The Seven-Per-Cent Solution (film)
1976 film by Herbert Ross From Wikipedia, the free encyclopedia
The Seven-Per-Cent Solution is a 1976 Oscar-nominated British-American mystery film directed by Herbert Ross and written by Nicholas Meyer. It is based on Meyer's 1974 novel of the same name and stars Nicol Williamson, Robert Duvall, Alan Arkin, and Laurence Olivier.[2]
| The Seven-Per-Cent Solution | |
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| Directed by | Herbert Ross |
| Screenplay by | Nicholas Meyer |
| Based on |
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| Produced by |
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| Starring | |
| Cinematography | Oswald Morris |
| Edited by | Chris Barnes |
| Music by | John Addison |
Production companies |
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| Distributed by | Universal Pictures |
Release date |
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Running time | 113 minutes |
| Countries |
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| Language | English |
| Budget | $5 million[1] |
Plot
Dr John H. Watson becomes convinced that his friend Sherlock Holmes, the famous private detective, is delusional—particularly in his belief that the renowned mathematician Professor James Moriarty is a criminal mastermind—as a result of his addiction to cocaine. Moriarty visits Watson to complain about being harassed by Holmes. Watson enlists the aid of Sherlock's brother, Mycroft, to trick Holmes into traveling to Vienna, where he will be treated by Sigmund Freud.
During the course of his treatment, Holmes investigates a kidnapping case with international implications and Freud uncovers a dark personal secret suppressed in Holmes's subconscious.
Cast
- Nicol Williamson as Sherlock Holmes
- Robert Duvall as Dr. Watson
- Alan Arkin as Dr. Sigmund Freud
- Georgia Brown as Frau Freud
- Laurence Olivier as Professor Moriarty
- Charles Gray as Mycroft Holmes (a role he reprised in the Jeremy Brett TV series[3])
- Samantha Eggar as Mary Watson
- Vanessa Redgrave as Lola Devereaux
- Joel Grey as Lowenstein
- Jeremy Kemp as Baron Karl von Leinsdorf (he later played Dr. Grimesby Roylott in the Jeremy Brett TV series)
- Jill Townsend as Mrs. Holmes (Townsend was Williamson's real-life wife)
- Anna Quayle as Freda
- John Bird as Berger
- Alison Leggatt as Mrs. Hudson
Production
The film was made at Pinewood Studios with location shooting in the UK and Austria (including the Austrian National Library); the tennis match/duel between Freud and von Leinsdorf was filmed on one of the historic real tennis courts at the Queen's Club in West Kensington, London.[4] The production designer was Ken Adam.
Bernard Herrmann had been hired to write the score but died from an heart attack soon after. He was replaced by John Addison, who had composed the music for Alfred Hitchcock's Torn Curtain (1966), after a score by Herrmann had been rejected. Stephen Sondheim wrote a song for the movie ("The Madame's Song") that was later recorded as "I Never Do Anything Twice" on the Side By Side By Sondheim cast recording.[4]
Reception
Summarize
Perspective
The Seven-Per-Cent Solution was well received by American critics. On the review aggregator website Rotten Tomatoes, 78% of 18 critics' reviews are positive, with an average rating of 6.5/10.[5]
Vincent Canby of The New York Times called the film "nothing less than the most exhilarating entertainment of the film year to date."[6] Gene Siskel of the Chicago Tribune gave the film four stars out of four and called it "the classiest motion picture of the holiday season" and "a rare combination of money and brains."[7] He placed it ninth on his year-end list of the best films of 1976.[8] Arthur D. Murphy of Variety called it "an outstanding film. Producer-director Herbert Ross and writer Nicholas Meyer, adapting his novel, have fashioned a most stylish, elegant, and classy period crime drama."[9] Charles Champlin of the Los Angeles Times wrote, "It is a particularly handsome period piece, beautifully staged and acted and most genuinely charming."[10] Gary Arnold of The Washington Post called the film "an amusing, elegant, and unusually appealing adventure movie, a swashbuckler with literate, intellectual heroes."[11]
British reviewers were more critical[12] with The Times calling it "a turgid concoction which draws no life from the Holmes/Freud confrontation and seems particularly ill-plotted."[12] The Daily Telegraph said "The tale drags on for reel after reel before we cotton on to the fact that it is meant to be funny."[12] The Sunday Times said "the basic conflicts in Conan Doyle's original dissipate into whimsy, cuteness and slow, period-laden self-indulgence."[12]
Mike Hale of The New York Times, after mentioning Robert Downey Jr.'s version of Sherlock Holmes, Benedict Cumberbatch in Sherlock and Jonny Lee Miller in Elementary, opined that Nicol Williamson's Holmes was "the father of all those modern Holmeses"[13] claiming the film "established the template for all the twitchy, paranoid, vulnerable, strung-out Holmeses to come."[13]
Awards and nominations
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Academy Awards | Best Screenplay – Based on Material from Another Medium | Nicholas Meyer | Nominated | [14] |
| Best Costume Design | Alan Barrett | Nominated | ||
| National Board of Review Awards | Top Ten Films | 5th place | [15] | |
| National Society of Film Critics Awards | Best Supporting Actor | Robert Duvall | 3rd place | [16] |
| Saturn Awards | Best Science Fiction Film | Nominated | [17] | |
| Writers Guild of America Awards | Best Drama Adapted from Another Medium | Nicholas Meyer | Nominated | [18] |
Home media
Shout! Factory released the film on Blu-ray on January 22, 2013 along with a DVD in the package.[19]
Meyer appeared in an 18-minute interview for the Blu-ray release by Shout Factory.[20] Meyer discussed the genesis of the idea (his father was a psychiatrist and Meyer was a fan of Holmes' creator Arthur Conan Doyle) and how he took the opportunity to write the novel when the Writers Guild of America went on strike.
Meyer revealed that he had often fought with Ross because Ross was too faithful to Meyer's novel. He believed that the script would not be cinematic enough if it was too faithful with the source.
He discussed the casting including his push for Alan Arkin as Freud. He shared a story about how he and Ross decided to cast Duvall "in revolt" against Nigel Bruce's portrayal of Watson as a "Colonel Blimp"-type character. Meyer and Ross wanted to try to capture Watson's intelligence that had so far not been portrayed on-screen in Holmes movie adaptations.[20]
References
External links
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