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Stephen John Magnusson (born 13 February 1969) is an Australian guitarist. He is known for his work as an improviser and has worked with the Australian Art Orchestra,[1] and Elixir and Katie Noonan, Charlie Haden, Meshell Ndegeocello, Ricki Lee Jones, Sinéad O'Connor, John Cale, Gurrumul Yunupingu, Paul Grabowsky, Vince Jones, Christine Sullivan, Megan Washington, Paul Kelly, Mike Nock, Barney McAll, Enrico Rava and Arthur Blythe among others.[2]
Stephen Magnusson | |
|---|---|
| Birth name | Stephen John Magnusson |
| Born | 13 February 1969 |
| Genres | Jazz |
| Occupation(s) | Musician, composer |
| Instrument(s) | Electric guitar, acoustic guitar |
| Website | www.mag.net.au/about/ |
In 2013, Magnusson was awarded the Melbourne Prize for Music[3] Outstanding Musician Award.[4]
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1969-1990: Early years
Magnusson began playing musical instruments at age three when he was given a ukulele. At age six he had his first guitar and began performing at the age of ten on an electric guitar that he borrowed from a school teacher. He started to formally study improvisation under Gordon Pendelton at Box Hill TAFE in 1985.[2]
In 1986, Magnusson began his formal training at the prestigious Victorian College of the Arts.[5] Here, he worked under the supervision of musicians, Tony Gould, Bob Sedergreen and Paul Grabowsky.[2] He practiced improvisation and composition, joining various bands and exploring many styles, developing an understanding of the mechanics of his instrument and the art of improvisation.[citation needed]
Magnusson was influenced as a child by the Beatles whose music Magnusson describes as "a magical experience, because it was so produced, and because of this amazing journey that they'd take you on. Especially from the mid 1960s on, they just explored sound."[6]
Magnusson was also influenced by the linear playing of George Benson and Wes Montgomery, but also fascinated by Andy Summers of the Police who Magnusson says "..played these beautiful colours that didn't sound like pop music at the time… I just loved exploring that principle."[6]
1990-1999: Europe and Snag
In the mid 1990s, Magnusson travelled to Europe, performing and collaborating with musicians in Switzerland, Germany, Bulgaria and the Netherlands. In 1997 he was appointed to the staff of The Academy of Contemporary Music in Zurich and met his longtime collaborator Sergio Beresovsky.[2] They performed regularly with Björn Meyer, a Swedish bassist and were joined soon after by Australian saxophonist Julien Wilson. They formed the group SNAG and recorded a self-titled album which was released in Australia with the title Hey Guess What.[2] Magnusson both played and taught across Europe and performed regularly with SNAG and other ensembles.[7]
In 1999, Magnusson was nominated for the Swiss Fellowship award.[7]
2000-2011: Solo success
After three years living in Zurich, Magnusson returned to Melbourne in 2000.
At the 2000 National Jazz Awards (as part of the Wangaratta Festival of Jazz), Magnusson won the National Jazz Award.[2]
After performing with drummer Sergio Beresovsky and trumpeter Eugene Ball, the trio released the album, Healing Songs in February 2002.[8]
In 2001, Magnusson returned to Europe, touring throughout Germany and Switzerland. In October, Magnusson brought SNAG to Australia for an East Coast tour and again appeared at the Wangarratta Jazz Festival.[7]
In 2002, Magnusson spent time in the Northern Territory playing music in Aboriginal communities with old friend and collaborator Stephen Teakle. This had a significant impact on both his life and his music.[citation needed] Upon returning to Melbourne, Magnusson embarked on a recording that would incorporate these influences compositionally and sonically. Boundaries was released that year with Bassist Frank Di Sario.[9]
In 2007, Magnusson released 14 Little Creatures on ABC Music, with The Weekend Australian giving it 4 out of 5 saying "These 14 creatures are highly individual solo guitar performances, ten of which were composed by... Stephen Magnusson. Listening to this album is like having Magnusson in your lounge room to play an intimate, unique solo concert on acoustic guitar."[10]
Magnusson has had three compositions added to The Australian Jazz Real Book[11] and in 2013 the Melbourne Prize Trust awarded Magnusson the Outstanding Musician Award.[3]
2012-present: Magnet and Boundaries
In 2012, Magnusson formed the four piece improvisational group called Magnet. Their self titled debut album was released in October 2012.[12]
Magnusson has had three compositions added to The Australian Jazz Real Book[13] and in 2013 the Melbourne Prize Trust awarded Magnusson the Outstanding Musician Award.[3]
In 2013 at the Australian Jazz Bell Award, Magnusson won Best Contemporary Jazz Album with his quartet MAGNET (with Carl Pannuzzo, Eugene Ball and Sergio Beresovsky).
In May 2015, Magnusson appeared at the Melbourne International Jazz Festival with the Stephen Magnusson Quartet, Kinfolk which, along with Magnusson on guitar, included Frank DiSario on double bass, Tim Neal on Hammond organ, and Dave Beck on drums.[14]
In November 2015, a second Magnet album was released, featuring Magnusson on guitars, Beresovsky on drum, Ball on trumpet, Carl Pannuzzo on voice and DiSario on acoustic bass guitar.[15]
As of 2020, Magnusson is writing for his duo Boundaries (with Frank DiSario) and trio MAGnet (featuring DiSario and Dave Beck).
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Albums
| Title | Album details |
|---|---|
| Healing Songs (with Eugene Ball and Sergio Beresovsky) |
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| Departures / Assumptions (with Julien Wilson and Will Guthrie) |
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| Assumptions 2 (with Julien Wilson and Will Guthrie) |
|
| Boundaries (with Frank Di Sario) |
|
| Mag |
|
| 14 Little Creatures | |
| Deflection (with Ren Wilson) |
|
| Kaleidoscopic (with Julien Wilson, featuring Barney McAll, Mark Helias and Jim Black) |
|
| Inflection (with Ren Walters) |
|
| Magnet (as Magnet) |
|
| Aquacheta (with Mirko Guerrini, Frank DiSario and Niko Schäuble |
|
| Paper Tiger (with Jamie Oehlers and Ben Vanderwal) |
|
| The Slide Project Trio (with Sam Evans and Debasis Chakroborty |
|
| SOM (as Magnet) |
|
| Beech/Magnusson (with Jack Beeche) |
|
| Endure (with Eugene Ball) |
|
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Australian Jazz Bell Awards
The Australian Jazz Bell Awards, (also known as the Bell Awards or The Bells), are annual music awards for the jazz music genre in Australia. They commenced in 2003.[29]
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2008 | "14 Little Creatures" | Australian Jazz Composition of the Year | Nominated |
| 2013 | Magnet by Magnet | Best Australian Contemporary Jazz Album | Won |
Melbourne Prize Trust
The Melbourne Prize Trust grants awards on a rolling three-year basis for Urban Sculpture, Literature and Music and commenced in 2005.[3]
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2013 | Stephen Magnusson | Outstanding Musician Award | inductee |
National Jazz Awards
The National Jazz Awards are organised as part of the Wangaratta Festival of Jazz and Blues and began in 1990.[30][31]
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| 2000 | Stephen Magnusson | National Jazz Award | Won |
National Live Music Awards
The National Live Music Awards (NLMAs) are a broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016.
| Year | Nominee / work | Award | Result |
|---|---|---|---|
| National Live Music Awards of 2019[32][33] | Stephen Magnusson | Live Jazz Act of the Year | Nominated |
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