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2004 single by The Walkmen From Wikipedia, the free encyclopedia
"The Rat" is a song by American indie rock band the Walkmen. It was released as the first single from their second studio album, Bows + Arrows (2004), on April 19, 2004. The song peaked at number 45 on the UK Singles Chart.
"The Rat" | ||||
---|---|---|---|---|
Single by The Walkmen | ||||
from the album Bows + Arrows | ||||
B-side | "Clementine" | |||
Released | April 19, 2004 | |||
Recorded | April – October 2003 | |||
Genre | ||||
Length | 4:22 | |||
Label | Record Collection | |||
Songwriter(s) | The Walkmen | |||
Producer(s) | Dave Sardy | |||
The Walkmen singles chronology | ||||
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Music video | ||||
"The Rat" by the Walkmen on YouTube |
Singer Hamilton Leithauser said the song originated in a jam session when the band were "just screwin' around." The band's drummer Matt Barrick instigated the track by playing a fast drum pattern. The band then quickly built this foundation into the full track, Leithauser said "we threw some chords on it, I wrote the words in five minutes." The song had been included in the band's live sets as early as February 2002, with slightly different lyrics than the recorded version.[1]
The band's usual method was to self-produce their material. However, after unsuccessful attempts to record the layered electric organ and guitar, they decided to record the track with a professional record producer at the advice of their label. This was later viewed as an unsatisfactory move by bassist Walter Martin who said "It doesn't sound right at all. I think the production for the rest of the album makes the music sound big and live. But it just sounds dense and solid."[2]
Ezra Koenig, who worked as an intern for the band, says the song was originally titled "Girls At Night" and was recorded a year after it was first played to him.[3]
The video features a live performance shot in black and white making use of chiaroscuro and directed by filmmaker Eva Aridjis.
The track has received highly positive critical acclaim, featuring in many end-of-decade lists. It was named thirteenth best track of the decade by NME[4] and 20th best track of the 2000s by Pitchfork Media who named it "a St. Valentine's Day Massacre of relentless drums, bass, and guitar."[5] Rolling Stone called it "one of the greatest songs of the century".[1] Modern Drummer magazine praised Barrick's performance as "a jaw-dropping exercise in precision and velocity".[6] In October 2011, NME placed it at number 31 on its list "150 Best Tracks of the Past 15 Years".[7]
Stylus Magazine took a different slant saying that the song's 'one-hit wonder' success "was the worst thing to ever happen to The Walkmen. It brought the iPod-lazy—singles, MP3s, mix and matchers—to their shows and records."[8]
The song is featured on the soundtracks of Major League Baseball 2K7, Dirt 2, and True Crime: New York City.
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