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1961 film by William Wyler From Wikipedia, the free encyclopedia
The Children's Hour (released as The Loudest Whisper in the United Kingdom, Australia, and New Zealand) is a 1961 American drama film produced and directed by William Wyler from a screenplay by John Michael Hayes, based on the 1934 play of the same title by Lillian Hellman. The film stars Audrey Hepburn, Shirley MacLaine, and James Garner, with Miriam Hopkins, Fay Bainter (in her final film role), and Karen Balkin.
| The Children's Hour | |
|---|---|
Theatrical release poster | |
| Directed by | William Wyler |
| Screenplay by |
|
| Based on | The Children's Hour by Lillian Hellman |
| Produced by | William Wyler |
| Starring |
|
| Cinematography | Franz F. Planer |
| Edited by | Robert Swink |
| Music by | Alex North |
Production company | |
| Distributed by | United Artists |
Release date |
|
Running time | 107 minutes |
| Country | United States |
| Language | English |
| Budget | $3.6 million[1] |
| Box office | $3 million[1] or $1.8 million (US/Canada rentals)[2] |
Former college classmates Martha Dobie and Karen Wright open a private boarding school for girls. After an engagement of two years to Dr. Joe Cardin, Karen finally agrees to set a wedding date. Joe is a nephew of the influential Amelia Tilford, whose granddaughter Mary is a student at the school. Mary is a spoiled, conniving child who bullies her classmates.
While being punished for a lie Mary had told, one of her roommates overhears an argument between Martha and her Aunt Lily. Lily accuses Martha of being jealous and having an "unnatural" relationship with Karen. On hearing this, Mary spreads this gossip to her grandmother and Amelia spreads it around the parents of the school.
Karen learns of this and confronts Amelia about Mary accusing Martha and Karen of being lovers. Mary is foiled at convincing others that she personally saw the interactions between Martha and Karen. Using her knowledge that her roommate, Rosalie, has stolen jewelry and other personal items from a number of people, Mary coerces Rosalie into corroborating her story.
The two women file a suit of libel and slander against Mrs. Tilford. A few months later, Martha and Karen are isolated at the school, having lost all of their students and ruined their reputations after losing the lawsuit. Karen calls off her engagement with Joe when he asks her if what was said about Martha and her was true. When she finds out, Martha points out that other female couples have persevered after being discovered, because of the strength of their love, then admits that she has been in love with Karen for years. Karen says that Martha is just confused about her feelings, but Martha insists it is love, breaking down in tears.
Rosalie's mother finds the collection of stolen items her daughter has kept, leading to the revelation of Mary's lie about Martha and Karen. Mrs. Tilford tells the judge, who will overturn the outcome of the lawsuit, publish the results in the newspaper, and a full financial settlement will be paid to the teachers. Karen tells Martha that they are still friends, and can work again.
Aunt Lily asks Karen about Martha's whereabouts as her door is locked. Karen breaks loose the door's slide lock with a candleholder and discovers Martha has hanged herself in her room. Karen attends Martha's funeral and silently walks away as Joe, Mrs. Tilford, and several other townspeople watch her.
Hellman's play was inspired by the 1810 true story of two Scottish school teachers, Miss Marianne Woods and Miss Jane Pirie, whose lives were destroyed when one of their students accused them of engaging in a sexual relationship, but in the Scottish case, they eventually won their suit, although that did not change the devastation wrought on their lives.[3] At the time of the play's premiere (1934), the mention of homosexuality on stage was illegal in New York State, but authorities chose to overlook its subject matter when the Broadway production was acclaimed by the critics.[4]
The first film adaptation of the play was These Three directed by Wyler and released in 1936. Because the Hays Code, in effect at the time of the original film's production, would never permit a film to focus on or even hint at lesbianism, Samuel Goldwyn was the only producer interested in purchasing the rights. He signed Hellman to adapt her play for the screen, and the playwright changed the lie about the two school teachers being lovers into a rumor that one of them had slept with the other's fiancé. Because the Production Code refused to allow Goldwyn to use the play's original title, it was changed to The Lie, and then These Three.[4]
By the time Wyler was ready to film the remake in 1961, the Hays Code had been liberalized to allow screenwriter John Michael Hayes to restore the original nature of the lie. Aside from having Martha hang rather than shoot herself as she had in the play, he remained faithful to Hellman's work, retaining substantial portions of her dialogue.
