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2003 novel by Jonathan Lethem From Wikipedia, the free encyclopedia
The Fortress of Solitude is a 2003 semi-autobiographical novel by Jonathan Lethem set in Brooklyn and spanning the 1970s, '80s, and '90s. It follows two teenage friends, Dylan Ebdus and Mingus Rude, one white and one black, who discover a magic ring. The novel explores the issues of race and culture, gentrification, self-discovery, and music. The novel's title is a reference to the Fortress of Solitude, a fortress constructed for Superman.
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First edition cover | |
| Author | Jonathan Lethem |
|---|---|
| Cover artist | Jacket design by Marc Cozza Jacket illustration by Rebecca Cohen |
| Language | English |
| Genre | Novel |
| Publisher | Doubleday |
Publication date | September 16, 2003 |
| Publication place | United States |
| Media type | Print (hardcover & paperback), audio cassette, audio CD, and audio download |
| Pages | 511 pp (first edition, hardcover) |
| ISBN | 0-385-50069-6 (first edition, hardcover) |
| OCLC | 51629829 |
| 813/.54 21 | |
| LC Class | PS3562.E8544 F67 2003 |
| Preceded by | Kafka Americana |
| Followed by | Men and Cartoons |
Dylan Ebdus – the son of Rachel and Abraham, an artist father and a Brooklyn native mother. He has a hard time adjusting to the neighborhood until he meets Mingus Rude. As time passes on, they grow apart. Dylan goes to Camden College in Vermont, while Mingus goes to prison in Brooklyn. Dylan attempts to find and rescue his friend and restore their relationship.
Abraham Ebdus – Dylan's father, an avant-garde artist. After Rachel abandons the family, he becomes more introverted, shutting himself in the attic to paint cels of his animated film, a masterpiece that will never be complete. In order to support himself and Dylan, he turns to painting garish science fiction book covers, a field in which he eventually becomes prominent. His relationship with Dylan is strained.
Barrett Rude Jr. – former lead singer of a 1960s, moderately successful soul group called The Subtle Distinctions. He had a number of hits at that time, some of which were sampled by current artists. More importantly, he is Mingus's father, and a musical icon for Dylan. Throughout the novel, he struggles with cocaine addiction.
Arthur Lomb – Dylan's only white friend during his elementary and middle school years. Arthur persuades Dylan to apply to Stuyvesant, a public high school, but Dylan is accepted and Arthur is not. The two follow different paths throughout the novel: Dylan goes on to college and eventually California, and Arthur stays in Brooklyn and assumes the role of Mingus's right-hand man, participating in drug deals and graffiti. When Dylan visits Arthur at the end of the novel, Arthur is a landlord and has opened a chic bistro, adding to the general gentrification of the area.
Robert Woolfolk – nicknamed "Willfuck" by Henry, Robert plays the role of Dylan's arch enemy who has the knack of showing up at the worst possible times. Over the course of the novel, he trashes Dylan's first bike, yokes him repeatedly, and holds him at gun point during a drug robbery. Robert ends up in prison with Mingus. When Dylan visits the two in prison, Mingus persuades him to offer the ring to Robert to help Robert escape. However, Robert's attempt at a flight escape ends in his demise.
Mingus Rude – son of Barrett Rude Jr. and childhood friend of Dylan Ebdus. One of the most prominent characters in the novel. He moves to Dean Street after Dylan does, and the two quickly become friends. Their friendship evolves over the course of the first part of the novel.
Rachel Ebdus – mother of Dylan Ebdus and is a character of the book who, in the beginning is mentioned very little, but is a big part of Dylan Ebdus's world.
Stylistically, the two main parts of the novel are written as a) a third-person narrative ("Underberg" - part one) and b) a first-person narrative ("Prisonaires" - part three) with distinctive dialogue, though toward the very end of the book dialogue-intensive scenes and the brief entry of "Liner Notes" (part two) by Dylan are introduced to mirror his alienation from society. Since the work covers Dylan's life from the time he was a child to his growing independence and moral detachment from Brooklyn as a young man, the style of the work progresses through each of its thirty-four chapters, with the complexity of language gradually increasing. However, throughout the work, slang and music are used to portray indirectly the state of mind of the protagonist, and the subjective impact of the events of his life. Through the use of these sly literary devices Lethem intends to capture the subjective experience through music, rather than to present the actual experience through prose narrative.
According to Book Marks, based on American publications, the book received "mixed" reviews based on fourteen critic reviews with three being "rave" and four being "positive" and five being "mixed" and two being "pan".[1] The Daily Telegraph reported on reviews from several publications with a rating scale for the novel out of "Love It", "Pretty Good", "Ok", and "Rubbish": Independent, Independent On Sunday, and Spectator reviews under "Love It" and Daily Telegraph review under "Pretty Good" and TLS review under "Ok" and Guardian and Sunday Times reviews under "Rubbish".[2] On Bookmarks November/December 2003 issue, a magazine that aggregates critic reviews of books, the book received a 
(4.0 out of 5) based on critic reviews.[3]
The Fortress of Solitude was nominated for the 2005 International Dublin Literary Award.
A musical adaption conceived of and directed by Daniel Aukin with music and lyrics by Michael Friedman and book by Itamar Moses was produced by New York Stage and Film and Vassar College's Powerhouse Theatre in the summer of 2012. It received an Off-Broadway production by New York Public Works in 2015.
The world's premiere of the stage version was on March 13, 2014, at the Dallas Theater Center.[4]
2003, United States, Doubleday ISBN 0-385-50069-6, pub date 16 September 2003, hardcover
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