Sweet Georgia Brown
1925 song by Ben Bernie, Maceo Pinkard, and Kenneth Casey From Wikipedia, the free encyclopedia
"Sweet Georgia Brown" is a jazz standard composed in 1925 by Ben Bernie and Maceo Pinkard, with lyrics by Kenneth Casey.
| "Sweet Georgia Brown" | |
|---|---|
1949 version record label Brother Bones and His Shadows | |
| Single by Ben Bernie and His Hotel Roosevelt Orchestra | |
| B-side | "Yearning Just For You" |
| Published | March 20, 1925 Jerome H. Remick & co., New York[1] |
| Released | June 1925 |
| Recorded | March 19, 1925, take 575W[2] |
| Studio | 799 Seventh Avenue, Room no. 2, New York, New York City[2] |
| Genre | Jazz |
| Length | 2:57 |
| Label | Vocalion 15002[3] |
| Songwriter(s) | Ben Bernie, Maceo Pinkard, Kenneth Casey[2] |
| Producer(s) | Arthur Lange (arranger) |
Performance by the Dixieland Band of the United States Army Field Band's Jazz Ambassadors from 2017 | |
History
Reportedly, Bernie came up with the concept for the song's lyrics – although he is not the credited lyricist – after meeting Dr. George Thaddeus Brown in New York City. Dr. Brown, a longtime member of the Georgia House of Representatives, told Bernie about his daughter, Georgia Brown, and how subsequent to her birth on August 11, 1911, the Georgia General Assembly had issued a declaration that she was to be named Georgia after the state. This anecdote would be directly referenced by the song's lyric: "Georgia claimed her – Georgia named her".
The tune was first recorded on March 19, 1925, by bandleader Bernie, resulting in five weeks at number one for Ben Bernie and his Hotel Roosevelt Orchestra.[4]
One of the most popular versions[citation needed] of "Sweet Georgia Brown" was recorded in 1949 by Brother Bones and His Shadows and later adopted as the theme song of the Harlem Globetrotters basketball team in 1952.[citation needed]
Renditions
Summarize
Perspective
Bing Crosby recorded the song on April 23, 1932, with Isham Jones and his Orchestra[5] and it is assessed as reaching No. 2 in the charts of the day.[6]
The version used by the Harlem Globetrotters is a 1949 instrumental by Brother Bones[7] and His Shadows with whistling and bones by Brother Bones. It was adopted as the Globetrotters theme in 1952.
Tony Sheridan recorded it in December 1961 with his studio backing group, The Beat Brothers, and it was issued on his 1962 album My Bonnie. He rerecorded the song in 1964 for his next album, A Little Bit of Tony Sheridan this time backed by The Bobby Patrick Big Six but still credited to The Beat Brothers.[8] The Beatles, with Roy Young, as a backup band recorded it again for Tony Sheridan on May 24, 1962, in Hamburg, Germany, using the original lyrics. This was released in Germany, on Sheridan's EP Ya Ya in 1962 [9] and in Greece as the b-side of the single Skinny Minny.[10] This recording was rereleased as a single in 1964 during the wave of Beatlemania with Sheridan having re-recorded the vocals with tamer lyrics and the additional verse: "In Liverpool she even dares/to criticize the Beatles' hair/With their whole fan-club standing there/oh Sweet Georgia Brown". This version can be heard on the German compilation album The Beatles' First! and its numerous reissues. The song was edited as a single for the American market with added guitar and drum parts.
Roberta Flack recorded "Sweet Georgia Brown" for her 1994 album Roberta. As Flack feared the song might be perceived as demeaning to women, her version featured newly-added lyrics – written by Flack with her producers Jerry Barnes and Katreese Barnes – meant to establish Georgia Brown as (according to Flack) "a strong woman who is gorgeous, sexy, strong and intelligent" rather than a pass-around girl.[11] "Sweet Georgia Brown" has become a staple of Flack's live shows, the singer having stated that the lyric changes "cost me $25,000 so I sing [the song] whenever I have the chance."[12]
Other recordings
- Ben Bernie and His Hotel Roosevelt Orchestra, 1925[7]
- California Ramblers, 1925
- Ethel Waters, 1925[7]
- Lillie Delk Christian with Johnny St. Cyr, 1926
- Cab Calloway, 1931[7]
- Coleman Hawkins with Benny Carter and Django Reinhardt, 1937[7]
- Django Reinhardt, 1938[7]
- Art Tatum, 1941[7]
- Charlie Parker and Dizzy Gillespie, 1943[7]
- Bud Powell, 1950[7]
- Red Norvo with Charles Mingus and Tal Farlow, 1950[7]
- Gale Storm, album Gale Storm Sings, 1956.[13]
- The Coasters, 1957
- Anita O'Day, Jazz on a Summer's Day, 1958[7]
- Edmond Hall, 1958
- Carol Burnett, 1960
- Nancy Sinatra, for the 1966 album Sugar
- Jerry Lee Lewis, for the 1970 album There Must Be More To Love Than This
- Rahsaan Roland Kirk, for the 1976 album The Return of the 5000 Lb. Man.[14]
- Gentle Giant, for the 1977 live album Playing The Fool.
- Oscar Peterson, Niels-Henning Ørsted Pedersen, and Ray Brown performed the song live at the Montreux Jazz Festival, 1977
- Oscar Peterson, Live at the Blue Note, 1990[7]
- The hip hop group A Tribe Called Quest sampled a 1976 cover by The Singers Unlimited for their penultimate album The Love Movement on the track "Start It Up".
- Denny Zeitlin, Slickrock, 2003[7]
- Mel Brooks used a Polish version of the song in his 1983 movie To Be or Not to Be. It is performed by himself and his wife Anne Bancroft.
- Take 6's version on the 2008 album The Standard features both whistling and vocals.
- Danny Gatton- Redneck Jazz Explosion Live in 1977 CD- The Humbler Stakes His Claim
See also
Notes and references
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