through this new exchange with the viewer the research is completed and the artwork can respond to its function of radical education".[10]
Valerio Rocco Orlando's latest work (Dialogue with the Unseen, 2019) is a spiritual pilgrimage and a political journey to the Holy Land. Starting from a collaboration with Palestinian actor Saleh Bakri, this video installation is a collection of encounters between individuals who are questioning their own relationships with Nature and Society.[11]
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Valerio Rocco Orlando gave lectures and workshops in some of the most renowned faculties and institutions worldwide, among others: Accademia di Belle Arti di Roma, Rome; Accademia Carrara di Belle Arti di Bergamo, Bergamo; Accademia di Belle Arti, L'Aquila; Bezalel Academy of Arts and Design, Jerusalem; Bocconi University, Milan; Brera Academy, Milan; Dongduk Women's University, Seoul; Ewha Womans University, Seoul; Instituto Superior de Arte, Havana; International Studio & Curatorial Program (ISCP), New York City; Istituto Europeo di Design, Milan; IULM University of Milan, Milan; Kookmin University, Seoul; Korea Foundation, Seoul; MAXXI – National Museum of the 21st Century Arts, Rome; Musei Capitolini, Rome; Palazzo Strozzi, Florence; Parsons The New School for Design, New York City; Politecnico di Milano, Milan; The Valley School, Bangalore; Università Cattolica del Sacro Cuore, Milan.
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In 2009 Valerio Rocco Orlando won the ISCP New York Prize promoted by Parc/Seat/Gai. In 2011 he was awarded a Civitella Ranieri Foundation Visual Arts Fellowship and in 2014 he received an International Artist Fellowship at the MMCA National Museum of Modern and Contemporary Art Korea.[12] In 2016 the artist won the VII VAF Foundation Art Prize and his work was acquired for the permanent collection of the Museum of Modern and Contemporary Art of Trento and Rovereto.
- A. M. Qattan Foundation, Ramallah
- Centro de Arte Contemporáneo Wifredo Lam, Havana
- Centro per l'arte contemporanea Luigi Pecci, Prato
- Fundação Calouste Gulbenkian, Lisbon
- Galleria Nazionale d'Arte Moderna e Contemporanea, Rome
- Museo MAGA, Gallarate
- Museo del Novecento, Milan
- Museo Irene Brin, Bordighera
- Museum of Modern and Contemporary Art of Trento and Rovereto, Rovereto
- Museum of Contemporary Art of Rome, Rome
- MUSMA Museo della Scultura Contemporanea Matera, Matera
- Panza Collection, Varese
- Villa Reale, Monza
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- Portami al Confine, Silvana Editoriale, Cinisello Balsamo 2021. ISBN 9788836646395
- Uno alla volta. Comunità e Partecipazione, Postmedia Books, Milan 2020. ISBN 9788874902774
- What Education for Mars?, Museo Marino Marini, Florence 2016. ISBN 9788859616269
- The Sphere of the Between, Korea Foundation, Seoul 2015. ISBN 9788994027074
- The Reverse Grand Tour, Galleria Nazionale d'Arte Moderna e Contemporanea, Rome 2013. ISBN 9788889965443
- Oncena Bienal de La Habana. Prácticas Artísticas e Imaginarios Sociales, Maretti, Rome 2012. ISBN 9788889477540
- New Italian Art. L'arte contemporanea delle ultime generazioni, Castelvecchi, Rome 2012. ISBN 9788876155994
- Common life. Images for community of citizens, Electa Mondandori, Milan 2012. ISBN 9788837091552
- Neon. La materia luminosa dell'arte, MACRO Quodlibet, Rome 2012. ISBN 9788874624461
- Endless, Mousse Publishing, Milan 2011. ISBN 9788896501443
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