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From Wikipedia, the free encyclopedia
The Sadeian Woman and the Ideology of Pornography is the American title of a 1978 non-fiction book by Angela Carter. British publication was delayed until 1979, when the book appeared as The Sadeian Woman: An Exercise in Cultural History. The book is a feminist re-appraisal of the work of the Marquis de Sade, consisting of a collection of essays analyzing his literature, particularly the tales of sisters Juliette and Justine.[1]
Cover of the first American edition | |
| Author | Angela Carter |
|---|---|
| Language | English |
| Subject | Marquis de Sade |
| Publisher | Pantheon Books (U.S.A.) Virago Press (UK) |
Publication date | 1978 (U.S.A.) 1979 (UK) |
| Publication place | United Kingdom |
| Media type | |
| Pages | 154 pp. |
| ISBN | 0-394-50575-1 |
| OCLC | 4495463 |
| 843.6 | |
| LC Class | PQ2063.S3 |
Her work was later criticized by the radical feminist and anti-porn theorist Andrea Dworkin in her 1981 book Pornography: Men Possessing Women.[2] Unlike Dworkin, Carter sees de Sade as being the first writer to see women as more than mere breeding machines, as more than just their biology and, as such, finds him liberating.[3]
Carter argues that Marquis de Sade was a “moral pornographer”, one that analyzed the relation between the sexes within his work.[4] She argues that Marquis “would not be the enemy of women”, as she views his works as contradicting patriarchal notions of sex and feminity.[4]
The Marquis de Sade’s pornography went on to influence Carter’s fictional work. In her collection of short stories published the next year, The Bloody Chamber, the opening story follows a young, unnamed French woman who is groomed into sex and, subsequently, marriage by the scopophiliac Marquis.[5]
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