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2010 Venezuelan film From Wikipedia, the free encyclopedia
The Zero Hour (Spanish: La hora cero) is a 2010 Venezuelan action film directed by Diego Velasco that takes place during a medical strike in Venezuela.
In Caracas in 1996, a medical strike takes place. Parca (Zapata 666), a self-described Grim reaper[1] and regular sicario,[2] brings a pregnant injured woman (Amanda Key) to his gang; the locals are unsympathetic to the doctors' reasons for strike and kidnap a doctor (Erich Wildpret) from the picket line, but the child is born in the back of a car. Witnessing this, Parca becomes invested in helping the needy, holding-up a private hospital and taking hostages to release in return for treatment of those from the slums.[1] Eventually, this violent scheme collapses on him and the people around him.[3]
The production mimicked the story of the film, facing troubles involving the kidnap of three crew members,[1] including its co-producer,[2] director Velasco being held-up at gunpoint, and the assassination of an actor shortly before recording his parts.[1][2] Despite the themes, a co-writer said that they "want viewers to digest and interpret the movie’s ideas, not to put ideas in their heads".[2]
By 2016, it was the highest-grossing Venezuelan national film,[4] getting $3.5 million in box office takings in Venezuela.[5]
The film was well-received in the Americas, both North and South.[5] It was given as an example in the book The Precarious in the Cinemas of the Americas of a "socially-engaged thriller [...] that [makes] use of mainstream cinema techniques, such as MTV-style, fast-paced editing and the inclusion of violent scenes to call attention to the collective responsibility for social inequalities".[6]
The film won three international awards, "Best Action Sequence Martial Arts Feature" at the US Action On Film International Film Festival (2011); the Audience Choice award at the Jackson Crossroads Film Festival (2011); and the Best Film at the Los Angeles Latino International Film Festival (2011). It was also nominated for the Best Latin-American Film award at the Mexican Ariel Awards in 2012.[citation needed]
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