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1995 novel by Milan Kundera From Wikipedia, the free encyclopedia
Slowness (French: La Lenteur) is a novel by Czech writer Milan Kundera published in 1995 in France, where the author had been living since the 1970s. It's his first fictional work written in French.[1] In the book, Kundera weaves together a number of plot lines, characters and themes in just over 150 pages. While the book has a narrative, it mainly serves as a way for Kundera to expound his philosophical ideas about modernity, technology, memory and sensuality.
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Author | Milan Kundera |
---|---|
Language | French |
Publisher | Harper Perennial |
Publication date | 1996 (1995 in French) |
Publication place | France |
Media type | Print (Hardback & Paperback) |
Pages | 192 pp |
ISBN | 0-06-092841-7 (paperback) |
OCLC | 36959797 |
The novel is a meditation on the effects of modernity upon the individual's perception of the world. It is told through a number of plot lines that slowly weave together until they are all united at the end of the book.
Each plot shows a different point-of-view into Kundera's concept of the dancer and provides a perspective on modernity, memory and sensuality. By the end of the book, all of these plots have been brought together in a single location and the characters interact, showing how the ideals they represent interact in the world.
Kundera even manages to tie the modern to the past by having Vincent meet the Chevalier as they both depart. By having these characters meet, Kundera again illustrates how the idea of sensuality and pleasure have changed as technology provides humanity with tools that speed us to our destination and demand our attention.
For a 150-page novel, there are a large number of characters in this book. Many of them have heavy symbolic qualities and their interactions appear to be a way in which Kundera is illustrating the philosophy he directly describes in the dialog of the story.
There is no single central theme in the book, although the title suggests that the speed of modern living is the key concept that is the root cause of the events of the book. Several events in the book are tied to the speed of movement, such as speeding cars or slow walks through a garden.
Kundera ties slowness to the act of remembering, and speed to the act of forgetting. When one wants to savour, remember, or prolong a moment, one moves and acts slowly. On the other hand, one travels fast in order to forget a past experience. For example, after Vincent's disastrous night at the chateau, he gets on his motorcycle and drives home as fast as he can in order to leave behind the site of his failed romantic endeavor.
There is also the suggestion that speed creates vulgarity, as suggested by the parallel seductions held at the chateau. Vincent's seduction of Julie is misguided and ultimately fails. Madame de T's seduction of the Chevalier is deliberate and provides them with a night of pleasure.
Speed and failure are also associated as Vera comments that slowness has protected Milan in the past. This suggests that serious consideration requires slowness; speed encourages rash decisions and ultimately failure.
Kundera introduces the concept of the dancer early in the book. The dancer, defined in the story, is a person who constantly seeks the infinite and invisible audience that modern media offers. The fame that a successful dancer gathers has a dramatic effect on the life of the dancer and upon people who seek out the dancer (those who consider themselves "elect").
The entire storyline of Berck and Immaculata seems to represent this theme both in the literal story that is told as well as through the symbolism of their names and actions. For example, Immaculata, a "night bird" who troubles Berck's sleep before his rise to fame, becomes Berck's nightmare at the conference.
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