The Explorers (collection)
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
The Explorers is a collection of science fiction stories by American writer C. M. Kornbluth, originally published in paperback by Ballantine Books in 1954. Ballantine reissued the collection, which was Kornbluth's first, in 1963.[1] While no further editions of the collection were published, six of its nine stories were included in Ballantine's 1977 The Best of C. M. Kornbluth,[2] and all the stories are contained in NESFA's 1997 His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth.[3]
Author | C. M. Kornbluth |
---|---|
Illustrator | Jack Faragasso |
Language | English |
Genre | Science fiction |
Publisher | Ballantine Books |
Publication date | 1954 |
Publication place | United States |
Media type | Print (paperback) |
Pages | 145 |
OCLC | 1870118 |
"Thirteen O'Clock" was originally published under the Cecil Corwin byline.[4] "The Rocket of 1955" first appeared in 1939 in Escape, an amateur magazine published by one of Kornbluth's friends.[5]
Writing in The New York Times Book Review. J. Francis McComas said "I know of no better introduction to [Kornbluth's] remarkable work than this collection of his more recent short stories". He praised Kornbluth's "gift with language" and "his future worlds postulated with an ironic appreciation of human frailty [and] his deadpan extension of ridiculous present-day institutions to their ultimate idiocy".[6]
Anthony Boucher declared that "Kornbluth's sharp observation is everywhere present, and in most of the stories his bitter insight into the hearts and souls of future men (and by implication, into our own)".[7] Damon Knight noted that all the stories were "written with distinction" and that even though several stories "explore a dangerous dead end in science fiction", each "represents the triumph of a master technician over an inappropriate form".[8] Groff Conklin concluded that "Kornbluth's first short story collection is a distinguished one throughout".[9] P. Schuyler Miller recommended the collection, singling out "With These Hands" for "projecting the plight of the creative artist in a wholly mechanized world".[10]
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