Streetnoise
1969 studio album by Julie Driscoll, Brian Auger and The Trinity From Wikipedia, the free encyclopedia
1969 studio album by Julie Driscoll, Brian Auger and The Trinity From Wikipedia, the free encyclopedia
Streetnoise is a 1969 album by Julie Driscoll, Brian Auger and the Trinity, originally released as a double LP.
Streetnoise | ||||
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Studio album by Julie Driscoll, Brian Auger and The Trinity | ||||
Released | July 1969 | |||
Recorded | 1969 | |||
Studio | Advision Studios, London, England | |||
Genre | Jazz, progressive rock, gospel, folk rock, psychedelic rock | |||
Length | 74:04 | |||
Label | Marmalade 608005/6 (UK) / Atco / Polydor | |||
Producer | Giorgio Gomelsky | |||
Julie Driscoll chronology | ||||
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Brian Auger chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Rolling Stone | (favorable)[2] |
It includes cover versions of The Doors’ "Light My Fire", Nina Simone’s "Take Me To The Water", Laura Nyro’s "Save the Country", Miles Davis' "All Blues", Richie Havens' "Indian Rope Man", and "Let The Sunshine In" and "I Got Life" from the musical Hair. Driscoll covers this wide range of musical influences easily and with her highly emotive and distinctive vocals, and with Auger's intense Hammond organ, the album is instrumentally interesting, too.[3][4][5]
Streetnoise was a record that may have been informed by its era, but it certainly isn't stuck there, especially as the 21st century opens. The music here sounds as fresh and exciting as the day it was recorded. The sound on the reissue is completely remastered and packed in deluxe form; it all adds up to a must-have package for anyone interested in the development of Auger's music that was to change immediately after this record with the invention of the Oblivion Express, and also for those interested in Driscoll's most brave, innovative, and fascinating career as an improviser who discovered entirely new ways of using the human voice. Streetnoise is brilliant.[4]
— Thom Jurek, Allmusic
sub-titled: HOW GOOD WOULD IT BE TO FEEL FREE
sub-titled: KISS HIM QUICK, HE HAS TO PART
sub-titled: LOOKING IN THE EYE OF THE WORLD
sub-titled: SAVE THE COUNTRY
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