In the 1996 documentary film The Celluloid Closet, Shirley MacLaine said she and Audrey Hepburn never talked about their characters' alleged homosexuality. She also claimed Wyler cut some scenes hinting at Martha's love for Karen because of concerns about critical reaction to the film.
The film was James Garner's first after suing Warner Bros. to win his release from the television series Maverick. Wyler broke an unofficial blacklist of the actor by casting him, and Garner steadily appeared in films and television shows over the following decades, including immediately playing leading roles in four different major films released in 1963: The Great Escape with Steve McQueen, The Thrill of It All with Doris Day, The Wheeler Dealers with Lee Remick, and Move Over, Darling again with Day.
Hayley Mills was originally offered the role of Mary.[5]
Miriam Hopkins, who portrays Lily Mortar in the remake, appeared as Martha in These Three.[4]
The film's location shooting was done at the historic Shadow Ranch, in present-day West Hills of the western San Fernando Valley.[6]
Bosley Crowther of The New York Times observed:
In short, there are several glaring holes in the fabric of the plot, and obviously Miss Hellman, who did the adaptation, and John Michael Hayes, who wrote the script, knew they were there, for they have plainly sidestepped the biggest of them. They have not let us know what the youngster whispered to the grandmother that made her hoot with startled indignation and go rushing to the telephone ... And they have not let us into the courtroom where the critical suit for slander was tried. They have only reported the trial and the verdict in one quickly tossed off line. So this drama that was supposed to be so novel and daring because of its muted theme is really quite unrealistic and scandalous in a prim and priggish way. What's more, it is not too well acted, except by Audrey Hepburn in the role of the younger of the school teachers ... Shirley MacLaine as the older school teacher ... inclines to be too kittenish in some scenes and do too much vocal hand-wringing toward the end ... James Garner as the fiancé of Miss Hepburn and Miriam Hopkins as the aunt of Miss MacLaine give performances of such artificial laboring that Mr. Wyler should hang his head in shame. Indeed, there is nothing about this picture of which he can be very proud.[7]
Variety said, "Audrey Hepburn and Shirley MacLaine ... beautifully complement each other. Hepburn's soft sensitivity, marvelous projection and emotional understatement result in a memorable portrayal. MacLaine's enactment is almost equally rich in depth and substance."[8] TV Guide rated the film three-and-a-half out of four stars, adding, "The performances range from adequate (Balkin's) to exquisite (MacLaine's)."[9]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 80% based on 10 reviews, with an average rating of 7/10.[10]
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Academy Awards | Best Supporting Actress | Fay Bainter | Nominated | [11] |
| Best Art Direction – Black-and-White | Art Direction: Fernando Carrere; Set Decoration: Edward G. Boyle |
Nominated | ||
| Best Cinematography – Black-and-White | Franz Planer | Nominated | ||
| Best Costume Design – Black-and-White | Dorothy Jeakins | Nominated | ||
| Best Sound | Gordon E. Sawyer | Nominated | ||
| Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | William Wyler | Nominated | [12] |
| Golden Globe Awards | Best Actress in a Motion Picture – Drama | Shirley MacLaine | Nominated | [13] |
| Best Supporting Actress – Motion Picture | Fay Bainter | Nominated | ||
| Best Director – Motion Picture | William Wyler | Nominated | ||
| Laurel Awards | Top Female Dramatic Performance | Audrey Hepburn | 4th Place | |
| Shirley MacLaine | Won | |||
| Top Female Supporting Performance | Fay Bainter | Nominated |
American Film Institute lists
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