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Tony Stallard

English artist From Wikipedia, the free encyclopedia

Tony Stallard
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Tony Stallard (born 26 August 1958) is an English artist, best known for his large scale public artworks in the United Kingdom and abroad,[1] which utilise bronze,[2] steel[3] and light sculptures for work in the public realm.[4]

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Biography

Stallard studied at Camberwell College of Arts,[5] where he was influenced by Tony Carter and tutored by John Hilliard. Having started as a painter, Stallard then moved on to 3D work where he studied at Wimbledon College of Art[6] and developed his skills of site specific sculpture. Stallard subsequently went on to Duncan of Jordanstone College of Art and Design[6] in Dundee, which at the time was one of the few public art courses teaching the professional use of public art in the public realm.

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Career in public art

Stallard has worked for twenty-five years in public artworks within the public realm[6] and his work has been exhibited widely from Canada to Ireland and the Czech Republic.[5] This work has included research and development within architectural and engineering practices, as well as processing artworks with multiple stake holders for practical engineered concepts towards public artworks.[6]

In 2009, Stallard was selected to by the Titanic Quarter and Arts And Business Northern Ireland to create a sculpture to promote the regeneration of the Titanic Quarter. A scale model of an Airfix kit, the piece was a reference to Belfast's industrial heritage and encourages a nostalgia for the area's shipbuilding history.[7]

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Artworks

Selected works include:

  • Double Helix (1999), a commission for Paddington Arts Centre.[8]
  • The Frankenstein Project (2001), a piece which draws on Blackpool’s history of freak shows, which were active until World War II.[9]
  • Seam (2002), a site specific light sculptural installation for Mayrau Mines, Czech Republic.[10]
  • Ghost Train (2009), a project which aimed to regenerate a busy, polluted area into a gateway feature and progress Watford's ambitions to be a 'greener' more sustainable town[11]
  • Titanic Kit (2009), a major, high-profile and contemporary site-specific light sculpture cast in bronze.[12]
  • The Guardian (2010), an impressive 30-foot sculpture constructed of steel and neon which aimed to capture the historical significance of the landscape.[13]

References

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