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1997 film by Girish Kasaravalli From Wikipedia, the free encyclopedia
Thaayi Saheba (transl. Mother Saheba) is an Indian Kannada language film released in 1997 directed by Girish Kasaravalli. The film was an adaptation of Kannada novel of same name written by Ranganath Shyamrao Lokapura.
| Thaayi Saheba | |
|---|---|
Poster | |
| Directed by | Girish Kasaravalli |
| Screenplay by | Girish Kasaravalli |
| Story by | Ranganath Shyam Rao Lokapura |
| Based on | Thaayi Saheba by Ranganath Shyam Rao Lokapura |
| Produced by | Jaimala |
| Starring | Jaimala Suresh Heblikar |
| Cinematography | H. M. Ramachandra |
| Edited by | M. N. Swamy |
| Music by | Isaac Thomas Kottukapally |
Production company | Sri Soundarya Arts |
Release date |
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| Country | India |
| Language | Kannada |
The film is based on the story of a Brahmin family during the pre independence and post independence periods of India. The protagonist Narmada Thayi is the second wife of Appa Sahib, a freedom fighter. The childless couple decide to adopt the child of Venkobanna, a close relative. Venkobanna has other plans in mind when he gives away his child in adoption. He calculates that his son will inherit the family's money and property. In the meanwhile, Appa Sahib also has an illicit relationship with Chandri and a daughter is born to them. Narmada Thayi is a patient woman and although aware of her husband's character, she supports him and the household. After the independence, Appa Sahib supports the government's view that the laborers who till the land own them. Venkobanna is angered to see this long-awaited plan of his crumble due to the utopian views of App Sahib. After a brief illness, Appa Sahib leaves the house one day with a group of people to protest for the sake of the farmers never to return again. Months after this, Narmada learns that her husband has been imprisoned by the government. But no other detail regarding Appa Sahib comes to light. Narmada Thayi is the only one capable of handling the household. She seeks the help of Venkobanna to help her handle monetary issues. Meanwhile, their adopted son comes of age. The story takes a surprise and unexpected turn when Thayi Saheba discovers that her adopted son is in love with Appa Sahib's mistress's daughter, who legally is his sister. She tries in vain to convince her son not to go against social ethics. With Chandri, Narmada Thayi sets out to find her husband. Together they travel to many prisons, but Appa Sahib is never found. Thayi Saheba must either save the son, who seeks freedom to marry Chandri's daughter or save herself because if she supports the marriage, she could be jailed. She tries to cancel the adoption, but no such thing as adoption cancellation existed then. She also tries to see if somebody can adopt Chandri's daughter, but adopting a girl child was never allowed. Finally, Thayi Saheba tells her son that he is free to do whatever he wants. She gets ready to face the serious consequence of the marriage. The film ends with Thayi Saheba waiting on the steps of her house and an angered Venkobanna arriving with the police and announcing their arrival.
It is difficult to say what Thaayi Saheba was all about. It was evidently a film that narrated the transition in the Indian society from the pre independence to the post independence periods. We can easily skip the transition part and look at the film as a straight narrative about the life of Narmada Thayi. The film also narrates the social conditions of women during that period. Thayi Saheba can definitely be viewed as a sum total of all these interpretations. We witness the social and political transition of the Indian Society through the life of the protagonist.
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