The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998.[1]
The Abysmal Richness of the Infinite Proximity of the Same | ||||
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Studio album by Anthony Coleman's Selfhaters | ||||
Released | 1998 | |||
Recorded | February 13 and April 18, 1997 and February 16, 1998 The Studio and Avatar, NYC | |||
Genre | Jazz | |||
Length | 40:01 | |||
Label | Tzadik TZ 7123 | |||
Producer | Anthony Coleman | |||
Anthony Coleman chronology | ||||
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Reception
In her review for Allmusic, Joslyn Layne notes that "The follow-up release to Anthony Coleman's Selfhaters, The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen... This release is less accessible than the first album (which was mostly live recordings), but is still rewarding".[2]
Track listing
All compositions by Anthony Coleman except as indicated
- "The Abysmal Richness of the Infinite Proximity of the Same: Objectives 1-8" (Anthony Coleman, The Selfhaters) - 22:04
- "His Masquerade" - 5:08
- "Fifty-Seven Something" - 12:30
Personnel
- Anthony Coleman - piano, organ, trombone, voice
- Doug Wieselman - E-flat clarinet, bass harmonica
- Michaël Attias - alto saxophone, baritone saxophone
- Fred Lonberg-Holm - cello
- Jim Pugliese - percussion
References
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