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2017 studio album by Steven Wilson From Wikipedia, the free encyclopedia
To the Bone is the fifth studio album by British musician Steven Wilson, released on 18 August 2017 on Caroline International. It became Wilson's highest charting album ever, reaching number 3 on the UK Albums Chart and the US Billboard Independent Albums chart.
| To the Bone | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 18 August 2017 | |||
| Recorded | December 2016 – April 2017 | |||
| Studio | Strangeways (London) Angel Recording Studios (London) Studio Du Flon (Lausanne) | |||
| Genre | ||||
| Length | 59:46 | |||
| Label | Caroline International | |||
| Producer | Steven Wilson, Paul Stacey | |||
| Steven Wilson chronology | ||||
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| Singles from To the Bone | ||||
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In late 2016, Wilson announced that he had returned to the studio to record his fifth album.[2] During the first months of 2017, Wilson released two work-in-progress studio clips to his YouTube channel. On 5 January, he released a clip of "Pariah" and on 12 February, he released a clip of "To the Bone", featuring harmonica player Mark Feltham.[3][4] Wilson continued to tease various images and small album details until 8 May when he revealed the track listing on his Instagram account and released the single "Pariah".[5][6] The following day on his Instagram, he announced the album and an upcoming 2018 European tour, and the following week, on 18 May, a music video was released for "Pariah".[7][8] Four further singles were eventually released: "The Same Asylum As Before", "Song of I", "Permanating" and "Refuge". A video for "Permanating" featuring a Bollywood dance troupe was released online on 21 July.[9] A video for "Nowhere Now" was released on 19 September. A video for "The Same Asylum as Before" was released on 31 January 2019.
According to Wilson, the album was inspired by the progressive pop records of his youth, such as Peter Gabriel's So, Kate Bush's Hounds of Love, Talk Talk's The Colour of Spring, and Tears for Fears' The Seeds of Love.[10]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 77/100[11] |
| Review scores | |
| Source | Rating |
| AllMusic |   [12] |
| Classic Rock | |
| Drowned in Sound | 4/10[13] |
| Mojo | [citation needed] |
| Planet Rock | [14] |
| PopMatters |   [15] |
| Q | [citation needed] |
| The Quietus | [16] |
| Sputnikmusic | 4.5/5[1] |
To The Bone received mostly positive reviews from critics. Metacritic, a review aggregator, gave the album a normalised rating of 77 out of 100, indicating "generally favorable reviews", based on reviews from 12 critics.[11]
Uncut magazine stated: "Wilson's fifth solo LP is a lush and ambitious piece of progressive pop music. Hitting on some heavy influences, including Peter Gabriel, Depeche Mode, Bends-era Radiohead, and Todd Rundgren's electronic ballads, this insistently melodic, 11-song set is an old-school, sum-of-its parts experience".[17][better source needed] Planet Rock rated the album five stars, commenting that "Steven Wilson delivers his progressive masterpiece".[14] Jordan Blum of Rebel Noise magazine said: "To the Bone is both a great album in its own right and a perfectly appropriate addition to Wilson's vast body of work".[18] Sputnikmusic rated the album 4.5/5, stating: "Steven Wilson proves that an artist can venture into uncharted musical waters, even 30 years into their career, for ambitious and vibrant results like these".[1]
The Quietus' Antonio Poscic criticised the album's "edgeless approach ... underlined by the warm, lush production that tries to recreate the fondly and wrongly remembered organic sound of old records. ... Ironically, the song that will surely be most controversial among his fans, 'Permanating', is a self-contained, resounding success ... To the Bone would have been a better album if it had completely embraced this sort of levity."[16] Drowned in Sound's Benjamin Bland felt Wilson "focused more on the idea of writing a pop record than on actually delivering the goods. There are hooks here, but they are scattered and often attached to tracks that come worryingly close to mediocre exercises in MOR."[13] Rob Pociluk of Progressive Music Planet called it "a poorly written, poorly arranged, disjointed collection of substandard songs. It's not prog but that's not why I don't like it."[19]
PopMatters elected it the best progressive rock and metal album of 2017.[20]
| No. | Title | Length |
|---|---|---|
| 1. | "To the Bone" | 6:41 |
| 2. | "Nowhere Now" | 4:03 |
| 3. | "Pariah" | 4:46 |
| 4. | "The Same Asylum as Before" | 5:14 |
| 5. | "Refuge" | 6:43 |
| 6. | "Permanating" | 3:34 |
| 7. | "Blank Tapes" | 2:08 |
| 8. | "People Who Eat Darkness" | 6:02 |
| 9. | "Song of I" | 5:21 |
| 10. | "Detonation" | 9:19 |
| 11. | "Song of Unborn" | 5:55 |
| Total length: | 59:46 | |
All tracks are written by Steven Wilson, except "To the Bone" with lyrics by Andy Partridge
| No. | Title | Length |
|---|---|---|
| 1. | "Ask Me Nicely (intro)" | 1:42 |
| 2. | "A Door Marked Summer" | 7:41 |
| 3. | "Pariah" (demo) | 4:58 |
| 4. | "People Who Eat Darkness" (demo) | 5:35 |
| 5. | "Refuge" (demo) | 4:59 |
| 6. | "The Same Asylum as Before" (demo) | 5:32 |
| 7. | "Ask Me Nicely" | 3:53 |
| 8. | "Northern Cyclonic" | 3:50 |
| 9. | "Detonation" (demo) | 10:18 |
| 10. | "Song of Unborn" (demo) | 6:56 |
|
|
| Chart (2017) | Peak position |
|---|---|
| Australian Albums (ARIA)[21] | 30 |
| Austrian Albums (Ö3 Austria)[22] | 7 |
| Belgian Albums (Ultratop Flanders)[23] | 14 |
| Belgian Albums (Ultratop Wallonia)[24] | 9 |
| Canadian Albums (Billboard)[25] | 28 |
| Czech Albums (ČNS IFPI)[26] | 34 |
| Dutch Albums (Album Top 100)[27] | 4 |
| Finnish Albums (Suomen virallinen lista)[28] | 1 |
| French Albums (SNEP)[29] | 24 |
| German Albums (Offizielle Top 100)[30] | 2 |
| Irish Albums (IRMA)[31] | 43 |
| Italian Albums (FIMI)[32] | 14 |
| New Zealand Heatseeker Albums (RMNZ)[33] | 5 |
| Norwegian Albums (VG-lista)[34] | 15 |
| Polish Albums (ZPAV)[35] | 14 |
| Scottish Albums (OCC)[36] | 2 |
| Spanish Albums (PROMUSICAE)[37] | 15 |
| Swedish Albums (Sverigetopplistan)[38] | 26 |
| Swiss Albums (Schweizer Hitparade)[39] | 4 |
| UK Albums (OCC)[40] | 3 |
| US Billboard 200[41] | 58 |
| US Independent Albums (Billboard)[42] | 3 |
| US Top Rock Albums (Billboard)[43] | 8 |
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